Caribou

Vinyl Records and Rare LPs:

Caribou - Andorra Andorra
Pop New - LP MRG 308 Merge
Sealed 2007 180gm HQ Gatefold Vinyl. “As Dan Snaith Became An Accomplished Producer With His Manitoba And Caribou Albums Of The 2000s, The Breathtaking Vitality Of His Early Work Gave Way To Music That May Have Been More Accomplished, But Was Never As Interesting Or As Fun To Listen To. Andorra Is Just The Kind Of Break With The Past That He Needed After 2005's Relatively Lackluster The Milk Of Human Kindness. His First Album On Merge, It's Less A Collection Of Innovative Sounds And Productions (Like The Milk Of Human Kindness) And More An Album Of Songs, United By His Motivations And Desires. These Tracks Are First And Foremost Songs -- And Not Just Because Snaith Is Singing A Bit More. There's Less Of A "Programmed" Sound, Although The Productions Are Dense With Tape Cut-Ups, Layered Harmonies, And Various Percussion Lines Threaded Through The Mix. And The Sheer Strength Of The Material Is Immediately Apparent When The Opener, "Melody Day," Reveals Itself As The Best Moment In Snaith's Career. First Of All, It Sounds Like It Was Recorded In 1966 By A British Band That Just Missed The Cut For The Nuggets, Vol. 2 Box Set, Recalling '60s Touchstones Like The Move Or Soft Machine. Not Strictly A Throwback, Though, Its Ineffably Crisp And Kaleidoscopic Production Style Ranks With The Best Of Dungen Or Fiery Furnaces Or Animal Collective (Which Is High Praise Indeed). Andorra May Be A Bedroom Record, But It Certainly Doesn't Sound Like A Bedroom Record; It Has The Energy And Intensity Of Group Participation, And That Makes It Snaith's Best Yet.” – John Bush, All Music Guide... more details
 
Caribou - Start Breaking My Heart Start Breaking My Heart
Pop New - LP BAY 16VC Leaf
Sealed (Resealable Bag) 2013 Reissue. “It's Closer To Elliot Smith Than Coldcut, And About As Stable As A Bull In A China Shop Full Of Unlistened To Copies Of Kid A, But This Is The Sort Of Production That Niftily Stands For Modern Solo Meloncholists With More To Offer Than A Co-Option Of Warp Back Catalogs And Egregious MOR. Responsibility For It Goes To Toronto's Dan Snaith, A 20-Something Musician Whose Work Is Both Technical Enough For Scholastic Jazz Ears And Organic Enough For Acoustic Traditionalists. Beats Spring About But Don't Go All Clickety Spangly. Homespun Tunes Swoon And Sway But Never Whine. The Work Here Is So Good That You No Longer Have To Eternally Connect The Words "Classically Trained" With Pompous Incompetence.” – Dean Carlson, AMG... more details
 

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