Kaleidoscope

Vinyl Records and Rare LPs:

No Image
Available
Side Trips
Pop Used - LP BN 26304 Epic
Stereo Original, 1B/1B Stampers.... more details
 
No Image
Available
Incredible
Pop Used - LP ED 292 Edsel
1988 Reissue.... more details
 
Kaleidoscope - Kaleidoscope Kaleidoscope
Pop New - LP BN 26467 Epic
Sealed 1969 Stereo Original, CC.... more details
 
No Image
Available
Bernice
Pop Used - LP BN 26508 Epic
1970 Yellow Label Original With David Lindley. ... more details
 
Kaleidoscope - When Scopes Collide When Scopes Collide
Pop New - LP ILPA 9462 Pacific Arts
Sealed 1976 Second Issue. Minor Corner Wear.... more details
 
No Image
Available
Faintly Blowing
Psych Used - LP 006 5 Hours Back
Mint 1987 UK Reissue Of A Killer Psych Masterpiece. ... more details
 
Kaleidoscope - Kaleidoscope Kaleidoscope
Psych Colored Vinyl LP 12-666 La Ciruela Electrica
Mint, Long Out Of Print Red Virgin Vinyl Reissue Of The 1969 Mexican Psych Classic.... more details
 
Kaleidoscope - Kaleidoscope Kaleidoscope
Psych Used - LP LP 12-666 La Ciruela Electrica
Long Out Of Print, Limited Edition 1997 Reissue Of The 1969 Orfeon Mexican Psych Mega Rarity. Appears Unplayed.... more details
 
Kaleidoscope - Kaleidoscope Kaleidoscope
Psych Colored Vinyl 12-266 La Ciruela Electrica
Rare Purple Splash Vinyl Reissue Of The Seven Thousand Dollar 1969 Mexican Psych Mega Rarity. Comes Housed In A Flip-Back Jacket. Licensed By Orfeon Records.... more details
 
Kaleidoscope - When Scopes Collide When Scopes Collide
Pop New - LP ILPA 9462 Pacific Arts
Factory Sealed Embossed Cover Original With Custom Album Personnel And Recording Details Sheet On The Rear Shrink Wrap.... more details
 
Kaleidoscope - Incredible Kaleidoscope Incredible Kaleidoscope
Pop Used - LP BN 26467 Epic
1969 Yellow Label Stereo Original Housed In A Near Mint Gatefold Cover. 1C/2C Stampers. Appears Glossy, Unplayed. “Incredible! (1969) Was The Combo's Third Album And First To Boast Contributions From Newest Members Stuart Brotman (Bass/Vocals) And Paul Lagos (Percussion), Flanking David Lindley (Guitar/Banjo/Violin/Vocals), Solomon Feldthouse (Guitar/Oud/Clarinet/Saz/Jumbas/Vocals), And Chester Crill (Harmonica/Violin/Organ/Vocal). In The Absence Of Chris Darrow's Commanding Songwriting, Each Member Projected Himself Into The Material, Which Adopts A Discernible Country-Rock Lilt Accompanying Kaleidoscope's Established Eastern-Informed Psychedelia. Nowhere Do The Two Seemingly Disparate Styles Fuse As Effortlessly As The Upbeat Opener, "Lie To Me." Similarly The Rural Feel Of "Let The Good Love Flow" Could Be Easily Mistaken For The New Riders Of The Purple Sage Or Commander Cody, With Lindley Pulling Off A Convincing Faux Steel Guitar Lead. On The Other Side Of The Spectrum Is The Funky Workout On Howlin' Wolf's "Killing Floor," As It Slithers And Slides Around Lagos' Solid Rhythm. The Appropriately Titled "Banjo" Provides Lindley With A Vehicle For His Remarkable Virtuosity, Likewise Adding Stimulation From Feldthouse's Strong East-Meets-West Vibe. The LP Concludes With The Lengthy And Adeptly Crafted "Seven-Ate Sweet," A Reference To The Time Signature Of The 11-Plus-Minute Instrumental. It Offers Nothing Short Of A Consistently Inspired Example Of The Power And Prowess Within This Incarnation. “Lindsay Planer, AMG.... more details
 
Kaleidoscope - Psychedelic Sounds Of Kaleidoscope Psychedelic Sounds Of Kaleidoscope
Psych New - LP P 17936 Back-Trac
Sealed 1984 Compilation. Some Songs Previously Only Available On 45s.... more details
 
Kaleidoscope - Tangerine Dream Tangerine Dream
Pop Used - LP TOCK 005 5 Hours Back
Beautiful 1987 UK Reissue Still In Shrink Wrap. Record Appears Glossy, Unplayed.... more details
 
Kaleidoscope - Incredible Kaleidoscope Incredible Kaleidoscope
Pop Used - LP BN 26467 Epic
1969 Yellow Label Unipak Gatefold Original. Jacket Displays Light General Wear, Bottom Corner Rubbing; Vinyl Is In Glossy Near Mint Condition. 1A/2B Stampers. "Incredible! (1969) Was The Combo's Third Album And First To Boast Contributions From Newest Members Stuart Brotman (Bass/Vocals) And Paul Lagos (Percussion), Flanking David Lindley(Guitar/Banjo/Violin/Vocals), Solomon Feldthouse (Guitar/Oud/Clarinet/Saz/Jumbas/Vocals), And Chester Crill (Harmonica/Violin/Organ/Vocal). In The Absence Of Chris Darrow's Commanding Songwriting, Each Member Projected Himself Into The Material, Which Adopts A Discernible Country-Rock Lilt Accompanyingkaleidoscope's Established Eastern-Informed Psychedelia. Nowhere Do The Two Seemingly Disparate Styles Fuse As Effortlessly As The Upbeat Opener, "Lie To Me." Similarly The Rural Feel Of "Let The Good Love Flow" Could Be Easily Mistaken For The New Riders Of The Purple Sage Or Commander Cody, With Lindley Pulling Off A Convincing Faux Steel Guitar Lead. On The Other Side Of The Spectrum Is The Funky Workout On Howlin' Wolf's "Killing Floor," As It Slithers And Slides Around Lagos' Solid Rhythm. The Bayou-Tinged "Petite Fleur" Hearkens To A Sound The Band Explored On The Cover Of Doug Kershaw's "Louisiana Man" From Their Previous Long-Player, A Beacon From Mars. The Appropriately Titled "Banjo" Provides Lindley With A Vehicle For His Remarkable Virtuosity, Likewise Adding Stimulation From Feldthouse's Strong East-Meets-West Vibe. The Traditional "Cuckoo" Is One Of Kaleidoscope's Heavier Numbers, Reinforcing Lagos' Muscular Interjections. The Disc Concludes With The Lengthy And Adeptly Crafted "Seven-Ate Sweet," A Reference To The Time Signature Of The 11-Plus-Minute Instrumental. It Offers Nothing Short Of A Consistently Inspired Example Of The Power And Prowess Within This Incarnation." - Lindsay Planer, AMG... more details
 

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