Cooder, Ry
Vinyl Records and Rare LPs:
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Alamo Bay
New - LP - 25311
Sealed 1985 Soundtrack. Clean COH. Featuring John Hiatt, David Hidalgo & Cesar Rosas Of Los Lobos Fame.
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Alamo Bay
New - LP - 25311
Sealed 1985 Original Soundtrack, Small Saw Cut. Features John Hiatt And Cesar Rosas Of Los Lobos.
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Alamo Bay
Used - LP - 25311
1985 Soundtrack Produced By Ry Cooder. Small Saw Cut. Features Contributions By Cooder, Van Dyke Parks, David Hidalgo, Lee Ving, Kazu Matsui, Jim Dickinson, David Lindley And Others. Vinyl Apppears Unplayed.
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All Shook Up
Used - LP - PRO A 2867
Promo Only 12" From "Get Rhythm". Picture Sleeve.
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Blue City
New - LP - 25386
Sealed 1986 Original Soundtrack. Small Saw Cut.
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Blue City
New - LP - 25386
Sealed 1986 Original.
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Blue City - Motion Picture Soundtrack
New - LP - 9 25386-1
Sealed 1986 Original.
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Boomer's Story
Audiophile - LP - MFSL 1-405
Sealed 2017 Gatefold, Original Master Recording, GAIN 2™ Ultra Analog, 180gm Limited Edition Of 3000. "Boomer's Story, Ry Cooder's Third Record, Continues His Archeological Dig Through Music's Familiar And Forgotten Past. As Was The Case With His Previous Recordings, He Not Only Looks To The Masters -- Including Blues Legend Sleepy John Estes, Songwriter Dan Penn (Both Of Whom Appear Here) And The Great Skip James -- For Material, But To Lost And Neglected Pieces Of American Folk And Blues, As Well. Cooder Adds The Traditional Title-track, Which Opens The Album, And Lawrence Wilson's "Crow Black Chicken," Which Dates Back To The Late 1920s, To This Collection Of Discoveries -- Both Of Which Are Handled With Just The Right Balance Of Personality And Reverence. Elsewhere, He Injects A Dark Irony Into The Jingoistic "Rally 'Round The Flag," With Its Slow, Mournful Piano (Played By Randy Newman) And Slide Guitar, While The Joseph Spence-Style Guitar Arrangement Of The World War II Standard "Comin' In On A Wing And A Prayer" Has A Sense Of Hope And Conviction. Often Criticized For Possessing A Less Than Commanding Voice, Cooder Steps Back From The Microphone For Four Of The Album's Ten Tracks -- Three Instrumentals And One Featuring Sleepy John Estes On His Own "President Kennedy." And While All Of The Instrumentals Presented Here Are Fine Renditions Of Great Tunes, It's "Dark End Of The Street" Which Truly Stands Out. Here, Cooder Realizes That The Only Thing In His Arsenal That Can Do Justice To James Carr's Definitive Version Is His Own Remorseful Slide Guitar. Without Uttering A Single Lyric, He's Able To Convey The Shame And Deep Regret Of The Dan Penn/Chips Moman Classic. Thanks To Moments Like This, Along With Cooder's Consistently Strong Choice Of Material And Brilliant Guitar Work, Boomer's Story -- Less Eccentric Than His First, And Less Eclectic Than Into The Purple Valley -- Ranks Among His Best Work." AMG- Brett Hartenbach
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Boomer's Story
Audiophile - Used - MFSL 1-405
2017 Remastered Reissue from Mobile Fidelity Sound Lab. Strong VG+ Jacket With Crisp Corners, But Has Some Gentle Scuffing/Ring Wear to Front Cover. This Is An Unnumbered Promo Version; Housed In A Gatefold Jacket. Limited Edition Of 3000. "Boomer's Story, Ry Cooder's Third Record, Continues His Archeological Dig Through Music's Familiar And Forgotten Past. As Was The Case With His Previous Recordings, He Not Only Looks To The Masters -- Including Blues Legend Sleepy John Estes, Songwriter Dan Penn (Both Of Whom Appear Here) And The Great Skip James -- For Material, But To Lost And Neglected Pieces Of American Folk And Blues, As Well. Cooder Adds The Traditional Title-track, Which Opens The Album, And Lawrence Wilson's "Crow Black Chicken," Which Dates Back To The Late 1920s, To This Collection Of Discoveries -- Both Of Which Are Handled With Just The Right Balance Of Personality And Reverence. Elsewhere, He Injects A Dark Irony Into The Jingoistic "Rally 'Round The Flag," With Its Slow, Mournful Piano (Played By Randy Newman) And Slide Guitar, While The Joseph Spence-Style Guitar Arrangement Of The World War II Standard "Comin' In On A Wing And A Prayer" Has A Sense Of Hope And Conviction. Often Criticized For Possessing A Less Than Commanding Voice, Cooder Steps Back From The Microphone For Four Of The Album's Ten Tracks -- Three Instrumentals And One Featuring Sleepy John Estes On His Own "President Kennedy." And While All Of The Instrumentals Presented Here Are Fine Renditions Of Great Tunes, It's "Dark End Of The Street" Which Truly Stands Out. Here, Cooder Realizes That The Only Thing In His Arsenal That Can Do Justice To James Carr's Definitive Version Is His Own Remorseful Slide Guitar. Without Uttering A Single Lyric, He's Able To Convey The Shame And Deep Regret Of The Dan Penn/Chips Moman Classic. Thanks To Moments Like This, Along With Cooder's Consistently Strong Choice Of Material And Brilliant Guitar Work, Boomer's Story -- Less Eccentric Than His First, And Less Eclectic Than Into The Purple Valley -- Ranks Among His Best Work." AMG - Brett Hartenbach
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Boomer's Story
Used - LP - MS 2117
Beautiful 1972 Textured Cover Original, "Stereo" At Bottom Of Steamboat Label. No Insert. 1A/1A Matrixes.
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Boomer's Story
Used - LP - MS 2117
1972 White Label Promo, Custom Sticker On Textured Jacket.
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Bop Til You Drop
New - LP - BSK 3358
Sealed 1979 Original. Comes In Original Mailer From Label, With A Warner Bros. Letter & A Card That Provides Info About The Records Digital Dramatics. Small Punch Out Hole. "Following his conceptual 1978 release, Jazz, Ry Cooder returned the next year with the R&B/soul-based Bop Till You Drop. The first major-label, digitally recorded album, Bop is a nice set of moderately known to obscure tunes from the '50s and '60s (along with a Cooder/Tim Drummond original) that doesn't always live up to its promise. Cooder and his excellent band, which includes the rhythm section of Tim Drummond and Jim Keltner along with guitarist David Lindley, understand the material and are more than capable of laying down a decent groove, but something must have gotten lost in translation from what was played to what came across on the recording. There's a thinness to the tracks that undermines the performances, which according to Cooder is due to the digital recording. If you check out the live version of Bop Till You Drop's opener, "Little Sister," from the No Nukes record (using the same band), you can see what surely could have been. Still, Bop is worthwhile given Cooder's penchant for choosing great tunes, as well as the tight performances, brilliant guitar work, and a handful of great guest vocalists (including Chaka Khan). A few of the highlights include his arrangement of the early-'60s Elvis hit "Little Sister," the soulful "The Very Thing That Makes You Rich (Makes Me Poor)," an instrumental take on Ike & Tina Turner's "I Think It's Gonna Work Out Fine," and "I Can't Win," featuring Cooder's longtime cohort Bobby King on lead vocal." All Music Guide - Brett Hartenbach.
