Bill Evans Trio

Vinyl Records and Rare LPs:

	At Shelly's Mann-hole Used - CD - JVCXR-0036 1997 Recorded In L.A., May 14 And 19, 1963. Track 8 Is A Bonus Track Not Included On The Original Lp. more
	Bill Evans At Town Hall (Volume One) New Import - V6-8683 Factory Sealed 2010 Remastered 180gm Stereo Housed In A Gatefold Cover. Features Chuck Israels And Arnold Wise. more
	Bill Evans Trio With Symphony Orchestra Used Import - 2304 525 Late 70's/Early 80's French Gatefold Stereo Reissue (No Bar Code). Light Corner Rubbing. Small Wear Marks On All Seams, Gentle Crease On Bottom Edge. more
	Everybody Digs Bill Evans Used - Vinyl - RLP-1129 Out Of Print 1983 Stereo Reissue. Features Philly Joe Jones On Drums & Sam Jones On Bass. more
	Everybody Digs Bill Evans Used - Vinyl - RLP-1129 1983 Reissue (No Barcode) With OBI & Still In Shrink. Features Sam Jones on Bass and Philly Joe Jones On Drums. An Album Everybody Digs! more
	Everybody Digs Bill Evans Used - Vinyl - OJC-068 2015 OJC reissue pressed at RTI with archival poly inner sleeve. "Everybody Digs Bill Evans was a landmark recording for the young pianist and sported a unique album cover, featuring written-out endorsements from Miles Davis, George Shearing, Ahmad Jamal, and Cannonball Adderley. At a time approximate to when Evans was performing with the famous Kind of Blue band of Davis, Adderley, and John Coltrane, and actually departing the band, Evans continued to play the trio music he was ultimately best known for. With the unmatched pair of former Miles Davis drummer Philly Joe Jones and bassist Sam Jones (no relation), Evans was emerging not only as an ultra-sensitive player, but as an interpreter of standards second to none. The drummer is quite toned down to match the dynamics of the session, while the ever-reliable bassist lays back even more than usual, but at the expense of his soul. Of the covers, the solo "Lucky to Me" and the melancholy "What Is There to Say?" with the trio evoke the cool, smoldering emotionalism Evans was known for. He's even more starkly reserved on his solo version of "Young and Foolish." But Evans also knows how to play vigorous bop, tearing up the complicated "Oleo," and he modestly tackles the Gigi Gryce icon "Minority," though if you listen closely, the takes are slightly imprecise and a bit thin. Evans is hyperactive on a clattery calypso version of "Night and Day," with the melody almost an afterthought, powered by the precise drumming of Philly Joe Jones. Taking "Tenderly" in waltz time, Evans makes this familiar theme inimitably all his own. There are three more solos: two Asian-inspired interludes titled "Epilogue" and the demure and ultimately quiet "Peace Piece," a timeless, meditational, reverent, prayer-inspired composition that, in time, set a standard for chamber/classical European-tailored jazz. In an alternate/second-version bonus track, Evans superimposes this theme under the standard "Some Other Time," and it fits beautifully. Though not his very best effort overall, Evans garnered great attention, and rightfully so, from this important album of 1958." All Music Guide - Michael G. Nastos. more
	Everybody Digs Bill Evans Used - Vinyl - OJC-068 2015 OJC reissue pressed at RTI with archival poly inner sleeve. Still in shrink (small tear). "Everybody Digs Bill Evans was a landmark recording for the young pianist and sported a unique album cover, featuring written-out endorsements from Miles Davis, George Shearing, Ahmad Jamal, and Cannonball Adderley. At a time approximate to when Evans was performing with the famous Kind of Blue band of Davis, Adderley, and John Coltrane, and actually departing the band, Evans continued to play the trio music he was ultimately best known for. With the unmatched pair of former Miles Davis drummer Philly Joe Jones and bassist Sam Jones (no relation), Evans was emerging not only as an ultra-sensitive player, but as an interpreter of standards second to none. The drummer is