BadBadNotGood

Vinyl Records and Rare LPs:

	III Used - Vinyl - IL2019 2014 2LP black vinyl in gatefold. "III" is a pivotal entry in the evolution of jazz infusion within contemporary music. The Canadian trio, known for their innovative blending of jazz, hip-hop, and electronic music, consists of Matthew Tavares (piano), Chester Hansen (bass), and Alexander Sowinski (drums). "III" marks a maturing of their sound, showcasing a refined balance between improvisation and composition. Recorded in their hometown of Toronto, the album delves into complex, genre-defying soundscapes. Tracks like "Triangle" highlight their dynamic interplay and technical prowess, while "Can't Leave the Night" demonstrates their adeptness in crafting atmospheric tension. The album's production exhibits a raw, live quality, capturing the essence of their energetic performances. "III" is instrumental, allowing listeners to engage with the music's emotive and narrative capacities without lyrical intervention. This quality has garnered the group a diverse following, appealing to fans of traditional jazz, as well as those inclined toward experimental and indie music scenes. The album was well-received by critics, praised for its authenticity and ability to push the boundaries of conventional jazz. It stands as a testament to BadBadNotGood's role in redefining the genre for a new generation. more
	III New - Vinyl - IL2019 New & unsealed, latest run of the 2022 US reissue. Standard black vinyl pressing. Custom hype sticker on sleeve. Released in 2014, III marks a turning point for BADBADNOTGOOD as they move from reinterpretations into fully original compositions. The album blends jazz, hip-hop influence, and modern instrumental textures into a cohesive, forward-thinking sound. Built on tight grooves, moody atmospheres, and dynamic interplay, the trio crafts pieces that feel both structured and exploratory. Tracks like “Confessions” and “Kaleidoscope” highlight their evolving identity. Stylish, rhythmic, and contemporary, III stands as a defining release in modern instrumental jazz. more
	IV Used - Vinyl - IL 2034 2016 2LP in gatefold. "IV" marks a pivotal moment in the discography of Canadian quartet BadBadNotGood, renowned for their innovative blend of jazz, hip-hop, and electronic music. This album is their fourth studio release and showcases their evolution from instrumental jazz enthusiasts to boundary-pushing musical architects. The infusion of diverse genres is evident in tracks like "Time Moves Slow," featuring the soulful vocals of Future Islands' frontman Samuel T. Herring, which conveys an emotive depth that resonates with listeners. "IV" also includes collaborations with notable artists such as saxophonist Colin Stetson and producer Kaytranada, further enriching its sonic landscape. The track "Confessions Pt. II" highlights Stetson's haunting saxophone over a rhythmically intricate backdrop, pushing the boundaries of modern jazz. Meanwhile, "Lavender," remixed by Kaytranada, exudes an infectious groove, blending electronic elements seamlessly into the jazz ensemble's core sound. The album’s critical acclaim is a testament to BadBadNotGood's ability to innovate while honoring jazz traditions. "IV" captures a unique moment in contemporary music, where genre lines blur, creating a sound both fresh and familiar. For listeners seeking an album that challenges conventions while delivering rich auditory textures, "IV" offers an unparalleled experience. more
	IV New - Vinyl - IL 2034 New 2016 180gm 2LP limited edition reissue from Vinyl Me, Please pressed on transparent magenta vinyl with VMP hype strip. This was record of the month for July 2016 and included an exclusive new album jacket colour. "IV" marks a pivotal moment in the discography of Canadian quartet BadBadNotGood, renowned for their innovative blend of jazz, hip-hop, and electronic music. This album is their fourth studio release and showcases their evolution from instrumental jazz enthusiasts to boundary-pushing musical architects. The infusion of diverse genres is evident in tracks like "Time Moves Slow," featuring the soulful vocals of Future Islands' frontman Samuel T. Herring, which conveys an emotive depth that resonates with listeners. "IV" also includes collaborations with notable artists such as saxophonist Colin Stetson and producer Kaytranada, further enriching its sonic landscape. The track "Confessions Pt. II" highlights Stetson's haunting saxophone over a rhythmically intricate backdrop, pushing the boundaries of modern jazz. Meanwhile, "Lavender," remixed by Kaytranada, exudes an infectious groove, blending electronic elements seamlessly into the jazz ensemble's core sound. The album’s critical acclaim is a testament to BadBadNotGood's ability to innovate while honoring jazz traditions. "IV" captures a unique moment in contemporary music, where genre lines blur, creating a sound both fresh and familiar. For listeners seeking an album that challenges conventions while delivering rich auditory textures, "IV" offers an unparalleled experience. more