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Bop Till You Drop
New - LP - BSK 3358
Sealed 1979 Original, No Bar Code On Jacket. Spine Fade.
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Bop Till You Drop
Used - LP - BSK 3358
1979 Original LA Pressing, In Shrink Wrap With Original WB Company Poly-Inner Sleeve. "Following His Conceptual 1978 Release, Jazz, Ry Cooder Returned The Next Year With The R&B/Soul-Based Bop Till You Drop. The First Major-label, Digitally Recorded Album, Bop Is A Nice Set Of Moderately Known To Obscure Tunes From The '50s And '60s (Along With A Cooder/tim Drummond Original) That Doesn't Always Live Up To Its Promise. Cooder And His Excellent Band, Which Includes The Rhythm Section Of Tim Drummond And Jim Keltner Along With Guitarist David Lindley, Understand The Material And Are More Than Capable Of Laying Down A Decent Groove, But Something Must Have Gotten Lost In Translation From What Was Played To What Came Across On The Recording. There's A Thinness To The Tracks That Undermines The Performances, Which According To Cooder Is Due To The Digital Recording. If You Check Out The Live Version Of Bop Till You Drop's Opener, "Little Sister," From The No Nukes Record (Using The Same Band), You Can See What Surely Could Have Been. Still, Bop Is Worthwhile Given Cooder's Penchant For Choosing Great Tunes, As Well As The Tight Performances, Brilliant Guitar Work, And A Handful Of Great Guest Vocalists (Including Chaka Khan). A Few Of The Highlights Include His Arrangement Of The Early-'60s Elvis Hit "Little Sister," The Soulful "The Very Thing That Makes You Rich (Makes Me Poor)," An Instrumental Take On Ike & Tina Turner's "I Think It's Gonna Work Out Fine," And "I Can't Win," Featuring Cooder's Longtime Cohort Bobby King On Lead Vocal." AMG - Brett Hartenbach.
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Bop Till You Drop
Used - LP - BSK 3358
1979 Original Winchester Pressing, In Shrink Wrap With Original WB Company Poly-Inner Sleeve. "Following His Conceptual 1978 Release, Jazz, Ry Cooder Returned The Next Year With The R&B/Soul-Based Bop Till You Drop. The First Major-label, Digitally Recorded Album, Bop Is A Nice Set Of Moderately Known To Obscure Tunes From The '50s And '60s (Along With A Cooder/tim Drummond Original) That Doesn't Always Live Up To Its Promise. Cooder And His Excellent Band, Which Includes The Rhythm Section Of Tim Drummond And Jim Keltner Along With Guitarist David Lindley, Understand The Material And Are More Than Capable Of Laying Down A Decent Groove, But Something Must Have Gotten Lost In Translation From What Was Played To What Came Across On The Recording. There's A Thinness To The Tracks That Undermines The Performances, Which According To Cooder Is Due To The Digital Recording. If You Check Out The Live Version Of Bop Till You Drop's Opener, "Little Sister," From The No Nukes Record (Using The Same Band), You Can See What Surely Could Have Been. Still, Bop Is Worthwhile Given Cooder's Penchant For Choosing Great Tunes, As Well As The Tight Performances, Brilliant Guitar Work, And A Handful Of Great Guest Vocalists (Including Chaka Khan). A Few Of The Highlights Include His Arrangement Of The Early-'60s Elvis Hit "Little Sister," The Soulful "The Very Thing That Makes You Rich (Makes Me Poor)," An Instrumental Take On Ike & Tina Turner's "I Think It's Gonna Work Out Fine," And "I Can't Win," Featuring Cooder's Longtime Cohort Bobby King On Lead Vocal." AMG - Brett Hartenbach
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Bop Till You Drop
Used - LP - BSK 3358
1979 Original With White Hype Sticker On The Cover, Crisp Corners, No Deletion Cuts. One Of Rock's Very First Digital Recordings. A1/A1 Stampers. Glossy, Unplayed Condition. Gold Promo Stamp On Back Cover.
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Bop Till You Drop
Used - LP - P 10713W
Near Mint Japanese Pressing With Obi. LP Appears Unplayed.
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Bop Till You Drop
New - LP - BSK 3358
Sealed 1979 Original. Saw Cut.
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Bop Till You Drop
Used - LP - BSK 3358
1979 Original Still In Shrink Wrap With Custom Hype Sticker. Crisp Corners, No Deletion Or Promo Cuts. One Of Rock's Very First Digital Recordings.
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Bop Till You Drop
Used - LP - WB 56 691
1979 German Original. Record Appears Unplayed.
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Border
New - LP - BSR 6105
Sealed Original, CC. First Sealed Copy We Have Seen Since This Was Released In 1982. Great Music, Great Sound!
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Border
Used - LP - BSR 6105
1982 Original With Excellent Sound, On A Par With "Paris, Texas." Increasingly Difficult To Locate On Vinyl. Top Recommendation. Gold Promo Stamp On Cover.
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Border
Used - LP - BSR 6105
1982 Original. Appears Unplayed. Small Saw Notch. On A Par With "Paris, Texas." Top Recommendation.
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Border
Used Import - VIM-7280
1982 Original Japanese Pressing. Appears Unplayed. On A Par With "Paris, Texas." Top Recommendation.
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Border Live
Used - LP - WBMS 118
First Copy We Have Ever Seen Of This Promo Only 1982 LP For Radio Station Airplay Only. LP Looks Unplayed. Tracks Are "Little Sister," "Go Home Girl," "Down In The Boondocks," "Crazy Bout An Automobile," "Teardrops Will Fall," "Christian Automobile," "Why Don't You Try Me," "The Girls From Texas," "The Very Thing That Makes You Rich Makes Me Poor."
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Borderline
Used - LP - BSK 3489
Beautiful 1980 Original.
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Borderline
Used - LP - P 10931W
White Label Promo, No Obi. Sample Sticker On Cover.
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Borderline
Used - LP - BSK 3489
1980 Original, Tiny Saw Cut.
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Borderline
Used - LP - BSK 3489
1980 Columbia House Edition In Shrink Wrap. Appears Glossy, Unplayed.
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Borderline
Used - LP - K56864
1980 UK Original.
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Borderline
New - LP - BSK 3489
Sealed 1980 Original With Department Store Price Code "C" Tag Over Shrink Wrap.
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Borderline
New - LP - BSK 3489
Sealed 1980 Original, Small Saw Cut.
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Borderline
New - LP - BSK 3489
Sealed 1980 Original. Tiny Saw Cut.
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Buena Vista Social Club
Audiophile - LP - RTH 79478
Factory Sealed, Long Out Of Print 200gm 2LP Quiex SV-P Housed In A Deluxe Gatefold Jacket. One Of The All-Time Great Albums For Sound And Musical Content. Highly Recommended.
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Buena Vista Social Club
New - LP - WQJP 2010
We Were Amazed To Find Out That This LP Existed On Japanese Vinyl. Non-Gatefold Cover.
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Buena Vista Social Club At Carnegie Hall
Used - LP - 515445
2008 2LP 180gm HQ Triple Gatefold Vinyl. Still In Original Baggie, Played Once.