quite toned down to match the dynamics of the session, while the ever-reliable bassist lays back even more than usual, but at the expense of his soul. Of the covers, the solo "Lucky to Me" and the melancholy "What Is There to Say?" with the trio evoke the cool, smoldering emotionalism Evans was known for. He's even more starkly reserved on his solo version of "Young and Foolish." But Evans also knows how to play vigorous bop, tearing up the complicated "Oleo," and he modestly tackles the Gigi Gryce icon "Minority," though if you listen closely, the takes are slightly imprecise and a bit thin. Evans is hyperactive on a clattery calypso version of "Night and Day," with the melody almost an afterthought, powered by the precise drumming of Philly Joe Jones. Taking "Tenderly" in waltz time, Evans makes this familiar theme inimitably all his own. There are three more solos: two Asian-inspired interludes titled "Epilogue" and the demure and ultimately quiet "Peace Piece," a timeless, meditational, reverent, prayer-inspired composition that, in time, set a standard for chamber/classical European-tailored jazz. In an alternate/second-version bonus track, Evans superimposes this theme under the standard "Some Other Time," and it fits beautifully. Though not his very best effort overall, Evans garnered great attention, and rightfully so, from this important album of 1958." All Music Guide - Michael G. Nastos. more
	Explorations Used - Vinyl - OJC-037 Out Of Print 1982 OJC Stereo Reissue Of A Classic. Appears Glossy. Cover Is V+. Features Scott La Faro And Paul Motian. more
	Explorations Box Set - New - CR00825 Sealed 2024 Limited edition, numbered remastered Audiophile reissue. Released as part of Craft Recordings' "Small Batch" series; One-Step pressings limited to only 2500 copies housed in a custom textured boxed/slip-case cover. Cut by Bernie Grundman; Plated & pressed at RTI. "When this album was recorded in February of 1961, it had been more than year since the Portrait in Jazz was issued, the disc that won the critics over. By the time of this issue, Evans had released four albums in six years, a pace unheard of during that time. Most musicians were issuing two, three, and even four records a year during the same era. Many speculate on Evans' personal problems at the time, but the truth of the matter lies in the recordings themselves, and Explorations proves that the artist was worth waiting for no matter what else was going on out there. Evans, with Paul Motian and Scott LaFaro, was onto something as a trio, exploring the undersides of melodic and rhythmic constructions that had never been considered by most. For one thing, Evans resurrects a number of tunes that had been considered hopelessly played out, and literally reinvents them -- "How Deep Is the Ocean" and "Sweet and Lovely." His harmonic richness that extends the melodic and color palette of these numbers literally revived them from obscurity and brought them back into the canon. He also introduced "Haunted Heart" into the jazz repertoire, with a wonderfully impressionistic melodic structure, offered space, and depth by the understatement of Motian and extension by LaFaro's canny use of intervals. Also noteworthy is Miles Davis' "Nardis," which Evans first played on a Cannonball Adderley set a couple of years before. The rhythmic workout by the Motian and LaFaro places Evans' own playing in a new context, with shorter lines, chopping up the meter, and a series of arpeggios that open the ground for revelatory solo in counterpoint by LaFaro. Explorations is an extraordinary example of the reach and breadth of this trio at its peak." All Music Guide – Thom Jurek more
	Explorations Used - Vinyl - SMJ 6038 1974 White Label Japan Reissue In Stunning Condition. No Obi. more
	How My Heart Sings! Used - Vinyl - OJC-369 2009 OJC Stereo Reissue, Originally Recorded In 1962. Still In Shrink. NM Jacket. LP Appears Glossy, VG++ Visual, Plays Even Better. Features Chuck Israels And Paul Motian. more