	Talk Memory Colored Vinyl - New - XL1176LPE4 Sealed 2021 Limited edition Blue & Pink vinyl pressing, available only at BBNG's artist webstore. Housed in a clear PVC outer jacket (Which has a small split at bottom edge) with artwork lightly embossed on, sealed at the opening by a custom Blue & Pink hype/barcode sticker. A recommended listen from AP! "Badbadnotgood's Fifth Studio Full-length, And First Without Founding Keyboardist Matthew Tavares, Was Largely Composed From Studio Improvisations, Rather Than Developed On Tour Like Their Previous Albums. Going Back To The Band's Instrumental Roots, The Record Doesn't Overtly Incorporate Hip-hop And R&b Influences The Way Their Previous Best-known Works Did. The Group Stress The Importance Of Collective Harmony This Time Around, Even As They Welcome Contributions From Guest Musicians. The Album Opens With "Signal From The Noise," A Nine-minute Epic Co-produced By Floating Points. After A Drawn-out, Slightly Ominous Intro, The Trio Launch Into A Riveting, Fuzz Guitar-heavy Midsection That Recalls Vintage '70s Fusion More Than Anything Else The Band Have Attempted Before. As The Song Cools Down, Tape Effects Cause The Instruments (Particularly Leland Whitty's Saxophone) To Fragment And Disintegrate. Laraaji's Electric Zither Floats Around The Fluttering Saxophones During The Gentle "Unfolding (Momentum 73)," As The Drums Gradually Pick Up And Give The Rhythm A Bit More Of A Stride For A Moment. Several Tracks Feature Grand String Arrangements By Brazilian Legend Arthur Verocai, Who Elevates The Atmosphere Without Distracting From The Band's Performances. Karriem Riggins Adds An Extra Layer Of Clicky Percussion To "Besides April," Though It's The Guitar Soloing And Glistening Organ That Leave The Biggest Impression. "Open Channels" Is A Much Freer, More Detached Piece That Feels Like A Momentary Detour Into The Subconscious. "Timid, Intimidating" Is A Return To The Fusion Feel Of The First Song, With Introspective Melodies As Well As Truly Dexterous Soloing. The Final Song, "Talk Meaning," Features Alto Saxophonist Terrace Martin And Harpist Brandee Younger, As Well As Verocai's Strings. It Seems A Bit More Tense And Rhythmically Tricky Than Some Of The Other Tracks, Yet The Harmonious Arrangements Help It All Flow Smoothly. Throughout The Album, Badbadnotgood And Their Guest Collaborators Flesh Out The Sonic Canvas Without Taking Away From The Raw Energy Of The Performances." AMG Review By Paul Simpson. more
	Talk Memory New - Vinyl - XL1176LPE Sealed 2021 2LP, 45rpm, limited edition in gatefold. Includes Memory Catalogue zines. "Talk Memory" marks a significant evolution in the discography of Canadian instrumental band BadBadNotGood. Released on October 8, 2021, this album is a deep dive into the realms of jazz, hip-hop, and electronic music, showcasing the band’s growth and experimentation with sound. Known for their innovative blend of genres, BadBadNotGood collaborates with several notable musicians on this album, including Brazilian composer Arthur Verocai, saxophonist Terrace Martin, and harpist Brandee Younger, enriching the texture and depth of their compositions. The album consists of eight tracks, each exploring intricate musical landscapes and highlighting the band's ability to fuse improvisation with structured melodies. "Talk Memory" is noted for its lush, cinematic quality, offering a rich listening experience that rewards multiple listens. This release is the band’s first on XL Recordings and their first album of original material since 2016, signaling a period of reflection and artistic rediscovery. The album's artwork, created by designer Virgil Abloh, reflects the band’s commitment to innovation and collaboration. "Talk Memory" is a testament to BadBadNotGood's dedication to pushing musical boundaries while honoring the roots of jazz and its contemporary interpretations. more
	Talk Memory New Import - XL1176LP Sealed 2021 Original Standard Black Vinyl Pressing. Housed In A Clear PVC Outer Jacket, With Artwork Lightly Embossed On. "Badbadnotgood's Fifth Studio Full-length, And First Without Founding Keyboardist Matthew Tavares, Was Largely Composed From Studio Improvisations, Rather Than Developed On Tour Like Their Previous Albums. Going Back To The Band's Instrumental Roots, The Record Doesn't Overtly Incorporate Hip-hop And R&b Influences The Way Their Previous Best-known Works Did. The Group Stress The Importance Of Collective Harmony This Time Around, Even As They Welcome Contributions From Guest Musicians. The Album Opens With "Signal From The Noise," A Nine-minute Epic Co-produced By Floating Points. After A Drawn-out, Slightly Ominous Intro, The Trio Launch Into A Riveting, Fuzz Guitar-heavy Midsection That Recalls Vintage '70s Fusion More Than Anything Else The Band Have Attempted Before. As The Song Cools Down, Tape Effects Cause The Instruments (Particularly Leland Whitty's Saxophone) To Fragment And Disintegrate. Laraaji's Electric Zither Floats Around The Fluttering Saxophones During The Gentle "Unfolding (Momentum 73)," As The Drums Gradually Pick Up And Give The Rhythm A Bit More Of A Stride For A Moment. Several Tracks Feature Grand String Arrangements By Brazilian Legend Arthur Verocai, Who Elevates The Atmosphere Without Distracting From The Band's Performances. Karriem Riggins Adds An Extra Layer Of Clicky Percussion To "Besides April," Though It's The Guitar Soloing And Glistening Organ That Leave The Biggest Impression. "Open Channels" Is A Much Freer, More Detached Piece That Feels Like A Momentary Detour Into The Subconscious. "Timid, Intimidating" Is A Return To The Fusion Feel Of The First Song, With Introspective Melodies As Well As Truly Dexterous Soloing. The Final Song, "Talk Meaning," Features Alto Saxophonist Terrace Martin And Harpist Brandee Younger, As Well As Verocai's Strings. It Seems A Bit More Tense And Rhythmically Tricky Than Some Of The Other Tracks, Yet The Harmonious Arrangements Help It All Flow Smoothly. Throughout The Album, Badbadnotgood And Their Guest Collaborators Flesh Out The Sonic Canvas Without Taking Away From The Raw Energy Of The Performances." AMG Review By Paul Simpson. more