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Chicken Skin Music
Used - LP - MS 2254
Beautiful 1976 Steamboat Label Original With Custom Printed Inner Sleeve. “Ry Cooder Has Always Believed In The "Mutuality In Music," And This May Be No More Evident In His Career Than With His Fifth Album, Chicken Skin Music (A Hawaiian Colloquialism, Synonymous With Goosebumps). Even More Than Usual, Cooder Refuses To Recognize Borders -- Geographical Or Musical -- Presenting "Stand By Me" As A Gospel Song With A Norteño Arrangement, Or Giving The Jim Reeves Country-Pop Classic, "He'll Have To Go," A Bolero Rhythm, Featuring The Interplay Of Flaco Jimenez's Accordion And Pat Rizzo's Alto Sax. Elsewhere, He Teams With A Pair Of Hawaiian Greats -- Steel Guitarist And Singer Gabby Pahinui And Slack Key Guitar Master Atta Isaacs -- On The Hank Snow Hit "Yellow Roses" And The Beautiful Instrumental "Chloe." If Cooder's Approach To The Music Is Stylistically Diverse, His Choice Of Material Certainly Follows Suit. Bookended By A Couple Of Leadbelly Compositions, Chicken Skin Music Sports A Collection Of Songs Ranging From The Aforementioned Tracks To The Charming Old Minstrel/Medicine Show Number "I Got Mine" And The Syncopated R&B Of "Smack Dab In The Middle." Also Included Is Appalachian Songwriter Blind Alfred Reed's "Always Lift Him Up," Complete With A Hawaiian Gospel Tune, "Kanaka Wai Wai," Woven Into The Instrumental Section. As He Explains In The Album's Liner Notes, Cooder Understands The Connection Between These Seemingly Disparate Styles. This Is Not Merely Eclecticism For Its Own Sake. Chicken Skin Music Is Probably Ry Cooder's Most Eccentric Record Since His First, But It's Also One Of His Most Entertaining.” – Brett Hartenbach, AMG
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Chicken Skin Music
Used - LP - MS 2254
1976 Original In Shrink Wrap. Ciustom Inner Sleeve. No Cut Out Holes. Appears Unplayed. "Ry Cooder Has Always Believed In The "Mutuality In Music," And This May Be No More Evident In His Career Than With His Fifth Album, Chicken Skin Music (A Hawaiian Colloquialism, Synonymous With Goosebumps). Even More Than Usual, Cooder Refuses To Recognize Borders — Geographical Or Musical — Presenting "Stand By Me" As A Gospel Song With A Norteño Arrangement, Or Giving The Jim Reeves Country-Pop Classic, "He'll Have To Go," A Bolero Rhythm, Featuring The Interplay Of Flaco Jimenez's Accordion And Pat Rizzo's Alto Sax. Elsewhere, He Teams With A Pair Of Hawaiian Greats — Steel Guitarist And Singer Gabby Pahinui And Slack Key Guitar Master Atta Isaacs — On The Hank Snow Hit "Yellow Roses" And The Beautiful Instrumental "Chloe." If Cooder's Approach To The Music Is Stylistically Diverse, His Choice Of Material Certainly Follows Suit. Bookended By A Couple Of Leadbelly Compositions, Chicken Skin Music Sports A Collection Of Songs Ranging From The Aforementioned Tracks To The Charming Old Minstrel/Medicine Show Number "I Got Mine" And The Syncopated R&B Of "Smack Dab In The Middle." Also Included Is Appalachian Songwriter Blind Alfred Reed's "Always Lift Him Up," Complete With A Hawaiian Gospel Tune, "Kanaka Wai Wai," Woven Into The Instrumental Section. As He Explains In The Album's Liner Notes, Cooder Understands The Connection Between These Seemingly Disparate Styles. This Is Not Merely Eclecticism For Its Own Sake. Chicken Skin Music Is Probably Ry Cooder's Most Eccentric Record Since His First, But It's Also One Of His Most Entertaining." Brett Hartenbach, All Music Guide.
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Chicken Skin Music
Used - LP - MS 2254
1976 Steamboat Label Original With Custom Printed Inner Sleeve. LW1/LW1 Stampers. Jacket Has Slight Ring Wear Near Top, Hence Great Price. “Ry Cooder Has Always Believed In The "Mutuality In Music," And This May Be No More Evident In His Career Than With His Fifth Album, Chicken Skin Music (A Hawaiian Colloquialism, Synonymous With Goosebumps). Even More Than Usual, Cooder Refuses To Recognize Borders -- Geographical Or Musical -- Presenting "Stand By Me" As A Gospel Song With A Norteño Arrangement, Or Giving The Jim Reeves Country-Pop Classic, "He'll Have To Go," A Bolero Rhythm, Featuring The Interplay Of Flaco Jimenez's Accordion And Pat Rizzo's Alto Sax. Elsewhere, He Teams With A Pair Of Hawaiian Greats -- Steel Guitarist And Singer Gabby Pahinui And Slack Key Guitar Master Atta Isaacs -- On The Hank Snow Hit "Yellow Roses" And The Beautiful Instrumental "Chloe." If Cooder's Approach To The Music Is Stylistically Diverse, His Choice Of Material Certainly Follows Suit. Bookended By A Couple Of Leadbelly Compositions, Chicken Skin Music Sports A Collection Of Songs Ranging From The Aforementioned Tracks To The Charming Old Minstrel/Medicine Show Number "I Got Mine" And The Syncopated R&B Of "Smack Dab In The Middle." Also Included Is Appalachian Songwriter Blind Alfred Reed's "Always Lift Him Up," Complete With A Hawaiian Gospel Tune, "Kanaka Wai Wai," Woven Into The Instrumental Section. As He Explains In The Album's Liner Notes, Cooder Understands The Connection Between These Seemingly Disparate Styles. This Is Not Merely Eclecticism For Its Own Sake. Chicken Skin Music Is Probably Ry Cooder's Most Eccentric Record Since His First, But It's Also One Of His Most Entertaining.” – Brett Hartenbach, AMG
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Chicken Skin Music
Audiophile - LP - MFSL 1-465
Sealed 2018 Limited Edition, Numbered (Strictly Limited To 3,000 Copies), 2LP 180gm Gatefold. “Ry Cooder Has Always Believed In The "Mutuality In Music," And This May Be No More Evident In His Career Than With His Fifth Album, Chicken Skin Music (A Hawaiian Colloquialism, Synonymous With Goosebumps). Even More Than Usual, Cooder Refuses To Recognize Borders -- Geographical Or Musical -- Presenting "Stand By Me" As A Gospel Song With A Norteño Arrangement, Or Giving The Jim Reeves Country-Pop Classic, "He'll Have To Go," A Bolero Rhythm, Featuring The Interplay Of Flaco Jimenez's Accordion And Pat Rizzo's Alto Sax. Elsewhere, He Teams With A Pair Of Hawaiian Greats -- Steel Guitarist And Singer Gabby Pahinui And Slack Key Guitar Master Atta Isaacs -- On The Hank Snow Hit "Yellow Roses" And The Beautiful Instrumental "Chloe." If Cooder's Approach To The Music Is Stylistically Diverse, His Choice Of Material Certainly Follows Suit. Bookended By A Couple Of Leadbelly Compositions, Chicken Skin Music Sports A Collection Of Songs Ranging From The Aforementioned Tracks To The Charming Old Minstrel/Medicine Show Number "I Got Mine" And The Syncopated R&B Of "Smack Dab In The Middle." Also Included Is Appalachian Songwriter Blind Alfred Reed's "Always Lift Him Up," Complete With A Hawaiian Gospel Tune, "Kanaka Wai Wai," Woven Into The Instrumental Section. As He Explains In The Album's Liner Notes, Cooder Understands The Connection Between These Seemingly Disparate Styles. This Is Not Merely Eclecticism For Its Own Sake. Chicken Skin Music Is Probably Ry Cooder's Most Eccentric Record Since His First, But It's Also One Of His Most Entertaining.” – Brett Hartenbach, AMG
