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West Texas Waltzes & Dust-blown Tractor Tunes
Used - LP - RLT 114
1978 Original. "West Texas Waltzes & Dust-blown Tractor Tunes" is an album by Butch Hancock, a prominent figure in the Texas country music scene and co-founder of the Flatlanders. Released in 1978, this album showcases Hancock's distinctive songwriting and storytelling abilities, drawing on the rich, rugged landscapes of West Texas. The album features a collection of tracks that blend traditional country and folk influences with Hancock's unique lyrical insights. Known for his poetic approach, Hancock's music often reflects on themes of love, life, and the enduring spirit of the Texan landscape, offering listeners a deep dive into the heart of the region's cultural and musical heritage.
The album is notable for its sparse and authentic production, which highlights Hancock's vocal delivery and guitar work. Each track carries a sense of intimacy and raw emotion, inviting listeners into Hancock's world of dust-laden plains and wide-open skies. Songs such as the title track "West Texas Waltz" have become staples in Hancock's repertoire, celebrated for their simplicity and emotional resonance. As an early work in Hancock's extensive career, "West Texas Waltzes & Dust-blown Tractor Tunes" continues to be appreciated by fans and newcomers alike for its earnest portrayal of the West Texas experience and its contribution to the country and folk music genres. ...
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Thank You, Rock Fans!!
Used - LP - ROGV-019
2017 Limited Edition with insert. "Thank You, Rock Fans!!" by Marshall Crenshaw is a live album that captures the energetic and heartfelt performances of the acclaimed singer-songwriter and guitarist. Released as part of Crenshaw's efforts to celebrate and document his live shows, the album features recordings from a series of concerts. Known for his melodic prowess and crisp guitar work, Crenshaw delivers a setlist that highlights his knack for blending rock, pop, and rockabilly influences. The album provides listeners with a genuine taste of Crenshaw's on-stage charisma and the dynamic interaction between him and his audience, which has been a hallmark of his career.
The vinyl edition of "Thank You, Rock Fans!!" offers audiophiles and Crenshaw enthusiasts a warm, analog listening experience that complements the live recording's authenticity. The album includes a selection of fan favorites and deep cuts from Crenshaw's extensive catalog, providing a retrospective of his career while showcasing his continued relevance and passion for live performance. With its raw sound and engaging delivery, the vinyl serves as both a tribute to his fans and a testament to Crenshaw's enduring appeal as a musician who thrives in the live setting. ...
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No Sense Of Sin
Used Import - 25RS-214
1984 Japan pressing with Obi. This pressing has the track "Too Young", replaced by "You Don't Need Someone New". "No Sense of Sin" is the debut studio album by the British new wave band The Lotus Eaters, released in 1984. Known for its melodic and melancholic sound, the album features a collection of tracks that highlight the band's ethereal pop sensibilities. The music is characterized by gentle, jangly guitars and introspective lyrics, which resonate with the new romantic and post-punk influences of the early 1980s. The standout tracks "The First Picture of You" and "It Hurts" exemplify the band's ability to craft memorable and emotive melodies. The album's production, with its layered instrumentation and lush arrangements, creates an atmospheric soundscape that captures the wistful essence of the era.
The Lotus Eaters, fronted by Peter Coyle and Jeremy Kelly, managed to carve out a niche within the crowded 1980s music scene with "No Sense of Sin." Despite not achieving massive commercial success, the album has maintained a cult following over the years, appreciated for its sincerity and craftsmanship. The themes of love, longing, and introspection pervade the album, giving it an enduring quality that continues to resonate with listeners. The artistic vision of the band is evident in the careful composition of each track, making "No Sense of Sin" a cherished piece of the 1980s musical landscape. ...
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Bobbie Gentry's The Delta Sweete Revisited
New Import - BELLA852V
Sealed 2019 180gm limited edition with hype sticker. Song-by-song cover version of the album Bobbie Gentry - The Delta Sweete (1968), with "Louisiana man" replaced by "Ode to Billie Joe". A Mercury Rev tribute album released in 2019, offering a reinterpretation of Bobbie Gentry’s 1968 cult classic "The Delta Sweete." The album features Mercury Rev's distinct psychedelic rock sound blended with Gentry's Southern Gothic storytelling, recreating the original work's essence while bringing a fresh perspective. Each track on the album is led by guest vocalists, including notable artists like Norah Jones, Lucinda Williams, Phoebe Bridgers and Hope Sandoval, who lend their unique voices to Gentry’s evocative narratives, enriching the original compositions with new emotional depth.