	I Will Say Goodbye Used - Vinyl - F-9593 Beautiful 1980 Original. Recorded In 1977, "I Will Say Goodbye" by the Bill Evans Trio is a poignant studio album released in 1980, a year after Evans' passing. This album marks one of the last recordings by the influential jazz pianist, showcasing his signature lyrical style and emotional depth. The trio, featuring Marc Johnson on bass and Joe LaBarbera on drums, delivers a cohesive and introspective performance, embodying Evans' unique interplay and nuanced touch. The album's title track, composed by Michel Legrand, is a testament to Evans' ability to evoke profound emotions through melodic interpretation. The trio's synergy is evident throughout the album, balancing intricate harmonic structures with a sense of spaciousness that allows each musician's voice to shine. "I Will Say Goodbye" is a reflection of Evans' artistic journey, characterized by his exploration of complex harmonies and delicate phrasing. The album captures the essence of Evans' musical philosophy, where every note serves a purpose and contributes to the overall narrative. For potential listeners, this album offers a window into the soul of one of jazz's most revered pianists. It stands as a fitting farewell, encapsulating the introspective beauty and emotional resonance that defined Bill Evans' illustrious career. more
	Live In Buenos Aires 1979 Used - CD - 2061 1990 2CD Set Housed In A Double Jewel Case. Discs And Booklet In Excellent Condition. Shelf Wear To Case. Recorded Sept. 27, 1979 At Theatro Municipal General San Martin Buenos Aires, Argentina. more
	Moon Beams Audiophile - Used - AJAZ 9428 2003 2LP 45rpm Limited Edition #0597. Recorded In May And June Of 1962 With Chuck Israels And Paul Motion. more
	On A Friday Evening Used - Vinyl - CR00301 2021 2LP 180gm, US gatefold original. Glossy, NM- vinyl. A previously unheard window into Evans’ mid-1980s artistry, recorded live in Milwaukee in 1975 and preserved with striking clarity. Here the trio—Evans, Eddie Gómez, and Eliot Zigmund—moves with a refined, almost weightless cohesion. Evans’ touch is luminous and introspective, yet infused with the quiet urgency that marked his later period. Gómez’s bass work is agile and melodic, while Zigmund’s cymbal phrasing provides a supple, shimmering frame. On a Friday Evening unfolds like a private recital: intimate, searching, and deeply expressive, a significant addition to the Evans canon for collectors who cherish his live documents. more
	Portrait In Jazz Used - Vinyl - OJC-088 1983 Reissue Featuring The All Time Classic Trio Of Evans, LaFaro And Motian. Vinyl Appears Glossy. Cover Is VG++. more
	Portrait In Jazz Audiophile - New - 771687 Sealed 2010 180gm Limited Edition Pressing. "The First Of Two Studio Albums By The Bill Evans-scott Lafaro-paul Motian Trio (Both Of Which Preceded Their Famous Engagement At The Village Vanguard), This Portrait In Jazz Reissue Contains Some Wondrous Interplay, Particularly Between Pianist Evans And Bassist Lafaro, On The Two Versions Of "Autumn Leaves." Other Than Introducing Evans' "Peri's Scope," The Music Is Comprised Of Standards, But The Influential Interpretations Were Far From Routine Or Predictable At The Time. Lafaro And Motian Were Nearly Equal Partners With The Pianist In The Ensembles And Their Versions Of Such Tunes As "Come Rain Or Come Shine," "When I Fall In Love," And "Someday My Prince Will Come" (Which Preceded Miles Davis' Famous Recording By A Couple Years) Are Full Of Subtle And Surprising Creativity. A Gem." AMG Review By Scott Yanow. more