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Chicken Skin Music
Audiophile - New - MOVLP 2538
Sealed 2022 180gm Audiophile Reissue, On Standard Black Vinyl. “Ry Cooder Has Always Believed In The "Mutuality In Music," And This May Be No More Evident In His Career Than With His Fifth Album, Chicken Skin Music (A Hawaiian Colloquialism, Synonymous With Goosebumps). Even More Than Usual, Cooder Refuses To Recognize Borders -- Geographical Or Musical -- Presenting "Stand By Me" As A Gospel Song With A Norteño Arrangement, Or Giving The Jim Reeves Country-Pop Classic, "He'll Have To Go," A Bolero Rhythm, Featuring The Interplay Of Flaco Jimenez's Accordion And Pat Rizzo's Alto Sax. Elsewhere, He Teams With A Pair Of Hawaiian Greats -- Steel Guitarist And Singer Gabby Pahinui And Slack Key Guitar Master Atta Isaacs -- On The Hank Snow Hit "Yellow Roses" And The Beautiful Instrumental "Chloe." If Cooder's Approach To The Music Is Stylistically Diverse, His Choice Of Material Certainly Follows Suit. Bookended By A Couple Of Leadbelly Compositions, Chicken Skin Music Sports A Collection Of Songs Ranging From The Aforementioned Tracks To The Charming Old Minstrel/Medicine Show Number "I Got Mine" And The Syncopated R&B Of "Smack Dab In The Middle." Also Included Is Appalachian Songwriter Blind Alfred Reed's "Always Lift Him Up," Complete With A Hawaiian Gospel Tune, "Kanaka Wai Wai," Woven Into The Instrumental Section. As He Explains In The Album's Liner Notes, Cooder Understands The Connection Between These Seemingly Disparate Styles. This Is Not Merely Eclecticism For Its Own Sake. Chicken Skin Music Is Probably Ry Cooder's Most Eccentric Record Since His First, But It's Also One Of His Most Entertaining.” – Brett Hartenbach, AMG
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Crazy 'Bout An Automobile
Used Import - K17844T
1981 UK Picture Sleeve 45rpm 12" Mini Album With Shrink Intact. Features Four Previously Unreleased Tracks: "Crazy 'Bout An Automobile," Recorded Live In London 1980 Plus "If Walls Could Talk," "The Very Thing That Makes You Rich (Makes Me Poor)" And "Look At Granny Run" All Recorded Live In San Francisco 1981. Record Appears Glossy, Unplayed.
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Crazy 'Bout An Automobile
Used - LP - PRO-A-943
Beautiful 1981 US Promo Only 4 Track 12 Inch. Recorded Live In San Francisco And London. Rare.
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Crossroads
Used - LP - 25399
1986 Original Soundtrack Still In Shrink. Features Jim Keltner, Jorge Calderon, Terry Evans, George Bohannon, Nathan East, Amy Madigan And Others.
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Crossroads
New - LP - 25399
Sealed 1986 Original Soundtrack. Crisp Corners. Features Jim Keltner, Jorge Calderon, Terry Evans, George Bohannon, Nathan East, Amy Madigan And Others.
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Crossroads
Used - LP - 25399
1986 Original With Gold Promo Stamp On Cover. Vinyl Appears Glossy, Unplayed.
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Crossroads - Original Motion Picture Soundtrack
New - LP - 1 - 25399
Sealed 1986 Original Soundtrack.
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Election Special
New - LP - 531159
Factory Sealed, Out Of Print 2012 180gm HQ With Free CD Of The Complete Album. “Using American Traditional Musics -- Raw Blues, Folk, And Roots Rock -- Cooder's Songs Express What He Considers To Be, As Both An Artist And A Pissed-Off Citizen, The High-Stakes Historical Gamble Of The 2012 Presidential And Congressional Contest. He Wrote And Recorded This Album As A Witness To The Era. Other Than Drums (Played By His Son Joachim) And Some Backing Vocals, Cooder Plays Everything Here. He Uses Foreboding Acoustic Blues In "Mutt Romney Blues" (Written From The Point Of View Of The Candidate Mitt Romney's Dog). The More Poignant "Brother Is Gone" Is At First Blush A Seemingly Heart-Wrenching Folk Tale Fueled By Cooder's Mandolin. Yet It Slowly And Purposely Relates A Deal-With-The-Devil Fantasy About Conservatives Charles And David Koch. It's Among The Finest Songs He's Written. But Cooder Rocks Up His Anger Too: "Guantanamo" Is A Raucous Barroom Strut. "Cold Cold Feeling" Is A Deep, Slow Garage Blues That's Chilling In Its Effectiveness. His Screed Is A Link In A Chain Of Political Blues Tunes That Date Back To The Delta. "Going To Tampa" Is A Cut-Time String Band Country Tune. It's A Farce About The 2012 Republican National Convention As Hijacked By The Tea Party. He Accuses Both Of Outright Racism And Social Engineering, With Scathing Humor. The Album's Finest Cut Is The Dark, Delta-Style Electric Blues Of "Kool-Aid," Which Recalls Junior Kimbrough Musically. Sure Enough, Because Of Its Soapbox Style, Election Special Is The Most Overtly Political Album Of Cooder's Career. As Such, It Serves Two Purposes: One Is That It Is The Most Organic Record He's Issued In Almost Two Decades; And, More Importantly, It Restores Topical Protest Music To A Bona Fide Place In American Cultural Life.” Thom Jurek, AMG.
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Get Rhythm
New - LP - 25639
Sealed 1987 Original Featuring Van Dyke Parks, Flaco Jimenez, Harry Dean Stanton-Guest Vocals And Others. Clean Cut Out Hole & Small Crease Mark. "The Musician's Musician." "The Master Of The Eclectic." There Are Probably A Dozen More Titles By Which This "Guitar Player" Is Known. To Even Refer To Him As A Guitar Player Is Probably A Gross Mislabeling Of This Musician. He Defies Any Sort Of Categorization; This Is His Greatest Strength And For Some His Weakness. The Theme For These Nine Cuts Is Rhythm Of All Different Ilk. I Won't Even Give The Parameters Because He Seems To Have None. I Wondered How Many Different Instruments He Played On This Album (I Thought I Counted Five Different Types Of Guitar); It Only Says Guitar And Vocal For His Credits. Listen To His Version Of "All Shook Up," More Bop And Rhythm Than Elvis Could Put Into Four Of His Songs. It Seems Musicians Line Up To Play With Him, And They Feel He Did Them A Favor By Letting Them Play On His Albums. He Always Gives Them Plenty Of Space To Do What They Do. This LP Will Make The Dead Start Tapping Their Toes.” Bob Gottlieb, All Music Guide.
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Get Rhythm
Used - LP - 25639
Glossy, Unplayed 1987 Vinyl. Features Van Dyke Parks, Flaco Jimenez, Bobby King, Terry Evans And Others. Gold Promo Stamp On Cover.
