Davis, Miles

Vinyl Records and Rare LPs:

	'Four' & More - Recorded Live In Concert Audiophile - Used - MFSL 1-376 2012 Foil Numbered, Limited Edition 180gm Stereo Reissue Mastered On Mobile Fidelity’s World-Renowned Mastering System. more
	'Four' & More - Recorded Live In Concert Used Import - 25AP 761 1977 Japanese Reissue; 3rd Issue With Horizontal Obi & Insert Still In Shrink. Stellar Band Line-Up: Bass – Ron Carter; Drums – Tony Williams; Piano – Herbie Hancock & Tenor Saxophone, George Coleman. Produced By Teo Macero. more
	'Four' & More - Recorded Live In Concert Used Import - SONP 50097 1969 Japanese reissue with horizontal obi & insert still in shrink. VG++/EX vinyl. Stellar line-up: Bass – Ron Carter; Drums – Tony Williams; Piano – Herbie Hancock & Tenor Saxophone, George Coleman. Produced By Teo Macero. more
	'Four' & More - Recorded Live In Concert Test Pressing - New - MFSL 1-376 Sealed 2012 test pressing from Mobile Fidelity Sound Lab. more
	'Four' & More - Recorded Live In Concert Used Import - SOPL-161 1973 Japanese reissue without Obi but has insert. NM- jacket. Recorded on February 12, 1964, live at The Philharmonic Hall, NYC. "In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP. Davis, probably a bit bored by some of his repertoire and energized by the teenage Tony Williams' drumming, performed many of his standards at an increasingly faster pace as time went on. These versions of "So What," "Walkin'," "Four," "Joshua," "Seven Steps to Heaven," and even "There Is No Greater Love" are remarkably rapid, with the themes quickly thrown out before Davis, George Coleman, and Herbie Hancock take their solos. Highly recommended and rather exciting music, it's one of the last times Davis would be documented playing a full set of standards." All Music Guide – Scott Yanow more
	'Round About Midnight New Import - CL 949 Sealed, latest run of the 2013 180gm, MONO audiophile reissue from Music on Vinyl. Custom MOV hype sticker affixed to resealable outer sleeve. Miles Davis's 'Round About Midnight, released in 1957, marks his debut on Columbia Records and showcases his first great quintet: John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass), and Philly Joe Jones (drums). The album features a blend of hard bop and cool jazz, with standout tracks like the title piece "'Round Midnight," "Bye Bye Blackbird," and "Tadd's Delight." Recorded over three sessions between 1955 and 1956, this album captures the quintet's cohesive interplay and Davis's lyrical trumpet style. more
	'Round About Midnight New Import - CL 949 Sealed, latest run of the 2013 180gm, MONO Audiophile reissue from Music on Vinyl. Custom MOV hype sticker affixed to resealable outer sleeve. Miles Davis's 'Round About Midnight, released in 1957, marks his debut on Columbia Records and showcases his first great quintet: John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass), and Philly Joe Jones (drums). The album features a blend of hard bop and cool jazz, with standout tracks like the title piece "'Round Midnight," "Bye Bye Blackbird," and "Tadd's Delight." Recorded over three sessions between 1955 and 1956, this album captures the quintet's cohesive interplay and Davis's lyrical trumpet style. more
	'Round About Midnight Used - Vinyl - CL 949 2013 Limited Edition, Foil Numbered Record Store Day Exclusive 180gm Mono Reissue. Custom Hype Sticker On Shrink. more
	'Round About Midnight Used - Vinyl - PC 8649 1975 Electronically Re-Channeled For Stereo Reissue. Features John Coltrane, Tenor Saxophone; Red Garland, Piano; Paul Chambers, Bass; Philly Joe Jones, Drums. Tunes Are: "'Round Midnight," "Ah-Leu-Cha," "All Of You," "Bye Bye Blackbird," "Tadd's Delight" And "Dear Old Stockholm." more
	'Round About Midnight Audiophile - Used - MFSL 1-373 2013 Un-Numbered Promo 180gm High Definition Vinyl Mastered From The Original Master Tapes. Released in 1957 this was his first album for Columbia Records and marked a new direction in his music, blending bebop with elements of modal jazz. The album was recorded over three sessions in 1955 and 1956, with a roster of talented musicians including John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. The title track, "Round About Midnight," is a Thelonious Monk composition and became one of Davis's signature tunes. The album also includes several other jazz standards, such as "All of You" and "Bye Bye Blackbird," as well as original compositions by Davis and his band. "Round About Midnight" was well-received by critics and is considered a classic jazz album. It has been included in numerous "best of" lists and is widely regarded as a landmark recording in Davis's career. more
	'Round About Midnight New Import - CL 949 Sealed 2013 180gm audiophile reissue in MONO from Music On Vinyl. Custom black MOV hype sticker affixed to resealable sleeve. "Given that 'Round About Midnight was Miles Davis' debut Columbia recording, it was both a beginning and an ending. Certainly the beginning of his recording career with the label that issued most if not all of his important recordings; and the recording debut of an exciting new band that had within its ranks Philly Joe Jones, Paul Chambers, pianist Red Garland, and an all but unknown tenor player named John Coltrane. The title track was chosen because of its unique rendition with a muted trumpet, and debuted at the Newport Jazz Festival the summer before to a thunderous reception. The date was also an ending of sorts because by the time of the album's release, Davis had already broken up the band, which re-formed with Cannonball Adderley a year later as a sextet, but it was a tense year. Musically, this sound is as unusual and as beautiful as it was when issued in 1956. Davis had already led the charge through two changes in jazz -- both cool jazz and hard bop -- and was beginning to move in another direction here that wouldn't be defined for another two years. Besides the obvious lyrical and harmonic beauty of "Round About Midnight" that is arguably its definitive version even over Monk's own, there are the edges of Charlie Parker's "Au Leu-Cha" with its Bluesology leaping from every chord change in Red Garland's left hand. Coltrane's solo here too is notable for its stark contrast to Davis' own: he chooses an angular tack where he finds the heart of the mode and plays a melody in harmonic counterpoint to the changes but never sounds outside. Cole Porter's "All of You" has Davis quoting from Louis Armstrong's "Basin Street Blues" in his solo that takes out the tune, and Coltrane has never respected a melody so much. But it's in "Bye-Bye Blackbird" that we get to hear the band gel as a unit, beginning with Davis playing through the melody, muted and sweet, slightly flatted out until he reaches the harmony on the refrain and begins his solo on a high note. Garland is doing more than comping in the background; he's slipping chord shapes into those interval cracks and shifting them as the rhythm section keeps "soft time." When Coltrane moves in for his break, rather than Davis' spare method, he smatters notes quickly all though the melodic body of the tune and Garland has to compensate harmonically, moving the mode and tempo up a notch until his own solo can bring it back down again. Which he does with a gorgeous all-blues read of the tune utilizing first one hand and then both hands to create fat harmonic chords to bring Davis back in to close it out. It's breathtaking how seamless it all is. There's little else to say except that 'Round About Midnight is among the most essential of Davis' Columbia recordings." AMG - Thom Jurek more
	'Round About Midnight New Import - CL 949 Sealed 2013 180gm audiophile reissue in MONO from Music On Vinyl. Custom black MOV hype sticker affixed to resealable sleeve. "Given that 'Round About Midnight was Miles Davis' debut Columbia recording, it was both a beginning and an ending. Certainly the beginning of his recording career with the label that issued most if not all of his important recordings; and the recording debut of an exciting new band that had within its ranks Philly Joe Jones, Paul Chambers, pianist Red Garland, and an all but unknown tenor player named John Coltrane. The title track was chosen because of its unique rendition with a muted trumpet, and debuted at the Newport Jazz Festival the summer before to a thunderous reception. The date was also an ending of sorts because by the time of the album's release, Davis had already broken up the band, which re-formed with Cannonball Adderley a year later as a sextet, but it was a tense year. Musically, this sound is as unusual and as beautiful as it was when issued in 1956. Davis had already led the charge through two changes in jazz -- both cool jazz and hard bop -- and was beginning to move in another direction here that wouldn't be defined for another two years. Besides the obvious lyrical and harmonic beauty of "Round About Midnight" that is arguably its definitive version even over Monk's own, there are the edges of Charlie Parker's "Au Leu-Cha" with its Bluesology leaping from every chord change in Red Garland's left hand. Coltrane's solo here too is notable for its stark contrast to Davis' own: he chooses an angular tack where he finds the heart of the mode and plays a melody in harmonic counterpoint to the changes but never sounds outside. Cole Porter's "All of You" has Davis quoting from Louis Armstrong's "Basin Street Blues" in his solo that takes out the tune, and Coltrane has never respected a melody so much. But it's in "Bye-Bye Blackbird" that we get to hear the band gel as a unit, beginning with Davis playing through the melody, muted and sweet, slightly flatted out until he reaches the harmony on the refrain and begins his solo on a high note. Garland is doing more than comping in the background; he's slipping chord shapes into those interval cracks and shifting them as the rhythm section keeps "soft time." When Coltrane moves in for his break, rather than Davis' spare method, he smatters notes quickly all though the melodic body of the tune and Garland has to compensate harmonically, moving the mode and tempo up a notch until his own solo can bring it back down again. Which he does with a gorgeous all-blues read of the tune utilizing first one hand and then both hands to create fat harmonic chords to bring Davis back in to close it out. It's breathtaking how seamless it all is. There's little else to say except that 'Round About Midnight is among the most essential of Davis' Columbia recordings." All Music Guide - Thom Jurek more
	'Round About Midnight New - Vinyl - 23AP 2552 New, Unplayed Japanese Pressing With Obi. more
	'Round About Midnight Audiophile - Vinyl - CL 949 Sealed 180gm Virgin Vinyl Audiophile Pressing. more
	'Round About Midnight Used - Vinyl - 25AP 751 Beautiful Japanese White And Orange Label Mono Reissue With Obi And Shrink Wrap Still Intact. Appears Glossy, Unplayed. more
	'Round About Midnight Used - Vinyl - CL 949 Stunning 1957 Deep Groove 6 Eye Label Mono Original With 1B/1A Stampers. 5 Stars Plus! Miles Davis, Trumpet; John Coltrane, Tenor saxophone; Red Garland, Piano; Paul Chambers, Bass; Philly Joe Jones, Drums. Tunes Are: "'Round Midnight," "Ah-Leu-Cha," "All Of You," "Bye Bye Blackbird," "Tadd's Delight" And "Dear Old Stockholm." more
	1958 Miles Used - Vinyl - 20AP 1401 Japan-Only, Mono-Only Original. Features John Coltrane, Cannonbal Adderly, Bill Evans, Paul Chambers, Jimmy Cobb And Philly Joe Jones. Appears Unplayed. more
	Agharta Used - Vinyl - PG 33967 Beautiful 1976 2LP White Label Promo Housed In A Gatefold Jacket. Recorded Live At The Osaka Festival Hall, February 1975. Features Sonny Fortune, Michael Henderson, Pete Cosey, Al Foster, Reggie Lucas And Mtume. 1C/1C/1B/1C Stampers. more
	Agharta Used - Vinyl - PG 33967 1976 White Label Promo 2LP Gatefold With Radio Station Timings Strips, 1D/1E/1A/1B Matrixes. Raves In Phonogram Digest. Along With Its Sister Recording, Pangaea, Agharta Was Recorded Live In February Of 1975 At The Osaka Festival Hall In Japan. Amazingly Enough, Given That These Are Arguably Davis' Two Greatest Electric Live Records, They Were Recorded The Same Day. Agharta Was Performed In The Afternoon And Pangaea In The Evening. Of The Two, Agharta Is Superior. more
	Agharta Used - Vinyl - CBS 88159 Beautiful 2LP Gatefold Import Reissue From The Late '80s-Early '90s. Both LPs Appear Glossy, Unplayed. Way Better Than The Recent 4 Men With Beards Reissue. more
	Agharta Used - Vinyl - 88159 1975 UK 2LP Orange Label First Pressing Housed In A Gatefold Cover. Both LPs Appear Unplayed. Rare, Different Cover Art. Raves In Phonogram Digest. Along With Its Sister Recording, Pangaea, Agharta Was Recorded Live In February Of 1975 At The Osaka Festival Hall In Japan. Amazingly Enough, Given That These Are Arguably Davis' Two Greatest Electric Live Records, They Were Recorded The Same Day. Agharta Was Performed In The Afternoon And Pangaea In The Evening. Of The Two, Agharta Is Superior. more
	Agharta Used - Vinyl - PG 33967 1976 2LP Original Housed In A Gatefold Jacket. Recorded Live At The Osaka Festival Hall, February 1975. Features Sonny Fortune, Michael Henderson, Pete Cosey, Al Foster, Reggie Lucas And Mtume. 1A/1C/1A/1A Stampers. Both LPs Appear Glossy, Unplayed. 5 Stars. more
	Agharta New - Vinyl - PG33967 Sealed 1976 2LP Original Housed In A Gatefold Jacket. Cut Corner. Recorded Live At The Osaka Festival Hall, February 1975. Features Sonny Fortune, Michael Henderson, Pete Cosey, Al Foster, Reggie Lucas And Mtume. more
	Agharta Used - Vinyl - 4M811 2011 2LP, 180gm Housed In A Gatefold Jacket. Recorded Live At The Osaka Festival Hall, February 1975. Features Sonny Fortune, Michael Henderson, Pete Cosey, Al Foster, Reggie Lucas And Mtume. Both LPs Appear Glossy, Unplayed. 5 Stars. more
	Agharta New Import - MOVLP134 Sealed 2015 2LP 180gm gatefold audiophile reissue from Music On Vinyl. Custom MOV hype sticker affixed to resealable plastic sleeve. "Along with its sister recording, Pangaea, Agharta was recorded live in February of 1975 at the Osaka Festival Hall in Japan. Amazingly enough, given that these are arguably Davis' two greatest electric live records, they were recorded the same day. Agharta was performed in the afternoon and Pangaea in the evening. Of the two, Agharta is superior. The band with Davis -- saxophonist Sonny Fortune, guitarists Pete Cosey (lead) and Reggie Lucas (rhythm), bassist Michael Henderson, drummer Al Foster, and percussionist James Mtume -- was a group who had their roots in the radically streetwise music recorded on 1972's On the Corner, and they are brought to fruition here. The music on Agharta, a total of three tunes spread over two CDs and four LP sides, contains the "Prelude," which clocks in at over a half-hour. There is "Maiysha" from Get up With It and the Agharta "Interlude," which segues into the "Theme From Jack Johnson." The music here is almost totally devoid of melody and harmony, and is steeped into a steamy amalgam of riffs shot through and through with crossing polyrhythms, creating a deep voodoo funk groove for the soloists to inhabit for long periods of time as they solo and interact with one another. Davis' band leading at this time was never more exacting or free. The sense of dynamics created by the stop-start accents and the moods, textures, and colors brought out by this particular interaction of musicians is unparalleled in Davis' live work -- yeah, that includes the Coltrane and Bill Evans bands, but they're like apples and oranges anyway. Driven by the combination of Davis' direction and the soloing of Sonny Fortune and guitarist Pete Cosey, who is as undervalued and underappreciated for his incalculable guitar-slinging gifts as Jimi Hendrix is celebrated for his, and the percussion mania of Mtume, the performance on Agharta is literally almost too much of a good thing to bear. When Cosey starts his solo in the "Prelude" at the 12-minute mark, listeners cannot be prepared for the Hendrixian energy and pure electric whammy-bar weirdness that's about to come splintering out of the speakers. As the band reacts in intensity, the entire proceeding threatens to short out the stereo. These are some of the most screaming notes ever recorded. Luckily, since this is just the first track on the whole package, Davis can bring the tempos down a bit here and there and snake them into spots that I don't think even he anticipated before that afternoon (check the middle of "Maiysha" and the second third of "Jack Johnson" for some truly creepy and beautiful wonders). While Pangaea is awesome as well, there is simply nothing like Agharta in the canon of recorded music. This is the greatest electric funk-rock jazz record ever made -- period." All Music Guide - Thom Jurek more
	All Blues Used - 7 - 4-42057 Beautiful And Rare White Label Promo 7 Inch 45rpm Mono EP. Side One Taken From "Kind Of Blue." Side Two "It Ain't Necessarily So" Taken From "Porgy And Bess." more
	All Star Sextet Used - Vinyl - PRLP 182 Export Only 10 Inch LP Originally Released In 1954. Features Lucky Thompson, Jay Jay Johnson, Horace Silver, Percy Heath And Kenny Clarke. Shrink Wrap Intact. Glossy, Unplayed Condition. more
	Amandla Used - Vinyl - 25873 Mint And Hard To Find 1989 Vinyl, Custom Inner Sleeve, Gold Promo Stamp On Jacket. Mastered By Doug Sax. more
	Amandla Used - Vinyl - 25873 Hard To Find 1989 Vinyl Still In Shrink. Custom Inner Sleeve. LP Appears Unplayed. Mastered By Doug Sax. more
	Amandla Used - Vinyl - 25873 Sealed Hard To Find 1989 Original With Custom Inner Sleeve. Mastered By Doug Sax. Appears Unplayed. more
	And The Modern Jazz Giants New - Vinyl - OJC 347 180gm HQ Reissue Of A Classic 1956 Mono Meeting Between Thelonious Monk, Milt Jackson, Red Garland, Paul Chambers, John Coltrane And More. more
	And The Modern Jazz Giants Used - Vinyl - OJC 347 OJC Reissue With Hype Sticker On Shrink. Appears Glossy, Unplayed. more
	Ascenseur Pour L'Échafaud New Import - SR13/1 Sealed 2021 10", Cut From The Original Master Tapes. more
	Ascenseur Pour L'Echafaud (Lift To The Scaffold) Used - Vinyl - 836 305 Beautiful 1988 Stereo Reissue Of The 1958 Soundtrack To Louis Malle's Classic Of French Cinema. Features The Original Cover Photo Of Jeanne Moreau Rather Than The U.S. Cover Art As Reissued By Speakers Corner. more
	Ascenseur Pour L'Echafaud (Lift To The Scaffold) New - Vinyl - 836305 Sealed 1988 Stereo Reissue Of The 1958 Soundtrack To Louis Malle's Classic Of French Cinema. Features The Original Cover Photo Of Jeanne Moreau Rather Than The U.S. Cover Art As Reissued By Speakers Corner. more
	Ascenseur Pour L'Echafaud (Lift To The Scaffold) New - Vinyl - MOVLP419 New, Unplayed, Out Of Print Limited Edition 180gm 2LP Housed In A Resealable Bag. more
	Ascenseur Pour L'Echafaud (Lift To The Scaffold) New - 10 - 13 Sealed, Limited Edition 10 Inch Mono Reissue With Obi. Pressed By Pallas In Germany. Custom Hype Sticker On Resealable Baggie. "There Is Something More Satisfying And Historically Complete To Having A Superbly Reproduced Version Of The Original Document And That Is What Sam Records Provides In Its Commendably Completist Style That Includes A Laminated 'Fold-Over' Cover, Outstanding Cover Photo Reproduction And As A Bonus, A Black And White Matte Finish Photo Of Miles In Paris 1957 By Gérard Landau. More Importantly, The Mono Sonics On This Evocative Soundtrack, Where Your Mind Can Almost Accurately Conjure Up The "Noir-Ish" Happenings On Screen (Involving, Among Other Action, An Illicit Love Affair And A Murder), Are Transparent And Precise." Michael Fremer, Analog Planet. more
	Ascenseur Pour L'Echafaud / Des Femmes Disparaissent / Un Temoin Dans La Ville New - Vinyl - 885.548 MY Sealed French Compilation Of Three Outstanding Classic Soundtracks Of The French Cinema. Features Art Blaket, Barney Wilen And Others. more
	At Carnegie Hall New - Vinyl - CL 1812 Sealed 1962 2 Eye Mono. The Deep Groove LP Is Sealed In The Inner Baggy And Has The Fabled 1A/1A Stampers. more
	At Carnegie Hall Used - Vinyl - CS1812 Beautiful 1962 2 Eye Mono. The Deep Groove LP And Has 1F/1A Stampers. Slight Bottom Corner Rub. more
	At Last! Used - Vinyl - P 13149 Japanese Mono Pressing, No Obi. LP Looks Unplayed; Jacket M- more
	At Last! Used - Vinyl - OJC 480 OJC Remastered Reissue With Hype Sticker On Shrink. Appears Glossy, Unplayed. more
	At Plugged Nickel, Chicago Used - Vinyl - 25AP 1 Japan-Only LP, No Obi, SRW. more
	At Plugged Nickel, Chicago New - Vinyl - 25AP 1 Sealed And Pristine Japanese Stereo Pressing With Obi, Recorded In 1965. At The Time Of Its Release, This Was A Japan Only Title. more
	At Plugged Nickel, Chicago Vol. 2 Used - Vinyl - 25AP 291 1976 Japanese Stereo Pressing With Insert, No Obi. Recorded In December, 1965. At The Time Of Its Release, This LP Was The Original Issue, Having Never Been Released In The USA. Since Then, Mosaic Records Have Released This As Part Of A Vinyl Box Set Which Is Also Now Out Of Print. more
	At Plugged Nickel, Chicago, Vol. 1 New - Vinyl - 23AP 2567 New, Unplayed Japanese Stereo Pressing With Obi. At The Time Of Its Release In 1976 This Was A Japan-Only LP, Since Issued As Part Of The Mosaic Box Set. Recorded In 1965 And Featuring Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. more
	At Plugged Nickel, Chicago, Vol. 1 Used - Vinyl - 23AP 2567 Beautiful Japanese Stereo Original, No Obi. At The Time Of Its Release In 1976 This Was A Japan-Only LP, Since Issued As Part Of The Mosaic Box Set. Recorded In 1965 And Featuring Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. more
	At Plugged Nickel, Chicago, Vol. 1 Used - Vinyl - 18AP 2067 Beautiful Japanese Stereo Pressing With Obi. At The Time Of Its Release In 1976 This Was A Japan-Only LP, Since Issued As Part Of The Mosaic Box Set. Recorded In 1965 And Featuring Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. more
	At Plugged Nickel, Chicago, Vol. 2 New - Vinyl - 25AP 291 Sealed Japanese Stereo Original With Obi, Recorded In 1965. At The Time Of Its Release, This Was A Japan Only Title. more
	Aura Used - Vinyl - C2X 45332 Beautiful And Very Hard To Find 1989 2LP Original. Inner Sleeves List Complete Miles Davis Columbia Discography. 1A/1A/1A/1A Stampers. Both LPs Appear Unplayed. Shrink Wrap Intact. more
	Aura New - Vinyl - C2X 45332 Sealed And Very Difficult To Find 1989 2LP Original. Inner Sleeves List Complete Miles Davis Columbia Discography. COH. more
	Aura New - Vinyl - C2X 45332 Sealed 1989 2LP Recorded In Denmark. more
	Aura Used - Vinyl - 46335 Beautiful And Very Hard To Find 1989 2LP Original. Both LPs Appear Glossy, Unplayed. more
	Bag's Groove Used - Vinyl - PR 7109 Mint German Mono Reissue In Shrink Wrap Features Sonny Rollins, Thelonious Monk And Others. more
	Bags Groove New - Vinyl - OJC 245 A landmark mono jazz album recorded in 1954. Features Sonny Rollins, Milt Jackson, Thelonious Monk, Horace Silver, Percy Heath and Kenny Clarke. 180gm hq. more
	Bags Groove Used - Vinyl - 7109 Stunning Near Mint (Some Barely Visible Spindle Trails) Copy Of This 1957 Deep Groove Mono Original With 446 W. 50th St. N.Y.C. On Labels That Plays Quietly Throughout Both Sides. Rear Cover Has Stains Near The Spine Side And A Name Tag Which Could Probably Be Removed With Care: Leslie Fong 1111 Stockton Street, San Francisco, 11." A Mythical Jazz Album Recorded On Christmas Eve, 1954 And Featuring Thelonious Monk, Sonny Rollins, Milt Jackson And Others. 5 Star Jazz! more
	Bags Groove Used - Vinyl - 7109 Black And Yellow Label (203, South Washington Address 2nd Label) Mono Housed In A Heavy Duty Laminated Jacket. LP Has Several Spindle Marks And Light Surface Marks, But Plays Surprisingly Quietly For Its Visual Condition. more
	Bags Groove New - Vinyl - SMJ 6520 Sealed Japanese Mono Reissue Of The Fabulous 1954 Recording. A Mythical Jazz Album Recorded On Christmas Eve, 1954 And Featuring Thelonious Monk, Sonny Rollins, Milt Jackson And Others. 5 Star Jazz! more
	Bags Groove Audiophile - Used - APRJ 7109 2021 200gm Limited audiophile reissue from Analogue Productions. Still in shrink with hype AP stickers. cut from the original analog master tapes by mastering maestro Kevin Gray and pressed by QRP. more
	Bags Groove - BIN LP Used - Vinyl - 7109 1958 US mono repress. more
	Bags' Groove Audiophile - Vinyl - OJC 245 180gm HQ. Open Copy. Classic Mono Jazz With Sonny Rollins, Milt Jackson, Thelonious Monk, Horace Siver. = Prestige 7109. more
	Bags' Groove Audiophile - Vinyl - PR 7109 Sealed, Out Of Print 180gm HQ 45rpm 2LP Set. Limited Edition Of 1,000 Pressings. This Is Number 0168. First Copy We Have Seen In Ten Years. more
	Bags' Groove Audiophile - Vinyl - APRJ 7109 Sealed 2014 (Foil Numbered Version), Limited Edition 200gm Prestige Mono Series Reissue. Cut From The Original Analog Master Tapes By Mastering Maestro Kevin Gray And Pressed By QRP. This Is Number 0514. more
	Bags' Groove Audiophile - Vinyl - PR 7109 2003 Limited Edition 180gm HQ 45rpm 2LP Mono Reissue. This Is Number 1,000 Of 1,000. First Copy We Have Seen In Ten Years. A Mythical Jazz Album Recorded On Christmas Eve, 1954 And Featuring Thelonious Monk, Sonny Rollins, Milt Jackson And Others. 5 Star Jazz! Both LPs Appear Unplayed. more
	Bags' Groove Used - Vinyl - OJC 245 1986 OJC Reissue Of Prestige 7109. Shrink Wrap Intact With Hype Sticker. LP Appears New, Unplayed. more
	Bags' Groove Used - CD - JVCXR-0046-2 1998 20bit K2 Super Coding XRCD Housed In A Hard Cover Booklet With Sewn In Liner Notes And Technical Description. A Mythical Jazz Album Recorded On Christmas Eve, 1954, Featuring Thelonious Monk, Sonny Rollins, Milt Jackson And Others. 5 Star Jazz! more
	Basic Miles Used - Vinyl - PC 32025 1973 Stereo Compilation. Appears Unplayed. Tracks Are "Budo," "Stella By Starlight," "Sweet Sue, Just You," "Little Melonae," "Miles Ahead," "On Green Dolphin Street," "Round Midnight," "Fran-Dance" And "Devil May Care." more
	Big Fun Used - Vinyl - PG 32866 Beautiful 1974 2LP Gatefold Original, Custom Sticker And Radio Station Timing Strip On Cover. 1A/1A/1A/1A Matrixes. Both LPs Appear Glossy, Unplayed. more
	Big Fun New - Vinyl - PG 32866 Sealed 1974 2LP Gatefold Original. Custom Musician Hype Sticker On Shrink Wrap. Shrink Wrap Is Partially Open, But The LPs Remain Sealed In The Gatefold Cover. more
	Big Fun Used - Vinyl - 88024 Out Of Print 2LP Reissue Housed In A Gatefold Cover. Two Small Top Seam Cracks. Both Lps Appear New, Unplayed. more
	Big Fun Used - Vinyl - PG-32866 Beautiful 1974 2LP Gatefold Original. 1A/1B/1A/1B Stampers. Both LPs Appear Unplayed. more
	Birth Of The Cool Audiophile - Vinyl - T 762 Sealed, Rare 200gm SV-P Mono Test Pressings. Comes In A Sealed White Jacket Dated And Printed: Feb 10 2003 T1-762/T2-762. Also Includes The Original Cover Art Jacket (See 2nd Scan). more
	Birth Of The Cool Audiophile - Vinyl - T 762 Factory Sealed, Out Of Print 200gm Quiex SV-P. Mono. An All-Time Classic. more
	Birth Of The Cool New - Vinyl - T 1974 Sealed 1963 Mono Reissue. Crisp Corners, No Cut Out Holes. more
	Birth Of The Cool New - Vinyl - ECJ 50050 Beautiful Japanese Pressing With Obi. more
	Birth Of The Cool Used - Vinyl - T 762 Beautiful Deep Groove Canadian Mono Original. Appears Unplayed. more
	Birth Of The Cool Audiophile - Vinyl - T 762 Sealed, Long Out Of Print 200gm SV-P Mono Reissue Of An All-Time Classic. “So Dubbed Because These Three Sessions -- Two From Early 1949, One From March 1950 -- Are Where The Sound Known As Cool Jazz Essentially Formed, Birth Of The Cool Remains One Of The Defining, Pivotal Moments In Jazz. This Is Where The Elasticity Of Bop Was Married With Skillful, Big-Band Arrangements And A Relaxed, Subdued Mood That Made It All Seem Easy, Even At Its Most Intricate. After All, There's A Reason Why This Music Was Called Cool; It Has A Hip, Detached Elegance, Never Getting Too Hot, Even As The Rhythms Skip And Jump. Indeed, The Most Remarkable Thing About These Sessions -- Arranged By Gil Evans And Featuring Such Heavy-Hitters As Kai Winding, Gerry Mulligan, Lee Konitz, And Max Roach -- Is That They Sound Intimate, As The Nonet Never Pushes Too Hard, Never Sounds Like The Work Of Nine Musicians. Furthermore, The Group Keeps Things Short And Concise (Probably The Result Of The Running Time Of Singles, But The Results Are The Same), Which Keeps The Focus On The Tones And Tunes. The Virtuosity Led To Relaxing, Stylish Mood Music As The End Result -- The Very Thing That Came To Define West Coast Or "Cool" Jazz -- But This Music Is So Inventive, It Remains Alluring Even After Its Influence Has Been Thoroughly Absorbed Into The Mainstream.” Stephen Thomas Erlewine, AMG. more