	Portrait In Jazz New - Vinyl - 350246 Sealed 2022 180gm Special Edition Reissue On Blue Vinyl. Includes Bonus Track "Bill Evans, Unaccompanied Piano. New York, September 18,1956." "The First Of Two Studio Albums By The Bill Evans-Scott Lafaro-Paul Motian Trio (Both Of Which Preceded Their Famous Engagement At The Village Vanguard), This Portrait In Jazz Reissue Contains Some Wondrous Interplay, Particularly Between Pianist Evans And Bassist Lafaro, On The Two Versions Of "Autumn Leaves." Other Than Introducing Evans' "Peri's Scope," The Music Is Comprised Of Standards, But The Influential Interpretations Were Far From Routine Or Predictable At The Time. Lafaro And Motian Were Nearly Equal Partners With The Pianist In The Ensembles And Their Versions Of Such Tunes As "Come Rain Or Come Shine," "When I Fall In Love," And "Someday My Prince Will Come" (Which Preceded Miles Davis' Famous Recording By A Couple Years) Are Full Of Subtle And Surprising Creativity. A Gem." AMG Review By Scott Yanow. more
	Portrait In Jazz Used Import - SMJ-6144 1976 Japanese Reissue, Includes Insert But No Obi Strip. Glossy Clean Vinyl; Jacket Has Strong Spine But Shows Some Ring, Corner & Seam Wear. A Seminal, Sonic Landmark In Jazz Lore, Featuring The Inimitable Rhythm Section Of Scott LaFaro & Paul Motion. First Recorded In New York; December 28, 1959 At Reeves Sound Studios. "The First Of Two Studio Albums By The Bill Evans-scott Lafaro-paul Motian Trio (Both Of Which Preceded Their Famous Engagement At The Village Vanguard), This Portrait In Jazz Reissue Contains Some Wondrous Interplay, Particularly Between Pianist Evans And Bassist Lafaro, On The Two Versions Of "Autumn Leaves." Other Than Introducing Evans' "Peri's Scope," The Music Is Comprised Of Standards, But The Influential Interpretations Were Far From Routine Or Predictable At The Time. Lafaro And Motian Were Nearly Equal Partners With The Pianist In The Ensembles And Their Versions Of Such Tunes As "Come Rain Or Come Shine," "When I Fall In Love," And "Someday My Prince Will Come" (Which Preceded Miles Davis' Famous Recording By A Couple Years) Are Full Of Subtle And Surprising Creativity. A Gem." AMG - Scott Yanow. more
	Portrait In Jazz Used Import - SMJ-6144 1976 Japanese Reissue, Includes Insert But No Obi Strip. A Seminal, Sonic Landmark In Jazz Lore, Featuring The Inimitable Rhythm Section Of Scott LaFaro & Paul Motion. First Recorded In New York; December 28, 1959 At Reeves Sound Studios. "The First Of Two Studio Albums By The Bill Evans-scott Lafaro-paul Motian Trio (Both Of Which Preceded Their Famous Engagement At The Village Vanguard), This Portrait In Jazz Reissue Contains Some Wondrous Interplay, Particularly Between Pianist Evans And Bassist Lafaro, On The Two Versions Of "Autumn Leaves." Other Than Introducing Evans' "Peri's Scope," The Music Is Comprised Of Standards, But The Influential Interpretations Were Far From Routine Or Predictable At The Time. Lafaro And Motian Were Nearly Equal Partners With The Pianist In The Ensembles And Their Versions Of Such Tunes As "Come Rain Or Come Shine," "When I Fall In Love," And "Someday My Prince Will Come" (Which Preceded Miles Davis' Famous Recording By A Couple Years) Are Full Of Subtle And Surprising Creativity. A Gem." AMG - Scott Yanow. more
	Portrait In Jazz Used - Vinyl - OJC-088 2011 OJC reissue. Pressing done at RTI with archival poly-inner. "The first of two studio albums by the Bill Evans-Scott LaFaro-Paul Motian trio (both of which preceded their famous engagement at the Village Vanguard), this Portrait in Jazz reissue contains some wondrous interplay, particularly between pianist Evans and bassist LaFaro, on the two versions of "Autumn Leaves." Other than introducing Evans' "Peri's Scope," the music is comprised of standards, but the influential interpretations were far from routine or predictable at the time. LaFaro and Motian were nearly equal partners with the pianist in the ensembles and their versions of such tunes as "Come Rain or Come Shine," "When I Fall in Love," and "Someday My Prince Will Come" (which preceded Miles Davis' famous recording by a couple years) are full of subtle and surprising creativity. A gem." All Music Guide - Scott Yanow. more
	Portrait In Jazz Box Set - New - UD1S 2-009 Sealed 2018 2LP 45rpm Limited Edition #3531. 180gm, UltraDisc One-Step Original Master Recording. more
