Bloomfield, Mike

Vinyl Records and Rare LPs:

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Red Hot & Blue
Pop New - LP UV 006 Akarma
180gm hq... more details
Bloomfield, Mike - Michael Bloomfield Michael Bloomfield
Pop Used - LP B 1063 Takoma
1978 Original Still In Shrink Wrap, Cut Corner. Appears Unplayed. "This Self-Titled Effort Found Bloomfield Reaching Back To His Nightclub Roots, Following Forays Into Acoustic Music (Analine), Sleazy R&B-Derived Rock (Count Talent & The Originals), Instructional Albums (If You Love These Blues Play 'Em As You Please), And Gospel Guitar Duets (Bloomfield/Harris). Six Of The Eight Tracks Here Are Blues Standards That Bloomfield Tailored To His Aggressive And In-Your-Face Guitar Style. The Sound Mirrors Count Talent’s Barroom Lurch, Only With A Smaller Cast. This Time, The Bedrock Is Drummer-Vocalist Bob Jones And Bassist "Gashouse Dave" Shorey, With Bloomfield Shouldering The Multi-Instrumental Load. Bloomfield Adds Some Deft Touches, Such As Lead Acoustic Guitar And Six-String Banjo On "Knockin' Myself Out," A Darkly Humorous Look At Self-Destruction. "Sloppy Drunk" Sketches The Alcoholic's Life From A Lighter Standpoint, While "Women Loving Each Other" Is A Frank Examination Of Lesbianism, From The Jilted Man's Side. Bloomfield And Friends Also Nod To Their Roots On A Haunting Rendition Of "See That My Grave Is Kept Clean," Which Glows From His Accordion, Piano, And Acoustic Slide Guitar. This Album Is Among His Most Consistent Efforts; Needless To Say, It's Also Extremely Scarce, So Snatch It Up Before Another Knowledgeable Person Gets There First." Ralph Heibutzki, AMG.... more details
Bloomfield, Mike - I'm Cutting Out I'm Cutting Out
Blues Audiophile - LP LP 5105 Sundazed
Mint, Unplayed And Long Out Of Print 2001 180gm HQ Still In Shrink Wrap. Includes Previously Unheard Cuts.... more details
Bloomfield, Mike - Between The Hard Place And The Ground Between The Hard Place And The Ground
Folk New - LP TAK 7070 Takoma
Sealed, Hard To Find 1979 Original.`... more details
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I'm With You Always
Pop New - LP Fiend 92 Demon
UK Only Vinyl. Recorded Live At McCabe's in 1977.... more details
Bloomfield, Mike - Live At Bill Graham's Fillmore West Live At Bill Graham's Fillmore West
Pop New - LP CS 9893 Columbia
Sealed 360 Stereo Original Featuring Nick Gravenites, Taj Mahal, Bob Jones And Others. Tiny Cut Corner.... more details
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It's Not Killing Me
Pop New - LP CS 9883 Columbia
Sealed 1969 360 Stereo Original With Old $2.98 Price Tag Over Shrink.... more details
Bloomfield, Mike - Living In The Fast Lane Living In The Fast Lane
Blues New - LP 11 Waterhouse
Sealed 1980 Vinyl Rarity, COH.... more details
Bloomfield, Mike - It's Not Killing Me It's Not Killing Me
Pop Used - LP CS 9883 Columbia
Beautiful 360 Stereo Original. 1C/1C Stampers.... more details
Bloomfield, Mike - If You Love These Blues, Play 'Em As You Please If You Love These Blues, Play 'Em As You Please
Pop New - LP 3002 Guitar Player
Sealed, Rare 1976 Original.... more details
Bloomfield, Mike - Count Talent And The Originals Count Talent And The Originals
Pop Used - LP 8805 Clouds
Rare 1978 Gatefold Original.... more details
Bloomfield, Mike - A Retrospective A Retrospective
Pop Used - LP C2 37578 Columbia
1983 2LP Gatefold, Gold Promo Stamp On Back Cover. Includes Previously Unreleased Material.... more details
Bloomfield, Mike - Junko Partner Junko Partner
Pop New - LP A 1004 Andover
Sealed, Rare 1982 Original. Previously Unreleased Recordings.... more details
Bloomfield, Mike - Count Talent And The Originals Count Talent And The Originals
Pop New - LP 8805 Clouds
Sealed, Rare 1978 Gatefold Original.... more details
Bloomfield, Mike - Live Adventures Live Adventures
Pop Used - LP MA 27084 Masters
Hard To Find Live Recording From January 1, 1977 At McCabe's Guitar Shop, Santa Monica. This Recording Has Also Been Released As "Prescription For The Blues." Shrink Wrap Intact. Record Appears Unplayed.... more details
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Living In The Fast Lane
Blues Used - LP WATERHOUSE 11 Waterhouse
1980 Original In Shrink Wrap With Insert. Appears Glossy, Unplayed. “An Artist's Final Album Always Sits Heavily On The Shelf, And Even More So When That Life Has Been Cut Abruptly Short, Becoming An Unintended Epitaph To What Was A Still Flourishing Career. Thus, Living In The Fast Lane Has A Weighty Burden To Bear, One That Michael Bloomfield Never Meant It To Shoulder, Yet The Set Does So With Remarkable Ease. There's A Definite Joie De Vivre Found Within, Partly, One Presumes, A Reflection Of The Happiness Of Reuniting With Myriad Former Cohorts, Among Them Mark Naftalin And Bob Jones, Who Both Played On Bloomfield's Debut Solo Album Back In 1969, And Ex-Electric Flag Roger Troy. A Gospel Choir And An Entire Band Provide Backing Vocals And A Horn Section, Which Hints At The Many Styles Showcased Within. The Set Kicks Off With "Maudie," A Classic R&B Number That Brilliantly Highlights Naftalin's Piano Skills, Bloomfield's Own Keyboard Talent, And Even More Spectacularly His Emotive, Fluid Guitar Style, As His Leads Wind Round Vocalist Frank Biner, Almost Engaging Him In Conversation. On The Indeed Ragtime-Flavored "Watkin's Rag" Bloomfield Plays Everything Flawlessly, Of Course, Even As He Attempts To Outdo Himself In Places. That's An Instrumental, While On "Big C Blues" He Also Picks Up The Mike, Defiantly Determined To Have A Good Time, As His Piano And Slide Guitar Vie For Attention. Bloomfield Sings Out His Own Frustration At Himself On The Autobiographical "Used To It," A Funk-Drenched Self-Pummeling. "Roots" Is Equally Funky, But In A Slicker Temptations Style That Stresses The Importance Of Knowing Where You Come From. Bloomfield Certainly Does And Is Keen To Highlight All The Styles That So Influenced Him Within This Set. With Gospel-Flecked Blues, Country-Speckled Blues, Lavish Soul, Jazzy Ragtime, R&B, And On "Andy's Bad" Even A Touch Of Hip-Hop, Bloomfield And Company Showcase Blues Of Many Shades, Progenitors, And Descendents. The Musicianship Is Sensational, The Vocalists Superb, And Bloomfield Is On Fire, Yet There's No Struggle And Strain To Succeed, Just A Sublime Atmosphere. Fans Will Insist He Made Much Better Sets, And They'd Be Right, But Regardless, This Album Remains A Magnificent Achievement, One That's Lost None Of Its Power Over The Years.” Jo-Ann Greene, AMG.... more details

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