	Birth Of The Cool Used - Vinyl - T 1974 1963 Black & Gold Label Mono 2nd Issue Still In Shrink Wrap. Crisp Corners, No Cut Out Holes. Appears Unplayed. “So Dubbed Because These Three Sessions -- Two From Early 1949, One From March 1950 -- Are Where The Sound Known As Cool Jazz Essentially Formed, Birth Of The Cool Remains One Of The Defining, Pivotal Moments In Jazz. This Is Where The Elasticity Of Bop Was Married With Skillful, Big-Band Arrangements And A Relaxed, Subdued Mood That Made It All Seem Easy, Even At Its Most Intricate. After All, There's A Reason Why This Music Was Called Cool; It Has A Hip, Detached Elegance, Never Getting Too Hot, Even As The Rhythms Skip And Jump. Indeed, The Most Remarkable Thing About These Sessions -- Arranged By Gil Evans And Featuring Such Heavy-Hitters As Kai Winding, Gerry Mulligan, Lee Konitz, And Max Roach -- Is That They Sound Intimate, As The Nonet Never Pushes Too Hard, Never Sounds Like The Work Of Nine Musicians. Furthermore, The Group Keeps Things Short And Concise (Probably The Result Of The Running Time Of Singles, But The Results Are The Same), Which Keeps The Focus On The Tones And Tunes. The Virtuosity Led To Relaxing, Stylish Mood Music As The End Result -- The Very Thing That Came To Define West Coast Or "Cool" Jazz -- But This Music Is So Inventive, It Remains Alluring Even After Its Influence Has Been Thoroughly Absorbed Into The Mainstream.” Stephen Thomas Erlewine, AMG. more
	Birth Of The Cool New - Vinyl - T 1974 Factory Sealed 1963 Heavy Vinyl Mono Reissue Of The 1956 T 762 Which Was A Reissue Of The Ten Inch Capitol H 459 "Jeru." Crisp Corners. “So Dubbed Because These Three Sessions -- Two From Early 1949, One From March 1950 -- Are Where The Sound Known As Cool Jazz Essentially Formed, Birth Of The Cool Remains One Of The Defining, Pivotal Moments In Jazz. This Is Where The Elasticity Of Bop Was Married With Skillful, Big-Band Arrangements And A Relaxed, Subdued Mood That Made It All Seem Easy, Even At Its Most Intricate. After All, There's A Reason Why This Music Was Called Cool; It Has A Hip, Detached Elegance, Never Getting Too Hot, Even As The Rhythms Skip And Jump. Indeed, The Most Remarkable Thing About These Sessions -- Arranged By Gil Evans And Featuring Such Heavy-Hitters As Kai Winding, Gerry Mulligan, Lee Konitz, And Max Roach -- Is That They Sound Intimate, As The Nonet Never Pushes Too Hard, Never Sounds Like The Work Of Nine Musicians. Furthermore, The Group Keeps Things Short And Concise (Probably The Result Of The Running Time Of Singles, But The Results Are The Same), Which Keeps The Focus On The Tones And Tunes. The Virtuosity Led To Relaxing, Stylish Mood Music As The End Result -- The Very Thing That Came To Define West Coast Or "Cool" Jazz -- But This Music Is So Inventive, It Remains Alluring Even After Its Influence Has Been Thoroughly Absorbed Into The Mainstream.” Stephen Thomas Erlewine, AMG. more
	Birth Of The Cool - BIN LP Used - Vinyl - T-762 1961 US mono reissue, Scranton pressing. more
	Bitches Brew New - Vinyl - PG 26 Factory Sealed 2LP Gatefold With Rare Gold "Grammy Award" Sticker On Shrink Wrap (Label Varation Unknown). Every Copy We Have Come Across Of This Title Has A GP 26 Catalog Number, Whereas This Copy Has The Anomalous PG 26 Number. Pristine Copy. more
	Bitches Brew Used - Vinyl - GP 26 Beautiful 1969 360 Stereo 2LP Original Housed In A Gatefold Jacket. 1C/1C/1C/1D Stampers. Considered By Many To Be One Of The Most Revolutionary Albums In Jazz. The Near Mint Jacket With A Tiny Cut Corner, Is One Of The Best Ones We Have Seen. Both LPs Appear Unplayed. more
	Bitches Brew Used - Vinyl - GP 26 Beautiful Early 2nd Label 2LP Gatefold. 1C/1C/1C/1D Matrixes. Both LPs Look Unplayed. more
	Bitches Brew Used - Vinyl - 66236 2LP Stereo Gatefold Reissue. Probably Late 1980's. Appears Unplayed. more
	Bitches Brew New - Vinyl - 40407 Sealed 2009 2LP 180gm HQ Gatefold. Bitches Brew Is Thought By Many To Be The Most Revolutionary Album In Jazz History, Having Virtually Created The Genre Known As Jazz-Rock Fusion And Being The Jazz Album To Most Influence Rock And Funk Musicians. This Double LP Featured Up To 12 Musicians At Any Given Time, Most Of Whom Would Go On To Be High-Level Players In Their Own Right: Joe Zawinul, Wayne Shorter, Airto, John Mclaughlin, Chick Corea, Jack Dejohnette, Dave Holland, Don Alias, Benny Maupin, Larry Young, Lenny White And Others. more
	Bitches Brew Used - Vinyl - PG 26 Early 70s 2LP 2nd Label Gatefold. Hint Of Ring Wear At Top Of Jacket, Both LPs Appear Unplayed. more
	Bitches Brew Used - Vinyl - GP 26 1969 360 Stereo 2LP Original Housed In A Gatefold Jacket. 1B/1B/1B/1B Stampers. Considered By Many To Be One Of The Most Revolutionary Albums In Jazz. Gatefold Jacket Has Two Large Radio Station Timing Strips On The Front With Some Ring Wear, But Both LPs Are In Fantastic Shape Without Spindle Marks On The Labels more
	Bitches Brew Used - Vinyl - J2C 40577 Rare 1988 Digital Remaster Of This All-Time Classic 2LP Housed In A Gatefold Jacket. Both LPs Appear Unplayed. more
	Bitches Brew New - Vinyl - GP 26 Factory Sealed 1970 2LP 360 Stereo Label Original (GP 26 Catalog Number) Housed In A Gatefold Jacket. Considered By Many To Be One Of The Most Revolutionary Albums In Jazz. Pristine. more
	Bitches Brew New - Vinyl - 40407 Sealed 2009 2LP 180gm HQ Gatefold. Bitches Brew Is Thought By Many To Be The Most Revolutionary Album In Jazz History, Having Virtually Created The Genre Known As Jazz-Rock Fusion And Being The Jazz Album To Most Influence Rock And Funk Musicians. This Double LP Featured Up To 12 Musicians At Any Given Time, Most Of Whom Would Go On To Be High-Level Players In Their Own Right: Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Benny Maupin, Larry Young, Lenny White And Others. more
	Bitches Brew Audiophile - Vinyl - MFSL 2-439 Sealed, Numbered, Limited Edition, Half Speed Mastered 180gm 2LP Gatefold. 5 Stars! more
	Bitches Brew New - Vinyl - PG 26 Factory Sealed 2LP 2nd Label Of This Giant Of An Album (PG Prefix). Gold Record Award Sticker On The Shrink Wrap. Winner, Grammy Award. Pristine Copy. more
	Bitches Brew Used - Vinyl - GP 26 1969 360 Stereo 2LP Original Housed In A Gatefold Jacket With The Rare "Deluxe (2) Two Record Set" Hype Sticker On The Top Right Corner. 1B/1C/1C/1D Stampers. Considered By Many To Be One Of The Most Revolutionary Albums In Jazz. The Near Mint Jacket Is One Of The Best Ones We Have Seen. Both LPs Appear Unplayed. more
	Bitches Brew New - Vinyl - GP 26 Factory Sealed 1970 2LP 360 Stereo Label Original (GP 26 Catalog Number) Housed In A Gatefold Jacket. Considered By Many To Be One Of The Most Revolutionary Albums In Jazz. Tiny (3-4mm) Piece Of Shrink Missing On Top Left Corner With Slight "Balding" Otherwise Perfect. more
	Bitches Brew Used - Vinyl - GP 26 1970 2LP 360 Stereo Label Original Housed In A Gatefold Cover. Small Cut Corner And Hint Of Ring Wear Near The Top. Considered By Many To Be One Of The Most Revolutionary Albums In Jazz. 1A/1A/1A/1A Stampers! Both LPs Appear Glossy, Unplayed. Worth Seeking A Nicer Cover. more
	Bitches Brew Audiophile - New - MFSL 2-439 Sealed 2LP Audiophile Gold-Foil Numbered Remastered From Mobile Fidelity Sound Labs, Originally Reissued In 2014. Housed In A Beautiful Heavy-Duty Gatefold Jacket In Loose Baggy Seal. A Stone-Wall, Influential Ground-Breaker In The Genre Of Jazz And The Greater Musical Landscape As A Whole. "Thought By Many To Be Among The Most Revolutionary Albums In Jazz History, Miles Davis' Bitches Brew Solidified The Genre Known As Jazz-Rock Fusion. The Original Double LP Included Only Six Cuts And Featured Up To 12 Musicians At Any Given Time, Some Of Whom Were Already Established While Others Would Become High-Profile Players Later, Joe Zawinul, Wayne Shorter, Airto, John Mclaughlin, Chick Corea, Jack Dejohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, And Lenny White Among Them. Originally Thought To Be A Series Of Long Jams Locked Into Grooves Around Keyboard, Bass, Or Guitar Vamps, Bitches Brew Is Actually A Recording That Producer Teo Macero Assembled From Various Jams And Takes By Razor Blade, Splice To Splice, Section To Section. "Pharaoh's Dance" Opens The Set With Its Slippery Trumpet Lines, Mclaughlin's Snaky Guitar Figures Skirting The Edge Of The Rhythm Section And Don Alias' Conga Slipping Through The Middle. Corea And Zawinul's Keyboards Create A Haunted, Riffing Modal Groove, Echoed And Accented By The Basses Of Harvey Brooks And Holland. The Title Cut Was Originally Composed As A Five-part Suite, Though Only Three Were Used. Here The Keyboards Punch Through The Mix And Big Chords Ring Up Distorted Harmonics For Davis To Solo Rhythmically Over, Outside The Mode. Mclaughlin's Comping Creates A Vamp, And The Bass And Drums Carry The Rest. It's A Small Taste Of The Deep Voodoo Funk To Appear On Davis' Later Records. Side Three Opens With McLaughlin And Davis Trading Fours And Eights Over A Lockstep Hypnotic Vamp On "Spanish Key." Zawinul's Lyric Sensibility Provides A Near Chorus For Corea To Flit Around In; The Congas And Drummers Juxtapose Themselves Against The Basslines. It Nearly Segues Into The Brief "John McLaughlin," Featuring An Organ Playing Modes Below Arpeggiated Blues Guitar Runs. The End Of Bitches Brew, Signified By The Stellar "Miles Runs The Voodoo Down," Reflects The Influence Of Jimi Hendrix With Its Chunky, Slipped Chords And Davis Playing A Ghostly Melody Through The Funkiness Of The Rhythm Section. It Seemingly Dances, Becoming Increasingly More Chaotic Until It Nearly Disintegrates Before Shimmering Into A Loose Foggy Nadir. The Disc Closes With "Sanctuary," Completely Redone Here As A Moody Electric Ballad That Was Reworked For This Band While Keeping Enough Of Its Integrity To Be Recognizable. Bitches Brew Is So Forward-Thinking That It Retains Its Freshness And Mystery In The 21st Century." AMG - Thom Jurek. more
	Bitches Brew New Import - 888751119017 2019 2LP Gatefold Reissue, EU Import. No Hype Sticker. "Thought By Many To Be Among The Most Revolutionary Albums In Jazz History, Miles Davis' Bitches Brew Solidified The Genre Known As Jazz-Rock Fusion. The Original Double LP Included Only Six Cuts And Featured Up To 12 Musicians At Any Given Time, Some Of Whom Were Already Established While Others Would Become High-Profile Players Later, Joe Zawinul, Wayne Shorter, Airto, John Mclaughlin, Chick Corea, Jack Dejohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, And Lenny White Among Them. Originally Thought To Be A Series Of Long Jams Locked Into Grooves Around Keyboard, Bass, Or Guitar Vamps, Bitches Brew Is Actually A Recording That Producer Teo Macero Assembled From Various Jams And Takes By Razor Blade, Splice To Splice, Section To Section. "Pharaoh's Dance" Opens The Set With Its Slippery Trumpet Lines, Mclaughlin's Snaky Guitar Figures Skirting The Edge Of The Rhythm Section And Don Alias' Conga Slipping Through The Middle. Corea And Zawinul's Keyboards Create A Haunted, Riffing Modal Groove, Echoed And Accented By The Basses Of Harvey Brooks And Holland. The Title Cut Was Originally Composed As A Five-part Suite, Though Only Three Were Used. Here The Keyboards Punch Through The Mix And Big Chords Ring Up Distorted Harmonics For Davis To Solo Rhythmically Over, Outside The Mode. Mclaughlin's Comping Creates A Vamp, And The Bass And Drums Carry The Rest. It's A Small Taste Of The Deep Voodoo Funk To Appear On Davis' Later Records. Side Three Opens With McLaughlin And Davis Trading Fours And Eights Over A Lockstep Hypnotic Vamp On "Spanish Key." Zawinul's Lyric Sensibility Provides A Near Chorus For Corea To Flit Around In; The Congas And Drummers Juxtapose Themselves Against The Basslines. It Nearly Segues Into The Brief "John McLaughlin," Featuring An Organ Playing Modes Below Arpeggiated Blues Guitar Runs. The End Of Bitches Brew, Signified By The Stellar "Miles Runs The Voodoo Down," Reflects The Influence Of Jimi Hendrix With Its Chunky, Slipped Chords And Davis Playing A Ghostly Melody Through The Funkiness Of The Rhythm Section. It Seemingly Dances, Becoming Increasingly More Chaotic Until It Nearly Disintegrates Before Shimmering Into A Loose Foggy Nadir. The Disc Closes With "Sanctuary," Completely Redone Here As A Moody Electric Ballad That Was Reworked For This Band While Keeping Enough Of Its Integrity To Be Recognizable. Bitches Brew Is So Forward-Thinking That It Retains Its Freshness And Mystery In The 21st Century." All Music Guide - Thom Jurek. more
	Bitches Brew Used - Vinyl - GP 26 1970 2LP 2nd Press On Red & Gold Columbia Label Housed In A Gatefold Cover. Ring Wear Front And Back. Considered By Many To Be One Of The Most Revolutionary Albums In Jazz. 1C/1D/1C/1C Stampers! more
	Bitches Brew New Import - 888751119017 Sealed, latest run of the 2019 2LP, 180gm EU gatefold reissue. A seismic moment in 20th-century music, Bitches Brew (1970) shattered boundaries between jazz, rock, and the avant-garde. With this landmark double LP, Miles Davis reinvented not only his own sound but the very language of modern music—merging electric instruments, dense polyrhythms, and improvisational freedom into something entirely new. Featuring a legendary ensemble including Wayne Shorter, John McLaughlin, Joe Zawinul, Chick Corea, and Jack DeJohnette, the sessions unfold in sprawling, hypnotic waves—structured chaos rendered with visionary intent. Part ritual, part revolution, Bitches Brew remains an essential cornerstone of jazz fusion: daring, immersive, and eternally ahead of its time. more
	Bitches Brew Used - Vinyl - PG 26 1975 2LP Gatefold 2nd Label With The PG Prefix. Stampers Are 1C/1D/1J/1C. Solid VG+ Copy. An Iconic, Grammy Winning Album. more
	Bitches Brew Used - Vinyl - GP 26 1970 2LP 2nd Press Original Housed In A Gatefold Cover. Slight Ring Wear Front And Back. Considered By Many To Be One Of The Most Revolutionary Albums In Jazz. 1C/1D/1C/1C Stampers! more
	Bitches Brew New - Vinyl - 19075950861 Sealed 2020 2LP Gatefold Reissue, From The Sony Run "We Are Vinyl". "Thought By Many To Be Among The Most Revolutionary Albums In Jazz History, Miles Davis' Bitches Brew Solidified The Genre Known As Jazz-rock Fusion. The Original Double Lp Included Only Six Cuts And Featured Up To 12 Musicians At Any Given Time, Some Of Whom Were Already Established While Others Would Become High-profile Players Later, Joe Zawinul, Wayne Shorter, Airto, John Mclaughlin, Chick Corea, Jack Dejohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, And Lenny White Among Them. Originally Thought To Be A Series Of Long Jams Locked Into Grooves Around Keyboard, Bass, Or Guitar Vamps, Bitches Brew Is Actually A Recording That Producer Teo Macero Assembled From Various Jams And Takes By Razor Blade, Splice To Splice, Section To Section. "Pharaoh's Dance" Opens The Set With Its Slippery Trumpet Lines, Mclaughlin's Snaky Guitar Figures Skirting The Edge Of The Rhythm Section And Don Alias' Conga Slipping Through The Middle. Corea And Zawinul's Keyboards Create A Haunted, Riffing Modal Groove, Echoed And Accented By The Basses Of Harvey Brooks And Holland. The Title Cut Was Originally Composed As A Five-part Suite, Though Only Three Were Used. Here The Keyboards Punch Through The Mix And Big Chords Ring Up Distorted Harmonics For Davis To Solo Rhythmically Over, Outside The Mode. Mclaughlin's Comping Creates A Vamp, And The Bass And Drums Carry The Rest. It's A Small Taste Of The Deep Voodoo Funk To Appear On Davis' Later Records. Side Three Opens With Mclaughlin And Davis Trading Fours And Eights Over A Lockstep Hypnotic Vamp On "Spanish Key." Zawinul's Lyric Sensibility Provides A Near Chorus For Corea To Flit Around In; The Congas And Drummers Juxtapose Themselves Against The Basslines. It Nearly Segues Into The Brief "John Mclaughlin," Featuring An Organ Playing Modes Below Arpeggiated Blues Guitar Runs. The End Of Bitches Brew, Signified By The Stellar "Miles Runs The Voodoo Down," Reflects The Influence Of Jimi Hendrix With Its Chunky, Slipped Chords And Davis Playing A Ghostly Melody Through The Funkiness Of The Rhythm Section. It Seemingly Dances, Becoming Increasingly More Chaotic Until It Nearly Disintegrates Before Shimmering Into A Loose Foggy Nadir. The Disc Closes With "Sanctuary," Completely Redone Here As A Moody Electric Ballad That Was Reworked For This Band While Keeping Enough Of Its Integrity To Be Recognizable. Bitches Brew Is So Forward-thinking That It Retains Its Freshness And Mystery In The 21st Century." AMG Review Thom Jurek. more
	Bitches Brew Used - Vinyl - GQ 30997 1971 Quadraphonic 2LP Housed In A Gatefold Jacket. Considered By Many To Be One Of The Most Revolutionary Albums In Jazz. Light Wring Wear & Hole Punch. Both LPs Appear Glossy. more
	Bitches Brew New Import - 88875111901 Sealed, Latest Repress Of The 2016 2LP Gatefold Reissue. "Thought By Many To Be Among The Most Revolutionary Albums In Jazz History, Miles Davis' Bitches Brew Solidified The Genre Known As Jazz-rock Fusion. The Original Double Lp Included Only Six Cuts And Featured Up To 12 Musicians At Any Given Time, Some Of Whom Were Already Established While Others Would Become High-profile Players Later, Joe Zawinul, Wayne Shorter, Airto, John Mclaughlin, Chick Corea, Jack Dejohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, And Lenny White Among Them. Originally Thought To Be A Series Of Long Jams Locked Into Grooves Around Keyboard, Bass, Or Guitar Vamps, Bitches Brew Is Actually A Recording That Producer Teo Macero Assembled From Various Jams And Takes By Razor Blade, Splice To Splice, Section To Section. "Pharaoh's Dance" Opens The Set With Its Slippery Trumpet Lines, Mclaughlin's Snaky Guitar Figures Skirting The Edge Of The Rhythm Section And Don Alias' Conga Slipping Through The Middle. Corea And Zawinul's Keyboards Create A Haunted, Riffing Modal Groove, Echoed And Accented By The Basses Of Harvey Brooks And Holland. The Title Cut Was Originally Composed As A Five-part Suite, Though Only Three Were Used. Here The Keyboards Punch Through The Mix And Big Chords Ring Up Distorted Harmonics For Davis To Solo Rhythmically Over, Outside The Mode. Mclaughlin's Comping Creates A Vamp, And The Bass And Drums Carry The Rest. It's A Small Taste Of The Deep Voodoo Funk To Appear On Davis' Later Records. Side Three Opens With Mclaughlin And Davis Trading Fours And Eights Over A Lockstep Hypnotic Vamp On "Spanish Key." Zawinul's Lyric Sensibility Provides A Near Chorus For Corea To Flit Around In; The Congas And Drummers Juxtapose Themselves Against The Basslines. It Nearly Segues Into The Brief "John Mclaughlin," Featuring An Organ Playing Modes Below Arpeggiated Blues Guitar Runs. The End Of Bitches Brew, Signified By The Stellar "Miles Runs The Voodoo Down," Reflects The Influence Of Jimi Hendrix With Its Chunky, Slipped Chords And Davis Playing A Ghostly Melody Through The Funkiness Of The Rhythm Section. It Seemingly Dances, Becoming Increasingly More Chaotic Until It Nearly Disintegrates Before Shimmering Into A Loose Foggy Nadir. The Disc Closes With "Sanctuary," Completely Redone Here As A Moody Electric Ballad That Was Reworked For This Band While Keeping Enough Of Its Integrity To Be Recognizable. Bitches Brew Is So Forward-thinking That It Retains Its Freshness And Mystery In The 21st Century." AMG Review By more
	Bitches Brew New - Vinyl - 19075950861 Sealed, 2020 2LP Gatefold Reissue. No Hype Sticker. "Thought By Many To Be Among The Most Revolutionary Albums In Jazz History, Miles Davis' Bitches Brew Solidified The Genre Known As Jazz-rock Fusion. The Original Double Lp Included Only Six Cuts And Featured Up To 12 Musicians At Any Given Time, Some Of Whom Were Already Established While Others Would Become High-profile Players Later, Joe Zawinul, Wayne Shorter, Airto, John Mclaughlin, Chick Corea, Jack Dejohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, And Lenny White Among Them. Originally Thought To Be A Series Of Long Jams Locked Into Grooves Around Keyboard, Bass, Or Guitar Vamps, Bitches Brew Is Actually A Recording That Producer Teo Macero Assembled From Various Jams And Takes By Razor Blade, Splice To Splice, Section To Section. "Pharaoh's Dance" Opens The Set With Its Slippery Trumpet Lines, Mclaughlin's Snaky Guitar Figures Skirting The Edge Of The Rhythm Section And Don Alias' Conga Slipping Through The Middle. Corea And Zawinul's Keyboards Create A Haunted, Riffing Modal Groove, Echoed And Accented By The Basses Of Harvey Brooks And Holland. The Title Cut Was Originally Composed As A Five-part Suite, Though Only Three Were Used. Here The Keyboards Punch Through The Mix And Big Chords Ring Up Distorted Harmonics For Davis To Solo Rhythmically Over, Outside The Mode. Mclaughlin's Comping Creates A Vamp, And The Bass And Drums Carry The Rest. It's A Small Taste Of The Deep Voodoo Funk To Appear On Davis' Later Records. Side Three Opens With Mclaughlin And Davis Trading Fours And Eights Over A Lockstep Hypnotic Vamp On "Spanish Key." Zawinul's Lyric Sensibility Provides A Near Chorus For Corea To Flit Around In; The Congas And Drummers Juxtapose Themselves Against The Basslines. It Nearly Segues Into The Brief "John Mclaughlin," Featuring An Organ Playing Modes Below Arpeggiated Blues Guitar Runs. The End Of Bitches Brew, Signified By The Stellar "Miles Runs The Voodoo Down," Reflects The Influence Of Jimi Hendrix With Its Chunky, Slipped Chords And Davis Playing A Ghostly Melody Through The Funkiness Of The Rhythm Section. It Seemingly Dances, Becoming Increasingly More Chaotic Until It Nearly Disintegrates Before Shimmering Into A Loose Foggy Nadir. The Disc Closes With "Sanctuary," Completely Redone Here As A Moody Electric Ballad That Was Reworked For This Band While Keeping Enough Of Its Integrity To Be Recognizable. Bitches Brew Is So Forward-thinking That It Retains Its Freshness And Mystery In The 21st Century." AMG Review By more
	Bitches Brew Audiophile - New - MFSL 2-439 Sealed 2LP Audiophile Gold-Foil Numbered Remastered From Mobile Fidelity Sound Labs, Originally Reissued In 2014. Housed In A Beautiful Heavy-Duty Gatefold Jacket In Loose Baggy Seal. A Stone-Wall, Influential Ground-Breaker In The Genre Of Jazz And The Greater Musical Landscape As A Whole. "Thought By Many To Be Among The Most Revolutionary Albums In Jazz History, Miles Davis' Bitches Brew Solidified The Genre Known As Jazz-Rock Fusion. The Original Double LP Included Only Six Cuts And Featured Up To 12 Musicians At Any Given Time, Some Of Whom Were Already Established While Others Would Become High-Profile Players Later, Joe Zawinul, Wayne Shorter, Airto, John Mclaughlin, Chick Corea, Jack Dejohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, And Lenny White Among Them. Originally Thought To Be A Series Of Long Jams Locked Into Grooves Around Keyboard, Bass, Or Guitar Vamps, Bitches Brew Is Actually A Recording That Producer Teo Macero Assembled From Various Jams And Takes By Razor Blade, Splice To Splice, Section To Section. "Pharaoh's Dance" Opens The Set With Its Slippery Trumpet Lines, Mclaughlin's Snaky Guitar Figures Skirting The Edge Of The Rhythm Section And Don Alias' Conga Slipping Through The Middle. Corea And Zawinul's Keyboards Create A Haunted, Riffing Modal Groove, Echoed And Accented By The Basses Of Harvey Brooks And Holland. The Title Cut Was Originally Composed As A Five-part Suite, Though Only Three Were Used. Here The Keyboards Punch Through The Mix And Big Chords Ring Up Distorted Harmonics For Davis To Solo Rhythmically Over, Outside The Mode. Mclaughlin's Comping Creates A Vamp, And The Bass And Drums Carry The Rest. It's A Small Taste Of The Deep Voodoo Funk To Appear On Davis' Later Records. Side Three Opens With McLaughlin And Davis Trading Fours And Eights Over A Lockstep Hypnotic Vamp On "Spanish Key." Zawinul's Lyric Sensibility Provides A Near Chorus For Corea To Flit Around In; The Congas And Drummers Juxtapose Themselves Against The Basslines. It Nearly Segues Into The Brief "John McLaughlin," Featuring An Organ Playing Modes Below Arpeggiated Blues Guitar Runs. The End Of Bitches Brew, Signified By The Stellar "Miles Runs The Voodoo Down," Reflects The Influence Of Jimi Hendrix With Its Chunky, Slipped Chords And Davis Playing A Ghostly Melody Through The Funkiness Of The Rhythm Section. It Seemingly Dances, Becoming Increasingly More Chaotic Until It Nearly Disintegrates Before Shimmering Into A Loose Foggy Nadir. The Disc Closes With "Sanctuary," Completely Redone Here As A Moody Electric Ballad That Was Reworked For This Band While Keeping Enough Of Its Integrity To Be Recognizable. Bitches Brew Is So Forward-Thinking That It Retains Its Freshness And Mystery In The 21st Century." AMG - Thom Jurek. more
	Bitches Brew Used - Vinyl - 88875111901 2015 2LP Gatefold Reissue, EU Import. Beautiful Condition Vinyl Housed In Poly-Lined Paper Inners & Gatefold Comes In Outersleeve With Custom Silver-Foil "Miles 75th Anniversary" Celebration Hype Sticker. One Tiny Crease Mark At Spine. "Thought By Many To Be Among The Most Revolutionary Albums In Jazz History, Miles Davis' Bitches Brew Solidified The Genre Known As Jazz-Rock Fusion. The Original Double LP Included Only Six Cuts And Featured Up To 12 Musicians At Any Given Time, Some Of Whom Were Already Established While Others Would Become High-Profile Players Later, Joe Zawinul, Wayne Shorter, Airto, John Mclaughlin, Chick Corea, Jack Dejohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, And Lenny White Among Them. Originally Thought To Be A Series Of Long Jams Locked Into Grooves Around Keyboard, Bass, Or Guitar Vamps, Bitches Brew Is Actually A Recording That Producer Teo Macero Assembled From Various Jams And Takes By Razor Blade, Splice To Splice, Section To Section. "Pharaoh's Dance" Opens The Set With Its Slippery Trumpet Lines, Mclaughlin's Snaky Guitar Figures Skirting The Edge Of The Rhythm Section And Don Alias' Conga Slipping Through The Middle. Corea And Zawinul's Keyboards Create A Haunted, Riffing Modal Groove, Echoed And Accented By The Basses Of Harvey Brooks And Holland. The Title Cut Was Originally Composed As A Five-part Suite, Though Only Three Were Used. Here The Keyboards Punch Through The Mix And Big Chords Ring Up Distorted Harmonics For Davis To Solo Rhythmically Over, Outside The Mode. Mclaughlin's Comping Creates A Vamp, And The Bass And Drums Carry The Rest. It's A Small Taste Of The Deep Voodoo Funk To Appear On Davis' Later Records. Side Three Opens With McLaughlin And Davis Trading Fours And Eights Over A Lockstep Hypnotic Vamp On "Spanish Key." Zawinul's Lyric Sensibility Provides A Near Chorus For Corea To Flit Around In; The Congas And Drummers Juxtapose Themselves Against The Basslines. It Nearly Segues Into The Brief "John McLaughlin," Featuring An Organ Playing Modes Below Arpeggiated Blues Guitar Runs. The End Of Bitches Brew, Signified By The Stellar "Miles Runs The Voodoo Down," Reflects The Influence Of Jimi Hendrix With Its Chunky, Slipped Chords And Davis Playing A Ghostly Melody Through The Funkiness Of The Rhythm Section. It Seemingly Dances, Becoming Increasingly More Chaotic Until It Nearly Disintegrates Before Shimmering Into A Loose Foggy Nadir. The Disc Closes With "Sanctuary," Completely Redone Here As A Moody Electric Ballad That Was Reworked For This Band While Keeping Enough Of Its Integrity To Be Recognizable. Bitches Brew Is So Forward-Thinking That It Retains Its Freshness And Mystery In The 21st Century." AMG - Thom Jurek. more
	Bitches Brew Used - Vinyl - PG 26 1975 2LP Gatefold 2nd Label With The PG Prefix. Stampers Are 1AE/1F/2B/1B. The Iconic "Bitches Brew" is a groundbreaking and influential double album that marked a significant shift in the world of jazz. Released in 1970, the album fused elements of jazz, rock, and funk, creating a new sound that would later be dubbed "fusion." Davis assembled a talented group of musicians including Wayne Shorter on saxophone, John McLaughlin on guitar, and Chick Corea on keyboard, among others, to create a complex and dynamic musical landscape. The album features six lengthy tracks, each showcasing the virtuosic skills of the individual musicians and their ability to improvise and collaborate. The title track, "Bitches Brew," is a 27-minute-long exploration of shifting rhythms and diverse instrumentation, while "Spanish Key" features Davis' iconic trumpet playing layered over a driving, funky groove. "Bitches Brew" was a commercial and critical success, earning Davis a Grammy award and cementing his place as one of the most innovative and influential musicians of his time. more