	Portrait In Jazz Box Set - New - UD1S 2-009 Sealed 2018 2LP 45rpm Limited Edition #0682. 180gm, UltraDisc One-Step Original Master Recording. more
	Portrait In Jazz Audiophile - New - UD1S 2-009 Sealed 2018 2LP 45rpm Limited Edition #3531. 180gm, UltraDisc One-Step Original Master Recording. more
	Portrait In Jazz Box Set - Used - UD1S 2-009 2018 2LP 45rpm, 180gm Limited Edition #0868. Remastered Stereo, UltraDisc One-Step Original Master Recording. A Seminal, Sonic Landmark In Jazz Lore, Featuring The Inimitable Rhythm Section Of Scott LaFaro & Paul Motion. First Recorded In New York; December 28, 1959 At Reeves Sound Studios. "The First Of Two Studio Albums By The Bill Evans-Scott Lafaro-Paul Motian Trio (Both Of Which Preceded Their Famous Engagement At The Village Vanguard), This Portrait In Jazz Reissue Contains Some Wondrous Interplay, Particularly Between Pianist Evans And Bassist Lafaro, On "Autumn Leaves." Other Than Introducing Evans' "Peri's Scope," The Music Is Comprised Of Standards, But The Influential Interpretations Were Far From Routine Or Predictable At The Time. Lafaro And Motian Were Nearly Equal Partners With The Pianist In The Ensembles And Their Versions Of Such Tunes As "Come Rain Or Come Shine," "When I Fall In Love," And "Someday My Prince Will Come" (Which Preceded Miles Davis' Famous Recording By A Couple Years) Are Full Of Subtle And Surprising Creativity. A Gem." All Music Guide - Scott Yanow. more
	Portrait In Jazz Audiophile - Used - UD1S 2-009 Sealed 2LP 180gm, 45rpm stereo remaster box set, Limited Edition, #2289. The Bill Evans Trio, especially its groundbreaking formation with bassist Scott LaFaro and drummer Paul Motian, redefined the jazz piano trio format in the late 1950s and early 1960s. Led by pianist Bill Evans, this highly influential jazz group moved beyond traditional rhythm section roles, fostering an unprecedented level of interactive and conversational playing among its members. Their innovative jazz sound emphasized melodic interplay, harmonic sophistication, and a collective improvisation that allowed each instrument an equal voice, profoundly shaping the direction of modern jazz and inspiring countless jazz artists. Released in 1959, Portrait in Jazz stands as a seminal Bill Evans album and a cornerstone of classic jazz recordings. This groundbreaking album perfectly showcased the trio's revolutionary approach, featuring tracks that highlighted their telepathic communication and Evans' signature lyrical piano style. It presented a fresh perspective on jazz standards and original compositions, cementing the trio's reputation for sophisticated arrangements and profound musicality. Portrait in Jazz remains a highly regarded work in jazz music history, celebrated for its enduring beauty and its pivotal role in the evolution of post-bop jazz. more
	Portrait In Jazz Box Set - Used - UD1S 2-009 2018 2LP 45rpm, 180gm Limited Edition #0168. Remastered Stereo, UltraDisc One-Step Original Master Recording. A Seminal, Sonic Landmark In Jazz Lore, Featuring The Inimitable Rhythm Section Of Scott LaFaro & Paul Motion. First Recorded In New York; December 28, 1959 At Reeves Sound Studios. "The First Of Two Studio Albums By The Bill Evans-Scott Lafaro-Paul Motian Trio (Both Of Which Preceded Their Famous Engagement At The Village Vanguard), This Portrait In Jazz Reissue Contains Some Wondrous Interplay, Particularly Between Pianist Evans And Bassist Lafaro, On "Autumn Leaves." Other Than Introducing Evans' "Peri's Scope," The Music Is Comprised Of Standards, But The Influential Interpretations Were Far From Routine Or Predictable At The Time. Lafaro And Motian Were Nearly Equal Partners With The Pianist In The Ensembles And Their Versions Of Such Tunes As "Come Rain Or Come Shine," "When I Fall In Love," And "Someday My Prince Will Come" (Which Preceded Miles Davis' Famous Recording By A Couple Years) Are Full Of Subtle And Surprising Creativity. A Gem." All Music Guide - Scott Yanow. more