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Get Rhythm
Used - LP - WX 121
Beautiful 1987 German Original. Features Van Dyke Parks, Flaco Jimenez, Bobby King, Terry Evans And Others. Vinyl Appears Glossy, Unplayed.
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In A Mist
Used - LP - 4519.1
Rare 1979 "Live" Recording In Picture Sleeve. Songs Are "Big Bad Bill Is Sweet William Now," "The Dream," "Jezebel," "Shine," "Maria Elena," "Flashes," "Davenport Blues," "Nobody," "Coming In On A Wing And A Prayer."
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Into The Purple Valley
Used - LP - MS 2052
Beautiful 1971 Textured Gatefold, White Label Promo With Insert. 1A/1B Stampers. Appears Unplayed. "Ry Cooder is known as a virtuoso on almost every stringed instrument, and on Into the Purple Valley, he demonstrates this ability on a wide variety of instruments. The main focus of the music here is on the era of the Dust Bowl, and what was happening in America at the time, socially and musically. Songs by Woody Guthrie, Leadbelly, and a variety of others show Cooder's encyclopedic knowledge of the music of this time, combined with an instinctive feel for the songs. 'Phenomenal' is the descriptive word to describe his playing, whether it is on guitar, Hawaiian "slack key" guitar, mandolin, or the more arcane instruments he has found. This is a must for those who love instrumental virtuosity, authentic reworkings of an era, or just plain good music." Bob Gottlieb.
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Into The Purple Valley
New - LP - MS 2052
Sealed Gatefold. Clean COH. No Bar Code On Jacket.
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Into The Purple Valley
New - LP - MS 2052
Sealed 1972 Textured Gatefold Original With The Hard To Find Glossy Insert. Pristine Copy. "Ry Cooder Is Known As A Virtuoso On Almost Every Stringed Instrument, And On Into The Purple Valley, He Demonstrates This Ability On A Wide Variety Of Instruments. The Main Focus Of The Music Here Is On The Era Of The Dust Bowl, And What Was Happening In America At The Time, Socially And Musically. Songs By Woody Guthrie, Leadbelly, And A Variety Of Others Show Cooder's Encyclopedic Knowledge Of The Music Of This Time, Combined With An Instinctive Feel For The Songs. 'Phenomenal' Is The Descriptive Word To Describe His Playing, Whether It Is On Guitar, Hawaiian "Slack Key" Guitar, Mandolin, Or The More Arcane Instruments He Has Found. This Is A Must For Those Who Love Instrumental Virtuosity, Authentic Re-Workings Of An Era, Or Just Plain Good Music." Bob Gottlieb.
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Into The Purple Valley
Used - LP - MS 2052
2nd Issue Steamboat Label Housed In A Gatefold Cover. No Bar Code On Back. Appears Glossy, Unplayed.
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Into The Purple Valley
Used - LP - MS 2052
1972 Roughly Textured Gatefold Original With Insert. Appears Glossy. "Ry Cooder Is Known As A Virtuoso On Almost Every Stringed Instrument, And On Into The Purple Valley, He Demonstrates This Ability On A Wide Variety Of Instruments. The Main Focus Of The Music Here Is On The Era Of The Dust Bowl, And What Was Happening In America At The Time, Socially And Musically. Songs By Woody Guthrie, Leadbelly, And A Variety Of Others Show Cooder's Encyclopedic Knowledge Of The Music Of This Time, Combined With An Instinctive Feel For The Songs. 'Phenomenal' Is The Descriptive Word To Describe His Playing, Whether It Is On Guitar, Hawaiian "Slack Key" Guitar, Mandolin, Or The More Arcane Instruments He Has Found. This Is A Must For Those Who Love Instrumental Virtuosity, Authentic Re-Workings Of An Era, Or Just Plain Good Music." Bob Gottlieb.
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Into The Purple Valley
Used - LP - MS 2052
1972 Roughly Textured Gatefold Original With Insert. Appears Glossy. "Ry Cooder Is Known As A Virtuoso On Almost Every Stringed Instrument, And On Into The Purple Valley, He Demonstrates This Ability On A Wide Variety Of Instruments. The Main Focus Of The Music Here Is On The Era Of The Dust Bowl, And What Was Happening In America At The Time, Socially And Musically. Songs By Woody Guthrie, Leadbelly, And A Variety Of Others Show Cooder's Encyclopedic Knowledge Of The Music Of This Time, Combined With An Instinctive Feel For The Songs. 'Phenomenal' Is The Descriptive Word To Describe His Playing, Whether It Is On Guitar, Hawaiian "Slack Key" Guitar, Mandolin, Or The More Arcane Instruments He Has Found. This Is A Must For Those Who Love Instrumental Virtuosity, Authentic Re-Workings Of An Era, Or Just Plain Good Music." Bob Gottlieb.
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Into The Purple Valley
Used - LP - MS 2052
1972 WLP, Roughly Textured Gatefold Original With Insert. Cover shows a manufactured ripple. "Ry Cooder Is Known As A Virtuoso On Almost Every Stringed Instrument, And On Into The Purple Valley, He Demonstrates This Ability On A Wide Variety Of Instruments. The Main Focus Of The Music Here Is On The Era Of The Dust Bowl, And What Was Happening In America At The Time, Socially And Musically. Songs By Woody Guthrie, Leadbelly, And A Variety Of Others Show Cooder's Encyclopedic Knowledge Of The Music Of This Time, Combined With An Instinctive Feel For The Songs. 'Phenomenal' Is The Descriptive Word To Describe His Playing, Whether It Is On Guitar, Hawaiian "Slack Key" Guitar, Mandolin, Or The More Arcane Instruments He Has Found. This Is A Must For Those Who Love Instrumental Virtuosity, Authentic Re-Workings Of An Era, Or Just Plain Good Music." Bob Gottlieb.
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Jazz
Used - LP - P-10519W
1978 Japanese First Pressing With Obi. LP Appears Glossy, Unplayed.
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Jazz
New - LP - BSK 3197
Sealed 1978 With NON-Embossed Jacket But Original Label.
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Jazz
Audiophile - LP - BSK-3197
Sealed 180gm Test Pressing Of The Unreleased 2006 Reissue Dated August 7 2006.
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Jazz
Audiophile - LP - MFSL 1-085
Factory Sealed Copy Of One The Most Highly-Coveted MFSL Half-Speed Mastered Titles. Pristine Copy.
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Jazz
New - LP - BSK 3197
Sealed 1978 Embossed Cover Original With Glossy Printed Inner Sleeve. Thin Saw Cut. First Sealed Original We Have Seen In Many Years.
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Jazz
Used - LP - BSK 3197
1978 Embossed Cover Original With Custom Inner Sleeve. Appears Virtually Unplayed. LW1/LW1 Stampers!
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Jazz
Used - LP - BSK 3197
1978 Embossed Jacket Original In Custom Inner Sleeve And Still In Shrink. Appear Unplayed.
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Jazz
Used - LP - BSK 3197
Beautiful Early 80's Issue With Barcode On Back Jacket. Appears Unplayed.
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Jazz
Audiophile - LP - MFSL 1-085
1984 Half Speed Master Pressed In Japan By JVC. One The Most Highly-Coveted MFSL Titles. Jacket Is Near Mint. LP Appears New, Unplayed.