	Bitches Brew Audiophile - New - MFSL 2-439 Sealed 2025 limited edition 2LP, 180gm deluxe audiophile pressing from Mobile Fidelity Sound Lab. Gatefold jacket, numbered edition. A seismic moment in 20th-century music, Bitches Brew (1970) shattered boundaries between jazz, rock, and the avant-garde. With this landmark double LP, Miles Davis reinvented not only his own sound but the very language of modern music—merging electric instruments, dense polyrhythms, and improvisational freedom into something entirely new. Featuring a legendary ensemble including Wayne Shorter, John McLaughlin, Joe Zawinul, Chick Corea, and Jack DeJohnette, the sessions unfold in sprawling, hypnotic waves—structured chaos rendered with visionary intent. Part ritual, part revolution, Bitches Brew remains an essential cornerstone of jazz fusion: daring, immersive, and eternally ahead of its time. more
	Bitches Brew Used Import - SOPJ 58~59 1974 2LP Japan pressing with Obi in shrink with hype sticker. Bitches Brew is a groundbreaking jazz album by trumpeter and composer Miles Davis, released in 1970. Recorded over three days in August 1969, the album features an eclectic lineup of musicians, including Wayne Shorter, Chick Corea, Joe Zawinul, John McLaughlin, and Jack DeJohnette, among others. Marking a radical departure from traditional jazz, Bitches Brew fuses elements of jazz, rock, funk, and avant-garde improvisation, establishing Davis as a pioneer of jazz fusion. The extended, electric-driven compositions—such as "Pharaoh's Dance" and the title track "Bitches Brew"—emphasize collective improvisation, polyrhythms, and innovative use of studio editing techniques by producer Teo Macero. The influence of Bitches Brew on jazz and popular music is immense, as it challenged conventions and attracted a broader audience to the jazz genre. The album achieved commercial success, reaching the Billboard 200 charts and earning Davis his first gold record. It continues to be celebrated for its experimental soundscapes and for launching the careers of several influential musicians. For listeners exploring jazz fusion or the evolution of modern jazz, Bitches Brew stands as a landmark recording and a testament to Miles Davis's visionary approach to music. more
	Bitches Brew Audiophile - Used - MFSL 2-439 2014 limited edition 2LP, 180gm deluxe audiophile pressing from Mobile Fidelity Sound Lab. Gatefold jacket, number 5888. A seismic moment in 20th-century music, Bitches Brew (1970) shattered boundaries between jazz, rock, and the avant-garde. With this landmark double LP, Miles Davis reinvented not only his own sound but the very language of modern music—merging electric instruments, dense polyrhythms, and improvisational freedom into something entirely new. Featuring a legendary ensemble including Wayne Shorter, John McLaughlin, Joe Zawinul, Chick Corea, and Jack DeJohnette, the sessions unfold in sprawling, hypnotic waves—structured chaos rendered with visionary intent. Part ritual, part revolution, Bitches Brew remains an essential cornerstone of jazz fusion: daring, immersive, and eternally ahead of its time. more
	Bitches Brew 40th Anniversary New - Vinyl - 702742 Sealed, Limited Edition 40th Anniversary Box Set Containing 2LPs, 3CDs And A DVD, Totalling Over 2 Hours Of Previously Unreleased Material. Also Includes A 52 Page Full Color Book Featuring A New Essay By Greg Tate. more
	Bitches Brew Live Used Import - MOVLP278 2011 180gm 2LP In Gatefold. Single Sided With Etched Side 4. Legendary Recordings Of One Of The Most Iconic Jazz Albums. Captured Live At The Peak Of Its Powers. more
	Bitches Brew Live Used Import - MOVLP278 2011 180gm 2LP In Gatefold. Includes 12 Page Booklet. Single Sided With Etched Side 4. more
	Bitches Brew Singles - Red Wax Promo Colored Vinyl - CAS 42193 Only The Second Copy We Have Ever Seen Of This Rare 1999 Promo Only Label Red Virgin Vinyl 12 Inch Picture Sleeve. Side A "Bitches Brew" 11 Minutes 32 Seconds; Side B "Spanish Key" 11 Minutes 50 Seconds. New, Unplayed Condition. Extremely Limited Pressing. more
	Black Beauty Used - Vinyl - SOPJ 39-40 Stunning 1973 Japan Only 2LP Original Housed In A Heavy-Duty Laminated Gatefold Jacket. Recorded Live At Fillmore West. Also Includes The Rare, Giant Poster Of Miles Davis. Miles: Trumpet; Steve Grossman: Soprano Sax; Chick Corea: Electric Piano; Michael Henderson: Electric Bass; Jack DeJohnette: Drums; Airto Moreira: Percussion. more
	Black Beauty Used - Vinyl - 487528 Beautiful 2LP Gatefold. Recorded Live At Fillmore West In 1970, This Great Double Album Covers Much Of The Material On Bitches Brew. Originally Released Only In Japan In 1973, We Believe This Set Was Released In The Early 1990's And Has Long Been Out Of Print. Both LPs Appear New, Unplayed. more
	Black Beauty Used - Vinyl - SOPJ-39-40 Stunning 1973 Japan Only 2LP Original Housed In A Heavy-Duty Laminated Gatefold Jacket. Recorded Live At Fillmore West. Also Includes The Rare, Giant Poster Of Miles Davis. Miles: Trumpet; Steve Grossman: Soprano Sax; Chick Corea: Electric Piano; Michael Henderson: Electric Bass; Jack DeJohnette: Drums; Airto Moreira: Percussion. Both LPs Appear New, Unplayed. more
	Black Beauty Used - Vinyl - SOPJ 39-40 1973 Japan Only 2LP Original Housed In A Heavy-Duty Laminated Gatefold Jacket. Recorded Live At Fillmore West. Also Includes The Rare, Giant Poster Of Miles Davis. Miles: Trumpet; Steve Grossman: Soprano Sax; Chick Corea: Electric Piano; Michael Henderson: Electric Bass; Jack DeJohnette: Drums; Airto Moreira: Percussion. Jacket Has Light Wear (NM-); Both LPs Appears Glossy, Unplayed. more
	Black Beauty / Miles Davis At Fillmore West Used Import - 36AP 1775~6 1979 2LP Japan import in gatefold without Obi. "Black Beauty / Miles Davis At Fillmore West" was recorded live at Fillmore West in 1970, this album features Davis and his band performing with an electrifying energy that is palpable throughout the entire record. The album features Jack DeJohnette on drums, Michael Henderson on electric bass, Chick Corea on electric piano & Steve Grossman on Soprano Saxophone. Yet another departure album for Miles as he has compiled a new group of musicians to reach out and discover new boundaries. A very good sounding record and worthwhile listen for the Fusion fans. more
	Blow Fantasy Used - 12 - 40584 Promo Only 12 Inch Picture Sleeve Featuring 7 Remixes Of "Blow" From The "Doo Bop" Album. 33 Minutes Of Music. more
	Blue Haze Used - Vinyl - OJC 093 1984 OJC Mono Reissue Of Prestige 7054. Shrink Wrap Intact With Obi. Appears Glossy, Unplayed. more
	Blue Haze Used - Vinyl - OJC 093 1984 OJC Mono Reissue Of Prestige 7054 With Obi. Appears Glossy, Unplayed. Blue Haze is an influential jazz album by Miles Davis. It was recorded in 1953 and released in 1956 by the Prestige label. The album features Miles Davis on trumpet, John Lewis on piano, Charles Mingus, Percy Heath on bass and Max Roach on drums. The music on Blue Haze is a mix of standards and original compositions, and it showcases Davis's trademark style of improvisation and melodic innovation. The album is considered an important milestone in Davis's career, as it marked a transition from his earlier bebop style to the more exploratory and experimental style he would become known for in the years to come. The album opens with "I'll Remember April," a lively and upbeat tune that features Davis's virtuosic trumpet playing and Mingus's powerful bass lines. Other standout tracks include "Four," a bluesy composition that highlights Davis's use of space and silence, and "Smooch," a slow and sultry ballad that showcases his lyrical phrasing and emotional depth. Overall, Blue Haze is a must-listen for any jazz aficionado, and it remains a timeless classic that continues to inspire and influence musicians to this day. more
	Blue Moods Used - Vinyl - OJC 043 1983 OJC Mono Reissue Of A Definitive Five Star Jazz Album. Shrink Wrap Intact. LP Appears Glossy, Unplayed. Corner Bump. more
	Blue Moods Colored Vinyl - 6001 Stunning 1962 Red Virgin Vinyl Mono Reissue Of The 1955 Debut LP. Archival Quality Copy. more
	Blue Period Used - 10 - PRLP 140 Export Only 10 Inch LP Originally Released In 1953. Features Sonny Rollins, Jackie McLean, Art Blakey And Walter Bishop. Shrink Wrap Intact. Glossy, Unplayed Condition. more
	Blue Xmas New - 7 - 88875024357S1 Sealed 2014 Limited Edition Record Store Day Exclusive Blue Vinyl 7 Inch Single. more
	Bopping The Blues Audiophile - New - BLP 60102 Sealed 2012 180gm Reissue. Spectacular Audiophile Restoration Series Resurrects UK Label Black Lion: Mastered At Bernie Grundman Studios By Chris Bellman And Pressed At Pallas. EQ Notes And Curation Performed By Iconic Engineer Steve Hoffman; LPs EQ’d And Set Up By Bernie Grundman. Conceived, Designed, And Manufactured For Collectors And Enthusiasts. Vinyl Jacket Features Exclusive Art. more
	Bopping The Blues Audiophile - Vinyl - BLP 60102 Sealed 2012 180gm Reissue. Spectacular Audiophile Restoration Series Resurrects UK Label Black Lion: Mastered At Bernie Grundman Studios By Chris Bellman And Pressed At Pallas. EQ Notes And Curation Performed By Iconic Engineer Steve Hoffman; LPs EQ’d And Set Up By Bernie Grundman. Conceived, Designed, And Manufactured For Collectors And Enthusiasts. Vinyl Jacket Features Exclusive Art. more
	Bopping The Blues Audiophile - Vinyl - ORGM 1048 Sealed 2012 Deluxe Limited, Numbered Edition 3LP Reissue (180gm LP Plus 180gm 2LP 45rpm) With Embossed Obi. This Is Low Number 000132 Of Only 500. Spectacular Audiophile Restoration Series Resurrects UK Label Black Lion: Mastered At Bernie Grundman Studios By Chris Bellman And Pressed At Pallas. EQ Notes And Curation Performed By Iconic Engineer Steve Hoffman; LPs EQ’d And Set Up By Bernie Grundman. Conceived, Designed, And Manufactured For Collectors And Enthusiasts: Vinyl Jacket Features Exclusive Art. more
	Chronicle-The Complete Prestige Recordings, 1951-1956 Used - Vinyl - 0081.125 1980 Limited Edition 12LP German Laminated Box Set With 6 Page Insert. Features Just About Everyone Who Is Anyone In Jazz. Ten LPs Appear Unplayed And Two Appear Virtually Unplayed. Top Right Side Of Box Has A Manufacturing Defect That Looks Like A Small Dent (Not Visible From The Front. more
	Chronicle: The Complete Prestige Recordings Used - Vinyl - VIJ-5090~5101 1980 Japanese Limited Edition Twelve LP Mono Box Set With Obi And 14 Page Book In Japanese Plus 24 Page Glossy Illustrated Book With Complete Discography. All Twelve LPs Appear New, Unplayed. more
	Chronicle: The Complete Prestige Recordings Used - Vinyl - P-012 1980 Original, Limited Edition 12LP Mono Box Set. Unfortunately This Does Not Have The 24 Page Insert. Features Just About Everyone Who Is Anyone In Jazz. First Copy We Have Had In Stock In Eleven Years. These Are Very Difficult To Find Without Damage To The Outer Box. This Is A VG++ Cover Conservatively. All Twelve LPs Appear Glossy, Unplayed. more
	Chronicle: The Complete Prestige Recordings Box Set - Used - P-012 1980 Limited Numbered Edition 12LP Mono Box Set; #3633. No Obi But Has The 24-Page Book Still Stapled In. Cover Shows Light To Moderate Seam Wear. These Are Very Difficult To Find Without Damage To The Outer Box. This Is A Nice VG+/VG++ Cove Housed In A Book-Like Cover. Features Just About Everyone Who Is Anyone In Jazz.r. more
	Circle In The Round Used - Vinyl - KC2 36278 Beautiful 1979 2LP White Label Promo Gatefold. Previously Unreleased Recordings From 1955-1970. 1B/1A/1B/1B Matrixes. Both LPs Appear Unplayed. Slight Ring Wear. Tiny Split On Spine. more
	Circle In The Round Used - Vinyl - KC2 36278 1979 2LP Gatefold Original. Both Records Appear Glossy. Previously Unreleased Recordings From 1955-1970 Featuring Cannonball Adderley, Bill Evans, Joe Zawinul, Hank Mobley, Airto And Many Others. Outstanding! more
	Circle In The Round Used - Vinyl - 88471 Beautiful 1979 2LP Gatefold.Both LPs Appear Unplayed. Previously Unrelased Recordings From 1955-1970. more
	Circle In The Round New - Vinyl - KC2 36278 Sealed 1979 2LP Gatefold Original With The Original Tower Records Price Tag On The Shrink Wrap. Previously Unreleased Recordings From 1955-1970 Featuring Cannonball Adderley, Bill Evans, Joe Zawinul, Hank Mobley, Airto And Many Others. Outstanding! more
	Collector's Items New - Vinyl - PR 24022 Sealed 1973 Mono 2LP Gatefold Compilation. more
	Collector's Items Used - Vinyl - LP 7044 French Mono Reissue. Tiny Writing On Front Cover. more
	Collector's Items Used - Vinyl - SMJ 6526 Mint Japanese Pressing With Obi. more
	Collectors' Items Used - Vinyl - PRLP 7044 Beautiful 1956 Deep Groove Mono Original 446 W. 50th St. N.Y.C. On Labels. Features Sonny Rollins And Charlie "Chan" Parker. more
	Collectors' Items Used - Vinyl - 7044 Mid 60s Blue Label Trident Logo 3rd Issue In Laminated Jacket. Features Sonny Rollins And Charlie Parker. more
	Collectors' Items Used - Vinyl - OJC 071 1983 Mono Reissue In Shrink Wrap With Hype Sticker. LP Appears New, Unplayed. more
	Columbia Years 1955-1985 Used - Vinyl - C5X 45000 Beautiful 1988 5LP Box Set With Custom Inner Sleeves And 22 Page Illustrated Color Booklet. more
	Columbia Years 1955-1985 New - Vinyl - C5X 45000 Sealed 1988 5LP Deluxe Box Set With Custom Inner Sleeves And Illustrated 24 Page Color Booklet. Includes Many Alternate Takes, Out Of Print, Rare And Remixed Selections. more
	Columbia Years 1955-1985 Used - Vinyl - C5X 45000 1988 5LP Box Set With Custom Inner Sleeves And 22 Page Illustrated Color Booklet. The Individual LPs Are Titled: "Blues," "Standards," "Originals," "Moods" And "Electric." Interestingly This Set Contains Some Previously Unreleased Remixes And Alternate Takes Such As: "My Funny Valentine" (Digital Remix), "Some Day My Prince Will Come" (Alternate Take), "Flamenco Sketches" (Alternate Take), The Previously Unreleased Version Of "I Thought About You" (Live), An Alternate Take Of "Pinocchio" And More. Cut Out Hole. All Five LPs Appear Unplayed. more
	Complete 1963-64 Columbia Recordings New - Vinyl - MQ10 226 New, Unplayed Limited Edition 180gm HQ 10LP Box Set With 16 Page Illustrated Booklet. This Is Low Number 0226. The Extraordinary Recordings Made By Miles Davis In The Two-Year Period Of 1963-1964 Provide Comparable Insight Into His Artistic Process, His Restless Search, And His Creative Rebirth. Collected At Long Last On LP In One Set By Mosaic Records, With Edited Portions Restored And Many Forgotten Tracks Included For The Very First Time, The Selections Allow You To Follow The Steps He Took, One By One, Change By Change, Until He Arrived At The Nucleus Of The Quintet Music He Would Be Making For The Rest Of The Decade. The Set Contains The Complete L.A. And New York Sessions For “Seven Steps To Heaven” With Four Unissued Performances And The New York Concert (Issued On “My Funny Valentine” And “Four & More”) In Performance Order With One Unissued Tune, All Remixed From The Original Three-Track Masters. “Miles Davis In Europe” Restores Three Tunes To Their Full Length And Adds Two More. “Miles In Tokyo” Is Sam Rivers’s Only Recording With The Band. “Miles In Berlin” With An Additional Tune Introduces Wayne Shorter. Miss This Set And Weep! more
	Complete 1963-64 Columbia Recordings Audiophile - Vinyl - MQ10-191 New, Unplayed Limited Edition 180gm HQ 10LP Box Set With 16 Page Illustrated Booklet. This Is Low Number 0455. The Extraordinary Recordings Made By Miles Davis In The Two-Year Period Of 1963-1964 Provide Comparable Insight Into His Artistic Process, His Restless Search, And His Creative Rebirth. Collected At Long Last On LP In One Set By Mosaic Records, With Edited Portions Restored And Many Forgotten Tracks Included For The Very First Time, The Selections Allow You To Follow The Steps He Took, One By One, Change By Change, Until He Arrived At The Nucleus Of The Quintet Music He Would Be Making For The Rest Of The Decade. The Set Contains The Complete L.A. And New York Sessions For “Seven Steps To Heaven” With Four Unissued Performances And The New York Concert (Issued On “My Funny Valentine” And “Four & More”) In Performance Order With One Unissued Tune, All Remixed From The Original Three-Track Masters. “Miles Davis In Europe” Restores Three Tunes To Their Full Length And Adds Two More. “Miles In Tokyo” Is Sam Rivers’s Only Recording With The Band. “Miles In Berlin” With An Additional Tune Introduces Wayne Shorter. Miss This Set And Weep! more
	Complete Birth Of Cool New - Vinyl - N 16168 Sealed 80's Mono Reissue. Barcode On Back Jacket. more
	Complete Birth Of The Cool New - Vinyl - M 11026 Sealed 1972 All Analogue Mono Compilation Of The Landmark 1949 & 1950 Recordings. more
	Complete Bitches Brew Sessions Used - Vinyl - MQ6-183 Out Of Print 1998 Numbered, Limited Edition 180gm HQ 6LP Box Set With 20 Page Illustrated Biography And Discography. All Six LPs Appear Unplayed. This Set Is Number 1235. more
	Complete Bitches Brew Sessions Audiophile - Vinyl - MQ6-183 New, Unplayed, Long Out Of Print, Numbered, Limited Edition 180gm HQ 6LP Box Set With 20 Page Illustrated Biography And Discography. This Is Low Number 0280. more
	Complete Blackhawk Sessions Audiophile - Vinyl - MQ6 220 New, Unplayed. Out Of Print 6LP 180gm HQ Numbered, Limited Edition Box Set With 8 Page Booklet. It Might Seem Inconceivable 42 Years After So Much Material Has Come To Light, That This Was Miles’ First Released Live Session, 13 Excellent Performances Issued As A Double Album Miles Davis In Person — Friday And Saturday Nights At The Blackhawk . Over The Years, More Tunes Found Their Way Onto Anthologies And Six Others Were Bootlegged In Hideous Sound In Luxembourg! Now All Seven Sets, 29 Masters In All, From Those Two Nights Appear Newly Remixed And In Set Order As The Band Played Them. Seven Previously Edited Performances Have Been Restored To Their Full Length. The Booklet Includes An Essay By Trumpeter Eddie Henderson, Original Liner Notes By Ralph J. Gleason And Photographs Of The Period By Chuck Stewart. It Has Been Said That This Was One Of Miles’ Most Popular Groups On The Club Circuit. When You Consider The Degree Of Swing And Compatibility That This Group Achieved, It Is Easy To See Why. As Soloists, Miles, Tenor Saxophonist Hank Mobley And Pianist Wynton Kelly Spoke In Melodic Declarative Sentences; They Shared A Sensibility And An Aesthetic. Powered By Paul Chambers’ Bass And Jimmy Cobb’s Drums, They Swung Effortlessly, One Solo Seamlessly Blending Into The Next. They Were A Master Class In The State Of Modern Jazz In 1961. With Standards Like “All Of You” Or “Someday My Prince Will Come,” They Could Dance On Eggshells. They Approached Tunes Like “Two Bass Hit,” “Well, You Needn’t” And “No Blues” With Controlled Ferocity. But No Matter What They Played, They Always Swung With Grace And Taste. This Is Set Number 1011. more
	Complete Blackhawk Sessions Audiophile - Vinyl - MQ6-220 New, Unplayed. Out Of Print 6LP 180gm HQ Numbered, Limited Edition Box Set With 8 Page Booklet. It might seem inconceivable 42 years after so much material has come to light, that this was Miles’ first released live session, 13 excellent performances issued as a double album Miles Davis In Person — Friday And Saturday Nights At The Blackhawk . Over the years, more tunes found their way onto anthologies and six others were bootlegged in hideous sound in Luxembourg! Now all seven sets, 29 masters in all, from those two nights appear newly remixed and in set order as the band played them. Seven previously edited performances have been restored to their full length. The booklet includes an essay by trumpeter Eddie Henderson, original liner notes by Ralph J. Gleason and photographs of the period by Chuck Stewart. It has been said that this was one of Miles’ most popular groups on the club circuit. When you consider the degree of swing and compatibility that this group achieved, it is easy to see why. As soloists, Miles, tenor saxophonist Hank Mobley and pianist Wynton Kelly spoke in melodic declarative sentences; they shared a sensibility and an aesthetic. Powered by Paul Chambers’ bass and Jimmy Cobb’s drums, they swung effortlessly, one solo seamlessly blending into the next. They were a master class in the state of modern jazz in 1961. With standards like “All Of You” or “Someday My Prince Will Come,” they could dance on eggshells. They approached tunes like “Two Bass Hit,” “Well, You Needn’t” and “No Blues” with controlled ferocity. But no matter what they played, they always swung with grace and taste. This Is Low Number 0050. more
	Complete In A Silent Way Sessions Audiophile - Vinyl - MQ5-209 New, Unplayed. Out Of Print Numbered, Limited Edition 180gm HQ 5LP Box Set With 20 Page Illustrated Biography And Discography. This Is Low Number 0142. more
	Complete In A Silent Way Sessions New - Vinyl - MQ5-209 New, Unplayed. Out Of Print Numbered, Limited Edition 180gm HQ 5LP Box Set With 20 Page Illustrated Biography And Discography. This Is Low Number 0143. more
	Complete In A Silent Way Sessions, Sept '68 - Feb '69 Audiophile - Vinyl - MQ5-209 2001 Numbered, Limited Edition 180gm HQ 5LP Box Set With 20 Page Illustrated Biography And Discography. All LPs Appear Unplayed. This Is Set Number 0336. more
	Complete Plugged Nickel Sessions Audiophile - Vinyl - MQ10-158 New, Unplayed Copy Of This Long Out Of Print, Limited Edition 10LP 180gm HQ Box Set With 12 Page Booklet. This Is Low Number 0313. more
	Complete Plugged Nickel Sessions Audiophile - Vinyl - MQ10-158 1995 Limited Edition 180gm HQ 10LP Box Set Including 12 Page Illustrated Booklet And Discography. This Is Set Number 2482. Delicate Paper Of Spine Has Some Tears, All LPs Appear Unplayed Or Played Perhaps Once. Price Reduced By $250 Due To Tears In Spine. more
	Complete Plugged Nickel Sessions New - Vinyl - MQ10-158 Out Of Print, 10LP 180gm HQ Box Set With Booklet. Limited Edition Number 1272. New, Unplayed. more
	Complete Studio Recordings Of The Miles Davis Quintet 1965-1968 Audiophile - Vinyl - MQ10 177 New, Unplayed Numbered, Limited Edition 180gm HQ 10 LP Box Set With 24 Page Illustrated Biography And Discography. This Is Set Number 0847 Of 5,000. more
	Complete Studio Recordings Of The Miles Davis Quintet 1965-1968 Audiophile - Vinyl - MQ10-177 Long Out Of Print. New, Unplayed Numbered, Limited Edition 180gm HQ 10 LP Box Set With 24 Page Illustrated Biography And Discography. This Is Low Number 0608 Of 5,000 Sets. more
	Complete Studio Recordings Of The Miles Davis Quintet 1965-1968 Audiophile - Vinyl - MQ10-177 New, Unplayed Numbered, Limited Edition 180gm HQ 10 LP Box Set With 24 Page Illustrated Biography And Discography. This Is Set Number 0422 Of 5,000. more
	Compostitions Of Al Cohn New - 10 - PRLP 154 Sealed, Out Of Print, Limited Edition, Export Only 10 Inch LP. more
	Cookin' Audiophile - Vinyl - PR 7094 Sealed, Long Out Of Print, Limited Edition 45rpm 180gm HQ 2LP Set. Miles & Coltrane With Red Garland, Paul Chambers & Philly Joe Jones. This Is Number 0168. First Copy We Have Seen In Ten Years. more
	Cookin' New - Vinyl - SMJ 6534M New, Unplayed Japanese Pressing With Obi. more
	Cookin' Used - Vinyl - PRLP 7094 Beautiful 1957 Deep Groove Black & Yellow Label Mono Original, 446 W. 50th St. N.Y.C. On Labels. Features John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. more
	Cookin' Audiophile - Vinyl - APJ 021 Long Out Of Print, Limited Edition, Numbered 180gm HQ Housed In A Laminated Jacket. All Tube Remastering By Doug Sax From The Original 15ips Tape. This Is Number 1294. Small Center Seam Split. Appears Glossy, Unplayed. more
	Cookin' New - Vinyl - OJC 128 Sealed OJC Mono Reissue Of Prestige P-7094. Features John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. more
	Cookin' New - Vinyl - OJC 128 Sealed OJC Mono Reissue Of Prestige P-7094. Features John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. more
	Cookin' Audiophile - Vinyl - DIW 9002 New, Unplayed, Very Limited Edition 1999 Japanese 180gm Mono Reissue Of One Of The Greatest Jazz Records, Ever. Cut At The JVC Cutting Center. Obi Features A Photo Of Bernie Grundman At The Cutting Lathe. more
	Cookin' Audiophile - Vinyl - 7094 Sealed, Subscription Only, Numbered Edition 200gm Mono Reissue Of An All-Time Classic. This Is Low Number 0270. more
	Cookin' Audiophile - Vinyl - 7094 Sealed 2013 (Foil Numbered Version), Limited Edition 200gm Prestige Mono Series Reissue Of One Of The Greatest Jazz Records, Ever. Cut From The Original Analog Masters By Kevin Gray And Pressed By QRP. This Is Number 0514. Features John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. more
	Cookin' Audiophile - Vinyl - 7094 2013 2LP 45rpm Foil Numbered Edition 200gm Mono Reissue Of An All-Time Classic. This Is Number 0325. Both LPs Appear Glossy, Unplayed. Miles & Coltrane With Red Garland, Paul Chambers & Philly Joe Jones. more
	Cookin' Used - Vinyl - PRLP 7094 1958 Laminated Cover Deep Groove 2nd Pressing With The 203 South Washington Ave, Bergenfield NJ Labels (1957 First Pressings Have The 446, West 50th Address). LP Is VG+ And Plays With Virtually No Surface Noise Throughout. Jacket Is NM-. more
	Cookin' (Acetate) Used - Vinyl - 001 Rare Two Track One-Sided Acetate From The "Cookin" Album. We Assume This Is An Acetate Pertaining To The Analogue Productions Box Set, But Cannot Be Positive And Did Not Want To Play It To Find Out Which Tracks Are On This Collectors Item. Mint. more
	Cookin' At The Plugged Nickel New - Vinyl - CJ 40645 Sealed 1987 Vinyl Rarity With Custom Album Hype Sticker On The Shrink Wrap. Previously Unreleased Material From The Plugged Nickel Recorded In 1965. First U.S. Release. more
	Cool With Charlie New - Vinyl - FT 813 180gm HQ 2LP Gatefold. Two Different Live Recordings From The Early 1950's With A Young Miles In Top Form. Record 2 Features Charlie Parker. Audiophile Pressing But NOT Audiophile Sound. Mono. Special Offer Price - Regularly $25 - Now Way Below Wholesale! more
	Dark Magus Used - Vinyl - 487529 Rare 2LP Stereo Gatefold. This Mid 90's Set Was The First Vinyl Issue (Outside Japan) Of The 1974 Carnegie Hall Concert. This Is Not The Recent Four Plonkers With Beards Reissue. New, Unplayed Copy. more
	Dark Magus New - Vinyl - 4M812 Factory Sealed 2011 180gm 2LP Gatefold Reissue Of The 1974 Carnegie Hall Concert. more
	Dark Magus Used - Vinyl - 40AP 741-2 1977 Japanese 2LP Gatefold Original. Both LPs Appear Glossy, Unplayed. The Historic 1974 Carnegie Hall Concert Featuring Dave Liebman, Azar Lawrence, Peter Cosey, Reggie Lucas, Dominique Gaumont, Michael Henderson, Al Foster And James Mtume. more
	Dark Magus Used - Vinyl - 4M812 2011 2LP 160gm reissue housed in a gatefold jacket. EX/NM- jacket with few tiny dings to corners and top seam. Originally recorded May 30, 1974 at Carnegie Hall, New York, NY. "Dark Magus is a live recording of a very specific 1974 Carnegie Hall date that included most, but not all, of the members who recorded the classics Agharta and Pangaea. While drummer Al Foster, bassist Michael Henderson, percussionist James Mtume, and guitarists Pete Cosey and Reggie Lucas were all present, the key element of Sonny Fortune was not yet in the band. Saxophonists David Liebman and Azar Lawrence were doubling in the saxophone chairs, while Dominique Gaumont, with his Jimi Hendrix-styled effects and riffs, was the band's third guitarist. The deep voodoo funk that gelled on the aforementioned recordings hadn't yet come together on this night at Carnegie, near the end of a tour. Featuring four titles, all of them Swahili names for the numbers one through four, Dark Magus is a jam record. By this point, Miles was no longer really rehearsing his bands; they showed up and caught a whiff of what he wanted and went with it. Rhythms, colors, keys -- all of them would shift and change at Davis' whim. There were no melodies outside of a three-note vamp on "Wili" and a few riff-oriented melodics on "Tatu" -- the rest is all deep rhythm-based funk and dark groove. Greasy, mysterious, and full of menacing energy, Dark Magus shows a band at the end of its rope, desperate to change because the story has torn itself out of the book, but not knowing where to go and turning in on itself instead. These dynamics have the feel of unresolved, boiling tension. Gaumont's effects-laden guitar playing overshadows the real guitarists in the band: Cosey and his partner, the rhythmically inventive Lucas. Gaumont doesn't fit naturally, so he tries to dazzle his way in -- check the way Miles cuts his solos off so abruptly while letting the others dovetail and segue. Ultimately, Dark Magus is an over-the-top ride into the fragmented mind of Miles and his 1974 band; its rhythm section is the most compelling of any jazz-rock band in history, but the front lines, while captivating, are too loose and uneven to sustain the listener for the entire ride." All Music Guide – Thom Jurek more
