Tarantino, Quentin

Vinyl Records and Rare LPs:

Tarantino, Quentin - Kill Bill Vol. 1 Kill Bill Vol. 1
Soundtrack New - LP 48570 Band Apart
Sealed 2003 Original. "As Tarantino Plot Lines Go, This Is The Simplest Yet, But Revenge Movies Shouldn't Be Encumbered By Deep Subtext. Instead, He Divided The Film Into Chapters, Giving Him Opportunity To Play With Both Time And Location, And Then Decided To Shoot Each Chapter As A Homage To A Different Kind Of Exploitation Film — Something That's Reflected In The Soundtrack. After Nancy Sinatra's Torchy "Bang Bang (My Baby Shot Me Down)" And Charlie Feathers' Tough, Swaggering Rockabilly Chestnut "That Certain Female" Set The Story And The Mood, The Record Is Devoted Primarily To Instrumental Pieces That Range From Surging Epics To The Calm Kitsch Of Zamfir's "The Lonely Shepherd," To The Intense Funk Pastiche Of Tomoyasu Hotei's "Battle Without Honor Or Humanity" (The Song That Kicks Off Nearly Every Trailer And Ad For Kill Bill). The Reduced Presence Of Dialogue From The Film — A Hallmark Of Tarantino Soundtracks — Is A Reflection Of The Film, Which Places Emphasis On Action And Visuals. Hell, Even The Tracks On The Soundtrack Have Minimal Lyrics, Consisting Largely Of Instrumentals. This Gives It More Of A Meandering Feeling, And The Soundtrack Kind Of Peters Out, Ending In Two Quick Excerpts Of Futuristic Electro Music By Quincy Jones And Neu!, Then A Gaggle Of Sound Effects And Kung Fu Hits. Nevertheless, Its Cavalcade Of Contradictory Moods Has Its Own Coherence, And Is More Musical Than Most Pop Music Soundtracks. Plus, This Has No Familiar Material, Nor Does It Have Anything That Would Be A Single On Clear Channel, Which Is Why It Works As An Album Of Its Own — It Doesn't Just Reflect The Movie; It Follows Its Own Logic, And Displays Fearless Imagination.” -Stephen Thomas Erlewine, All Music Guide... more details
 

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