	Portrait In Jazz Audiophile - New - UD1S 2-009 Sealed 2019 deluxe 2LP 45rpm Ultradisc One-Step box set from Mobile Fidelity Sound Lab. Pressed on MoFi's 180gm 'SuperVinyl'. Limited edition, #0636 of 6,000. Shrink tear on back. Recorded in 1959 and released on Riverside, Portrait in Jazz marks the Bill Evans Trio’s first studio album with the legendary lineup of Scott LaFaro on bass and Paul Motian on drums—a group that would redefine the piano trio as a true democratic conversation. Evans’s harmonic sophistication and feather-light touch meet LaFaro’s melodic, forward-thinking bass work and Motian’s impressionistic drumming to create an interplay that feels alive, fluid, and deeply intuitive. The set blends timeless standards—“Autumn Leaves,” “Someday My Prince Will Come,” and “When I Fall in Love”—with Evans’s own lyrical compositions, each rendered with emotional precision and luminous tone. more
	Sunday At The Village Vanguard / Waltz For Debby Audiophile - New - VP 80719 Sealed 2014 2LP Remastered Reissue Two Album Edition. Housed In A Deluxe Gatefold Jacket. more
	Time Remembered Used - CD - M-47068 1983 2LP in gatefold. The Bill Evans Trio is revered in jazz history for its groundbreaking approach to the piano trio format. Led by pianist Bill Evans, the group redefined interplay between piano, bass, and drums, emphasizing collective improvisation and subtle dynamics. Notable for their lyrical sensitivity and harmonic sophistication, the trio's various lineups—most famously with Scott LaFaro (bass) and Paul Motian (drums)—influenced generations of jazz musicians. Evans’ emotive touch and inventive reharmonizations set a new standard in modern jazz piano, while his collaborations within the trio context elevated the rhythm section into an equal, conversational partner. "Time Remembered," both a composition and an album, showcases Bill Evans’ contemplative artistry at its finest. The album, recorded during different sessions in the 1960s but released posthumously, features the trio performing intimate renditions of standards and Evans’ original works, including the poignant title track. With its nuanced interplay and expressive depth, "Time Remembered" exemplifies the Bill Evans Trio’s enduring legacy in the jazz canon, making it an essential listen for fans of jazz piano and sophisticated trio music. more
	Trio '65 New - Vinyl - V6-8613 Sealed 2022 Audiophile 180gm, Part Of The Acoustic Sounds Series, Supervised By Analogue Productions' Chad Kassem. Recorded In 1965 By Rudy Van Gelder. more
	Waltz for Debby New Import - 660164 Sealed 2022 Reissue With Bonus 7 Inch Single On Purple Vinyl Featuring The Track "My Romance"/"Waltz For Debbie" (Solo Piano) & "Waltz For Debby" (Quartet With Cannonball Adderley). "Recorded At The Village Vanguard In 1961, Shortly Before Scott Lafaro's Death, Waltz For Debby Is The Second Album Issued From That Historic Session, And The Final One From That Legendary Trio That Also Contained Drummer Paul Motian. While The Sunday At The Village Vanguard Album Focused On Material Where Lafaro Soloed Prominently, This Is Far More A Portrait Of The Trio On Those Dates. Evans Chose The Material Here, And, Possibly, In Some Unconscious Way, Revealed On These Sessions -- And The Two Following Lafaro's Death (Moonbeams And How My Heart Sings!) -- A Different Side Of His Musical Personality That Had Never Been Displayed On His Earlier Solo Recordings Or During His Tenures With Miles Davis And George Russell: Evans Was An Intensely Romantic Player, Flagrantly Emotional, And That Is Revealed Here In Spades On Tunes Such As "My Foolish Heart" And "Detour Ahead." There Is A Kind Of Impressionistic Construction To His Harmonic Architecture That Plays Off The Middle Registers And Goes Deeper Into Its Sonances In Order To Set Into Motion Numerous Melodic Fragments Simultaneously. The Rhythmic Intensity That He Displayed As