	Decoy New - Vinyl - FC 38991 Sealed 1984 Gatefold Original. Features Branford Marsalis, John Scofield And Others. Pristine Copy. more
	Decoy Used - Vinyl - 28AP 2890 1984 Japanese First Pressing Housed In A Gatefold Cover With Obi. Features Branford Marsalis, John Scofield And Others. Appears Unplayed. more
	Dig New - Vinyl - P 24054 Sealed 1975 All Analogue 2LP Gatefold Compilation Of Early Mono Recordings Featuring Sonny Rollins, Jackie Mclean And Others. Pristine Copy. more
	Dig Used - Vinyl - OJC 005 French OJC Mono Reissue Featuring Sonny Rollins. more
	Dig Used - Vinyl - PRLP 7012 Beautiful 1957 Colored Cover Black & Yellow Label Mono, 446 W. 50th St. N.Y.C. On Labels. Features Sonny Rollins. more
	Dig Used - Vinyl - OJC 005 1982 OJC Mono Reissue. Appears New, Unplayed. Features Sonny Rollins And Jackie McLean. more
	Dig Used - Vinyl - P 24054 1975 All Analogue 2LP Gatefold Compilation Of Early Mono Recordings Featuring Sonny Rollins, Jackie Mclean And Others. Pristine Copy. more
	Directions New - Vinyl - KC2 36472 Sealed And Pristine 1981 2LP Gatefold Original. Features Hank Mobley, Paul Chambers, Airto, Herbie Hancock And Many Others. Previously Unreleased Tracks From 1960-1970. more
	Directions Used - Vinyl - 88514 Mint 1981 2LP Gatefold Import. Features Hank Mobley, Paul Chambers, Airto, Herbie Hancock And Many Others. Previously Unreleased Tracks From 1960-1970. more
	Directions Used - Vinyl - KC2 36472 1981 2LP Gatefold Original. Features Hank Mobley, Paul Chambers, Airto, Herbie Hancock And Many Others. Previously Unreleased Tracks From 1960-1970. Saw Cut, Both LPs Appear Unplayed. more
	Doo-Bop Used - Vinyl - 26938-1 Extremely Hard To Find 1992 Original. Appears Glossy, Unplayed. more
	Doo-Bop Used - Vinyl - R1-26938 2026 first ever vinyl reissue of the Grammy award winning final LP that fused Hip-Hop and Jazz! Still in shrink with custom "Celebrating 100 Years of Miles" hype sticker. "If On the Corner suggested hip-hop beats as far back as two decades ago, then consider Doo-Bop as offspring. Miles' teaming with producer Easy Mo Bee is a natural -- more in league with England's acid jazz scene than anything in the trumpeter's recent canon. Those who've howled over the post-Bitches Brew work will find no solace here; instead, chalk this up as one of Miles' most entertaining efforts." All Music Guide – Steve Aldrich more
	Doo-Bop Used - Vinyl - 9 26938-1 Scare 1992 US original pressing still in shrink. "If On the Corner suggested hip-hop beats as far back as two decades ago, then consider Doo-Bop as offspring. Miles' teaming with producer Easy Mo Bee is a natural -- more in league with England's acid jazz scene than anything in the trumpeter's recent canon. Those who've howled over the post-Bitches Brew work will find no solace here; instead, chalk this up as one of Miles' most entertaining efforts." All Music Guide – Steve Aldrich more
	Double Image Used - Vinyl - MLP 010/11 French Laminated Jacket 2LP Original Recorded Live In Paris, 1969. Both LPs Appear Unplayed. Small Corner Bump. Miles Davis, Trumpet; Wayne Shorter, Tenor & Soprano Saxophones; Chick Corea, Piano; Dave Holland, Bass; Jack DeJohnette, Drums. Tunes Are: "Double Image" Double Image Part 2," "Gemini" And "Gemini Part Two." more
	Double Image // Rare Miles From The Complete Bitches Brew Sessions New - Vinyl - 19439727471 Sealed 2020 Record Store Day 2LP stereo red vinyl pressing in gatefold. Double Image // Rare Miles From The Complete Bitches Brew Sessions is a compilation album featuring previously unreleased tracks by Miles Davis, recorded during the legendary "Bitches Brew" sessions from 1969 to 1970. This rare collection offers a deeper dive into the experimental era of jazz fusion, showcasing Davis's innovative approach to composition and improvisation. The recordings capture the creative synergy between Davis and his ensemble, which included key collaborators like Wayne Shorter, Chick Corea, and John McLaughlin, among others. Each track delivers a unique blend of electric jazz, funk, and rock influences, demonstrating why this period is considered a turning point in modern jazz history. For jazz enthusiasts and Miles Davis collectors, Double Image // Rare Miles stands out as a must-have addition to any vinyl or digital archive. The album not only complements the groundbreaking "Bitches Brew" record but also provides insight into Davis's creative process through alternate takes and unreleased material. Enhanced with remastered audio quality, this release is an essential listen for those interested in jazz fusion, 1970s jazz, and the evolution of Miles Davis's signature sound. Dive into the depths of these rare tracks to experience the boundary-pushing artistry that continues to influence contemporary music. more
	E.S.P. Used Import - SOPL 164 1973 Japanese reissue without Obi but has insert. NM- vinyl, gentle ring wear. E.S.P. is a classic jazz album by Miles Davis that was released in 1965. It features Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums. This album marked a significant shift in Davis' sound, as it was the first album he recorded with this new group of musicians. The album is notable for its creative and innovative compositions, as well as its unique use of space and silence in the music. more
	E.S.P. Audiophile - New - IMP6018 Sealed, latest run of the superb 2014 remastered 180gm audiophile reissue from Impex Records. Housed in a plastic resealable sleeve with gold foil Impex sticker on back. All-tube/all analog mastering by Chris Bellman at Bernie Grundman Mastering. E.S.P. is a classic jazz album by Miles Davis that was released in 1965. It features Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums. This album marked a significant shift in Davis' sound, as it was the first album he recorded with this new group of musicians. The album is notable for its creative and innovative compositions, as well as its unique use of space and silence in the music. more
	E.S.P. Audiophile - Vinyl - IMP 6018 / CS 9150 Sealed 2014 Numbered, Limited Edition 180gm HQ Stereo Reissue. more
	E.S.P. Used - Vinyl - CS 9150 1970 Stereo With CS Prefix Catalog Number. Only Opened To Verify Pressing. Unplayed. Slight Corner Rub. more
	E.S.P. Used - Vinyl - 23AP 2566 Mint Japanese Stereo Pressing With Obi In Shrink Wrap, Small CC. more
	E.S.P. New - Vinyl - CL 2350 Sealed 1965 Mono Original. Saw Cut. more
	E.S.P. Used - Vinyl - PC 9150 1970s All Analogue 2nd Label Stereo. No Bar Code On Cover. Small Corner Bump. more
	E.S.P. Used - Vinyl - 28AP 2839 Beautiful Japanese Stereo Pressing With Obi. more
	E.S.P. Used - Vinyl - CS 9150 360 Stereo Original With 1B/1A Stampers. Bottom Mouth Of Jacket Is Slightly Rubbed. The Glossy LP Appears Unplayed. more
	E.S.P. Audiophile - Vinyl - MFSL 2-451 Sealed 2016 Numbered, Limited Edition 45rpm 180gm 2LP Gatefold Reissue. Mastered On The Gain 2 Ultra Analog System. more
	Enigma New - 10 - LP 5071 Sealed 2014 10 Inch Featuring Four Previously Unreleased Tracks: "Enigma" (Alternate Take 1), "Kelo" (Alternate Take 1), "Chance It" (Alternate Takes 3 & 4). more
	Enigma New - 10 - LP 5071 Sealed 2014 10 Inch Featuring Four Previously Unreleased Tracks: "Enigma" (Alternate Take 1), "Kelo" (Alternate Take 1), "Chance It" (Alternate Takes 3 & 4). more
	Enigma New - 10 - LP 5071 Sealed 2014 10" EP From RSD. Four Songs, "Enigma", "Kelo", "Chance It (TK3) & "Chance It (TK4)". "Enigma" is a jazz album by Miles Davis, released in 1976. It was recorded in 1972 and 1973, during a period when Davis was experimenting with a fusion of jazz, rock, and funk. The album features a mix of original compositions and covers, including a version of the popular jazz standard "Autumn Leaves." The album was originally intended for release on Columbia Records but was shelved due to Davis' departure from the label in 1975. It was eventually released by Warner Bros. Records in 1976, after Davis signed with the label. "Enigma" features a number of prominent jazz musicians, including saxophonist Wayne Shorter, keyboardist Chick Corea, and drummer Jack DeJohnette. The album has been praised for its innovative blend of jazz and rock, as well as its strong improvisational performances. Despite its critical acclaim, "Enigma" was not a commercial success and has been overshadowed by some of Davis' more popular albums from the same period, such as "Bitches Brew" and "On the Corner." However, it remains a significant work in Davis' discography and a testament to his ongoing musical experimentation. more
	Facets Used - Vinyl - 62 637 1973 Dutch Mono LP In Shrink Wrap. Recorded In New York Between 1955 To 1962. Features Wayne Shorter, Michel Legrand, Herbie Mann, Bill Evans J.J. Johnson And Many Others. more
	Fearless (March 7, 1970 Live At The Fillmore East) Colored Vinyl - Used - TMR-898 Clean 2023 3LP deluxe reissue from Third Man Records; This was subscriber vault package #56. This set only includes the 3 LP's (Does not include 7" 45rpm single, bumper sticker or patch). "Finally, a non-bootleg issue of one of Miles Davis' greatest electric performances ever. In fact this is the very first of the Miles Davis Quintet's electric gigs -- it was also one of the last four performances of this great band. Not just recorded, but performed. The band, consisting of Davis, Wayne Shorter on soprano and tenor, Chick Corea on Fender Rhodes, Dave Holland on both acoustic and electric bass, and Jack DeJohnette on drums. With percussionist Airto Moreira providing color and texture, the band became a sextet. This night is auspicious because audiences -- most of which were there to see the Steve Miller Band or Neil Young and Crazy Horse (Davis' group opened for both) -- were familiar with the electric side of Davis because In a Silent Way had been issued late in 1969 and had introduced the world to John McLaughlin. Bitches Brew, which had been recorded the summer before, would be released a month after these concerts, and an unsuspecting rock audience had no idea what to expect. If they were expecting In a Silent Way -- played by an octet that included three keyboardists -- that's not what they got here. This is the most muscular, hard, and funky of Davis' early electric outfits. His own playing is stunning, punching out the footlights on Joe Zawinul's "Directions" or his own rambling deep-in-the-modal blues tune "Spanish Key." Whatever Davis thought about John Coltrane, Ornette Coleman, and the avant-garde was allowed full play in this band as long as the intense, deep funk of the rhythm section was adhered to. Davis himself follows Shorter, smattering out notes in outrageous harmonic signatures on "Masqualero." This band has a drive, and their playing reveals that they have something here, something new to bring to the table that has never been heard before. And indeed, even now, since this particular band never recorded in the studio as a unit, this sounds new even. Yes, it sounds like jazz, but it's got energy, drive, and pumped up, intricate polyrhythms -- thanks to the otherworldly percussion stylings of Moreira. When Davis takes out the first set with "It's About That Time"/"The Theme," listeners are hearing these tunes as if for the very first time. The sextet's arrangements have been shoved to the margins and new elements of harmony and counterpoint are brought in to account for the driving tempos and amplification of the instruments. Davis screeches through his solo at a blinding tempo as Chick Corea paints it with huge, extended, and augmented sevenths and flatted ninths, touching off a solo himself so full of knotty arpeggios that it's difficult to know what to make of it except that it smokes. Shorter's solo is so passionate and full of fire you would never have guessed he would be gone from the band four nights later, jumping ship to create Weather Report with Zawinul. The second set gets off to a moodier, darker start with Zawinul's "Directions." Spare keyboards and drums DeJohnette plays like a dancer who has the power of a bulldozer on this night -- ease in the mode before Shorter slips in a note or two and then Davis himself cuts into the center of things with a blur of notes and a riff picked up on by Moreira. After this band enters into the melody line it becomes a Corea-Davis fest, trading fours, eights, and twelfths -- no matter how fast Corea can lay it down, Davis is already in response mode and harmonically alters his framework so Corea has to shift too. The sound of the band is so dirty, so raw, it comes off as guttersnipe jazz with the overdrive of the best rock & roll. Without a guitar, this band is clearly blowing the doors off the room and making it very hard for Miller or Young to come out and play afterward. The rest of the set is almost a medley, beginning with "Miles Runs the Voodoo Down," collapsing all previous notions of modalism contextual freedoms, then traveling deep into a "Bitches Brew" that could have been played by James Brown's Flames, so hard and skittish is it's funk with a starker, more dissonant reading of "Spanish Key" before taking it out with "It's About That Time?"/ "Willie Nelson." (Perhaps a tribute to Nelson's battles to get Charley Pride a gig at the Grand Ole Opry as its first black performer.). In any case, so much of this is wasted on the audience at the Fillmore, responding with a confused, bewildered applause, with a couple of rowdies calling for an encore. It doesn't matter. The historical significance of this record is paramount. It is unedited and released as the gig happened on that day -- which makes it virtually unique from every other electric Davis live performance. This is music is as exciting, revelatory, and dangerous today as it was on March 7, 1970. It's about that time." All Music Guide - Thom Jurek. more
	Filles De Kilimanjaro Used Import - SOPL 169 1972 Hard To Find Japanese CBS Reissue With Insert; Purportedly Not To Have Been Released With An Obi. Features Herbie Hancock, Ron Carter, Wayne Shorter And Tony Williams. “Since It's Billed As "Directions In Music By Miles Davis," It Should Come As Little Surprise That Filles De Kilimanjaro Is The Beginning Of A New Phase For Miles, The Place That He Begins To Dive Headfirst Into Jazz-Rock Fusion. It Also Happens To Be The Swan Song For His Second Classic Quintet, Arguably The Finest Collective Of Musicians He Ever Worked With, And What Makes This Album So Fascinating Is That It's Possible To Hear The Breaking Point — Though His Quintet All Followed Him Into Fusion (Three Of His Supporting Players Were On In A Silent Way), It's Possible To Hear Them All Break With The Conventional Notions Of What Constituted Even Adventurous Jazz, Turning Into Something New. According To Miles, The Change In "Direction" Was As Much Inspired By A Desire To Return To Something Earthy And Bluesy As It Was To Find New Musical Territory, And Filles De Kilimanjaro Bears Him Out. Though The Album Sports Inexplicable, Rather Ridiculous French Song Titles, This Is Music That Is Unpretentiously Adventurous, Grounded In Driving, Mildly Funky Rhythms And Bluesy Growls From Miles, Graced With Weird, Colorful Flourishes From The Band. This Middle Ground Between The Adventurous Bop Of The Mid-'60s And The Fusion Of The Late '60s Is Rewarding In Its Own Right, Since It's Possible To Hear Great Musicians Find The Foundation Of A New Form. For That Alone, Filles De Kilimanjaro Is Necessary Listening.” AMG - Stephen Thomas Erlewine. more
	Filles De Kilimanjaro Audiophile - Used - MFSL 2-438 2015 2LP, 45rpm Limited Edition #1428, Stereo Remaster In Gatefold. "Filles De Kilimanjaro" was recorded in two sessions in 1968 with two different lineups, featuring musicians such as Wayne Shorter, Herbie Hancock, and Chick Corea. The album is notable for being a transitional work between Davis's earlier hard bop and modal jazz styles and his later fusion and electric jazz experiments. It incorporates elements of rock and funk, as well as African and Latin rhythms. The album's title refers to the "Daughters of Kilimanjaro," a group of women Davis encountered on a trip to Africa. The album cover features a photograph of the women, taken by photographer Joel Meyerowitz. Upon its release, "Filles De Kilimanjaro" received mixed reviews, with some critics praising its experimentation and others criticizing its departure from Davis's previous work. However, it has since been recognized as an important milestone in Davis's career and a significant album in the history of jazz. more
	Filles De Kilimanjaro Used Import - SONP 50052 1969 Japan stereo pressing without Obi. "Filles De Kilimanjaro" was recorded in two sessions in 1968 with two different lineups, featuring musicians such as Wayne Shorter, Herbie Hancock, and Chick Corea. The album is notable for being a transitional work between Davis's earlier hard bop and modal jazz styles and his later fusion and electric jazz experiments. It incorporates elements of rock and funk, as well as African and Latin rhythms. The album's title refers to the "Daughters of Kilimanjaro," a group of women Davis encountered on a trip to Africa. The album cover features a photograph of the women, taken by photographer Joel Meyerowitz. Upon its release, "Filles De Kilimanjaro" received mixed reviews, with some critics praising its experimentation and others criticizing its departure from Davis's previous work. However, it has since been recognized as an important milestone in Davis's career and a significant album in the history of jazz. more
	Filles De Kilimanjaro Used - Vinyl - CS 9750 360 Stereo Original Featuring Herbie Hancock, Ron Carter, Wayne Shorter And Tony Williams. 1D/1E Stampers. LP Appears Unplayed. more
	Filles De Kilimanjaro Used - Vinyl - PC 9750 1970's Analogue Reissue. Appears Unplayed. more
	Filles De Kilimanjaro Used - Vinyl - 23AP 2574 New, Unplayed Japanese Pressing With Card Obi. more
	Filles De Kilimanjaro New - Vinyl - CS 9750 Sealed And Pristine 360 Stereo Original. Features Herbie Hancock, Ron Carter, Wayne Shorter And Tony Williams. “Since It's Billed As "Directions In Music By Miles Davis," It Should Come As Little Surprise That Filles De Kilimanjaro Is The Beginning Of A New Phase For Miles, The Place That He Begins To Dive Headfirst Into Jazz-Rock Fusion. It Also Happens To Be The Swan Song For His Second Classic Quintet, Arguably The Finest Collective Of Musicians He Ever Worked With, And What Makes This Album So Fascinating Is That It's Possible To Hear The Breaking Point — Though His Quintet All Followed Him Into Fusion (Three Of His Supporting Players Were On In A Silent Way), It's Possible To Hear Them All Break With The Conventional Notions Of What Constituted Even Adventurous Jazz, Turning Into Something New. According To Miles, The Change In "Direction" Was As Much Inspired By A Desire To Return To Something Earthy And Bluesy As It Was To Find New Musical Territory, And Filles De Kilimanjaro Bears Him Out. Though The Album Sports Inexplicable, Rather Ridiculous French Song Titles, This Is Music That Is Unpretentiously Adventurous, Grounded In Driving, Mildly Funky Rhythms And Bluesy Growls From Miles, Graced With Weird, Colorful Flourishes From The Band. This Middle Ground Between The Adventurous Bop Of The Mid-'60s And The Fusion Of The Late '60s Is Rewarding In Its Own Right, Since It's Possible To Hear Great Musicians Find The Foundation Of A New Form. For That Alone, Filles De Kilimanjaro Is Necessary Listening.” Stephen Thomas Erlewine, AMG. more
	Filles De Kilimanjaro Used - Vinyl - CS 9750 Beautiful 360 Stereo Original Still In Shrink Wrap With The original Columbia Inner Sleeve. Features Herbie Hancock, Ron Carter, Wayne Shorter And Tony Williams. 1D/1E Stampers. Appears Unplayed. more
	First Miles New - Vinyl - SJL 1196 First Copy We Have Seen Of This Sealed 1988 Vinyl Rarity. Tracks 1,2,6 & 7 Are All Previously Unknown, Unlisted And Unissued; Tracks 3,4,5 & 8 Have Never Previously Been Issued On LP; Tracks 9,12,17 & 19 Are Available For The First Time On A Single LP. Side Two Features Charlie Parker. more
	Flamenco Sketches Audiophile - Vinyl - CS 8163 Sealed 200gm SV-P 45rpm 12 Inch Single Of The Alternate Take From The "Kind Of Blue" Sessions. Also Includes Side 3 Of The Original 2LP Set Which Includes "So What," "Freddie Freeloader" And "Blue In Green." more
	Flamenco Sketches (From Kind Of Blue) Audiophile - Vinyl - CS 8163 180gm HQ Test Pressing Comparison Disc Featuring 33 & 45 rpm Versions Of The Same Track From "Kind Of Blue." Looks Unplayed. more
	Forever Miles New - Vinyl - 88691959851 Sealed 2012 Limited Edition Record Store Day Exclusive (Unable To Confirm Exact Pressing Info, Was Repressed Same Year At RTI). 5 Track LP Featuring Previously Unreleased (On Vinyl) Tracks: "Dear Old Stockholm" (Alternate Take); "Blues For Pablo" (Take 1); "Hand Jive" (Second Alternate Take); "Early Minor" (New Mix Version); "Directions" (Unreleased Version). more
	Four & More New - Vinyl - 23AP 2563 New, Unplayed Japanese Stereo Pressing With Obi. more
	Four & More New - Vinyl - PC 9253 Sealed Early 70s All Analogue Stereo 2nd Issue. more
	Four & More Audiophile - Vinyl - MFSL 1-376 Factory Sealed 2013 Numbered, Limited Edition 180gm Stereo Reissue Mastered On Mobile Fidelity’s World-Renowned Mastering System. Tiny Lower Right Corner Push. more
	Four & More New - Vinyl - PC 9253 Sealed 1977 Reissue. more
	Four & More New - Vinyl - CS 9253 Factory Sealed 1966 360 Stereo Label Original. Light Top Right Corner Bump. “In An Odd Bit Of Programming, Columbia Placed The Ballads From Miles Davis' February 12, 1964, Concert On My Funny Valentine And The Uptempo Romps On This LP. Davis, Probably A Bit Bored By Some Of His Repertoire And Energized By The Teenage Tony Williams' Drumming, Performed Many Of His Standards At An Increasingly Faster Pace As Time Went On. These Versions Of "So What," "Walkin'," "Four," "Joshua," "Seven Steps To Heaven," And Even "There Is No Greater Love" Are Remarkably Rapid, With The Themes Quickly Thrown Out Before Davis, George Coleman, And Herbie Hancock Take Their Solos. Highly Recommended And Rather Exciting Music, It's One Of The Last Times Davis Would Be Documented Playing A Full Set Of Standards.” Scott Yanow, All Music Guide. more
	Four & More Audiophile - Vinyl - MFSL 1-376 Factory Sealed 2012 Foil Numbered, Limited Edition 180gm Stereo Reissue Mastered On Mobile Fidelity’s World-Renowned Mastering System. This Is Low Number 000164. more
	Get Up With It Used - Vinyl - KG 33236 Beautiful 1974 2LP White Label Promo Gatefold Original. 2B/1C/1B/1A Matrixes. CC, Radio Station Timing Strip On Cover. Both LPs Appear Unplayed. more
	Get Up With It New - Vinyl - KG 33236 Factory Sealed 1974 2LP Gatefold Original. more
	Great Prestige Recordings Audiophile - Vinyl - APJ 035 Out Of Print, Limited Edition 5LP Box Set With Illustrated Booklet. Superb Remasterings Of Five Great Prestige Albums: "The New Miles Davis Quintet," "Cookin," "Relaxin," "Workin" And "Steamin." Features John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. This Is Low Number 0129 Of 2,500 Sets. Inner LP Jackets Have Seam Splits (Hence Price), LPs Appear Unplayed. more
	Great Prestige Recordings Audiophile - Vinyl - APJ 035 New, Unplayed, Out Of Print, Limited Edition 5LP Box Set With Illustrated Booklet. Superb Remasterings Of Five Great Prestige Albums: "The New Miles Davis Quintet," "Cookin," "Relaxin," "Workin" And "Steamin." Features John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. This Is Box Number 329. more
	Great Prestige Recordings Audiophile - Vinyl - APJ 035 Long Out Of Print, Numbered, Limited Edition 5LP Box Set With Illustrated Booklet. Superb Remasterings Of Five Great Prestige Albums "The New Miles Davis Quintet," "Cookin," "Relaxin," "Workin" And "Steamin." Features John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. This Is Set Number 1816. Rear Of Box At Top Has A Small Seam Split. All LPs Appear Glossy, Unplayed. more
	Great Prestige Recordings Audiophile - Vinyl - APJ 035-045 Sealed 2008 10LP 180gm 45rpm HQ Vinyl Box. One Of Analogue Productions' Most Successful And Collectible Projects Has Been The Miles Davis Quintet/The Great Prestige Recordings Deluxe Box Set On 33 1/3 LP. Now, That Beautiful Five-Album Set Is Being Reintroduced. And At 45 RPM, It's More Stunning Than Ever! Featuring A 12" X 12" 16-Page Gorgeous Booklet, Packaged With The LPs In A Deluxe, Heavy-Duty Box, This Set Is The End-All Of Miles' Work For The Legendary Prestige Label From 1951 Through 1956. Stereophile Awarded The First Incarnation Of This Set Recording Of The Month In Their March 1997 Issue, Giving It Five Stars For Both Music And Sonics. That Was At 33 1/3 RPM. Imagine These Same Records At 45 RPM. The Miles Davis Quintet Recorded Five Immortal Albums For Prestige: Miles, Relaxin', Workin', Cookin' And Steamin', With What Is Likely Miles' Best-Ever Group, Featuring Miles Davis, John Coltrane, Philly Joe Jones, Paul Chambers And Red Garland. All Of Those Albums Are Included In This Limited Edition Box Set. The Albums Are Pressed On 180-Gram Vinyl And Mastered From The Original Analog Tapes By Kevin Gray And Steve Hoffman At Acoustech Mastering. They Are Packaged In A Deluxe Box With Original Album Covers And Liner Notes, Plus An Essay By Bob Blumenthal And Photos Of The Band By William Claxton, Sy Johnson And Bengt H. Malmqvist. This Set Is Limited To 750 Hand-Numbered Copies. more
	Green Haze New - Vinyl - P 24064 Sealed 1976 2LP All Analogue Mono Gatefold Reissue Of PR 7007: "The Musings Of Miles" And PR 7014 "Miles." more
	Heard 'Round The World Used - Vinyl - C2 38506 1983 2LP Gatefold. Compiles "Miles In Tokyo" And "Miles In Berlin." 1E/1E/1F/1B Stampers. Both LPs Appear Glossy, Unplayed. more
	Heard 'Round The World New - Vinyl - C2 38506 Sealed 1983 2LP Gatefold First Domestic Issue. Compiles "Miles In Tokyo" And "Miles In Berlin" Both Titles Previously Only Available In Japan, Making This An Original. more
	In A Silent Way New - Vinyl - CS 9875 Sealed 1969 360 Stereo Original. 5 Stars In All Music Guide. more
	In A Silent Way Used - Vinyl - 23AP 2575 Japanese Stereo Pressing, No Obi. LP Looks Unplayed. Jacket M- more
	In A Silent Way Used - Vinyl - CS 9875 1969 360 Stereo Original Label. 2A/1K Stampers. Hint Of Ring Wear, LP Appears Unplayed. Features Herbie Hancock, Chick Corea, Wayne Shorter, Dave Holland, Josef Zawinul, John McLaughlin And Tony Williams. 5 Stars In All Music Guide. more
	In A Silent Way New - Vinyl - 26947 Sealed 2008 180gm German Pressing. more
	In A Silent Way New - Vinyl - 23AP 2575 New, Unplayed Japanese Pressing With Obi. more
	In A Silent Way New - Vinyl - CJ 40580 Sealed Stereo Reissue. more
	In A Silent Way New - Vinyl - 88697404151 Sealed 2008 180gm Reissue. Features Herbie Hancock, Chick Corea, Wayne Shorter, Dave Holland, Josef Zawinul, John McLaughlin And Tony Williams. more
	In A Silent Way Audiophile - Vinyl - MFSL 1-377 2013 Number 6903, Limited Edition 180gm HD Vinyl. Mastered From The Original Mono Master Tapes At Mobile Fidelity Sound Lab, Sebastopol, CA On The Gain 2 Ultra Analog System And Pressed By RTI. Vinyl Appears Unplayed. Approximately 3" Bottom Seam Split On Jacket. more
	In A Silent Way Used - Vinyl - PC 9875 1977 All Analogue Stereo Reissue In Shrink Wrap. Glossy, Unplayed Condition. more
	In A Silent Way Audiophile - Used - MFSL 1-377 2013 Number 1312, Limited Edition 180gm HD Vinyl. Mastered From The Original Mono Master Tapes At Mobile Fidelity Sound Lab, Sebastopol, CA On The Gain 2 Ultra Analog System And Pressed By RTI. Vinyl Appears Glossy. more
	In A Silent Way Audiophile - Used - MFSL 1-377 2013 Number 8678, Limited Edition 180gm HD Vinyl. Mastered From The Original Mono Master Tapes At Mobile Fidelity Sound Lab, Sebastopol, CA On The Gain 2 Ultra Analog System And Pressed By RTI. Vinyl Appears Glossy. Released in 1969, Miles Davis' "In a Silent Way" stands as a landmark jazz album that signaled a bold shift toward electric jazz fusion. Recorded with an all-star ensemble—including Wayne Shorter, Herbie Hancock, Chick Corea, John McLaughlin, Joe Zawinul, and Tony Williams—the album features two extended tracks, “Shhh/Peaceful” and the title piece, woven together through intricate editing by producer Teo Macero. The musicians explore atmospheric soundscapes and subtle improvisation, with Davis’ trumpet floating above layers of electric piano and guitar, marking a departure from his earlier acoustic works. "In a Silent Way" is often cited as a precursor to the jazz fusion movement of the 1970s, blending elements of jazz improvisation with rock rhythms and electronic instrumentation. The album’s innovative production techniques and minimalist approach have made it influential beyond jazz, inspiring artists in genres ranging from ambient music to progressive rock. For those interested in the evolution of jazz and the electric period of Miles Davis, "In a Silent Way" remains an essential listen, reflecting a transformative moment in the history of modern music. more
