Vinyl Record and Rare LP Resource Ideal For Serious Collectors

Most Recent Additions to the Vinyl Records DB

	Animals (2018 Remix) Used - Vinyl - PFRLP28 2022 180gm remixed reissue housed in a crisp gatefold jacket with booklet insert and includes original plain die-cut inner sleeve. Remixing by James Guthrie. ... more
	But Here We Are Colored Vinyl - Used - 19658-80113-1 2023 US original White vinyl pressing, pressed ay RTI. Includes printed inner sleeve and insert. ... more
	Echoes, Silence, Patience & Grace Used - Vinyl - 88697 11516-1 US 2LP reissue housed in a gatefold jacket with printed inner sleeves. ... more
	Opiate Used - Vinyl - 61422-31027-1 2017 or later EP reissue/repress. Solid VG+ player, some light run-in noise. "In retrospect, Opiate seems a little haphazard, but it's possible to hear the seeds of Tool's oppressively bleak, cerebral metal in such cuts as "Sweat" and "Opiate." The two live tracks, "Cold and Ugly" and "Jerk-Off," don't sound out of place, since they share the same churning riffs, black noise, and doom that characterize Tool's sound. This is not as developed as either Undertow or Ænima, but it's possible to hear the roots of those albums all over this EP." All Music Guide – Stephen Thomas Erelwine ... more
	Still Life Colored Vinyl - Used - MRG772 2022 Limited, foil-numbered reissue from Vinyl Me, Please. Pressed on opaque red vinyl with printed insert. ... more
	Dog Problems Colored Vinyl - Used - VL-201321 2023 2LP Limited, hand-numbered remastered reissue from Vinyl Me, Please pressed on translucent green vinyl with printed inner sleeves. Housed in a wider-spine textured jacket. #221/500. ... more
	Back Home Colored Vinyl - Used - KRS689 2022 Limited, foil-numbered edition from Vinyl Me, Please pressed on opaque yellow vinyl; #474/750. UK indie/post-punk outfit. ... more
	Let It Be Used - Vinyl - R1 773761 2016 US 180gm reissue. Solid VG+ vinyl overall, some light run in noise. Jacket is close to NM, small beginnings of top seam split. Released in 1984, Let It Be is the album where The Replacements' ragged punk energy collided with Paul Westerberg's rapidly developing gift for songwriting. "I Will Dare," "Androgynous," and "Unsatisfied" revealed an emotional depth that separated the Minneapolis band from much of the American hardcore scene, while "Gary's Got a Boner" and their wonderfully unlikely cover of KISS's "Black Diamond" kept the band's irreverence firmly intact. That tension between vulnerability, humor, and barely controlled rock & roll is precisely what made Let It Be such an influential record and a blueprint for much of the alternative rock that followed. ... more
	Foo Fighters Used - Vinyl - 88697983211RE1 Repressing of the 2011 US reissue of their brilliant debut. RE1 on cat number on spine. Mastered by Stephen Marcussen at Precision & lacquer cut by Chris Bellman at Bernie Grundman Mastering. Foo Fighters (1995) is the explosive debut that introduced Dave Grohl’s post-Nirvana project to the world. Recorded almost entirely by Grohl himself, the album delivers raw, high-energy alt-rock with instant classics like “This Is a Call,” “I’ll Stick Around,” and “Big Me.” Urgent, melodic, and packed with hooks, it set the stage for the Foo Fighters to become one of rock’s defining bands. A landmark ’90s debut. ... more
	Hot Sauce Committee Part Two Used - Vinyl - B0026990-01 2017 2LP 180gm Gatefold Reissue; VG+ Vinyl, NM- Jacket. "Once Adam Yauch Discovered He Had Cancer In 2009, The Beastie Boys Shelved Their Forthcoming The Hot Sauce Committee, Pt. 1 And Its Companion Volume, Gradually Reviving And Revising The Project Once Yauch Went Into Remission. At This Point, They Scrapped Their Convoluted Plans To Release Concurrent Complementary Volumes Of THSC And Simply Went Forth With The Hot Sauce Committee, Pt. 2, Which Retained The Bulk Of The Track List From Pt 1. All This Hurly-burly Camouflages The Essential Truth Of The Hot Sauce Committee: That The Beasties Could Sit On An Album For Two Years To No Ill Effect To Their Reputation Or The Record’s Quality. This Doesn’t Suggest They’re Out Of Step So Much As They’re Out Of Time, Existing In A World Of Their Own Making, Beholden To No Other Standard But Their Own. Certainly, The Beasties Stitch Together Sounds And Rhymes From Their Past Throughout The Hot Sauce Committee, Pt. 2, Laying Down Grooves À La Check Your Head But Weaving Samples Through These Rhythms, Thickly Layering The Album With Analog Synths Out Of Hello Nasty, All The While Pledging Allegiance To Old-School Rap In Their Rhymes. Nothing Here Is Exactly Unexpected -- Even The Presence Of Santogold On “Don’t Play No Game That I Can’t Win” Isn’t New, It’s New Wave -- Yet The Hot Sauce Committee, Pt. 2 Feels Fresh Because There Is Such Kinetic Joy Propelling This Music. Last Time Around, The Beasties Weighed Themselves Down By Creating Retro-Tribute To N.Y.C., Taking Everything Just A Little Bit Too Seriously, But Here They’re Free Of Any Expectations And Are Back To Doing What They Do Best: Cracking Wise And Acting So Stupid They Camouflage How Kinetic, Inventive, And Rich Their Music Is. And, Make No Mistake, The Hot Sauce Committee, Pt. 2 Does Find The Beastie Boys At Their Best. Perhaps They’re No Longer Setting The Style, But It Takes Master Musicians To Continually Find New Wrinkles Within A Signature Sound, Which Is Precisely What The Beasties Do Here." All Music Guide – Stephen Thomas Erlewine ... more