The vinyl release of "The Delta Sweete Revisited" maintains a rich, warm sound that complements the intricate arrangements and lush instrumentation Mercury Rev employs to pay homage to Gentry’s work. The album is not merely a cover but a comprehensive reinterpretation that retains the haunting, mysterious qualities of the original while showcasing the collaborative spirit of the contributing artists. The nuanced production on vinyl ensures a listening experience that captures the album's layered textures and atmospheric qualities, making it a fitting tribute that honors both the legacy of Bobbie Gentry and the creative vision of Mercury Rev. ...
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All The Best !
Used - LP - CLW-48287
1987 2LP original in gatefold with inner sleeves. "All The Best!" is a compilation album by Paul McCartney, released in 1987. It gathers a wide-ranging selection of his post-Beatles career hits, spanning various albums and showcasing his versatility as a musician. The album includes tracks from McCartney's solo work as well as with his band Wings, offering listeners a comprehensive overview of his evolution as an artist. Notable songs such as "Band on the Run," "Jet," and "Live and Let Die" highlight his talent for crafting memorable melodies and his ability to blend rock, pop, and other genres seamlessly.
The compilation was released in different versions for the UK and the US markets, each containing slight variations in track listings to cater to regional preferences. "All The Best!" was well-received commercially, reaching high chart positions and being certified multi-platinum in several countries. The album serves as an accessible entry point for those new to McCartney's solo catalog while also providing long-time fans with a curated collection of his most enduring hits from the 1970s and 1980s. Its success underscores McCartney's enduring appeal and his significant impact on popular music beyond his work with the Beatles. ...
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Cold Spring Harbor
Used Import - 25AP 2735
1983 Japan import with Obi. “A Few Short Months After Abandoning The Heavy Organ-And-Drums Duo Attila -- Partially Because Their Sole Record Flopped, Partially Because He Stole The Drummer's Wife -- Billy Joel Reinvented Himself As A Sensitive Singer/Songwriter. He Had Shown Signs Of McCartney-Esque Songcraft On Hour Of The Wolf, The Last Hassles Album, But His Debut Album, Cold Spring Harbor, Is Where These Talents Blossomed. The Record Was Uneven But Very Charming, Boasting Two Of His Finest Songs -- The Lovely "She's Got A Way" And The Bitterly Cynical "Everybody Loves You Now" -- And A Score Of Flawed But Nicely Crafted Songs That Illustrated Joel's Gift For Melody, As Well As His Pretensions (The Mock-Gospel In "Tomorrow Is Today," A Classical Stab Entitled "Nocturne"). In Its Own Way, Cold Spring Harbor Was A Minor Gem Of The Sensitive Singer/Songwriter Era; Joel May Have Been In His Formative Stages As A Craftsman, But His Talents Are Apparent, And He Never Made An Album As Intimate And Vulnerable Ever Again. Ironically, It Didn't Sound Right Upon Its Original Release. Through A Bizarre Mastering Error, The Tapes Were Sped Up -- Legend Has It That Upon Hearing The Completed Album, He Ripped It Off The Turntable, Ran Out Of The House, And Threw It Down The Street. It Wasn't Until 1983 That Columbia Released A Corrected Reissue. The Speed Wasn't The Only Thing Changed -- Some Songs Were Edited Drastically ("You Can Make Me Free," One Of The Standouts, Was Chopped By Nearly Five Minutes) And Instruments And Backing Vocals Were Stripped Away From Numerous Tracks. It May Be A Bastardization Of The Original Release, But It's An Acceptable One, Since These Changes Only Accentuate The Intimacy And Vulnerability Of The Recording.” All Music Guide - Stephen Thomas Erlewine. ...
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On The Beach
Used Import - K 54014
1974 UK import with custom inner jacket "Wallpaper" artwork and custom inner sleeve. The Album Features An Atmospheric Sound And Deeply Personal Lyrics That Reflect The Artist's Disillusionment With The Music Industry And Fame. The Album's Highlights Include The Haunting Title Track, The Catchy "Walk On," And The Politically Charged "Revolution Blues." "On The Beach" Would Be Considered A Deep Catalog Release But A Worthwhile Listen. The UK production of "On the Beach" is notable for its minimalist approach, which allows the emotional depth of the songs to resonate more profoundly. It's a highly recommended listen. The album's simplicity is underscored by its use of sparse arrangements and an organic sound, a contrast to some of the more polished productions of the time. This choice emphasizes the authenticity of Young's artistic expression, making the listening experience intimate and immersive. "On the Beach" has grown in stature over the years, appreciated for its honesty and artistic bravery, and remains a significant work in Neil Young's discography. ...