	In Concert Used - Vinyl - KG 32092 Beautiful 2LP Gatefold Original. Recorded Live At Philharmonic Hall, New York On Sep. 29, 1972. Cover Shows Some Edge Wear. more
	In Concert New - Vinyl - KG 32092 Sealed 1973 2LP Gatefold Original. Recorded At Philharmonic Hall, New York. more
	In Europe Used - Vinyl - 23AP 2561 Japanese Stereo Pressing, No Obi. LP Is New, Unplayed. more
	In Europe Used - Vinyl - CL 2183 Stunning White Label Promo Mono Rarity. LP Is Pristine. Features George Coleman On Tenor Sax. Recorded Live At Antibes. more
	In Europe Used - Vinyl - CS 8983 1964 360 Stereo Original. Features George Coleman And Tony Williams. Recorded Live At Antibes Jazz Festival. Appears Unplayed. 2E/2G Stampers. Large Red Promotional "Demonstration" Stamp On Back Cover. more
	In Europe Used - Vinyl - CS 8983 1964 "360 Stereo" 2 Eye Original. Features George Coleman And Tony Williams. Recorded Live At Antibes Jazz Festival. Appears Glossy. more
	In Person (Friday And Saturday Nights At The Blackhawk, San Francisco) Audiophile - Used - IMP6009 2012 LE, Number 0325, 2LP 180gm HQ Stereo Housed In A Super Deluxe Laminated Gatefold Jacket. Mixed Down To Two-Track From The Original Three-Track Masters At Battery Studio. Cut From The New Two-Track Master By Kevin Gray. Miles Davis' Two-Night Stand At The Blackhawk In San Francisco Marked A Watershed In Jazz History, A Seminal Event Transforming The American Musical Landscape. Davis Had Never Been Recorded Live In A Club With His Combo And The Performances Over The Course Of Two Sets A Night On April 21 And 22, 1961, More Than Justify The Legend. The New York Times, In Its Review Of The Columbia Records Release Of The Complete Blackhawk Shows, Called The Music "The Gold Standard For Straight-Ahead, Postwar Jazz Rhythm." Impex Records Is Proud To Bring You A Performance Unequaled, A Recording Unparalleled And The Must-Have Audiophile Release Of This Or Any Other Year. Strictly Limited To 2,000 Pressings. more
	In Person (Friday And Saturday Nights At The Blackhawk, San Francisco) Audiophile - Used - IMP6009 Rare 2021 180gm 2LP Limited Edition, #0325. Stereo Remaster In Gatefold more
	In Person - Friday And Saturday Nights Used - Vinyl - C2S 820 Beautiful 6 Eye Stereo Label, 2LP Laminated Gatefold Original. 1B/1A/1B/1A Stampers. Classic Live At The Blackhawk Performances Featuring Hank Mobley. more
	In Person - Friday And Saturday Nights New - Vinyl - C2S 820 Sealed 2LP Gatefold 360 Stereo Label. Slight Corner Bump Accounted For In Price. more
	In Person - Friday And Saturday Nights Audiophile - Vinyl - IMP 6009 Sealed Numbered Limited Edition 180gm 2LP Gatefold Audiophile Pressing. This Is 1311/2000. more
	In Person - Friday And Saturday Nights Audiophile - Vinyl - IMP 6009 / C2S 820 Sealed, Limited Edition, 2012 Numbered 2LP 180gm HQ Stereo Housed In A Deluxe Gatefold Jacket. Mixed Down To Two-Track From The Original Three-Track Masters At Battery Studio. Cut From The New Two-Track Master By Kevin Gray. Miles Davis' Two-Night Stand At The Blackhawk In San Francisco Marked A Watershed In Jazz History, A Seminal Event Transforming The American Musical Landscape. Davis Had Never Been Recorded Live In A Club With His Combo And The Performances Over The Course Of Two Sets A Night On April 21 And 22, 1961, More Than Justify The Legend. The New York Times, In Its Review Of The Columbia Records Release Of The Complete Blackhawk Shows, Called The Music "The Gold Standard For Straight-Ahead, Postwar Jazz Rhythm." Impex Records Is Proud To Bring You A Performance Unequaled, A Recording Unparalleled And The Must-Have Audiophile Release Of This Or Any Other Year. Strictly Limited To 2,000 Pressings. more
	In Person - Friday And Saturday Nights Audiophile - Vinyl - IMP 6009 / C2S 820 Sealed, Limited Edition, Numbered 2LP 180gm HQ Stereo Housed In A Super Deluxe Laminated Gatefold Jacket. This Is Extremely Low Number 0036. Mixed Down To Two-Track From The Original Three-Track Masters At Battery Studio. Cut From The New Two-Track Master By Kevin Gray. Miles Davis' Two-Night Stand At The Blackhawk In San Francisco Marked A Watershed In Jazz History, A Seminal Event Transforming The American Musical Landscape. Davis Had Never Been Recorded Live In A Club With His Combo And The Performances Over The Course Of Two Sets A Night On April 21 And 22, 1961, More Than Justify The Legend. The New York Times, In Its Review Of The Columbia Records Release Of The Complete Blackhawk Shows, Called The Music "The Gold Standard For Straight-Ahead, Postwar Jazz Rhythm." Impex Records Is Proud To Bring You A Performance Unequaled, A Recording Unparalleled And The Must-Have Audiophile Release Of This Or Any Other Year. Strictly Limited To 2,000 Pressings. more
	In Person - Friday Night At The Blackhawk, San Francisco, Volume I Used - Vinyl - LE 10018 1973 Reissue On Tan Columbia Limited Edition Reissue Label. Glossy Vinyl, Jacket VG/VG+ Showing Seam Rubbing. more
	In Person At The Blackhawk, San Francisco Used - Vinyl - C2L 20 Beautiful 2LP 6 Eye Label Original Housed In A Laminated gatefold Cover With Crisp Corners. 1A/1A/1C/1A Stampers. Features Hank Mobley, Wynton Kelly, Paul Chambers And Jimmy Cobb. more
	In Person Friday Night At The Blackhawk, San Francisco Vol. 1 New - Vinyl - 20AP 1402 New, Unplayed Japanese Pressing With Obi. more
	In Person Friday Night At The Blackhawk, Vol. 1 Used - Vinyl - 20AP 1402 Japanese Stereo Pressing, No Obi. LP Looks Unplayed. more
	In Person Friday Night At The Blackhawk, Vol. 1 New - Vinyl - 20AP 1402 Sealed Japanese Stereo Pressing With Obi. Small Cut Corner. more
	In Person Friday Night At The Blackhawk, Vol. 2 Used - Vinyl - 20AP 1403 Japanese Stereo Pressing, No Obi. LP Looks Unplayed. more
	In Person Saturday Night At The Blackhawk, Vol. 2 Used Import - 20AP 1403 Sealed 1979 Japanese Stereo Reissue With Obi. Small Cut Corner. more
	In Person, Friday Night At The Blackhawk, San Francisco, Volume I Used - Vinyl - CL-1669 1961 Original mono 6-Eye with inner sleeve. Volume 1. "The first of two sets recorded during a weekend in 1961 features the Miles Davis Quintet at a period of time when Hank Mobley was on tenor and the rhythm section was comprised of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. What is most remarkable is the way Kelly fits into this particular blend of the miles band. Kelly's interplay with Chambers is especially brilliant, because his sense of blues phrasing inside counterpoint harmony is edgy and large, with left-hand chords in the middle register rather than sharp right-hand runs to accentuate choruses. Davis himself has never played with more intensity and muscularity on record than he does here. He is absolutely fierce, both on the Friday night and Saturday night sets. Kelly plays more like a drummer than a pianist, using gorgeously percussive left-hand comps and fills to add bottom to the front line's solos. Mobley displays his bebop rather than hard bop and groove sides here, and reveals his intricate knowledge of the bop phraseology; he sounds free of the baggage and responsibility that he replaced John Coltrane and Cannonball Adderley. His solos on "If I Were A Bell" and "No Blues" are simply revelatory. This is an under-appreciated group because of its relatively short life, but as evidenced here, the band members swung fast and hard and never looked back. Hearing a dropped bass line, an out-of-time cymbal flourish, and a shortened series of phrases by Miles because he miscounted -- you guess the track -- adds to the charm of this being recorded as it was, without any cleanup. It is difficult to recommend this set over Saturday night or vice versa; Miles fans will need both to fully appreciate how special this engagement with this particular band was." All Music Guide – Thom Jurek. more
	In Person, Friday Night At The Blackhawk, San Francisco, Volume I - BIN LP Used - Vinyl - CL-1669 1961 US mono original. Includes the printed company inner sleeve. more
	In Person, Saturday Night At The Blackhawk, San Francisco, Volume 2 Used - Vinyl - CJ 44425 1988 Digital Remaster (By Tim Geelon) Featuring Alternate Cover Art. Custom "Critics Rave." Cover Is A Conservative VG++ more
	In Person, Saturday Night At The Blackhawk, San Francisco, Volume 2 New - Vinyl - CJ 44425 Sealed 1988 Digital Remaster (By Tim Geelon) Featuring Alternate Cover Art. Custom "Critics Rave" Hype Sticker On The Shrink Wrap. First Copy We Have Seen. more
	In Person, Saturday Night At The Blackhawk, San Francisco, Volume II Used Import - SOPJ-18 1972 Japan pressing with Obi Laminated Gatefold Jacket. Miles Davis' "At The Blackhawk, San Francisco" Marked A Watershed In Jazz History, A Seminal Event Transforming The American Musical Landscape. Davis Had Never Been Recorded Live In A Club With His Combo And The Performances Over The Course Of Two Sets A Night On April 21 And 22, 1961, More Than Justify The Legend. The New York Times, In Its Review Of The Columbia Records Release Of The Complete Blackhawk Shows, Called The Music "The Gold Standard For Straight-Ahead, Postwar Jazz Rhythm." This has been a very sought after recording that has been a favorite audiophile repress must-have. more
	In Person-Friday And Saturday Nights Used - Vinyl - C2S 820 Beautiful 2LP Gatefold Early 70s Orange Label All Analogue Stereo Reissue. Both LPs Appear Unplayed. more
	In Person-Saturday Night Vol. II Used - Vinyl - CL 1670 6 Eye Mono Original more
	Isle Of Wight Concert New - Vinyl - VP 80001 Sealed 2007 Import. This Recording From The August 1970 Isle Of Wight Concert Features "Call It Anything" Parts 1 And 2 Along With The Bonus Track "Time After Time" Recorded July 1988 At The Munich Philharmonic Concert Hall During Munchner Klaviersommer. more
	Jack Johnson New - Vinyl - 20AP 1405 Sealed Japanese Pressing With Obi. Small CC. Full Color Cover Art Version Of This 5 Star Soundtrack. Features Herbie Hancock, John McLaughlin, Steve Grossman, Billy Cobham And Michael Henderson. First Japanese Pressing We Have Ever Seen Of This Title. more
	Jack Johnson New - Vinyl - S 30455 Sealed, 1971 Alternate Full Color Cover Art Version Of This 5 Star Soundtrack. Cover Has Edge Damage, Hence Price. Features Herbie Hancock, John McLaughlin, Steve Grossman, Billy Cobham And Michael Henderson. more
	Jack Johnson Used - Vinyl - S 30455 Rare 1971 Santa Maria Pressing With Full Color Cover Art Version Of This 5 Star Soundtrack. Features Herbie Hancock, John McLaughlin, Steve Grossman, Billy Cobham And Michael Henderson. 1B/1B Stampers. Cover Shows Very Slight Edge Wear. more
	Jack Johnson (Original Soundtrack Recording) Audiophile - New - MFSL 1-440 Sealed, Latest Run Of The 2015 Numbered 180gm Gatefold Remaster From Mobile Fidelity Sound Labs. "None Of Miles Davis' Recordings Has Been More Shrouded In Mystery Than Jack Johnson, Yet None Has Better Fulfilled Davis' Promise That He Could Form The "Greatest Rock Band You Ever Heard." Containing Only Two Tracks, The Album Was Assembled Out Of No Less Than Four Recording Sessions Between February 18, 1970 And June 4, 1970, And Was Patched Together By Producer Teo Macero. Most Of The Outtake Material Ended Up On Directions, Big Fun, And Elsewhere. The First Misconception Is The Lineup: The Credits On The Recording Are Incomplete. For The Opener, "Right Off," The Band Is Davis, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, And Steve Grossman (No Piano Player!), Which Reflects The Liner Notes. This Was From The Musicians' Point Of View, In A Single Take, Recorded As Mclaughlin Began Riffing In The Studio While Waiting For Davis; It Was Picked Up On By Henderson And Cobham, Hancock Was Ushered In To Jump On A Hammond Organ (He Was Passing Through The Building), And Davis Rushed In At 2:19 And Proceeded To Play One Of The Longest, Funkiest, Knottiest, And Most Complex Solos Of His Career. Seldom Has He Cut Loose Like That And Played In The High Register With Such A Full Sound. In The Meantime, The Interplay Between Cobham, McLaughlin, And Henderson Is Out Of The Box, McLaughlin Playing Long, Angular Chords Centering Around E. This Was Funky, Dirty Rock & Roll Jazz. The Groove Gets Nastier And Nastier As The Track Carries On And Never Quits, Though There Are Insertions By Macero Of Two Davis Takes On Sly Stone Tunes And An Ambient Textured Section Before The Band Comes Back With The Groove, Fires It Up Again, And Carries It Out. On "Yesternow," The Case Is Far More Complex. There Are Two Lineups, The One Mentioned Above, And One That Begins At About 12:55. The Second Lineup Was Davis, McLaughlin, Jack DeJohnette, Chick Corea, Bennie Maupin, Dave Holland, And Sonny Sharrock. The First 12 Minutes Of The Tune Revolve Around A Single Bass Riff Lifted From James Brown's "Say It Loud, I'm Black And I'm Proud." The Material That Eases The First Half Of The Tune Into The Second Is Taken From "Shhh/Peaceful," From In A Silent Way, Overdubbed With The Same Trumpet Solo That Is In The Ambient Section Of "Right Off." It Gets More Complex As The Original Lineup Is Dubbed Back In With A Section From Davis' Tune "Willie Nelson," Another Part Of The Ambient Section Of "Right Off," And An Orchestral Bit Of "The Man Nobody Saw" At 23:52, Before The Voice Of Jack Johnson (By Actor Brock Peters) Takes The Piece Out. The Highly Textured, Nearly Pastoral Ambience At The End Of The Album Is A Fitting Coda To The Chilling, Overall High-Energy Rockist Stance Of The Album. Jack Johnson Is The Purest Electric Jazz Record Ever Made Because Of The Feeling Of Spontaneity And Freedom It Evokes In The Listener, For The Stellar And Inspiring Solos By McLaughlin And Davis That Blur All Edges Between The Two Musics, And For The Tireless Perfection Of The Studio Assemblage By Miles And Producer Macero." AMG - Thom Jurek. more
	Jack Johnson (Original Soundtrack Recording) Audiophile - Used - MFSV 1-516 2024 Limited, numbered 180gm special edition from Mobile Fidelity Sound Labs. Seam Split At Bottom Edge. This is #000482. "None Of Miles Davis' Recordings Has Been More Shrouded In Mystery Than Jack Johnson, Yet None Has Better Fulfilled Davis' Promise That He Could Form The "Greatest Rock Band You Ever Heard." Containing Only Two Tracks, The Album Was Assembled Out Of No Less Than Four Recording Sessions Between February 18, 1970 And June 4, 1970, And Was Patched Together By Producer Teo Macero. Most Of The Outtake Material Ended Up On Directions, Big Fun, And Elsewhere. The First Misconception Is The Lineup: The Credits On The Recording Are Incomplete. For The Opener, "Right Off," The Band Is Davis, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, And Steve Grossman (No Piano Player!), Which Reflects The Liner Notes. This Was From The Musicians' Point Of View, In A Single Take, Recorded As Mclaughlin Began Riffing In The Studio While Waiting For Davis; It Was Picked Up On By Henderson And Cobham, Hancock Was Ushered In To Jump On A Hammond Organ (He Was Passing Through The Building), And Davis Rushed In At 2:19 And Proceeded To Play One Of The Longest, Funkiest, Knottiest, And Most Complex Solos Of His Career. Seldom Has He Cut Loose Like That And Played In The High Register With Such A Full Sound. In The Meantime, The Interplay Between Cobham, McLaughlin, And Henderson Is Out Of The Box, McLaughlin Playing Long, Angular Chords Centering Around E. This Was Funky, Dirty Rock & Roll Jazz. The Groove Gets Nastier And Nastier As The Track Carries On And Never Quits, Though There Are Insertions By Macero Of Two Davis Takes On Sly Stone Tunes And An Ambient Textured Section Before The Band Comes Back With The Groove, Fires It Up Again, And Carries It Out. On "Yesternow," The Case Is Far More Complex. There Are Two Lineups, The One Mentioned Above, And One That Begins At About 12:55. The Second Lineup Was Davis, McLaughlin, Jack DeJohnette, Chick Corea, Bennie Maupin, Dave Holland, And Sonny Sharrock. The First 12 Minutes Of The Tune Revolve Around A Single Bass Riff Lifted From James Brown's "Say It Loud, I'm Black And I'm Proud." The Material That Eases The First Half Of The Tune Into The Second Is Taken From "Shhh/Peaceful," From In A Silent Way, Overdubbed With The Same Trumpet Solo That Is In The Ambient Section Of "Right Off." It Gets More Complex As The Original Lineup Is Dubbed Back In With A Section From Davis' Tune "Willie Nelson," Another Part Of The Ambient Section Of "Right Off," And An Orchestral Bit Of "The Man Nobody Saw" At 23:52, Before The Voice Of Jack Johnson (By Actor Brock Peters) Takes The Piece Out. The Highly Textured, Nearly Pastoral Ambience At The End Of The Album Is A Fitting Coda To The Chilling, Overall High-Energy Rockist Stance Of The Album. Jack Johnson Is The Purest Electric Jazz Record Ever Made Because Of The Feeling Of Spontaneity And Freedom It Evokes In The Listener, For The Stellar And Inspiring Solos By McLaughlin And Davis That Blur All Edges Between The Two Musics, And For The Tireless Perfection Of The Studio Assemblage By Miles And Producer Macero." All Music Guide – Thom Jurek more
	Jazz At The Plaza New - Vinyl - PC 32470 Factory Sealed 1973 2nd Pressing (There Was A Small Pressing Run With The C Prefix). The Stunning 1958 Stereo Recording Featuring Cannonball Adderley, John Coltrane, Bill Evans, Paul Chambers & Jimmy Cobb. Released For The First Time In 1973. more
	Jazz At The Plaza Used - Vinyl - 20AP 1406 Hard To Find Japanese True Stereo Pressing With Obi. Features John Coltrane, Bill Evans, Paul Chambers, Cannonball Adderley And Philly Joe Jones. LP Is New, Unplayed. more
	Jazz At The Plaza New - Vinyl - C 32470 Factory Sealed 1973 Original First Pressing. The Stunning 1958 Stereo Recording Featuring Cannonball Adderley, John Coltrane, Bill Evans, Paul Chambers & Jimmy Cobb. more
	Kind Of Blue Audiophile - Vinyl - CS 8163 1995 Limited Edition 180gm HQ Stereo (Raised Label, Earliest Pressing) 2LP Gatefold With Bonus 45rpm Alternate Take Of "Flamenco Sketches." Both LPs Appear New, Unplayed. Tiny Dent On Top Seams, Hence Price. more
	Kind Of Blue Used - Vinyl - 23AP 2556 Mint, Unplayed Japanese All Analogue Stereo Pressing. more
	Kind Of Blue Audiophile - Vinyl - CS 8163 200gm Pressing. Looks Unplayed. more
	Kind Of Blue TAS List - Vinyl - CS 8163 Sealed 1997 Limited Edition 180gm HQ Stereo 2LP Gatefold With Bonus 45rpm 12 Inch Alternate Take Of "Flamenco Sketches." This Is The Long Out Of Print, First Version Of K.O.B. That Classic Released. Slight Lower Left Corner Push. more
	Kind Of Blue New - CD - SRCS 9104 Sealed, (Barely) Limited Edition Card Cover Japanese 20Bit Remastered CD. more
	Kind Of Blue Colored Vinyl - CS 8163 Factory Sealed, Long Out Of Print 180gm HQ Clear Blue Virgin Vinyl Stereo. One Of Only 500 Pressings. First Copy We Have Seen In Six Years. more
	Kind Of Blue Used - Vinyl - CL 1355 Finest Copy We Have Ever Had In Stock Of This 1959 Deep Groove 6 Eye Mono Original. 1G/1AD Stampers. LP Appears Unplayed. Jacket Has Crisp Corners. more
	Kind Of Blue Used - Vinyl - SBPG 62066 Rare UK Orange Label Stereo Early Pressing, Laminated Cover. more
	Kind Of Blue Used - Vinyl - CJ 40579 1987 Digital Stereo Remaster. A Beautiful Starter Copy Of The All Time Classic. more
	Kind Of Blue Audiophile - Vinyl - CS 8163 Sealed 180gm HQ Test Pressing In Plain Black Jacket. A1/B1 Stampers. more
	Kind Of Blue Used - Vinyl - 28AP 2833 Japanese Stereo Pressing, No Obi. LP Looks Unplayed. Jacket M- more
	Kind Of Blue Audiophile - Vinyl - CS 8163 1999 Limited Edition, Four One-Sided 180gm HQ 45rpm LPs. The Ultimate Way To Hear The Ultimate Jazz Album! All Four LPs Appear Unplayed. Gatefold Jacket Has A Top Right Corner Dent, Hence Price. more
	Kind Of Blue New - Vinyl - 62066 Unusual UK Stereo Reissue With Black & White Cover Photo. more
	Kind Of Blue New - Vinyl - 62066 Sealed UK Stereo 1980's Reissue (Resealable Baggy). more
	Kind Of Blue Used - Vinyl - PC 8163 Early 70s All Analogue Stereo Reissue In Shrink Wrap. Appears Unplayed. Original $4.95 Sticker On Shrink. more
	Kind Of Blue New - Vinyl - 16046 2007 180gm German Pressing. We Just Played This And It Sounded Fantastic, Very Quiet! more
	Kind Of Blue Audiophile - Vinyl - 23AP 2556 Factory Sealed Japanese All Analogue Stereo With Obi. Pristine Copy. CBS/Sony Did A Pretty Outstanding Job On This All Analogue Issue, With The Added Benefit That The Surfaces Are Quieter Than The Classic Records Reissue. more
	Kind Of Blue New - Vinyl - 23AP 2556 New, Unplayed All Analogue Japanese Pressing With Obi. more
	Kind Of Blue Colored Vinyl - MOVLP019 Factory Sealed 2010 Limited Edition Of 3,000 Pressings, Numbered 180gm Blue Virgin Vinyl 2LP Set Housed In A Deluxe Gatefold Jacket. Blink And You Might Miss This Opportunity To Own This All-Time Great Jazz Album. We Have Just A Few Copies Available. Michael Fremer Writing In Musicangle Gave This An 11 For Music And A 10 For Sound Quality. The First LP Features The Original Kind Of Blue Full Album With The Speed Corrected. The Second LP Has The Alternative Version Of "Flamenco Sketches" On One Side And A Version Of "On Green Dolphin Street" Recorded Prior To The KOB Sessions Featuring The Evans, Coltrane, Chambers And Cobb Lineup. more
	Kind Of Blue Used - Vinyl - CS 8163 Rare 360 Stereo Label 2nd Issue That Seems To Be More Diffiuclt To Find Than The 6 Eye Label Original. Shrink Wrap Still Intact. Appears Unplayed. more
	Kind Of Blue Audiophile - Vinyl - CS 8163 Factory Sealed, Long Out Of Print, Extremely Limited (500 Pressings) 200gm SV-P Blue Virgin Vinyl Stereo Pressing. Pristine Copy. more
	Kind of Blue Audiophile - Vinyl - CS 8163 Factory Sealed Stereo. First Copy We Have Ever Had In Stock With The Quiex SV Sticker (Rather Than The More Common Quiex 200gm GM SV-P Stickered Edition). more
	Kind Of Blue New - Vinyl - MOVLP 019 New, Unplayed And Out Of Print 2010 2LP 180gm Remastered Gatefold Reissue With Two Bonus Tracks more
	Kind Of Blue New - Vinyl - MFSL 2-45011 Factory Sealed 2015 2LP 180gm 45rpm Limited Edition Box Set. This Is A Rare, Non Numbered Promo Copy! more
	Kind Of Blue Colored Vinyl - CS 8163 Long Out Of Print 200gm HQ Clear Blue Virgin Vinyl Stereo. One Of Only 500 Pressings Made. First Copy We Have Seen In Ten Years. Appears New, Unplayed. more
	Kind Of Blue Used - Vinyl - CS 8163 Rare 1965 360 Stereo Label 2nd Issue That Seems To Be More Difficult To Find Than The 6 Eye Label Original. The All Time Jazz Classic In NM- Condition. more
	Kind Of Blue Used - Vinyl - 88697680571 2010 180gm Vinyl. Features The Stellar Lineup Of John Coltrane, Bill Evans, Cannonball Adderley, Jimmy Cobb, Paul Chambers And Wynton Kelly. more
	Kind Of Blue New - Vinyl - 88697680571 Sealed 2023 Reissue On Blue Vinyl. "Kind Of Blue Isn't Merely An Artistic Highlight For Miles Davis, It's An Album That Towers Above Its Peers, A Record Generally Considered As The Definitive Jazz Album. To Be Reductive, It's The Citizen Kane Of Jazz -- An Accepted Work Of Greatness That's Innovative And Entertaining. That May Not Mean It's The Greatest Jazz Album Ever Made, But It Certainly Is A Universally Acknowledged Standard Of Excellence. Why Does Kind Of Blue Posses Such A Mystique? Perhaps It's That This Music Never Flaunts Its Genius. It Lures Listeners In With The Slow, Luxurious Bassline And Gentle Piano Chords Of "So What." From That Moment On, The Record Never Really Changes Pace -- Each Tune Has A Similar Relaxed Feel, As The Music Flows Easily. Yet Kind Of Blue Is More Than Easy Listening. It's The Pinnacle Of Modal Jazz -- Tonality And Solos Build From Chords, Not The Overall Key, Giving The Music A Subtly Shifting Quality. All Of This Doesn't Quite Explain Why Seasoned Jazz Fans Return To This Record Even After They've Memorized Every Nuance. They Return Because This Is An Exceptional Band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, And Wynton Kelly -- One Of The Greatest In History, Playing At The Peak Of Its Power. As Evans Said In The Original Liner Notes For The Record, The Band Did Not Play Through Any Of These Pieces Prior To Recording. Davis Laid Out The Themes And Chords Before The Tape Rolled, And Then The Band Improvised. The End Results Were Wondrous, Filled With Performances That Still Crackle With Vitality. Few Albums Of Any Genre Manage To Work On So Many Different Levels, But Kind Of Blue Does. It Can Be Played As Background Music, Yet It Amply Rewards Close Listening. It Is Advanced Music That Is Extraordinarily Enjoyable. It May Be A Stretch To Say That If You Don't Like Kind Of Blue, You Don't Like Jazz -- But It's Hard To Imagine It As Anything Other Than A Cornerstone Of Any Jazz Collection." AMG Review By Stephen Thomas Erlewine. more
	Kind Of Blue Audiophile - New - CS 8163 Sealed 2002 200gm Quiex SP-V Stereo Reissue Of The Greatest Jazz Album Of All-Time. The Outer Poly Bag Has The 200gm Quiex SV-P Sticker. more
	Kind Of Blue Audiophile - Used - CS 8163 Rare 2002 Remastered, Stereo, 200 Gram Quiex SV-P Clear Blue Vinyl In Heavy Duty Laminated Cover. more
	Kind Of Blue Audiophile - New - MFSL 2-45011 Factory Sealed 2015, 2LP 180gm 45rpm Limited Edition #656 Box Set. more
	Kind Of Blue Audiophile - New - CS 8163 Sealed 2002 200gm Quiex SP-V Stereo Repress. The Outer Poly Bag Has The 200gm Quiex SV-P Sticker. "Kind Of Blue" is often regarded as one of the greatest jazz albums of all time, and for good reason. The entire album exudes a sense of cool and relaxation that only Miles Davis and his band could achieve. Davis' trumpet playing is sublime and sets the tone for the album, while the rest of the band, including John Coltrane on saxophone and Bill Evans on piano, provide the perfect accompaniment. more
	Kind Of Blue Audiophile - Used - CS 8163 1995 Out Of Print 180gm HQ Gatefold Reissue. (Earliest Pressing-Raised Labels-Not The Later 200gm Version). "Kind of Blue" is an iconic jazz album featuring the legendary trumpeter Miles Davis. The album is considered to be one of the most influential and innovative jazz recordings of all time, and showcases a unique blend of modal jazz and improvisation. The album features the talents of other jazz greats such as John Coltrane, Julian "Cannonball" Adderley, Bill Evans, and James Cobb. The tracks on the album are characterized by their airy and spacious sound, with each musician given ample room to showcase their individual talents. "Kind of Blue" is the bedrock to any music collection. more
	Kind Of Blue Audiophile - New - UHQR 0004 Sealed 2021 limited edition, numbered 45RPM box set. Pressed on 200gm clear “Clarity Vinyl” using a manual Finebilt press and mastered directly from the original 3-track master tapes by Bernie Grundman. Housed in a full-color, tip-on Stoughton gatefold jacket, encased in a textured slipcase with a leatherette dowel handle and gold-foil stamped numbering. A deluxe presentation of the highest order, limited to 25,000 copies worldwide.Released in 1959, Kind of Blue is universally regarded as the pinnacle of modern jazz and one of the most influential recordings in music history. With serene precision and effortless grace, Miles Davis and his ensemble—John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb—crafted an album that redefined improvisation through the purity of modal expression. From the luminous calm of “So What” and “Blue in Green” to the hushed melancholy of “Flamenco Sketches,” every note breathes with space, restraint, and poise. The result is music that feels timeless—intimate yet vast, spontaneous yet eternal. more
	Kind Of Blue Box Set - Used - MFSL 2-45011 2015 2LP 180gm 45rpm Limited edition, hand-numbered box set from Mobile Fidelity. Some claim the best sounding version... "Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz -- an accepted work of greatness that's innovative and entertaining. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps it's that this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from chords, not the overall key, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, and Wynton Kelly -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes and chords before the tape rolled, and then the band improvised. The end results were wondrous, filled with performances that still crackle with vitality. Few albums of any genre manage to work on so many different levels, but Kind of Blue does. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection." All Music Guide – Stephen Thomas Erlewine more