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Jazz
Used - LP - BSK 3197
1978 Test Pressing Of A Holy Grail Audiophile Record. Comes In A Plain White Jacket With Cover Sheet. As Close As It Gets To The Sound Of The Master Tape. “Released In 1978, Jazz Seems To Be His First Conscious Attempt At A Concept Album, In The Historical Sense. Here He Pays Homage To Some Of The Early Tunes And Masters Of Jazz, Ranging From The Late 1800s Through The "Coon Songs" Of The Early Part Of The Next Century, To The Ragtime And "Spanish" Music Of Jelly Roll Morton, And The Sophistication Of Cornetist Bix Beiderbecke. The Only Living Artist (At The Time Of Release) Who's Represented Here Is The Great Bahamian Guitarist Joseph Spence, Who Recorded From The '50s Through The '80s, And Whose Syncopated Style Was Extremely Influential In Cooder's Own Development As A Guitarist. Spence's Sacred Songs Are Presented Here In String And Brass Band Arrangements That Emphasize The Caribbean Connection Between His Music And Morton's Habaniera Pieces. The Complexity Of The Material On Jazz, As Well As The Arrangements By Joseph Byrd, Dictate That This Is Cooder's Most Polished And Orchestrated Effort To Date.” Brent Hartenbach, All Music Guide.
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Jazz
Used - LP - BSK 3197
1978 Non-Embossed Jacket 2nd Pressing. Includes Custom Inner Sleeve. LP Appears Unplayed. An All-Time Classic.
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Johnny Handsome
Used - LP - 25996
1989 Original. Also Features Drummer Percussionist Extraordinaire Jim Keltner (Of Sheffield Drum Record Fame) And Steve Douglas On Sax.
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Johnny Handsome
New - LP - 25996
Sealed 1989 Original. Small Saw Cut. Seam Crack. Also Features Drummer Percussionist Extraordinaire Jim Keltner (Of Sheffield Drum Record Fame) And Steve Douglas On Sax.
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Last Stand
New - 12 - PRO-A-2312
Sealed, Promo Only 12 Inch Single From The Movie "Alamo Bay."
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Last Stand (Alamo Bay)
Used - 12 - PRO-A-2312
1985 Promo Only 12 Inch Single From The "Alamo Bay" Soundtrack.
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Live
New - LP - 92.381
Sealed German 6 Track Live Album. "Crazy 'Bout An Automobile," "If Walls Could Talk," "School Is Out," "The Very Thing That Makes You Rich (Makes Me Poor)," "Look At Granny Run" And "Jesus On The Mainline."
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Live
Used - LP - 92.3810
Beautiful 1977 German Only 6 Track Live Album. "Crazy 'Bout An Automobile," "If Walls Could Talk," "School Is Out," "The Very Thing That Makes You Rich (Makes Me Poor)," "Look At Granny Run" And "Jesus On The Mainline."
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Live
Used - LP - 92.3810
Hard To Find 1977 German Only 6 Track Live Album. "Crazy 'Bout An Automobile," "If Walls Could Talk," "School Is Out," "The Very Thing That Makes You Rich (Makes Me Poor)," "Look At Granny Run" And "Jesus On The Mainline." Top Right Corner Crease, Hence Price.
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Long Riders
Used - LP - HS 3448
Beautiful 1980 Original. Gold Promo Stamp On Front Cover.
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Long Riders
Used - LP - HS 3448
1980 Original Soundtrack Album. Cover Has Some Creasing.
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Music From The Motion Picture "Alamo Bay"
Used - LP - 1-25311
Sealed 1985 Original Soundtrack.
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Paradise And Lunch
Audiophile - Used - MFSL 1-449
2017 180gm Original Master Recording Reissue. Pressed At RTI And Strictly Limited To 3,000 Gold Foil Numbered Copies.
"Paradise and Lunch" is the fourth studio album by American guitarist and songwriter Ry Cooder, released in 1974. The album features a mix of covers and original songs, drawing on a variety of musical styles including blues, gospel, R&B, and country. It includes covers of songs by artists such as Sleepy John Estes, Blind Willie McTell, and Bo Diddley, as well as original compositions by Cooder. The album was well-received by critics and helped to establish Cooder as a leading figure in the roots music revival of the 1970s. It was also a commercial success, reaching #96 on the Billboard 200 chart. In the years since its release, "Paradise and Lunch" has been recognized as a landmark album in Cooder's career, as well as a classic of American roots music. It has been reissued several times, in 2013 as part of a box set of Cooder's first seven studio albums.
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Paradise And Lunch
New - LP - MS 2179
Factory Sealed 1974 LP. Features Plas Johnson, Red Callender, Jim Keltner And Others. May Be A First Or Second Pressing. Department Store Price Code "C" Sticker Over Shrink Wrap. Crisp Corners, No Cut Out Holes.
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Paradise And Lunch
Used - LP - MS 2179
Beautiful 1974 Promo Label, 1A/1A Stampers. Looks Unplayed.
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Paradise And Lunch
New - LP - MS 2179
Sealed, Bar Code On Back Cover.
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Paradise And Lunch
Used - LP - MS 2179
1974 Steamboat Label Original With LW2/LW4 Stampers. Appears Unplayed.
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Paradise And Lunch
Audiophile - LP - MFSL 1-449
Sealed 2017 180gm Original Master Recording Reissue. Pressed At RTI And Strictly Limited To 3,000 Gold Foil Numbered Copies.
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Paris, Texas
Used - LP - 25270
Beautiful Original Still In Shrink Wrap. His Fabulous 1985 Soundtrack To The Exceptional Movie. Appears Glossy, Unplayed. One Of Our Favorite Soundtracks With Excellent Sound!
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Paris, Texas
Used - LP - 25270
Haunting 1985 Soundtrack To The Exceptional Movie. Appears Unplayed.
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Paris, Texas
Audiophile - LP - 25270
Early 1990's Limited Edition German 180gm Audiophile Remastering Featuring Alternate Cover Art. This Is Number 1832. Appears Glossy, Unplayed.
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Paris, Texas
Audiophile - LP - 25270
1997 Limited Edition German 180gm Audiophile Remastering Featuring Alternate Cover Art. This Is Number 1652. Shrink Wrap Intact. LP Appears New, Unplayed.
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Paris, Texas
Audiophile - LP - 25270
Sealed, Rare Early 1990's Limited Edition German 180gm Audiophile Remastering Featuring Alternate Cover Art. This Is Low Number 0150.
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Paris, Texas
New - LP - 25270
Sealed 2005 180gm Deluxe Edition German Reissue Cut From The Original Master Tapes.
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Paris, Texas
Used - LP - 25270
1985 Warner Shield Label Original With Gold Promo Stamp On Cover. SH1/SH1 Stampers. Appears Glossy, Unplayed.
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Paris, Texas
Used - LP - 25270
1985 Original Still In Shrink. Haunting Soundtrack To The Exceptional Movie. Appears Unplayed.
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Paris, Texas (Original Motion Picture Soundtrack)
New - LP - 9 25270-1 E
Sealed 1985 US Original. Beautiful Crisp Copy, However Has An Unfortunate Knife Slice Down The Spine Seam, Causing Shrink To Split. Did Not Penetrate Through But Has Caused Artwork To Lift And Expose Cardboard. Features Jim Dickinson And David Lindley. One Of Our Favorite Soundtracks With Outstanding Sound!