A Sideman Is Evident Here In "Milestones," With Its Muscular Shifting Time Signature And Those Large, Flatted Ninths With The Right Hand. The Trio's Most Impressive Interplay Is In "My Romance," After Evans' Opening Moments Introducing The Changes. Here Motian's Brushwork Is Delicate, Flighty And Elegant, And Lafaro Controls The Dynamic Of The Tune With His Light As A Feather Pizzicato Work And Makes Evans' Deeply Emotional Statements Swing Effortlessly. Of The Many Recordings Evans Issued, The Two Vanguard Dates And Explorations Are The Ultimate Expressions Of His Legendary Trio." AMG - Thom Jurek. more
	Waltz For Debby Audiophile - New - CR00617 Sealed 2023 180gm Mono audiophile reissue for the newly rebooted Original Jazz Classics series from Craft Recordings. This is album is material from a further performance on the same famous day as their other seminal trio recording "Sunday At the Village Vanguard", with Scott LaFaro & Paul Motian. Indispensable Jazz! "Waltz For Debby" is a classic jazz album featuring the iconic pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian. The album was recorded in 1961 and captures the trio's exceptional interplay and improvisational skills. The music is laced with melancholy and tenderness, creating a serene and introspective atmosphere. The album includes a mix of original compositions by Evans and jazz standards, including its title track, which has become a jazz standard in its own right. The trio's unique approach to jazz has influenced generations of musicians and this album is a must-have for any jazz enthusiast. more
	Waltz For Debby Used Import - 37021 2016 EU 180gm gatefold reissue. Glossy, NM- vinyl. Features an alternate album cover, plus liner notes exclusive to this issue. A cornerstone of modern jazz and one of the great live recordings of the 20th century. Captured at the Village Vanguard in 1961, this set distills the quiet telepathy of Evans, Scott LaFaro, and Paul Motian at their creative peak. The trio moves with breathtaking delicacy—lines intertwine, disperse, and return with the ease of shared breath. “Waltz for Debby” remains the album where Evans’ introspective lyricism meets LaFaro’s revolutionary bass work and Motian’s whispering pulse, each musician illuminating the others. A timeless, deeply human document that defines the art of the piano trio. more
	Waltz For Debby Box Set - New - UHQR 0018-45 Sealed 2024 200gm 2LP 45rpm Limited, deluxe Audiophile edition box set from Analogue Productions; #00590. Housed in a beautiful dowel-spined box pressed on "Clarity Vinyl" at QRP. Mastered by Kevin Gray. "Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates. Evans chose the material here, and, possibly, in some unconscious way, revealed on these sessions -- and the two following LaFaro's death (Moonbeams and How My Heart Sings!) -- a different side of his musical personality that had never been displayed on his earlier solo recordings or during his tenures with Miles Davis and George Russell: Evans was an intensely romantic player, flagrantly emotional, and that is revealed here in spades on tunes such as "My Foolish Heart" and "Detour Ahead." There is a kind of impressionistic construction to his harmonic architecture that plays off the middle registers and goes deeper into its sonances in order to set into motion numerous melodic fragments simultaneously. The rhythmic intensity that he displayed as a sideman is evident here in "Milestones," with its muscular shifting time signature and those large, flatted ninths with the right hand. The trio's most impressive interplay is in "My Romance," after Evans' opening moments introducing the changes. Here Motian's brushwork is delicate, flighty and elegant, and LaFaro controls the dynamic of the tune with his light as a feather pizzicato work and makes Evans' deeply emotional statements swing effortlessly. Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio." All Music Guide – Thom Jurek more