	Kind Of Blue Box Set - UHQR 0004 Sealed 2021 Limited Edition Numbered Boxset, Pressed On 200gm Clear Vinyl And Housed In A Full-Colour Tip-On Stoughton Gatefold Jacket, Inside A Textured Slip-Case With Leatherette Dowell Handle, Featuring Gold-Foil Stamp Numbering. Mastered Directly From The Original 3-Track Master Tapes By Bernie Grundman. Pressed Using "Clarity Vinyl" On A Manual Finebilt Press. Limited to 25,000 Copies. more
	Kind Of Blue Box Set - New - UHQR 0004 Sealed 2021 Limited Edition Numbered Boxset, Pressed On 200gm Clear Vinyl And Housed In A Full-Colour Tip-On Stoughton Gatefold Jacket, Inside A Textured Slip-Case With Leatherette Dowell Handle, Featuring Gold-Foil Stamp Numbering. Mastered Directly From The Original 3-Track Master Tapes By Bernie Grundman. Pressed Using "Clarity Vinyl" On A Manual Finebilt Press. Limited to 25,000 Copies. more
	Kind Of Blue Box Set - New - UHQR 0004-45 Sealed 2021 Limited Edition Numbered Boxset, 45RPM Version. Pressed On 200gm Clear Vinyl And Housed In A Full-Colour Tip-On Stoughton Gatefold Jacket, Inside A Textured Slip-Case With Leatherette Dowell Handle, Featuring Gold-Foil Stamp Numbering. Mastered Directly From The Original 3-Track Master Tapes By Bernie Grundman. Pressed Using "Clarity Vinyl" On A Manual Finebilt Press. Limited to 25,000 Copies. more
	Kind Of Blue Used Import - 62066 Rare 2000 UK Orange Label Stereo Reissue. Highly Recommended Copy. Small Split On Center Of Spine. more
	Kind Of Blue Audiophile - Used - CS8163 1995 Out Of Print 180gm HQ Gatefold Reissue. (Earliest Pressing-Raised Labels-Not The Later 200gm Version). Vinyl Appears Glossy, Light Bottom Shelf Rubs To Jacket. more
	Kind Of Blue Used - Vinyl - PC 8163 1977 All Analogue Stereo Reissue. Originally Recorded 02/03/1959 And 22/04/1959. No UPC Code On The Jacket, "Kind Of Blue Isn't Merely An Artistic Highlight For Miles Davis, It's An Album That Towers Above Its Peers, A Record Generally Considered As The Definitive Jazz Album. To Be Reductive, It's The Citizen Kane Of Jazz -- An Accepted Work Of Greatness That's Innovative And Entertaining. That May Not Mean It's The Greatest Jazz Album Ever Made, But It Certainly Is A Universally Acknowledged Standard Of Excellence. Why Does Kind Of Blue Posses Such A Mystique? Perhaps It's That This Music Never Flaunts Its Genius. It Lures Listeners In With The Slow, Luxurious Bassline And Gentle Piano Chords Of "So What." From That Moment On, The Record Never Really Changes Pace -- Each Tune Has A Similar Relaxed Feel, As The Music Flows Easily. Yet Kind Of Blue Is More Than Easy Listening. It's The Pinnacle Of Modal Jazz -- Tonality And Solos Build From Chords, Not The Overall Key, Giving The Music A Subtly Shifting Quality. All Of This Doesn't Quite Explain Why Seasoned Jazz Fans Return To This Record Even After They've Memorized Every Nuance. They Return Because This Is An Exceptional Band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, And Wynton Kelly -- One Of The Greatest In History, Playing At The Peak Of Its Power. As Evans Said In The Original Liner Notes For The Record, The Band Did Not Play Through Any Of These Pieces Prior To Recording. Davis Laid Out The Themes And Chords Before The Tape Rolled, And Then The Band Improvised. The End Results Were Wondrous, Filled With Performances That Still Crackle With Vitality. Few Albums Of Any Genre Manage To Work On So Many Different Levels, But Kind Of Blue Does. It Can Be Played As Background Music, Yet It Amply Rewards Close Listening. It Is Advanced Music That Is Extraordinarily Enjoyable. It May Be A Stretch To Say That If You Don't Like Kind Of Blue, You Don't Like Jazz -- But It's Hard To Imagine It As Anything Other Than A Cornerstone Of Any Jazz Collection." AMG Review By Stephen Thomas Erlewine. more
	Kind Of Blue New - Vinyl - CL 1355 Sealed OOP 2013 Limited, Foil Number 2592, Record Store Day Exclusive 180gm Mono Reissue. Lacquers Cut At Sterling Sound. First Copy We Have Seen! more
	Kind Of Blue Audiophile - Used - UHQR 0004 2020 Handmade UHQR Reissue. Limited To 25,000 Numbered Copies. Mastered Directly From The Original 3-track Master Tapes By Bernie Grundman. Pressed Using Clarity Vinyl® On A Manual Finebilt Press. The Best Selling Jazz Album At Its Highest Quality. more
	Kind Of Blue Used Import - 18AP 2056 Beautiful 1981 Japan Pressing. No Obi. more
	Kind Of Blue Used Import - 25AP 755 Clean, 1977 Japan Import. With Insert But No Obi. Small Bottom Seam Split. more
	Kind Of Blue New Import - DOL725H Sealed 2015 180gm HQ Virgin Vinyl Repress. Classic! Small Top Seam Split. more
	Kind Of Blue New - Vinyl - 88697680571 Sealed 2019 Repress Of The 2010 Reissue, With Custom Silver Foil Hype Sticker. "Kind Of Blue Isn't Merely An Artistic Highlight For Miles Davis, It's An Album That Towers Above Its Peers, A Record Generally Considered As The Definitive Jazz Album. To Be Reductive, It's The Citizen Kane Of Jazz -- An Accepted Work Of Greatness That's Innovative And Entertaining. That May Not Mean It's The Greatest Jazz Album Ever Made, But It Certainly Is A Universally Acknowledged Standard Of Excellence. Why Does Kind Of Blue Posses Such A Mystique? Perhaps It's That This Music Never Flaunts Its Genius. It Lures Listeners In With The Slow, Luxurious Bassline And Gentle Piano Chords Of "So What." From That Moment On, The Record Never Really Changes Pace -- Each Tune Has A Similar Relaxed Feel, As The Music Flows Easily. Yet Kind Of Blue Is More Than Easy Listening. It's The Pinnacle Of Modal Jazz -- Tonality And Solos Build From Chords, Not The Overall Key, Giving The Music A Subtly Shifting Quality. All Of This Doesn't Quite Explain Why Seasoned Jazz Fans Return To This Record Even After They've Memorized Every Nuance. They Return Because This Is An Exceptional Band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, And Wynton Kelly -- One Of The Greatest In History, Playing At The Peak Of Its Power. As Evans Said In The Original Liner Notes For The Record, The Band Did Not Play Through Any Of These Pieces Prior To Recording. Davis Laid Out The Themes And Chords Before The Tape Rolled, And Then The Band Improvised. The End Results Were Wondrous, Filled With Performances That Still Crackle With Vitality. Few Albums Of Any Genre Manage To Work On So Many Different Levels, But Kind Of Blue Does. It Can Be Played As Background Music, Yet It Amply Rewards Close Listening. It Is Advanced Music That Is Extraordinarily Enjoyable. It May Be A Stretch To Say That If You Don't Like Kind Of Blue, You Don't Like Jazz -- But It's Hard To Imagine It As Anything Other Than A Cornerstone Of Any Jazz Collection." AMG Review By Stephen Thomas Erlewine. more
	Kind Of Blue New Import - 88875111921 Sealed 2019 EU Import, A Repress Of The 2015 Reissue. "Kind Of Blue Isn't Merely An Artistic Highlight For Miles Davis, It's An Album That Towers Above Its Peers, A Record Generally Considered As The Definitive Jazz Album. To Be Reductive, It's The Citizen Kane Of Jazz -- An Accepted Work Of Greatness That's Innovative And Entertaining. That May Not Mean It's The Greatest Jazz Album Ever Made, But It Certainly Is A Universally Acknowledged Standard Of Excellence. Why Does Kind Of Blue Posses Such A Mystique? Perhaps It's That This Music Never Flaunts Its Genius. It Lures Listeners In With The Slow, Luxurious Bassline And Gentle Piano Chords Of "So What." From That Moment On, The Record Never Really Changes Pace -- Each Tune Has A Similar Relaxed Feel, As The Music Flows Easily. Yet Kind Of Blue Is More Than Easy Listening. It's The Pinnacle Of Modal Jazz -- Tonality And Solos Build From Chords, Not The Overall Key, Giving The Music A Subtly Shifting Quality. All Of This Doesn't Quite Explain Why Seasoned Jazz Fans Return To This Record Even After They've Memorized Every Nuance. They Return Because This Is An Exceptional Band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, And Wynton Kelly -- One Of The Greatest In History, Playing At The Peak Of Its Power. As Evans Said In The Original Liner Notes For The Record, The Band Did Not Play Through Any Of These Pieces Prior To Recording. Davis Laid Out The Themes And Chords Before The Tape Rolled, And Then The Band Improvised. The End Results Were Wondrous, Filled With Performances That Still Crackle With Vitality. Few Albums Of Any Genre Manage To Work On So Many Different Levels, But Kind Of Blue Does. It Can Be Played As Background Music, Yet It Amply Rewards Close Listening. It Is Advanced Music That Is Extraordinarily Enjoyable. It May Be A Stretch To Say That If You Don't Like Kind Of Blue, You Don't Like Jazz -- But It's Hard To Imagine It As Anything Other Than A Cornerstone Of Any Jazz Collection." AMG Review By Stephen Thomas Erlewine. more
	Kind Of Blue Audiophile - New - CS 8163 Sealed 1999 Classic Records Limited Edition, Four One-Sided 180gm HQ 45rpm LPs. The Ultimate Way To Hear The Ultimate Jazz Album! Miles Davis’ "Kind of Blue" is a masterpiece of jazz music that has stood the test of time. Released in 1959, the album features a lineup of iconic jazz musicians like John Coltrane, Bill Evans, and Cannonball Adderley. The album is notable for its use of modal jazz, a departure from the traditional chord progressions of most jazz music of the time. The result is a calm, introspective, and timeless sound that has influenced countless musicians over the years. The album’s opening track, “So What,” is one of the most recognizable jazz songs ever recorded and sets the tone for the entire album. “Blue in Green” is a beautiful, melancholic ballad that showcases Davis’ emotive trumpet playing. The album’s final track, “Flamenco Sketches,” is a stunning showcase of the band’s ability to improvise and create a truly unique and unforgettable sound. "Kind of Blue" is a must-listen for anyone interested in jazz music or anyone looking to experience a true masterpiece of music history. more
	Kind Of Blue Audiophile - New - CS8163 Sealed 1995 Out Of Print 180gm HQ Gatefold Reissue. Jacket Is In Excellent/NM- Condition With Tiny Corner Ding. more
	Kind Of Blue Box Set - New - UHQR 0004 Sealed 2021 Limited Edition Numbered Boxset, Pressed On 200gm Clear Vinyl And Housed In A Full-Colour Tip-On Stoughton Gatefold Jacket, Inside A Textured Slip-Case With Leatherette Dowell Handle, Featuring Gold-Foil Stamp Numbering. Mastered Directly From The Original 3-Track Master Tapes By Bernie Grundman. Pressed Using "Clarity Vinyl" On A Manual Finebilt Press. Limited to 25,000 Copies. more
	Kind Of Blue Audiophile - New - MFSL 2-45011 Factory Sealed 2015, 2LP 180gm 45rpm Limited Edition #15571 Box Set. Some Claim The Best Sounding Version. more
	Kind Of Blue Used Import - SOPL 155 Rare 1972 Japanese Vinyl Reissue With A Top Seam Obi Strip & Insert. Creasing Along Bottom Front Edge. "Kind Of Blue Isn't Merely An Artistic Highlight For Miles Davis, It's An Album That Towers Above Its Peers, A Record Generally Considered As The Definitive Jazz Album. To Be Reductive, It's The Citizen Kane Of Jazz -- An Accepted Work Of Greatness That's Innovative And Entertaining. That May Not Mean It's The Greatest Jazz Album Ever Made, But It Certainly Is A Universally Acknowledged Standard Of Excellence. Why Does Kind Of Blue Posses Such A Mystique? Perhaps It's That This Music Never Flaunts Its Genius. It Lures Listeners In With The Slow, Luxurious Bassline And Gentle Piano Chords Of "So What." From That Moment On, The Record Never Really Changes Pace -- Each Tune Has A Similar Relaxed Feel, As The Music Flows Easily. Yet Kind Of Blue Is More Than Easy Listening. It's The Pinnacle Of Modal Jazz -- Tonality And Solos Build From Chords, Not The Overall Key, Giving The Music A Subtly Shifting Quality. All Of This Doesn't Quite Explain Why Seasoned Jazz Fans Return To This Record Even After They've Memorized Every Nuance. They Return Because This Is An Exceptional Band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, And Wynton Kelly -- One Of The Greatest In History, Playing At The Peak Of Its Power. As Evans Said In The Original Liner Notes For The Record, The Band Did Not Play Through Any Of These Pieces Prior To Recording. Davis Laid Out The Themes And Chords Before The Tape Rolled, And Then The Band Improvised. The End Results Were Wondrous, Filled With Performances That Still Crackle With Vitality. Few Albums Of Any Genre Manage To Work On So Many Different Levels, But Kind Of Blue Does. It Can Be Played As Background Music, Yet It Amply Rewards Close Listening. It Is Advanced Music That Is Extraordinarily Enjoyable. It May Be A Stretch To Say That If You Don't Like Kind Of Blue, You Don't Like Jazz -- But It's Hard To Imagine It As Anything Other Than A Cornerstone Of Any Jazz Collection." AMG - Stephen Thomas Erlewine. more
	Kind Of Blue Audiophile - Used - MFSL 2-45011 2015 2LP 180gm 45rpm Limited Edition Box Set Remaster From Mobile Fidelity. This Is An Un-Numbered Version. Some Claim The Best Sounding Version. Light Shelf Scuff To Paste On Front Cover. more
	Kind Of Blue Used - Vinyl - CJ 40579 1987 US digital stereo remastered reissue. VG+ jacket. A beautiful starter copy of the all time classic. more
	Kind Of Blue Used - Vinyl - CL 1355 OOP 2013 Limited Edition Record Store Day Exclusive 180gm Mono Reissue. Lacquers Cut At Sterling Sound. "Kind of Blue" is a seminal jazz album by trumpeter Miles Davis, originally released in 1959. Widely regarded as one of the greatest jazz albums of all time, it features an extraordinary lineup of musicians, including John Coltrane on tenor saxophone, Cannonball Adderley on alto saxophone, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. The album is noted for its innovative approach to modal jazz, a style that focuses on scales and modes rather than traditional chord progressions, offering musicians greater creative freedom. This approach can be heard in classic tracks such as "So What" and "Freddie Freeloader." The recording sessions for "Kind of Blue" took place at Columbia's 30th Street Studio in New York City, with the album being produced by Teo Macero and Irving Townsend. The sessions were distinct for their minimal rehearsal, as Davis preferred spontaneity and fresh interpretations from his band members. "Kind of Blue" was recorded in two sessions on March 2 and April 22, 1959, and its influence extends far beyond jazz, impacting musicians across various genres. The vinyl release of "Kind of Blue" remains a prized possession for collectors and audiophiles, admired for its warm, rich sound quality that captures the nuanced performances of the legendary ensemble. more
	Kind Of Blue Used - Vinyl - 88697680571 2010 180gm Audiophile remastered reissue, pressed at RTI. Some surface bag imprint but nothing affecting play; Still in baggy shrink with custom hype stickers. A beautiful rendition of this classic on a lovely slab of vinyl. Features the inimitable line up of John Coltrane, Bill Evans, Cannonball Adderley, Jimmy Cobb, Paul Chambers and Wynton Kelly. more
	Kind Of Blue Used Import - BPG62066 Circa 1986 UK Stereo Reissue with lesser seen Black & White cover photo. Clean copy! more
	Kind Of Blue Used - Vinyl - 88697680571 2010 180gm remastered reissue cut by Kevin Gray at Cohearant Audio; Pressed at MPO. Features the inimitable line up of John Coltrane, Bill Evans, Cannonball Adderley, Jimmy Cobb, Paul Chambers and Wynton Kelly. "Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz -- an accepted work of greatness that's innovative and entertaining. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps it's that this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from chords, not the overall key, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, and Wynton Kelly -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes and chords before the tape rolled, and then the band improvised. The end results were wondrous, filled with performances that still crackle with vitality. Few albums of any genre manage to work on so many different levels, but Kind of Blue does. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection." All Music Guide – Stephen Thomas Erlewine more
	Kind Of Blue Box Set - Used - UHQR 0004 2021 limited edition, numbered 45RPM box set. Pressed on 200gm clear “Clarity Vinyl” using a manual Finebilt press and mastered directly from the original 3-track master tapes by Bernie Grundman. Housed in a full-color, tip-on Stoughton gatefold jacket, encased in a textured slipcase with a leatherette dowel handle and gold-foil stamped numbering. A deluxe presentation of the highest order, limited to 25,000 copies worldwide.Released in 1959, Kind of Blue is universally regarded as the pinnacle of modern jazz and one of the most influential recordings in music history. With serene precision and effortless grace, Miles Davis and his ensemble—John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb—crafted an album that redefined improvisation through the purity of modal expression. From the luminous calm of “So What” and “Blue in Green” to the hushed melancholy of “Flamenco Sketches,” every note breathes with space, restraint, and poise. The result is music that feels timeless—intimate yet vast, spontaneous yet eternal. more
	Kind Of Blue Box Set - Used - MFSL 2-45011 2015 2LP 180gm 45rpm Limited edition, UN-NUMBERED Promo box set from Mobile Fidelity Sound Lab. Some claim the best sounding version... "Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz -- an accepted work of greatness that's innovative and entertaining. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps it's that this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from chords, not the overall key, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, and Wynton Kelly -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes and chords before the tape rolled, and then the band improvised. The end results were wondrous, filled with performances that still crackle with vitality. Few albums of any genre manage to work on so many different levels, but Kind of Blue does. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection." All Music Guide – Stephen Thomas Erlewine more
	Kind Of Blue 50th Anniversary (LP / CD / DVD / Book) New - Vinyl - 33552 Sealed, Out Of Print 2008 Limited Edition 50th Anniversary Deluxe Box Set Which Includes Blue Vinyl 180gm Stereo LP, Double CD Featuring Previously Unreleased Alternate Takes Plus "Celebrating A Masterpiece" DVD. Super Special Price - Originally $109.99. more
	Kind Of Blue 50th Anniversary (LP / CD / DVD / Book) Used - Vinyl - 88697 33552 Out Of Print 2008 Limited Edition 50th Anniversary Deluxe Box Set Still In Shrink With Custom Hype Sticker. Includes Blue Vinyl 180gm Stereo LP, Double CD Featuring Previously Unreleased Alternate Takes And "Celebrating A Masterpiece" DVD Housed In A Gatefold Jacket. Also Includes A 60-Page Book And Envelope Containing 6 8x10 Photos, A 22x33 Poster, A Columbia Records Promotional Brochure Reproduction And More. more
	Lift To The Scaffold Audiophile - Vinyl - 0660213 180gm HQ German Import Laminated Gatefold Reissue Of The Soundtrack To The Masterpiece Of French Cinema - "Ascenseur Pour L'Echafaud." New, Unplayed Copy. more
	Live Around The World New - Vinyl - 60321 180gm 2 LP. more
	Live At The Plugged Nickel Used - Vinyl - 88606 1982 UK 2 LP First Issue Gatefold. more
	Live At The Plugged Nickel Used - Vinyl - C2 38266 1982 2LP Gatefold Original. Although Released In Japan On Vinyl, This Is The First U.S. Pressing Of This Great Live Set. Both LPs Appear Unplayed. more
	Live At The Plugged Nickel New - Vinyl - C2 38266 Sealed 1982 2LP Gatefold Stereo Original Of This Great 1965 Live Recording. Mastered By Joe Gastwirt. more
	Live At The Plugged Nickel, December 22, 1965 Part Two New - Vinyl - B193LP Sealed, Out Of Print, 2013 Limited Edition (500 Copies) 180gm Yellow Vinyl. more
	Live Evil Audiophile - Vinyl - GQ 30954 1972 2LP Gatefold Quadraphonic SQ Pressing. Stereo Compatible, LPs Look Unplayed. more
	Live Evil New - Vinyl - 4M809 Sealed 2011 180gm 2LP Gatefold. more
	Live Evil Used - Vinyl - 67219 New, Unplayed 2LP Gatefold Import From The Late 1980s. more
	Live Evil New - Vinyl - G 30954 Sealed 1970 2LP Gatefold Original. more
	Live Evil (Rare Black Jacket) New - Vinyl - P2S 5668 Sealed 1970 2LP Promo Only Edition In Rare Black And White Jacket. Very Few Copies Of This Edition Made It Into Circulation. more
	Live In Europe 1967 - The Bootleg Series Vol. 1 New - Vinyl - MOVLP421 Sealed 2011 180gm 5LP Box Set. Davis' Second Great Quartet Featuring Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. Includes 16 Page Booklet. Culled From Original State-Owned Television And Radio Sources In Belgium, Denmark, And France, This Box Set Spans Three Northern European Festival Performances Over The Course Of Nine Days In October-November 1967. The Audio Shows Consist Entirely Of Previously Unreleased Or Previously Only Bootlegged Material. more
	Live In Tokyo New - Vinyl - GET51279 Sealed 2019 RSD Pressing With Obi. Features Miles With Sam Rivers, Herbie Hancock, Ron Carter And Rony Williams Recorded At Kohseinenkin Hall, Tokyo In 1964. “After George Coleman Left The Miles Davis Quintet, Tenor-Saxophonist Sam Rivers Took His Place For A Short Period Including A Tour Of Japan. Davis Did Not Care For Rivers's Avant-Garde Style (They Failed To Develop Any Chemistry) And Soon Replaced Him, But This Live LP (Originally Only Issued In Japan) Survived To Document This Brief Association. The Music (Five Lengthy Versions Of Standards) Is Actually Of High Quality With Both Davis And Rivers In Fine Form And The Young Rhythm Section (Pianist Herbie Hancock, Bassist Ron Carter, And Drummer Tony Williams) Pushing The Trumpeter/Leader To Open Up His Style.” Scott Yanow, AMG. more
	Live Miles-More Music From The Legendary Carnegie Hall Concert Used - Vinyl - CJ 40609 Rare 1987 LP, All Previously Unreleased Material. Although Digitally Remastered, We Believe This Is The Only Vinyl Version Ever Released. more
	Live-Evil New - Vinyl - G 30954 Sealed 1970 2LP Gatefold Original. Cut Out Hole. more
	Live-Evil Used - Vinyl - G 30954 Beautiful 1970 2LP Gatefold Original. 1B/1C/1C/1C Stampers. Two Tiny Corner Dings And Light Edge & Corner Rubbing. more
	Live-Evil New Import - MOVLP1483 Sealed Repress Of The 2016 180gm Audiophile Reissue From Music On Vinyl. "Live-evil Is One Of Miles Davis' Most Confusing And Illuminating Documents. As A Double Album, It Features Very Different Settings Of His Band -- And Indeed Two Very Different Bands. The Double-lp Cd Package Is An Amalgam Of A December 19, 1970, Gig At The Cellar Door, Which Featured A Band Comprised Of Miles, Bassist Michael Henderson, Drummer Jack Dejohnette, Guitarist John Mclaughlin, Saxophonist Gary Bartz, Keith Jarrett On Organ, And Percussionist Airto. These Tunes Show A Septet That Grooved Hard And Fast, Touching On The Great Funkiness That Would Come On Later. But They Are Also Misleading In That Mclaughlin Only Joined The Band For This Night Of A Four-night Stand; He Wasn't Really A Member Of The Band At This Time. Therefore, As Fine And Deeply Lyrically Grooved-out As These Tracks Are, They Feel Just A Bit Stiff -- Check Any Edition Of This Band Without Him And Hear The Difference. The Other Band On These Discs Was Recorded In Columbia's Studio B And Subbed Ron Carter Or Dave Holland On Bass, Added Chick Corea And Herbie Hancock On Electric Pianos, Dropped The Guitar On "Selim" And "Nem Um Talvez," And Subbed Steve Grossman Over Gary Bartz While Adding Hermeto Pascoal On Percussion And Drums In One Place ("Selim"). In Fact, These Sessions Were Recorded Earlier Than The Live Dates, The Previous June In Fact, When The Three-keyboard Band Was Beginning To Fall Apart. Why The Discs Were Not Issued Separately Or As A Live Disc And A Studio Disc Has More To Do With Miles' Mind Than Anything Else. As For The Performances, The Live Material Is Wonderfully Immediate And Fiery: "Sivad," "Funky Tonk," And "What I Say" All Cream With Enthusiasm, Even If They Are A Tad Unsure Of How To Accommodate Mclaughlin. Of The Studio Tracks, Only "Little Red Church" Comes Up To That Level Of Excitement, But The Other Tracks, Particularly "Gemini/double Image," Have A Winding, Whirring Kind Of Dynamic To Them That Seems To Turn Them Back In On Themselves, As If The Band Was Really Pushing In A Free Direction That Miles Was Trying To Rein In. It's An Awesome Record, But It's Because Of Its Flaws Rather Than In Spite Of Them. This Is The Sound Of Transition And Complexity, And Somehow It Still Grooves Wonderfully." All Music Guide - Thom Jurek. more
	Man With The Horn Used - Vinyl - FC 36790 1981 Repress With Custom Inner Sleeve. Cover Is VG+ more
	Man With The Horn Audiophile - Vinyl - HC 46790 1981 Half-Speed Master. Appears Glossy, Unplayed. more
	Man With The Horn Used - Vinyl - PC 36790 1981 Original With 1C/1C Columbia NY Stampers. Shrink Wrap Intact. LP Appears Glossy, Unplayed. At The Time Of Its Release It Was Miles' Foirst New Album In Seven Years. more
	Master Of Styles New - Vinyl - 7725 Factory Sealed, Hard To Find 1984 All Analogue 3LP Box Set. Covers The Period 1949-1970. more
	Miles Ahead New - CD - SRCS 9703 Japanese Mini LP Sleeve, 20 Bit Digitally Remastered, With OBI. more
	Miles Ahead New - CD - SRCS 9106 Sealed, Out Of Print Japanese Card Cover CD W/Obi. more
	Miles Ahead Used - Vinyl - 23AP 2553 Japanese Mono Pressing, No Obi. Both LP And Jacket Are Near Mint. more
	Miles Ahead Used - 12 - CL 1041 Beautiful 1957 Deep Groove 6 Eye Mono Original (Not Released In Stereo At The Time-A Stereo Master Tape Was Later Unearthed And Released On CD). 1D/1H Stampers. This Is The Very First Issue Featuring The White Woman On The Yacht, Which Was Very Quickly Changed To A Photo Of Miles Playing. more
	Miles Ahead Used - Vinyl - SOPL 152 Rare, Early Japanese Mono Pressing Featuring The First Cover Art. Shrink Wrap And Obi Intact. LP Appears Unplayed. more
	Miles Ahead (Original Motion Picture Soundtrack) New - Vinyl - 88985306681 Sealed 2016 180gm 2LP Gatefold Original With Custom Hype Sicker On Shrink. Original Motion Picture Soundtrack To The 2016 Film Includes 11 Essential Tracks Spanning 1956 To 1981, Select Dialogue From The Film Featuring Don Cheadle In Character, And Five Original Compositions Written, Co-Written, Produced And/ Or Performed Exclusively For Miles Ahead By Producer Robert Glasper. more
	Miles Ahead / Miles Davis + 19 Used - Vinyl - CJ 40784 1980's Era Digitally Remastered Reissue Of An All-Time Classic. Vinyl Appears Glossy, Unplayed. more
	Miles Ahead / Miles Davis + 19 New - Vinyl - CJ 40784 Sealed 1980's Remastered Reissue Of An All-Time Classic. more
	Miles Ahead: Miles Davis + 19 Used - Vinyl - CL 1041 Rare 1958 Deep Groove White Label Promo Mono. Jacket Has a One Inch Center Top Seam Split. LP Appears Virtually Unplayed And Has Very Sweet (Almost Succulently Tangible) Sound From The Brass Section. more
	Miles Davis New - Vinyl - UAS 9952 Sealed 1971 All Analogue 2LP Mono Gatefold. Reissues Blue Note 1501 And 1502. Rare. more
	Miles Davis Used - Vinyl - LPP 97009 Mint Japan Only Compilation Pressing With Obi. "PR 802" Written In Ink On Jacket. more
	Miles Davis New - Vinyl - 40AP 485-6 1977 All Analogue Japan Only 2LP Compilation Housed In An Gold Embossed Gatefold With 4 Page Illustrated Booklet. Both LPs Appear New, Unplayed. Tunes Are "Round Midnight," "Milestones," "Straight, No Chaser," "Summertime," "So What," "On Green Dolphin Street," "Seven Steps To Heaven," "All Blues," "Walkin," "E.S.P.," "Freedom Jazz Dance," "In A Silent Way," "It's About That Time," "Sanctuary," "Black Satin" And "Maiysha." more
	Miles Davis Used - Vinyl - UAS 9952 1971 All Analogue 2LP Mono Gatefold. Reissues Blue Note 1501 And 1502. Nice VG+ Copy. more
	Miles Davis All Star Sextet/Quintet Used - Vinyl - 7034 1956 Yellow Label Second Issue, Bergenfield, NJ Address On Labels, RVG Etched Into Deadwax Of Both Sides. Vinyl Is A Strong VG+, Light Spindles On Both Labels. Both Sides Play Very Solidly, With Light Surface Noise Throughout. Emphasis On Light, Primarily Evident On Quieter Passages. Front Jacket Is Exceptional, Incredibly Vibrant. Back Jacket Has Large Writing Across Top. more
	Miles Davis All Stars Vol. 1 Used - 10 - PRLP 196 Export Only 10 Inch Reissue Of His Mega Rare 1954 Recording. Glossy, Unplayed Condition. Shrink Wrap Intact. more
	Miles Davis All Stars Vol. 2 Used - 10 - PRLP 200 Out Of Print, Limited Edition, Export Only 10 Inch LP. Pressed In Very Limited Quantities For Export To Japan. Shrink Wrap Intact. Glossy, Unplayed Condition. more
	Miles Davis And Horns Used - Vinyl - PRLP 7025 Near Mint Copy Of This 1956 Deep Groove Black & Yellow Label Mono Original, 446 W. 50th St. N.Y.C. On Labels. more
	Miles Davis And Horns Used - Vinyl - OJC 053 Out Of Print OJC Mono Reissue. Record Appears Unplayed. more