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Paris, Texas (Original Motion Picture Soundtrack)
New - LP - 9 25270-1 E
Sealed 1985 US Original. Beautiful Crisp Copy, However Has An Unfortunate Knife Slice Down The Spine Seam, Causing Shrink To Split. Did Not Penetrate Through But Has Caused Artwork To Lift And Expose Cardboard. Features Jim Dickinson And David Lindley. One Of Our Favorite Soundtracks With Outstanding Sound!
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Paris, Texas - Original Motion Picture Soundtrack
New Import - 7599-25270-1
Sealed 2005 180gm Deluxe Reissue, Taken From The Original Mastertapes. Features Jim Dickinson And David Lindley. One Of Our Favorite Soundtracks With Outstanding Sound!
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Paris, Texas - Original Motion Picture Soundtrack
Used Import - 7599-25270-1
2005 180gm Deluxe Reissue LE #1123, Taken From The Original Mastertapes. Features Ry Cooder, Jim Dickinson And David Lindley. One Of Our Favorite Soundtracks With Outstanding Sound! The Paris, Texas - Original Motion Picture Soundtrack by Ry Cooder is a masterful collection of music that perfectly captures the mood and atmosphere of the iconic film by Wim Wenders. The soundtrack features 14 tracks that range from hauntingly beautiful instrumentals to soulful blues and rootsy folk songs. What really sets this soundtrack apart from others is the way Cooder incorporates ambient sounds and field recordings into the music. From the sound of a train whistle to the hum of a neon sign, these subtle touches add a layer of depth and authenticity to the music that perfectly reflects the film's themes of alienation and disconnectedness.
In addition to its artistic merit, the Paris, Texas - Original Motion Picture Soundtrack is also a must-have for any serious vinyl collector. The album was originally released in 1985 and has since become a highly sought-after collectible due to its rarity and the quality of the pressing. The vinyl is thick and heavy, and the sound quality is superb. With its evocative music and unique blend of ambient sounds, this soundtrack is a true treasure for anyone who loves great music and great movies.
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Pull Up Some Dust And Sit Down
New - LP - 527407
Sealed 2011 2LP Original. Includes A CD Version Of The Complete Album. On His Fourth Solo Effort For Nonesuch/Perro Verde Records, The Globe-Trotting Composer, Singer, And Multi-Instrumentalist Leaves Behind The Fantastical Yarn-Spinning, The Magical Realism, And Allegorical Tunes Of His Acclaimed, Grammy Award-Nominated California Trilogy — Chavez Ravine (2005), My Name Is Buddy (2007), And I, Flathead (2008) — For The Most Forthright Album Of His Career. The 14 Songs On Pull Up Some Dust And Sit Down Are, By Turns, Angry, Outraged, Bitterly Funny, And Deeply Poignant. With Brilliant, Woody Guthrie-Like Directness And A Healthy Dollop Of Satire, Cooder's Lyrics Address The Often-Sorry State Of Our Domestic Affairs: The Bank Bailout, The Anti-Immigration Movement, The Ever-Growing Gap Between Rich And Poor, And The Never-Ending War In The Middle East And Its Devastating Physical And Emotional Toll On Young Soldiers.
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Radio Show
Used - LP - PRO 558
1972 White Label Promo Only LP. Side One Includes "Police Dog Blues," "Cleanup At The Home," "President Kennedy" And "Diddy Wah Diddy" Recorded Live At The Main Point, Bryn Mawr, Plus "Holy Spirit" And "Jesus On The Main Line" Recorded At Ardent Studios. Side Two Includes Five Tracks From "Boomer's Story." First Copy Of This Rarity We Have Come Across. Comes In A Plain White Jacket With Paste-On Sticker. Number "558" Written On Front Cover.
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Ry Cooder
Used - LP - RS 6402
1970 White Label Promo. Features Van Dyke Parks On Piano, 1A/1B Stampers. Hint Of Ring Wear, LP Appears Unplayed. Cooder's Eponymous Debut Creates An Intriguing Fusion Of Blues, Folk, Rock & Roll, And Pop, Filtered Through His Own Intricate, Syncopated Guitar.
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Ry Cooder
New - LP - RS 6402
Factory Sealed Stereo Original From The Personal Collection Of Van Dyke Parks. Features Van Dyke Parks On Piano. Cooder's Eponymous Debut Creates An Intriguing Fusion Of Blues, Folk, Rock & Roll, And Pop, Filtered Through His Own Intricate, Syncopated Guitar.
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Ry Cooder
Used - LP - RS 6402
Steamboat Label 2nd Issue. Appears Unplayed.
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Ry Cooder
Audiophile - New - RS 6402
Sealed 2021 180gm All-Analogue Audiophile Reissue From Speakers Corner. German Import. "Already A Seasoned Music Business Veteran At The Age Of 22, Ry Cooder Stepped Out From Behind The Shadows Of The Likes Of Jackie Deshannon, Taj Mahal, The Rolling Stones, And Captain Beefheart, Signing His Own Deal With Warner Brothers Records In 1969. Released The Following Year, Cooder's Eponymous Debut Creates An Intriguing Fusion Of Blues, Folk, Rock & Roll, And Pop, Filtered Through His Own Intricate, Syncopated Guitar; Van Dyke Parks And Lenny Waronker's Idiosyncratic Production; And Parks And Kirby Johnson's String Arrangements. And While He's Still Finding His Feet As A Singer, Cooder Puts This Unique Blend Across With A Combination Of Terrific Songs, Virtuosic Playing, And Quirky, Yet Imaginative, Arrangements. For Material, Cooder, The Son Of Folklorist Parents, Unearths Ten Gems -- Spanning Six Decades Dating Back To The 1920s -- By Legends Such As Woody Guthrie, Blind Blake, Sleepy John Estes, And Leadbelly, As Well As A Current Randy Newman Composition. Still, As Great As His Outside Choices Are, It's The Exuberant Charm Of His Own Instrumental "Available Space" That Nearly Steals The Show. Its Joyful Interplay Between Cooder's Slide, Van Dyke Parks' Music Hall Piano, And The Street-Corner Drumming Creates A Piece That Is Both Loose And Sophisticated. If "Available Space" Is The Record's Most Playful Moment, Its Closer, "Dark Is The Night," Is The Converse, With Cooder's Stark, Acoustic Slide Extracting Every Ounce Of Torment From Blind Willie Johnson's Mournful Masterpiece. Some Of The Eccentric Arrangements May Prove To Be A Bit Much For Both Purists And Pop Audiences Alike, But Still, Cooder's Need To Stretch, Tempered With A Reverence For The Past, Helps To Create A Completely Original Work That Should Reward Adventurous Listeners." AMG Review By Brett Hartenbach.
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Ry Cooder
Used - LP - RS 6402
1970 Steamboat Label 2nd Issue. Light Ring Wear & Edge Wear
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Show Time
Used - LP - BS 3059
1977 LP In Shrink Wrap (Warner Shield On Label). Glossy, Unplayed Condition. Features Flaco Jimenez & Terry Evans. Live Recording In San Francisco At The Great American Music Hall, December 14th and 15th 1976.