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Emotions
Used - 12 - DMSR8701-1
Signed 2024 12" EP, 33rpm on rare red/black swirl vinyl. Cover contains original Egyptian Lover hand drawn artwork. Includes the songs "Emotions", "Emotional" (Instrumental) & "Dirty Passionate Yell" & "Dirty Music" (Instrumental) from his 4th coming album. The songs feature his distinctive electro sound that the artist is known for. Egyptian Lover, a pioneer in the Los Angeles dance music scene, has consistently infused his tracks with a blend of hip-hop and electronic influences. "Emotions" showcases his signature use of analog synthesizers and drum machines, creating a sound that is both nostalgic and innovative for its time. T ...
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Donuts
Colored Vinyl - Used - STH2126
2015 2LP 180gm Vinyl Me, Please reissue pressed on Clear vinyl, housed in a gatefold cover. Gentle crease to top left corner. #3266. "Donuts Was Made On A Hospital Bed And In A Home Studio, On A Stripped-Down Setup With A Stack Of Vinyl. Released On Its Maker's 32nd Birthday, Three Days Before He Passed Away, The Album Has A Resonance Deeper Than Anyone Could've Hoped For Or Even Imagined. Some Who Were Close To Dilla Have Said That There Are Hidden Messages In The Samples, The Track Titles, And Who Knows Where Else. It's Impossible Not To Speculate About Some Things, Like The Track Titled "Don't Cry," The Looped "Broken And Blue" From A Version Of "Walk On By," The Presence Of Eddie Kendricks Singing "My People, Hold On," Or The Fact That There Are 31 Tracks, A Possible Signal That Dilla Survived A Little Longer Than He Expected. Then Again, For Every Possible Message, There Are Two Or Three Elements That Could've Been Designed To Throw Any Analysis Off Its Trail. After All, If There's One Single Image That The Disc Brings To Mind, It's That Of Dilla Goofing Off, Having Fun With Some Of His Favorite Records, And Messing With Some Heads In The Process. (And You Could Probably Make The Album's Title Out To Be A Metaphor For The Circle Of Life, But Sometimes A Donut Is Just A Donut.) Armed With Sources That Are Either Known To Novice Sample Spotters Or Only The Most Seasoned Diggers -- Surprisingly, The Former Greatly Outweighs The Latter -- Dilla's Also Just As Likely To Leave His Samples Barely Touched As He Is To Render Them Unrecognizable. It's Fitting That Motown Echoes, A Predominant Theme, Are Often Felt, From The Use Of Dionne Warwick's Holland-dozier-holland-written "You're Gonna Need Me" (On "Stop"), To The Shifting Waves Of Percussion Plucked From Kendricks' "People... Hold On" (On "People"), To The Stevie-Like Piano Licks Within Kool & The Gang's "The Fruitman" ("The Diff'rence"). Most Of The Tracks Fall Into The 60-90 Second Range. It's Easy To Be Overwhelmed, Or Even Put Off, By The Rapid-fire Sequence, But It's Astounding How So Many Of The Sketches Leave An Immediate Impression. By The Third Or Fourth Listen, What Initially Came Across As A Haphazard Stream Of Slapped-Together Fragments Begins To Take The Shape Of A 44-Minute Suite Filled With Wistful Joy. Like Everything Else Dilla Has Ever Done, Donuts Is Not Defining; In Fact, Elements Of Its Approach Bare The Apparent Influence Of Jaylib Collaborator Madlib. His Mode Has Always Been Too Slippery And Restlessly Progressive To Be Equated With Any One Track Or Album, But Donuts Just Might Be The One Release That Best Reflects His Personality." All Music Guide - Andy Kellman. ...
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Vulture Culture
Used - LP - AL8-8263
1985 US original Electrosound pressing. Custom hype sticker affixed to front cover. VG+ vinyl; Glossy jacket with cut corner, spine split & corner dings. Recorded and Mixed at Abbey Road Studios, London between May and July 1984. ...
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