	Miles Davis And The Modern Jazz Giants Audiophile - Vinyl - 7150 Sealed, 2005 2LP Limited Edition, 180gm, 45rpm. This Is Number 0754 Of Only 1,000 Pressings. more
	Miles Davis And The Modern Jazz Giants Used - Vinyl - SMJ 6529 Mint Japanese Pressing With Obi. more
	Miles Davis And The Modern Jazz Giants Used - Vinyl - PR 7150 Rare Deep Groove Black And Yellow Label 2nd Issue With The 203, South Washington Address On Labels. LP Is In Beautiful Condition With Just One Barely Visible Spindle Mark. The Glossy, Laminated Jacket Has Crisp Corners And No Seam Splits, But Has "229-HRA" Indented Across The Top Above Prestige 7150 (Not Visible In This Scan). more
	Miles Davis And The Modern Jazz Giants Used - Vinyl - PR 7150 1959 Deep Groove Mono First Pressing Of This LP Which Was Mostly Recorded At The Legendary Session Of December 25th, 1954. Features Thelonious Monk, Milt Jackson, Percy Heath And Kenny Clark. This First Side Includes The Previously Unreleased Take 2 Of "The Man I Love." Side Two Features The Previously Unreleased "Round About Midnight" Recorded In 1956 And Featuring John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. The Glossy LP Appears Virtually Unplayed And Comes In A Laminated Cover With Crisp Corners. more
	Miles Davis And The Modern Jazz Giants Used - Vinyl - PRLP 7150 1959 mono more
	Miles Davis At Carnegie Hall Used Import - 23AP 2559 1983 Japan pressing without Obi. Strong, Vibrant VG++ Jacket. Miles Davis At Carnegie Hall is not only a landmark album for jazz lovers, but also for music history. This live recording features some of the greatest jazz musicians of all time, featuring Gil Evans, Wynton Kelly, Hank Mobley, Paul Chambers & Jimmy Cobb. The album showcases a wide range of jazz styles and emotions, from the playful “So What” to the soulful “Someday My Prince Will Come”. Davis’ trumpet playing is at its best, with his signature cool and precise sound. The other musicians complement his playing perfectly, creating a cohesive ensemble that showcases their individual talents. What makes this album truly special is the raw energy and spontaneity captured in the live 21 piece orchestra recording. The audience’s reactions can be heard, adding to the excitement and atmosphere of the performance. more
	Miles Davis At Carnegie Hall New - Vinyl - CL 1812 Sealed 1962 2 Eye Mono Reissue, Shelf Scuffing/Ring Wear To Jacket. Not In Shrink Wrap, But The Deep Groove LP Is Sealed In The Inner Baggy And Has The Fabled 1A/1A Stampers. "In 1998, Columbia/legacy Reissued Miles Davis At Carnegie Hall As A Double-disc Set That Contained All Of The Music Performed At The Concert From May 19, 1961. Davis Is Captured With His Transitional Small Combo Featuring Hank Mobley, Wynton Kelly, Paul Chambers, And Jimmy Cobb, As Well As With The Gil Evans Orchestra. It Was One Of Only Two Concerts Davis And Evans Performed Together, And That Alone Makes The Album Necessary For Collectors, But The Music Itself Is Terrific. Neither The Small Group Nor Large Band Performances Offer Any New Revelations, But They Both Showcase A Strong, Powerful Davis, And The Music Is Quite Enjoyable." AMG - Stephen Thomas Erlewine. more
	Miles Davis At Carnegie Hall, 1961 Used - Vinyl - PC 8612 1975 Reissue Of The Legendary Performances Of May 19, 1961 Still In Shrink. Electronically Re-Channeled For Stereo. Featuring Gil Evans And His 21-Piece Orchestra, Hank Mobley, Jimmy Cobb, Paul Chambers And Wynton Kelly. more
	Miles Davis At Fillmore Used - Vinyl - G 30038 1970 2LP Gatefold Original, 1C/1C/1D/1C Stampers. Both LPs Appear Unplayed. Comes With The Unused And Unattached Radio Station Timing Sticker (Still Has The Peel Off Sticky Backing). more
	Miles Davis At Fillmore Used - Vinyl - G 30038 Beautiful 1970 2LP Gatefold Original 1D/1C/1C/1C Stampers. Includes Loose, Unused Radio Station Timing Strip (Not Glued To Cover). more
	Miles Davis At Fillmore New - Vinyl - CG 30038 Sealed 1970 2LP Gatefold With "CG" Prefix (First Pressings With A "G" Prefix Were Available For A Very Short While). Pristine Copy. more
	Miles Davis At Fillmore New - Vinyl - G 30038 Sealed 1970 2LP Gatefold First Pressing (First Pressings Have A "G" Prefix And Were Available For A Very Short While, 2nd Issues Have A 'CG' Prefix). Jacket Has A Hint Of Ring Wear, Both LPs Appear Unplayed. Label Scan Is Oh An Open Copy We Previously Had In Stock. Start Of A Center Bottom Seam Split, Hence Price. more
	Miles Davis At Fillmore New - Vinyl - G 30038 Sealed 1970 2LP Gatefold First Pressing (First Pressings Have A "G" Prefix And Were Available For A Very Short While, 2nd Issues Have A 'CG' Prefix). Pristine Store Stock Copy With The Original Price Tag On The Shrink Wrap. more
	Miles Davis At Fillmore New - Vinyl - 487527 New, Unplayed And Long Out Of Print 1989 2LP Stereo Reissue Housed In A Gatefold Cover. 5 Star Jazz. more
	Miles Davis At Fillmore Used - Vinyl - 36AP 177-8 1979 Japanese 2LP Gatefold With Obi. Both LPs Appear New, Unplayed. more
	Miles Davis At Plugged Nickel, Chicago Used Import - 25AP 1 1976 Japanese Stereo Original, No Obi. At The Time Of Its Release In 1976 This Was A Japan-Only LP, Since Issued As Part Of The Mosaic Box Set. Recorded In 1965 And Featuring Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. Miles Davis At Plugged Nickel, Chicago is a historic live recording that showcases the genius of Miles Davis and his quintet during their performances over two nights in 1965. The album captures the raw energy and spontaneity of the band's improvisations, as they effortlessly transition between bebop, modal jazz, and free jazz styles. Davis' trumpet playing is masterful, with his signature muted tones and phrasing that goes beyond notes. Overall, Miles Davis At Plugged Nickel, Chicago is a must-listen for any jazz fan. more
	Miles Davis At Plugged Nickel, Chicago Used Import - 25AP 1 1976 Japanese first pressing. EX vinyl. VG+ cover with corner dings & ring/seam rubs. A Japan only release. Originally recorded Live At: "Plugged Nickel," Chicago, December 23, 1965. "The first of two LPs originally released in Japan captures the second classic Quintet (which included Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams) early on when, although their studio albums stuck to originals, they were still playing standards in clubs. This set, which includes lengthy versions of "Walkin'," "On Green Dolphin Street" and "So What" in addition to Davis's recent "Agitation," features highly original soloing that was a bit influenced by the freebop approach of Ornette Coleman. This album makes for a very interesting comparison to earlier versions of these songs." All Music Guide - Scott Yanow more
	Miles Davis In Europe New - Vinyl - 23AP 2561 New, Unplayed Japanese Pressing With Obi. more
	Miles Davis In Sweden 1971 Used - Vinyl - MD 1 Mega Rare 1971 Original Live Recording In Unplayed Condition. Miles, Trumpet; Gary Bartz, Soprano Sax; Keith Jarrett, Electric Piano; Michael Henderson, Bass; Leon Chandler, Drums; Don Alias And Mtume, Percussion. Tunes Are: "Wednesday Miles / Black Beauty, Part 1," "Sivad," "What I Say," "Selim," "Funky Tonk" And "The End." more
	Miles Davis Quartet Used - Vinyl - PRLP 161 Long Out Of Print, Limited Edition, Export Only 10 Inch LP Originally Released In 1953. Pressed In Very Limited Quantities For Export To Japan. Shrink Wrap Intact. Glossy, Unplayed Condition. more
	Miles Davis The Genius Used - Vinyl - 9051/4 Near Mint, Rare German 4LP Box Set. more
	Miles Davis Volume 1 Audiophile - Vinyl - BST 81501 Sealed Cadre Rouge Audiophile Pressing With Obi. Saw Cut. more
	Miles Davis Volume 1 Used - Vinyl - BST 81501 Beautiful Blue & White Liberty Label Electronic Stereo. Appears Unplayed. more
	Miles Davis Volume 1 New - Vinyl - BN 1501 New, Unplayed Japanese Mono Pressing With Obi. more
	Miles Davis Volume 2 Used - Vinyl - BST 81502 Beautiful Blue & White Liberty Label Electronic Stereo. Appears Unplayed. more
	Miles Davis Volume 2 Used - Vinyl - GXF 3012 / BLP 1502 Beautiful Japanese Mono King Pressing, No Obi. more
	Miles Davis Volume 3 New - 10 - TOJJ 5040 Japanese 10 Inch With Obi. New, Unplayed. more
	Miles Davis' Greatest Hits New - Vinyl - CS 9808 Sealed Early 70s All Analogue First Issue Stereo With The CS Prefix. Pristine Copy. more
	Miles Davis' Greatest Hits New - Vinyl - PC 9808 Sealed Reissue (Originally Released On The 360 Label, Although We Have Never seen One). Pristine Copy. No Bar Code On Jacket. more
	Miles Davis' Greatest Hits Used - Vinyl - PC 9808 1969 2nd Press (Originally Released On The 360 Label, Although We Have Never seen One). Small Corner Ding, Still In Shrink. No Bar Code On Jacket. more
	Miles In Berlin Used - Vinyl - 25AP 763 Japan Only Stereo LP With Obi. Recorded In 1964 And Featuring Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. Appears Unplayed. more
	Miles In Berlin Used - Vinyl - 23AP 2565 Rare Japanese Stereo Original With Insert. Features Herbie Hancock, Wayner Shorter, Ron Carter And Tony Williams. more
	Miles In Berlin Used - Vinyl - SOPL 163 Rare Japanese Stereo Original (Prior To 23AP 2565). Features Herbie Hancock, Wayner Shorter, Ron Carter And Tony Williams. Appears Unplayed. more
	Miles In Berlin Used Import - SOPL 163 1973 Japanese stereo reissue; 3rd press in Japan, with insert no Obi. NM- jacket, minimal wear. Features Herbie Hancock, Wayner Shorter, Ron Carter and Tony Williams. more
	Miles In The Sky Used Import - 18AP 2073 1981 Japanese pressing with Obi And Hype sticker on shrink wrap. Featuring Herbie Hancock, Wayne Shorter, Ron Carter And Tony Williams. Originally released in 1968, it signaled his move away from hard bop and into the realm of fusion with a more electric sound. This album features some of the biggest names in jazz, including Wayne Shorter on saxophone and Herbie Hancock on keys. The tracks are all originals, with each musician bringing their own unique style to the table. The standout track is "Stuff," a funky, groove-driven piece that showcases the band's tightness and virtuosity. Davis' trumpet playing is still the centerpiece, but the addition of electric instruments and a more experimental approach to composition make this album a departure from his earlier work. "Miles In The Sky" is a pivotal album in Davis' catalog and an essential listen for fans of jazz fusion. more
	Miles In The Sky Used Import - 25AP 768 Beautiful 1977 Japanese reissue with horizontal top-cap Obi (small crease at corner) & insert. Jacket EX/NM-, light foxing on rear & seam rub marks. "With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it's a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano -- one of the very first sounds on the record, as a matter of fact -- and the guest appearance of guitarist George Benson on "Paraphernalia." All of these additions are tangible and identifiable, and they do result in intriguing music, but the form of the music itself is surprisingly direct, playing as extended grooves. This meanders considerable more than Nefertiti, even if it is significantly less elliptical in its form, because it's primarily four long jams. Intriguing, successful jams in many respects, but even with the notable additions of electric instruments, and with the deliberately noisy "Country Son," this is less visionary than its predecessor and feels like a transitional album -- and, like many transitional albums, it's intriguing and frustrating in equal measures." All Music Guide - Stephen Thomas Erlewine. more
	Miles In The Sky Audiophile - New - MFSL 2-437 Sealed 2023 2LP deluxe 180gm audiophile reissue from Mobile Fidelity Sound Lab. Heavy duty gatefold jacket, numbered #006850. "With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it's a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano -- one of the very first sounds on the record, as a matter of fact -- and the guest appearance of guitarist George Benson on "Paraphernalia." All of these additions are tangible and identifiable, and they do result in intriguing music, but the form of the music itself is surprisingly direct, playing as extended grooves. This meanders considerable more than Nefertiti, even if it is significantly less elliptical in its form, because it's primarily four long jams. Intriguing, successful jams in many respects, but even with the notable additions of electric instruments, and with the deliberately noisy "Country Son," this is less visionary than its predecessor and feels like a transitional album -- and, like many transitional albums, it's intriguing and frustrating in equal measures." All Music Guide - Stephen Thomas Erlewine more
	Miles In The Sky Used Import - 25AP 768 1977 Japanese reissue with horizontal top-cap Obi & insert. Jacket VG++/EX with foxing on rear cover and corner dings. "With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it's a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano -- one of the very first sounds on the record, as a matter of fact -- and the guest appearance of guitarist George Benson on "Paraphernalia." All of these additions are tangible and identifiable, and they do result in intriguing music, but the form of the music itself is surprisingly direct, playing as extended grooves. This meanders considerable more than Nefertiti, even if it is significantly less elliptical in its form, because it's primarily four long jams. Intriguing, successful jams in many respects, but even with the notable additions of electric instruments, and with the deliberately noisy "Country Son," this is less visionary than its predecessor and feels like a transitional album -- and, like many transitional albums, it's intriguing and frustrating in equal measures." All Music Guide – Stephen Thomas Erlewine more
	Miles In The Sky Used - Vinyl - 25AP 768 Mint Japanese Pressing With Obi In Shrink Wrap, Small CC. more
	Miles In The Sky Used - Vinyl - CS 9628 1968 360 Stereo Original, 2A/2A Stampers. No Shrink Wrap. more
	Miles In The Sky New - Vinyl - PC 9628 Sealed 1977 All Analogue Stereo Reissue Featuring Herbie Hancock, Wayne Shorter, Ron Carter And Tony Williams. Shrink Wrap Inact. Glossy, Unplayed Condition. more
	Miles In The Sky New - Vinyl - 23AP 2573 New, Unplayed Japanese Pressing With Obi Featuring Herbie Hancock, Wayne Shorter, Ron Carter And Tony Williams. more
	Miles In The Sky New - Vinyl - CS 9628 Sealed 1968 360 Stereo Original. Features Herbie Hancock, Wayne Shorter, Ron Carter, Tony Williams Plus George Benson, Guitar On "Paraphernalia" Only. Light Upper Corner Creasing. more
	Miles In The Sky Used - Vinyl - 18AP 2073 1981 Japanese Pressing With Obi And Shrink Wrap Intact. LP Appears New, Unplayed. Featuring Herbie Hancock, Wayne Shorter, Ron Carter And Tony Williams. more
	Miles In The Sky Audiophile - Vinyl - MFSL 2-437 Sealed 2015 Numbered, Limited Edition 2LP 45rpm 180gm Gatefold Reissue. Mastered On The Gain 2 Ultra Analog System. more
	Miles In Tokyo Used Import - SOPL 162 1973 Japan Stereo pressing in textured cover without Obi. Miles Davis' "Miles In Tokyo" album is a mesmerizing live performance that captures the magic of one of the greatest jazz musicians of all time. The album was recorded in 1964, during Davis' tour of Japan and features a stellar lineup of musicians, including Ron Carter, Herbie Hancock, Tony Williams, and Sam Rivers. The album's standout tracks include "Agitation" and "So What," which showcase Davis' signature style of improvisation and experimentation. What makes "Miles In Tokyo" such an exceptional album is the way Davis and his bandmates feed off each other's energy, creating a dynamic and unpredictable musical experience. Davis' trumpet playing is as fluid and expressive as ever, while the rhythm section provides a solid foundation for the improvisation to soar. The album features a range of tracks, including the upbeat and energetic "All of You" and the soothing, mellow tones of "My Funny Valentine". The album's standout track is the 7-minute long "So What", which highlights Davis' prowess on the trumpet and the band's ability to work together to create a dynamic and evolving sound. "Miles In Tokyo" provides a glimpse into the brilliance of Miles Davis and his band. more
	Miles In Tokyo New - Vinyl - 18AP 2064 Beautiful Japan Only Pressing. No Obi. more
	Miles In Tokyo Used - Vinyl - 25AP 762 1977 Japan Only Original. Features Miles With Sam Rivers, Herbie Hancock, Ron Carter And Tony Williams Recorded At Kohseinenkin Hall, Tokyo In 1964. Appears Unplayed. more
	Miles In Tokyo Used - Vinyl - 25AP 762 1977 Japanese Pressing With Obi And Insert. Appears Glossy, Unplayed. Features Miles With Sam Rivers, Herbie Hancock, Ron Carter And Rony Williams Recorded At Kohseinenkin Hall, Tokyo In 1964. “After George Coleman Left The Miles Davis Quintet, Tenor-Saxophonist Sam Rivers Took His Place For A Short Period Including A Tour Of Japan. Davis Did Not Care For Rivers's Avant-Garde Style (They Failed To Develop Any Chemistry) And Soon Replaced Him, But This Live LP (Originally Only Issued In Japan) Survived To Document This Brief Association. The Music (Five Lengthy Versions Of Standards) Is Actually Of High Quality With Both Davis And Rivers In Fine Form And The Young Rhythm Section (Pianist Herbie Hancock, Bassist Ron Carter, And Drummer Tony Williams) Pushing The Trumpeter/Leader To Open Up His Style.” Scott Yanow, AMG. more
	Miles In Tokyo Used - Vinyl - SOPL 62 1972 Japanese Pressing Housed In A Textured Cover. LP Appears Glossy, Unplayed. more
	Miles In Tokyo New - Vinyl - GET51279-LP Sealed 2019 Limited Edition Stereo Reissue Gatefold. more
	Miles In Tokyo Used Import - 25AP 762 1977 Japanese Reissue, No Obi But With Insert. Clean Vinyl; Jacket Nice VG+ With Light Ring And Seam Wear. Features Miles With Sam Rivers, Herbie Hancock, Ron Carter And Tony Williams Recorded At Kohseinenkin Hall, Tokyo In 1964. more
	Miles In Tokyo Used Import - SOPL 162 1973 Japan Stereo pressing in textured cover without Obi. Miles Davis' "Miles In Tokyo" album is a mesmerizing live performance that captures the magic of one of the greatest jazz musicians of all time. The album was recorded in 1964, during Davis' tour of Japan and features a stellar lineup of musicians, including Ron Carter, Herbie Hancock, Tony Williams, and Sam Rivers. The album's standout tracks include "Agitation" and "So What," which showcase Davis' signature style of improvisation and experimentation. What makes "Miles In Tokyo" such an exceptional album is the way Davis and his bandmates feed off each other's energy, creating a dynamic and unpredictable musical experience. Davis' trumpet playing is as fluid and expressive as ever, while the rhythm section provides a solid foundation for the improvisation to soar. The album features a range of tracks, including the upbeat and energetic "All of You" and the soothing, mellow tones of "My Funny Valentine". The album's standout track is the 7-minute long "So What", which highlights Davis' prowess on the trumpet and the band's ability to work together to create a dynamic and evolving sound. "Miles In Tokyo" provides a glimpse into the brilliance of Miles Davis and his band. more
	Miles Smiles Used - Vinyl - CS 9401 Finest Copy We Have Had In Stock. 1966 360 Stereo Original With 1D/1C Stampers. LP Is Immaculate. Features Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. Tracks Are "Orbits," "Circle," "Footprints," "Dolores," "Freedom Jazz Dance" And "Ginger Bread Boy." 5 Star Jazz. Appears Unplayed. Rear Cover Has Light Discoloration Along Mouth. more
	Miles Smiles Used - Vinyl - CL 2601 Beautiful 1966 Mono Original. 1B/1B Stampers. Cover Has No Cut-Out Holes, Dents Or Seam Splits. Record Looks Unplayed. Features Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. more
	Miles Smiles Used - Vinyl - 62933 UK Laminated Cover Mono Original. more
	Miles Smiles Used - Vinyl - CS 9401 Beautiful 1966 360 Stereo Original, 1A/1C Matrixes. Shrink Wrap Intact. Features Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. Tracks Are "Orbits," "Circle," "Footprints," "Dolores," "Freedom Jazz Dance" And "Ginger Bread Boy." 5 Star Jazz. more
	Miles Smiles Audiophile - Vinyl - CS 9401 Sealed 180gm HQ Mono Import. Special Price. more
	Miles Smiles Used - Vinyl - 18AP 2069 Beautiful Japanese Pressing Still In Shrink Wrap With Obi. more
	Miles Smiles Used - Vinyl - PC 9401 Beautiful 70's Stereo Pressing (No Bar Code On Jacket). Shrink Wrap Intact. Appears Unplayed. Features Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. Tracks Are "Orbits," "Circle," "Footprints," "Dolores," "Freedom Jazz Dance" And "Ginger Bread Boy." 5 Star Jazz. more
	Miles Smiles New - Vinyl - PC 9401 Sealed 70's Stereo Pressing (No Bar Code On Jacket). Shrink Wrap Intact. Appears Unplayed. Features Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. Tracks Are "Orbits," "Circle," "Footprints," "Dolores," "Freedom Jazz Dance" And "Ginger Bread Boy." 5 Star Jazz. more
	Miles Smiles Used - Vinyl - PC 9401 Stereo Reissue In Glossy, Unplayed Condition. more
	Miles Smiles Audiophile - Vinyl - MFSL 2-486 Sealed 2019 Numbered, Limited Edition, 180gm 2LP 45rpm Gatefold Reissue. First In A Landmark Series Of Modal Albums That Forever Changed Jazz: 1966's Miles Smiles Features The Most Brilliant Playing Of Miles Davis' Second "Great Quintet," Bursts With Vitality And Spirit. Mastered From The Original Master Tapes, Pressed At RTI, And Strictly Limited To 4,000 Copies. more
	Miles Smiles Used - Vinyl - 20AP 765 1977 Japanese Stereo Reisssue In Shrink Wrap With Obi. A Few Light Spots Or "Foxing" On Cover. LP Appears Glossy, Unplayed. more
	Miles Smiles Used - Vinyl - PC 9401 1970's Stereo Pressing (No Bar Code On Jacket). Glossy, Virtually Unplayed Condition. Cover Is VG+ Features Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. Tracks Are "Orbits," "Circle," "Footprints," "Dolores," "Freedom Jazz Dance" And "Ginger Bread Boy." 5 Star Jazz. more
	Miles Smiles Used - Vinyl - CS 9401 1967 360 Stereo Original Still In Shrink. 1D/1C Stampers. Small Corner Crease And Small Corner Rub/Bump. Tiny Bump On Mouth. Features Wayne Shorter, Herbie Hancock, Ron Carter And Tony Williams. Tracks Are "Orbits," "Circle," "Footprints," "Dolores," "Freedom Jazz Dance" And "Ginger Bread Boy." 5 Star Jazz. more
	Miles To Go Used - Vinyl - A2S 1374 Beautiful 1982 Promo Only Label 2LP, 1C/1C/1C/1e Matrixes. Both LPs Look Unplayed. Includes "So What," "Round Midnight," "Back Seat Betty," "My Funny Valentine," "Oleo," "Concierto De Aranjuez," "Bess, You Is My Woman" And "Bitches Brew." more
	Miles To Go Used - Vinyl - A2S 1374 1982 2LP Promo Only Release. Jacket Has Scotch Tape Holding It At Bottom Edge. Includes "So What," "Round Midnight," "Back Seat Betty," "My Funny Valentine," "Oleo," "Concierto De Aranjuez," "Bess, You Is My Woman" And "Bitches Brew." more
	Miles-The New Miles Davis Quartet Used - Vinyl - PRLP 7014 Archival Quality Copy Of This 1956 Deep Groove Mono Original, 446 W. 50th St. N.Y.C. Label And Featuring The Rare Green Laminated Cover. Features John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. more
	Milestones Used - Vinyl - 23AP 2554 Beautiful Japanese Mono Pressing. more
	Milestones Used - Vinyl - 28AP 2832 Beautiful Japanese Heavy Vinyl Mono Pressing. more
	Milestones New - Vinyl - PC 9428 Sealed Mid 70's Heavy Vinyl Electronic Stereo Reissue. more
	Milestones New - Vinyl - CL 1193 Sealed 2013 Limited Edition Record Store Day Exclusive 180gm Mono Limited Edition Number 3255. more
	Milestones Audiophile - Vinyl - MFSL 1-374 Sealed, Numbered, Limited Edition 180gm HD Vinyl Mastered From The Original Master Tapes. more
	Milestones Used - Vinyl - 18AP 2054 Beautiful Japanese Mono Reissue Still In Shrink Wrap With Obi And Custom Hype Sticker. more
	Milestones New - Vinyl - CS 9428 Sealed 1963 360 Stereo (Electronically Re-Channeled). LP Is Sealed In The Inner Poly Bag. First Copy We Have Seen. more
	Milestones Audiophile - Vinyl - MFSL 1-374 Sealed 2012 Numbered, Limited Edition 180gm HD Mono Reissue Mastered From The Original Master Tapes. This Is Low Number 000326. more
	Milestones Used - Vinyl - CJ 40837 Late 80's Pressing, Still In Shrink Wrap. Digitally Remastered Directly From The Original Analog Tapes For The "Columbia Jazz Masterpieces" Series. Small Bottom Right Corner Crease. Slight Tear In Shrink At Top Right Corner. more
	Milestones Used - Vinyl - CL 1193 Rare 1963 2 Eye, Mono Pressing. 1A/1G Stampers. Cover Shows Light Wear. Very Strong VG++ Copy. more
	Milestones Used - Vinyl - PC 9428 1976 Reissue, Still In Shrink With "Electronically Re-Recorded To Simulate Stereo" Hype Sticker. Nice Clean Copy, Tiny Corner Rubs At Opening Edge. "What Is Immedately Noticeable Upon Listening To Miles Davis' Classic First -- And Only -- Album With His Original Sextet Is How Deep The Blues Presence Is On It. Though It's True That The Album's Title Cut Is Rightfully Credited With Introducing Modalism Into Jazz, And Defining Davis' Music For Years To Come, It Is The Sole Selection Of Its Kind On The Record. The Rest Is All Blues In Any Flavor You Wish You Call Your Own. For Starters, There's The Steaming Bebop Blues Of "Dr. Jackle," Recorded In 1955 For A Prestige Session With Jackie Mclean. Davis Is Still In His Role As A Trumpet Master, Showing A Muscularity Of Tone That Reveals Something More Akin To Roy Eldridge Or Louis Armstrong Than Dizzy Or Fats Navarro. The Tempo Is Furious, As All The Members Of The Sextet Solo Except For Jones. The Saxophonists Trade Choruses And Come Off Sounding Like Mirrored Images Of One Another In The Slower, Post-bop Blues That Is "Sid's Ahead," Which Is Followed By "Two Bass Hit," Written By Dizzy And John Lewis. It's An Off-kilter Blues With A Wide Middle Section, No Doubt For Lewis' Piano To Fill. But Then Comes "Milestones" With Its Modal Round And Interval, Where Harmony Is Constructed From The Center Up. It Is A Memorable Tune For Not Only Its Structure And How It Would Inform Not Only Davis' Own Music, But Jazz In General For The Next Seven Years. The Album's Closer Is Monk's "Straight, No Chaser," Which Became A Signature Tune For The Sextet Even When Garland And Jones Left To Be Replaced By Bill Evans And Jimmy Cobb, And Later Evans By Wynton Kelly." AMG Review By Thom Jurek. more
	Milestones Audiophile - Used - MFSL 1-374 2013 Limited Edition #001416, 180gm HD Vinyl Mastered From The Original Master Tapes. more
	Milestones Used - Vinyl - PC 9428 1977 US reissue on red & gold Columbia label; "Electronically Re-Recorded To Simulate Stereo" printed at top of jacket. Gentle ring wear and corner crease. "What Is Immedately Noticeable Upon Listening To Miles Davis' Classic First -- And Only -- Album With His Original Sextet Is How Deep The Blues Presence Is On It. Though It's True That The Album's Title Cut Is Rightfully Credited With Introducing Modalism Into Jazz, And Defining Davis' Music For Years To Come, It Is The Sole Selection Of Its Kind On The Record. The Rest Is All Blues In Any Flavor You Wish You Call Your Own. For Starters, There's The Steaming Bebop Blues Of "Dr. Jackle," Recorded In 1955 For A Prestige Session With Jackie Mclean. Davis Is Still In His Role As A Trumpet Master, Showing A Muscularity Of Tone That Reveals Something More Akin To Roy Eldridge Or Louis Armstrong Than Dizzy Or Fats Navarro. The Tempo Is Furious, As All The Members Of The Sextet Solo Except For Jones. The Saxophonists Trade Choruses And Come Off Sounding Like Mirrored Images Of One Another In The Slower, Post-bop Blues That Is "Sid's Ahead," Which Is Followed By "Two Bass Hit," Written By Dizzy And John Lewis. It's An Off-kilter Blues With A Wide Middle Section, No Doubt For Lewis' Piano To Fill. But Then Comes "Milestones" With Its Modal Round And Interval, Where Harmony Is Constructed From The Center Up. It Is A Memorable Tune For Not Only Its Structure And How It Would Inform Not Only Davis' Own Music, But Jazz In General For The Next Seven Years. The Album's Closer Is Monk's "Straight, No Chaser," Which Became A Signature Tune For The Sextet Even When Garland And Jones Left To Be Replaced By Bill Evans And Jimmy Cobb, And Later Evans By Wynton Kelly." All Music Guide – Thom Jurek more
	Musings Of Miles Used - Vinyl - PRLP 7007 Stunning 1955 Deep Groove Black & Yellow Label Mono Original, 446 W. 50th St. N.Y.C. On Labels. more
	Musings Of Miles New - Vinyl - OJC 004 Sealed OJC Reissue. 5 Star Jazz. more
	Musings Of Miles Audiophile - Vinyl - PRLP 7007 Sealed, Out Of Print, Limited Edition 180gm 2LP 45rpm Set. This Is Low Number 0121 Of Only 1,000 Pressings. more
	Musings Of Miles Used - Vinyl - OJC 004 1982 OJC Mono Reissue With Obi. Shrink Wrap Intact. Appears Glossy, Unplayed. 5 Star Miles. more
	Musings Of Miles  Used - Vinyl - SMJ 6518 Beautiful Japanese Pressing With Obi. Recorded In 1955. more