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Show Time
New - LP - BS 3059
Sealed 1977 Original. COH. “Following The Odd, But Entertaining Hawaiian, Southwestern Mix Of Chicken Skin Music, Ry Cooder Hit The Road With A Group Of Tex-Mex Musicians Led By The Great Accordionist Flaco Jiminez. To Make Things Even More Interesting, He Also Included Three Soul- And Gospel-Based Backup Singers In The Lineup (Two Of Whom Had Appeared On Chicken Skin Music). Recorded In December Of 1976, Over A Span Of Two Nights In San Francisco, Show Time Documents These Shows By Cooder And His "Chicken Skin Revue." And While Cooder's Guitar -- Along With His Usual Eclectic Assortment Of Songs -- Is The Star Of The Show, Each Of The Principles Has His Chance To Shine Throughout The Evening. Terry Evans, Bobby King, And Eldridge King's Soulful Rendition Of "The Dark End Of The Street," As Well As The Lovely "Volver, Volver," Which Features Jiminez, Are A Couple Of The Highlights. Cooder's Selection Of Material Here Is As Eclectic As Ever, But Jiminez And The Band Stay With Him Every Step Of The Way. They Seem Equally At Home With The R&B Of "Smack Dab In The Middle" As They Do With The Jiminez Instrumental "Viva Seguin," Which Leads Into A Tex-Mex Reworking Of Woody Guthrie's "Do Re Mi." Still, As Good As The Fit May Be Between Leader And Band, It's The Negro Spiritual, "Jesus On The Mainline," Stripped Down To Just Four Voices And Cooder's Remarkable Bottleneck, That's The Real Showstopper Here.” Brett Hartenbach, AMG.
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Show Time
Used - LP - BS 3059
1977 Original Label. Promo Sticker On Cover. Features Flaco Jimenez & Terry Evans.
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Show Time
Used - LP - BS 3059
Mint 1977 Original In Shrinkwrap With Custom Hype Sticker On The Shrink Wrap.
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Show Time
Used - LP - K56386
1977 UK Original.
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Slide Area
New - LP - BSK 3651
Factory Sealed 1982 Original. Small Saw Cut.
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Slide Area
Used - LP - WB K 56 976
Mint 1982 German Original.
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Slide Area
Used - LP - BSK 3651
Beautiful 1982 Original Still In Shrink Wrap.
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Slide Area
Used - LP - WB K 56 976
Beautiful 1982 German Original In Glossy, Unplayed Condition. Features Slightly Different Artwork Than The US Version.
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The Long Riders (Original Sound Track)
New - LP - HS 3448
Factory Sealed 1980 Original. Unabe To Confirm Press Info. Hard To Find With No Cut Outs. “Cooder Was In Fine Form With This Score, Using Original Material, Unusual And Anachronistic Instruments (Saz, Tamboura, Electric Guitar), And Elements Of Traditional Songs From The Civil War Period. As A Result, The Album Can Be Appreciated As A Unique Entity, Away From The Film -- And Bonded To The Film, The Music Provides Grace And Power To The Onscreen Events.” – Steven Mcdonald, AMG
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The Long Riders (Original Sound Track)
New - LP - HS 3448
Factory Sealed 1980 Original. Unabe To Confirm Press Info. Hard To Find With No Cut Outs. “Cooder Was In Fine Form With This Score, Using Original Material, Unusual And Anachronistic Instruments (Saz, Tamboura, Electric Guitar), And Elements Of Traditional Songs From The Civil War Period. As A Result, The Album Can Be Appreciated As A Unique Entity, Away From The Film -- And Bonded To The Film, The Music Provides Grace And Power To The Onscreen Events.” – Steven Mcdonald, AMG
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The Long Riders (Original Sound Track)
New - LP - HS 3448
Factory Sealed 1980 Original. “Cooder Was In Fine Form With This Score, Using Original Material, Unusual And Anachronistic Instruments (Saz, Tamboura, Electric Guitar), And Elements Of Traditional Songs From The Civil War Period. As A Result, The Album Can Be Appreciated As A Unique Entity, Away From The Film -- And Bonded To The Film, The Music Provides Grace And Power To The Onscreen Events.” – Steven Mcdonald, AMG
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The Prodigal Son
New Import - FAN00236
Sealed 2018 Original. "After Ry Cooder Issued 2012's Biting Election Special With Its Indictments Of The Gop, Mitt Romney, And The Koch Brothers In A Meld Of Sounds That Included Folk, Blues, And Roots Rock, Fans Wondered Where He'd Go Next. Prodigal Son, His Debut Album For Fantasy, Takes Him Back To The Beginning When He Recorded Old Blues, Gospel, Folk, And Swing Tunes That Reflected The Musical Past As Illumination For The Historical Present. Co-produced With Son Joachim -- Who Also Contributes Drums And Percussion -- Cooder Takes Control; He Plays Guitars, Bass, Banjo, Mandolin, And Keyboards In A Program Of Eight Covers And Three Fine Originals.
He Opens With An Intimate Version Of The Pilgrim Travelers' 1950s Gospel Hit "Straight Street." With Banjo And Mandolin Buoyed By His Electric Guitar Fills And Joachim's Snare, Cooder Presents Evidence Of His Protagonist's Difficulties Living "...on Broadway Right Next To The Liar's House...." Before Finding Solace In God's Light. The Backing Chorus (Featuring The Late Terry Evans) Slips And Sways, Underscoring Every Syllable. Cooder Doesn't Need To Testify Vocally, The Lyrics And His Guitar Do That. "Shrinking Man" Is An Original Filled With Poignant Metaphor Set To A Raucous, Bluesy Country Stomp Delivered In Electric Jug Band Style. The Original "Gentrification" Offers Biting Social Satire Adorned With Layers Of Acoustic And Electric Guitars Played In Nigerian Hi-life Style With Kalimba, Bells, And Whistles; Its Humorous Lyrics Are Rife With The Truth. Cooder's Readings Of Blind Willie Johnson's "Everybody Ought To Treat A Stranger Right" And "Nobody's Fault But Mine" Resonate With Conviction And Gritty Determination. Alfred Reed's Hymn "You Must Unload" Features Robert Francis Commagere On Bass And Aubrey Haynie On Violin. They Color His Prophetic Vocal In Calling The Powerful, Greedy, And Decadent To Account. The Title Cut Is Traditional. Cooder Renders It A Grimy, Electric, Country Blues -- Complete With An Homage To Country Legend Ralph Mooney's Pedal Steel Guitar Playing. Banjo, Mandolin, And Snares Create A Frame For Blind Roosevelt Graves' Strident "I'll Be Rested When The Roll Is Called," While Carter Stanley's "Harbor Of Love" Has Been Recontextualized As A Gently Soulful, Painterly, Country-gospel Tune. Cooder's Own "Jesus And Woody" Is A Tender Allegory Sung From The Former's Viewpoint As He Requests The Legendary Folksinger To Sit And Play For Him As He Reflects On Sin, Fascism, And The Dream Of A Better World. This Would Have Been A Great Place To Stop, But Cooder Has Another Rocker To Deliver In The Traditional Church Stomper "In His Care," Where Crisscrossing Rhythms And Gospel Strut Meet Rebellious Roots Rock & Roll. His Reliance On Gospel Here Illuminates His Commitment To Equality. Prodigal Son Is Yet Another Act Of Committed Intention From One Of American Music's Greatest Guardians And Purveyors. In Its Grain, Aesthetic Pleasure And The Will For Justice Converse And Ultimately Convince The Rest Of Us To Act." AMG Review By Thom Jurek
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Why Don't You Try Me Tonight? (The Best Of)
Used - LP - 08641
1986 Germany Only Vinyl Rarity Containing 13 Tracks.
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