	My Funny Valentine Used - Vinyl - CS 9106 360 Stereo Original In Shrink Wrap. more
	My Funny Valentine Used - Vinyl - CS 9106 360 Stereo Original. VSRW. more
	My Funny Valentine New - CD - SRCS 9110 Sealed, Out Of Print Japanese Card Cover CD W/Obi. more
	My Funny Valentine Used - Vinyl - 23AP 2562 Japanese Stereo Pressing With Obi. LP Looks Virtually Unplayed, Jacket Is Mint In Shrink Wrap. This Fabulous Live Recording From 1964 Features A Young Herbie Hancock In Incredible Form, George Coleman Lays Down The Best Tenor Sax Solos Of His Career And Miles Is As Usual, Sublime. more
	My Funny Valentine Used - Vinyl - PC 9106 Early 70s All Analogue Reissue. A Giant Of An Album Featuring Herbie Hancock, Ron Carter And Tony Williams And Perhaps The Best Tenor Sax Solos George Coleman Ever Laid Down. Appears Unplayed. No Shrink Wrap. more
	My Funny Valentine New - Vinyl - PC 9106 Sealed Early 70s All Analogue Stereo Reissue. A Giant Of An Album Featuring Herbie Hancock, Ron Carter And Tony Williams And Perhaps The Best Tenor Sax Solos George Coleman Ever Laid Down. Some Light Age Discoloration On The Rear Cover. more
	My Funny Valentine Used - Vinyl - CL 2306 Beautiful 1964 Mono Original, 1B/2C Stampers. An All-Time Classic Featuring A Young And Brilliant Herbie Hancock, George Coleman At His Peak, Plus Ron Carter And Tony Williams. Tiny Corner Bump. more
	My Funny Valentine Used - Vinyl - PC 9106 Later Era Standard Weight Stereo Reissue. more
	My Funny Valentine New - Vinyl - 23AP 2562 Sealed 1983 Japanese Stereo Reissue With Obi. This Fabulous Live Recording From 1964 Features A Young Herbie Hancock In Incredible Form, George Coleman Lays Down The Best Tenor Sax Solos Of His Career And Miles Is As Usual, Sublime. more
	My Funny Valentine - Miles Davis In Concert Used - Vinyl - CS 9106 Sealed 1965 360 Stereo 2nd Label. Vinyl Is Sealed In Plastic Inner Sleeve. NM- Cover Is Not Sealed. A Giant Of An Album Featuring Herbie Hancock, Ron Carter And Tony Williams And Perhaps The Best Tenor Sax Solos George Coleman Ever Laid Down. White "360" Lettering On Labels. more
	My Funny Valentine - Miles Davis In Concert New - Vinyl - CL 2306 / 88883784291 Sealed 2013 Stereo Reissue On 180gm. An All-Time Classic Featuring A Young And Brilliant Herbie Hancock, George Coleman At His Peak, Plus Ron Carter And Tony Williams. Recorded At New York's Philharmonic Hall, Part Of The Lincoln Center Complex, On February 12, 1964. more
	My Funny Valentine - Miles Davis In Concert Used - Vinyl - MFSL 1-431 Near Mint 2016 180gm Audiophile ramstered reissue from Mobile Fidelity Sound Lab. This is #3074 and possibly from the 2nd run of pressings as Mofi state there are 3,000 per run. Originally recorded at New York's Philharmonic Hall, part of the Lincoln Center complex, on February 12, 1964. more
	My Funny Valentine - Miles Davis In Concert Used - Vinyl - MFSV 1-520 2025 180gm SupeVinyl Audiophile remaster from Mobile Fidelity Sound Lab. This is #000337. Rear cover shows the audio source path. Originally recorded at New York's Philharmonic Hall, part of the Lincoln Center complex, on February 12, 1964. more
	Nefertiti Used Import - 23AP 2571 1983 Japanese Stereo Pressing With Obi. "Nefertiti" Represents A Significant Departure From Davis's Previous Work, Particularly His Previous Album, "Miles Smiles." It Continues The Exploration Of Modal Jazz And Showcases A More Abstract And Open-ended Style. The Album Features A Quintet Lineup Consisting Of Miles Davis On Trumpet, Wayne Shorter On Tenor Saxophone, Herbie Hancock On Piano, Ron Carter On Bass, And Tony Williams On Drums. The Tracks On "Nefertiti" Incorporate Unconventional Structures And Harmonies, Often Characterized By Open-ended Improvisation. The Musicians' Interplay And Ability To Communicate And Respond To Each Other Create A Sense Of Musical Freedom And Exploration Throughout The Album. Notable Tracks Include The Title Track "Nefertiti," "Fall," "Hand Jive," And "Madness." more
	Nefertiti Audiophile - Used - MFSL 2-436 2014 Limited Edition 180gm 45rpm 2LP Gatefold. Vinyl VG++/NM-. This Is An Un-Numbered Promo Version. Mastered From The Original Tapes On Mobile Fidelity’s World-Renowned Mastering System And Pressed At RTI. The Newer 2023 Versions Contains A Box On Back Of Jacket Which Reads: 1/4" / 15 IPS > DSD 256 > Analog Console > Lathe. more
	Nefertiti Used - Vinyl - CS 9594 Stunning 2 Eye stereo original. 2B/2B Stampers. "Nefertiti" stands as a pivotal album in the evolution of jazz music and Miles Davis's illustrious career. This album, the fourth collaboration between Davis and his second great quintet—featuring Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums)—marks a shift towards a more explorative and abstract form of jazz. Unlike previous recordings, "Nefertiti" is distinctive for its compositional structure: Davis and Shorter repeatedly play the melody on the title track while the rhythm section improvises, highlighting the quintet's synergy and innovative spirit. The album's six tracks, primarily composed by Shorter and Hancock, showcase an experimental approach, blending modal jazz with avant-garde elements. "Nefertiti" reflects Davis's ingenuity in fostering a collaborative environment, allowing each musician's voice to shape the album's texture. The complex, layered compositions and the quintet's telepathic interplay offer listeners a deep, introspective experience, pushing the boundaries of jazz. For potential customers, "Nefertiti" is not just an album but a milestone in jazz history, exemplifying the genre's transition in the 1960s. Its artistic significance and the quintet's masterful performance make it an essential addition to any jazz aficionado's collection. more
	Nefertiti New - CD - SRCS 9116 New 1996 20bit SBM Japanese Limited Edition CD Housed In A Replica Mini-LP Sleeve With Obi. Master Sound And CD Hype Sticker On Baggie. “Nefertiti, The Fourth Album By Miles Davis' Second Classic Quintet, Continues The Forward Motion Of Sorcerer, As The Group Settles Into A Low-Key, Exploratory Groove, Offering Music With Recognizable Themes — But Themes That Were Deliberately Dissonant, Slightly Unsettling Even As They Burrowed Their Way Into The Consciousness. In A Sense, This Is Mood Music, Since, Like On Much Of Sorcerer, The Individual Parts Mesh In Unpredictable Ways, Creating Evocative, Floating Soundscapes. This Music Anticipates The Free-Fall, Impressionistic Work Of In A Silent Way, Yet It Remains Rooted In Hard Bop, Particularly When The Tempo Is A Bit Sprightly, As On "Hand Jive." Yet Even When The Instrumentalists And Soloists Are Placed In The Foreground — Such As Miles' Extended Opening Solo On "Madness" Or Hancock's Long Solo Toward The End Of The Piece — This Never Feels Like Showcases For Virtuosity, The Way Some Showboating Hard Bop Can, Though Each Player Shines. What's Impressive, Like On All Of This Quintet's Sessions, Is The Interplay, How The Musicians Follow An Unpredictable Path As A Unit, Turning In Music That Is Always Searching, Always Provocative, And Never Boring. Perhaps Nefertiti's Charms Are A Little More Subtle Than Those Of Its Predecessors, But That Makes It Intriguing. Besides, This Album So Clearly Points The Way To Fusion, While Remaining Acoustic, That It May Force Listeners On Either Side Of The Fence Into Another Direction.” All Music Guide - Stephen Thomas Erlewine more
	Nefertiti Used Import - SOPL-167 1973 Japanese Stereo reissue without Obi but has insert. NM- copy overall. "Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes -- but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. This music anticipates the free-fall, impressionistic work of In a Silent Way, yet it remains rooted in hard bop, particularly when the tempo is a bit sprightly, as on "Hand Jive." Yet even when the instrumentalists and soloists are placed in the foreground -- such as Miles' extended opening solo on "Madness" or Hancock's long solo toward the end of the piece -- this never feels like showcases for virtuosity, the way some showboating hard bop can, though each player shines. What's impressive, like on all of this quintet's sessions, is the interplay, how the musicians follow an unpredictable path as a unit, turning in music that is always searching, always provocative, and never boring. Perhaps Nefertiti's charms are a little more subtle than those of its predecessors, but that makes it intriguing. Besides, this album so clearly points the way to fusion, while remaining acoustic, that it may force listeners on either side of the fence into another direction." All Music Guide – Stephen Thomas Erlewine more
	Nefertiti Used - Vinyl - 23AP 2571 Japanese Stereo Pressing With Obi. more
	Nefertiti New - Vinyl - PC 9594 Sealed 2nd Issue Stereo (KCS Prefix On Rear Jacket). more
	Nefertiti Used - Vinyl - 23AP 2571 Japanese Pressing, With Insert, No Obi, Small CC. “Nefertiti, The Fourth Album By Miles Davis' Second Classic Quintet, Continues The Forward Motion Of Sorcerer, As The Group Settles Into A Low-Key, Exploratory Groove, Offering Music With Recognizable Themes — But Themes That Were Deliberately Dissonant, Slightly Unsettling Even As They Burrowed Their Way Into The Consciousness. In A Sense, This Is Mood Music, Since, Like On Much Of Sorcerer, The Individual Parts Mesh In Unpredictable Ways, Creating Evocative, Floating Soundscapes. This Music Anticipates The Free-Fall, Impressionistic Work Of In A Silent Way, Yet It Remains Rooted In Hard Bop, Particularly When The Tempo Is A Bit Sprightly, As On "Hand Jive." Yet Even When The Instrumentalists And Soloists Are Placed In The Foreground — Such As Miles' Extended Opening Solo On "Madness" Or Hancock's Long Solo Toward The End Of The Piece — This Never Feels Like Showcases For Virtuosity, The Way Some Showboating Hard Bop Can, Though Each Player Shines. What's Impressive, Like On All Of This Quintet's Sessions, Is The Interplay, How The Musicians Follow An Unpredictable Path As A Unit, Turning In Music That Is Always Searching, Always Provocative, And Never Boring. Perhaps Nefertiti's Charms Are A Little More Subtle Than Those Of Its Predecessors, But That Makes It Intriguing. Besides, This Album So Clearly Points The Way To Fusion, While Remaining Acoustic, That It May Force Listeners On Either Side Of The Fence Into Another Direction.” Stephen Thomas Erlewine, AMG. 5 Stars. more
	Nefertiti Used - Vinyl - CS 9594 1967 360 Stereo Original In Shrink Wrap. Appears Glossy, Unplayed. “Nefertiti, The Fourth Album By Miles Davis' Second Classic Quintet, Continues The Forward Motion Of Sorcerer, As The Group Settles Into A Low-Key, Exploratory Groove, Offering Music With Recognizable Themes — But Themes That Were Deliberately Dissonant, Slightly Unsettling Even As They Burrowed Their Way Into The Consciousness. In A Sense, This Is Mood Music, Since, Like On Much Of Sorcerer, The Individual Parts Mesh In Unpredictable Ways, Creating Evocative, Floating Soundscapes. This Music Anticipates The Free-Fall, Impressionistic Work Of In A Silent Way, Yet It Remains Rooted In Hard Bop, Particularly When The Tempo Is A Bit Sprightly, As On "Hand Jive." Yet Even When The Instrumentalists And Soloists Are Placed In The Foreground — Such As Miles' Extended Opening Solo On "Madness" Or Hancock's Long Solo Toward The End Of The Piece — This Never Feels Like Showcases For Virtuosity, The Way Some Showboating Hard Bop Can, Though Each Player Shines. What's Impressive, Like On All Of This Quintet's Sessions, Is The Interplay, How The Musicians Follow An Unpredictable Path As A Unit, Turning In Music That Is Always Searching, Always Provocative, And Never Boring. Perhaps Nefertiti's Charms Are A Little More Subtle Than Those Of Its Predecessors, But That Makes It Intriguing. Besides, This Album So Clearly Points The Way To Fusion, While Remaining Acoustic, That It May Force Listeners On Either Side Of The Fence Into Another Direction.” Stephen Thomas Erlewine, AMG. 5 Stars. more
	Nefertiti New - Vinyl - PC 9594 Sealed Stereo Reissue. No Bar Code On Rear Jacket. more
	Nefertiti Used - Vinyl - CS 9594 360 Stereo Original With 2B/2B Stampers. Appears Unplayed. Jacket Has A Hint Of Ring Wear And Clean Cut Out Hole. “Nefertiti, The Fourth Album By Miles Davis' Second Classic Quintet, Continues The Forward Motion Of Sorcerer, As The Group Settles Into A Low-Key, Exploratory Groove, Offering Music With Recognizable Themes — But Themes That Were Deliberately Dissonant, Slightly Unsettling Even As They Burrowed Their Way Into The Consciousness. In A Sense, This Is Mood Music, Since, Like On Much Of Sorcerer, The Individual Parts Mesh In Unpredictable Ways, Creating Evocative, Floating Soundscapes. This Music Anticipates The Free-Fall, Impressionistic Work Of In A Silent Way, Yet It Remains Rooted In Hard Bop, Particularly When The Tempo Is A Bit Sprightly, As On "Hand Jive." Yet Even When The Instrumentalists And Soloists Are Placed In The Foreground — Such As Miles' Extended Opening Solo On "Madness" Or Hancock's Long Solo Toward The End Of The Piece — This Never Feels Like Showcases For Virtuosity, The Way Some Showboating Hard Bop Can, Though Each Player Shines. What's Impressive, Like On All Of This Quintet's Sessions, Is The Interplay, How The Musicians Follow An Unpredictable Path As A Unit, Turning In Music That Is Always Searching, Always Provocative, And Never Boring. Perhaps Nefertiti's Charms Are A Little More Subtle Than Those Of Its Predecessors, But That Makes It Intriguing. Besides, This Album So Clearly Points The Way To Fusion, While Remaining Acoustic, That It May Force Listeners On Either Side Of The Fence Into Another Direction.” Stephen Thomas Erlewine, AMG. 5 Stars. more
	Nefertiti Audiophile - Vinyl - MFSL 2-436 Factory Sealed, Numbered, Limited Edition 180gm 45rpm 2LP Gatefold. Mastered From The Original Tapes On Mobile Fidelity’s World-Renowned Mastering System And Pressed At RTI. more
	Nefertiti Used - Vinyl - CS 9594 Stunning 2nd Label Stereo In Glossy, Unplayed Condition. 2D/2G Stampers. more
	Nefertiti Audiophile - Vinyl - MFSL 2-436 Sealed 2014 Numbered, Limited Edition 180gm 45rpm 2LP Gatefold. Mastered From The Original Tapes On Mobile Fidelity’s World-Renowned Mastering System And Pressed At RTI. This Is Low Number 000192. more
	New Miles Davis Quintet Audiophile - Vinyl - LP 7014 / AJAZ 7014 Sealed, Long Out Of Print, Limited Edition 45rpm 180gm HQ 2LP Mono Reissue. This Is Low Number 0121. more
	New Miles Davis Quintet Used - Vinyl - OJC 006 1982 OJC Mono Reissue In Shrink Wrap With Obi. Appears Glossy, Unplayed. more
	New Miles Davis Quintet Used - Vinyl - SMJ 6531 Japanese Mono Pressing, No Obi. LP Is Unplayed; Jacket M- more
	New Miles Davis Quintet Audiophile - Vinyl - LPZ 2026 Sealed 180gm HQ Test Pressing. LPZ 2026 Was The Catalog Number Assigned To DCC's Vinyl Reissue Of Miles Davis Superb 1955 LP, But Because The Title Was Released On LP As Part Of The Analogue Productions 5 LP Box Set, It Was Viewed As A Conflict Of Interest And Consequently Cancelled. more
	New Miles Davis Quintet Used - Vinyl - OJC 006 OJC Mono Reissue In Glossy, Unplayed Condition. more
	New Miles Davis Quintet Audiophile - Vinyl - LP 7014 / AJAZ 7014 Out Of Print, Limited Edition 45rpm 180gm HQ 2LP Mono Reissue. This Is Number 0492. Both LPs Appear Unplayed. more
	New Sounds New - 10 - PRLP 124 Sealed, Out Of Print, Export Only 10 Inch Reissue Of His Mega Rare 1952 Recording. Features Sonny Rollins, Jackie McLean, Art Blakey, Tommy Potter And Walter Bishop. Although There Is A Very Small "Made In Japan" Sticker On Back Cover, We Believe These Were Manufactured In The U.S.A. And Pressed In Very Limited Quantities For Export To Japan. more
	On The Corner Used - Vinyl - 31906 Mint Reissue Of The 1972 Recording. more
	On The Corner Used - Vinyl - KC 31906 Near Mint 1972 Gatefold Original. 1A/1A Stampers. more
	On The Corner Used - Vinyl - KC 31906 Rare 360 Stereo Label (Only Released In Canada With This Label) Housed In A Gatefold Cover. Jacket Has Crisp Corners And The Glossy LP Appears Unplayed. more
	On The Corner Audiophile - New - MFSL 1-452 2016 180gm Limited Edition, #3940 Stereo Reissue Mastered On Mobile Fidelity’s World-Renowned Mastering System. Released in 1972, Miles Davis’ "On The Corner" stands as one of the most daring and controversial albums in the jazz legend’s discography. Blending jazz-fusion, funk, and elements of avant-garde, the album marked a sharp departure from Davis' earlier work, incorporating dense, repetitive grooves inspired by the street rhythms of New York City. The record features an all-star lineup, including keyboardist Herbie Hancock, guitarist John McLaughlin, and drummer Jack DeJohnette, among others. The album’s intense, layered soundscapes and unconventional structures challenged traditional jazz audiences, ultimately positioning "On The Corner" as a precursor to modern genres such as hip-hop, electronica, and post-punk. Despite its divisive initial reception, "On The Corner" has since gained recognition as a groundbreaking work in the evolution of jazz and popular music. The album’s pioneering use of tape editing, electric instruments, and hypnotic, loop-based rhythms contributed to its lasting influence—making it a touchstone for experimental music producers and contemporary jazz artists alike. Over time, critics and listeners have come to appreciate Miles Davis’ bold vision, cementing "On The Corner" as an essential listen for fans of jazz-fusion and 1970s innovative music. Its legacy continues to resonate, attracting new generations of listeners searching for genre-defying sounds and the roots of fusion music. more
	On The Corner New Import - KC 31906 Sealed 2012 180gm Reissue From Music On Vinyl. "Could There Be Any More Confrontational Sound In Miles Davis' Vast Catalog Than The Distorted Guitars And Tinny Double-timing Drums Reacting To A Two-note Bass Riff Funking It Up On The First Track From On The Corner? Before The Trumpet Even Enters The Story Has Been Broken Off In The Middle -- Deep Street Music Melding With A Secret Language Exchanged By The Band And Those Who Can Actually Hear It As Music. Here Are Killer Groove Riffs That Barely Hold On As Bleating Trumpet And Soprano Sax Lines (Courtesy Of Dave Liebman On Track One) Interact With John Mclaughlin's Distortion-box Frenzy. Michael Henderson's Bass Keeps The Basic So Basic It Hypnotizes; Keyboards Slowly Enter The Picture, A Pair Of Them Handled By Herbie Hancock And Chick Corea, As Well As Ivory Williams' Synthesizer. Finally, Colin Walcott Jumps In With An Electric Sitar And There Are No Less Than Five Drummers -- Three Kits (Al Foster, Billy Hart, And Jack Dejohnette), A Tabla Player, And Mtume. It's A Four-tune Suite, On The Corner Is, But The Separations Hardly Matter, Just The Shifts In Groove That Alter The Time/space Continuum. After 20 Minutes, The Set Feels Over And A Form Of Miles' Strange Lyricism Returns In "Black Satin." Though A Tabla Kicks The Tune Off, There's A Recognizable Eight-note Melody That Runs Throughout. Carlos Garnett And Bennie Maupin Replace Liebman, Dave Creamer Replaces Mclaughlin, And The Groove Rides A Bit Easier -- Except For Those Hand Bells Shimmering In The Background Off The Beat Just Enough To Make The Squares Crazy. The Respite Is Short-lived, However. Davis And Band Move The Music Way Over To The Funk Side Of The Street -- Though The Street Funkers Thought These Cats Were Too Weird With Their Stranded Time Signatures And Modal Fugues That Begin And End Nowhere And Live For The Way The Riff Breaks Down Into Emptiness. "One And One" Begins The New Tale, So Jazz Breaks Down And Gets Polished Off And Resurrected As A Far Blacker, Deeper-than-blue Character In The Form Of "Helen Butte/mr. Freedom X," Where Guitars And Horns Careen Off Henderson's Cracking Bass And Foster's Skittering Hi-hats. It May Sound Weird Even Today, But On The Corner Is The Most Street Record Ever Recorded By A Jazz Musician. And It Still Kicks." AMG Review By Thom Jurek more
	On The Corner Audiophile - New - MFSL 1-452 2016 180gm Limited Edition, #3940 Stereo Reissue Mastered On Mobile Fidelity’s World-Renowned Mastering System. Released in 1972, Miles Davis’ "On The Corner" stands as one of the most daring and controversial albums in the jazz legend’s discography. Blending jazz-fusion, funk, and elements of avant-garde, the album marked a sharp departure from Davis' earlier work, incorporating dense, repetitive grooves inspired by the street rhythms of New York City. The record features an all-star lineup, including keyboardist Herbie Hancock, guitarist John McLaughlin, and drummer Jack DeJohnette, among others. The album’s intense, layered soundscapes and unconventional structures challenged traditional jazz audiences, ultimately positioning "On The Corner" as a precursor to modern genres such as hip-hop, electronica, and post-punk. Despite its divisive initial reception, "On The Corner" has since gained recognition as a groundbreaking work in the evolution of jazz and popular music. The album’s pioneering use of tape editing, electric instruments, and hypnotic, loop-based rhythms contributed to its lasting influence—making it a touchstone for experimental music producers and contemporary jazz artists alike. Over time, critics and listeners have come to appreciate Miles Davis’ bold vision, cementing "On The Corner" as an essential listen for fans of jazz-fusion and 1970s innovative music. Its legacy continues to resonate, attracting new generations of listeners searching for genre-defying sounds and the roots of fusion music. more
	Orbits Used - Vinyl - DS 417 Rare 1968 Record Club Only LP. White Cover With Outer Space Art. Small Center Bottom Seam Split. Tracks Are "Solea," "All Blues," "Billy Boy," "Seven Steps To Heaven," "So What," "Orbits" And "Corcovado." 1C/1C Stampers. more
	Orbits New - Vinyl - DS 417 Sealed And Rare 1968 Musical Treasury Series Pressing In Shrink Wrap. Tracks Are "Corcovado," "Orbits," "Solea," "Seven Steps To Heaven," "All Blues," "So What" And "Billy Boy." Tiny Cut Out Hole. more
	Orbits Used - Vinyl - DS 417 Rare 1968 Musical Treasury Series Pressing In Shrink Wrap. Tracks Are "Corcovado," "Orbits," "Solea," "Seven Steps To Heaven," "All Blues," "So What" And "Billy Boy." 1B/1C Stampers. Appears Unplayed. more
	Out Of Nowhere New - Vinyl - 50005 Sealed German Reissue In Unique Cover. Tunes Are "Out Of Nowhere," "A Night In Tunisia," "Yardbird Suite," "Ornithology," "Moose The Mooche," "Embraceable You," "Bird Of Paradise," "My Old Flame," "Don't Blame Me" And "Scrapple From The Apple." more
	Pangaea Used - Vinyl - 28AP 2169-70 First Copy We Have Seen Of This Rare 1975 Japan Only 2LP Gatefold Original With Card Obi. Both LPs Appear New, Unplayed. Recorded Live At Osaka Festival Hall, February 1st, 1975 And Featuring Sonny Fortune, Michael Henderson, Pete Cosey, Reggie Lucas, Al Foster And Mtume. Tunes Are: "Zimbabwe" Parts 1 & 2 And "Gondwana" Parts 1 & 2. more
	Pangaea Used - Vinyl - SOPZ 96-97 1975 Japanese 2LP Original Housed In A Gatefold Jacket With Obi And 8 Page Illustrated Booklet. First LP Appears Unplayed. If Visually Perfect $200. Second LP Has A Very Superficial Scuff That Is Inaudible. “This Is The Second Of Two Performances From February 1975 At The Osaka Festival Hall In Japan. This Is The Evening Show; The Columbia Release Agharta Was The Afternoon Show. Pangaea Is Comprised Of Two Tracks, "Zimbabwe" And "Gondwana." Each Is Divided Into Two Parts. The Band Here Is Comprised Of Sonny Fortune On Saxophones, Pete Cosey (Who Also Played Synth) And Reggie Lucas On Guitars, Michael Henderson On Bass, Al Foster On Drums, James Mtume On Percussion, And Davis On Trumpet And Organ. The Band, No Doubt Inspired By Their Amazing Performance Earlier In The Day, Comes Out Swinging, And I Mean Like Muhammad Ali, Not Benny Goodman. This Is A Take-No-Prisoners Set. Davis Seems To Be Pushing An Agenda Of "What The Hell Is Melody And Harmony? And Bring On The Funk -- And While You're At It, Pete, Play The Hell Outta That Guitar. More Drums!" If There Is Anything That's Consistent In This Free-For-All, As Everybody Interacts With Everyone Else In An Almighty Dirty Groove & Roll While Improv Is At An All-Time High, It's The Rhythmic, Or Should We Emphasize "Polyrhythmic," Invention. Mtume And Foster Are Monstrous In Moving This Murky Jam Session Along ("Zimbabwe" Is One Set, And "Gondwana" Is The Second Of The Evening) Some Surreal Lines. When Cosey's Not Ripping The Pickups Out Of His Guitar, He's Adding His Hands To Various Percussion Instruments In The Pursuit Of The All-Powerful Miles Davis' Inflected Voodoo Funk.” Thom Jurek, AMG. more
	Pangaea New - Vinyl - 4M810 Sealed 2011 2LP 180gm HQ Gatefold Reissue. more
	Pangaea Used - Vinyl - 487247 Mid 90's 2LP Gatefold Reissue. Both LPs Appear New, Unplayed. “This Is The Second Of Two Performances From February 1975 At The Osaka Festival Hall In Japan. This Is The Evening Show; The Columbia Release Agharta Was The Afternoon Show. Pangaea Is Comprised Of Two Tracks, "Zimbabwe" And "Gondwana." Each Is Divided Into Two Parts. The Band Here Is Comprised Of Sonny Fortune On Saxophones, Pete Cosey (Who Also Played Synth) And Reggie Lucas On Guitars, Michael Henderson On Bass, Al Foster On Drums, James Mtume On Percussion, And Davis On Trumpet And Organ. The Band, No Doubt Inspired By Their Amazing Performance Earlier In The Day, Comes Out Swinging, And I Mean Like Muhammad Ali, Not Benny Goodman. This Is A Take-No-Prisoners Set. Davis Seems To Be Pushing An Agenda Of "What The Hell Is Melody And Harmony? And Bring On The Funk -- And While You're At It, Pete, Play The Hell Outta That Guitar. More Drums!" If There Is Anything That's Consistent In This Free-For-All, As Everybody Interacts With Everyone Else In An Almighty Dirty Groove & Roll While Improv Is At An All-Time High, It's The Rhythmic, Or Should We Emphasize "Polyrhythmic," Invention. Mtume And Foster Are Monstrous In Moving This Murky Jam Session Along ("Zimbabwe" Is One Set, And "Gondwana" Is The Second Of The Evening) Some Surreal Lines. Essential Miles Davis.” Thom Jurek, AMG. more
	Panthalassa-The Remixes Used - Vinyl - C2 69897 1999 2LP In Shrink Wrap. Looks Unplayed. more
	Plays For Lovers New - Vinyl - PR 7352 Sealed Early 70s All Analogue Pressing. Pristine Copy. Compiled From Prestige 7254, 7200, 7054, 7076 And 7221. more
	Porgy And Bess Used - Vinyl - 23AP 2555 Japanese Stereo Pressing, No Obi. LP Looks Unplayed, Jacket M- more
	Porgy And Bess Used - Vinyl - CL 1274 1958 6 Eye Mono Original. Visually Near Mint LP But Plays With Very Light Surface Noise In Quiet Passages. Jacket Has Small Piece Of Paper On Spine Missing Otherwise, Near Mint. more
	Porgy And Bess New - Vinyl - CS 8085 Sealed Early 70s All Analogue Stereo Reissue. more
	Porgy And Bess Used - Vinyl - PC 8085 1977 All Analogue Stereo Reissue In Shrink Wrap. Glossy, Unplayed Condition. more
	Porgy And Bess New - Vinyl - CL 1274 Sealed, Numbered, Limited Edition Record Store Day 180gm Mono Reissue. We Have Numbers Under 1000. Pressed At RTI. more
	Porgy And Bess Used - Vinyl - CS 8085 1965 White "360 Stereo" Label Pressing. Light signs Of Ring Wear & Rubbing. more
	Porgy And Bess Audiophile - New - MFSL 2-485 Sealed 2018 2-45rpm In Gatefold, Number 1820. Remastered, Stereo. Gain 2 Ultra Analog System™ Mastered From The Original Master Tapes Specially Plated And Pressed On 180g High-Definition Vinyl. more
	Porgy And Bess Audiophile - Used - MFSL 2-485 2020 Limited Edition Gold-Foil Numbered 2LP Audiophile Remastered Reissue From Mobile Fidelity Sound Lab. Still In Outer Shrink Baggy. "Tomes Are Available Annotating The Importance Of This Recording. The Musical And Social Impact Of Miles Davis, His Collaborative Efforts With Gil Evans, And In Particular Their Reinvention Of George Gershwin's Porgy And Bess Are Indeed Profound. However, The Most Efficient Method Of Extricating The Rhetoric And Opining Is To Experience The Recording. Few Other Musical Teams Would Have Had The Ability To Remain True To The Undiluted Spirit And Multifaceted Nuance Of This Epic Work. However, No Other Musical Teams Were Miles Davis And Gil Evans. It Was Evans' Intimate Knowledge Of The Composition As Well As The Performer That Allowed Him To So Definitively Capture The Essence Of Both. The Four Dates Needed To Complete Work On Porgy And Bess Include Contributions From Several Members Of His Most Recent Musical Aggregate: Julian "Cannonball" Adderley (Alto Sax), Paul Chambers (Bass), And Jimmy Cobb (Drums). Although The Focus And Emphasis Is Squarely On Davis Throughout, The Contributions Of The Quartet On "Prayer (Oh Doctor Jesus)," "I Loves You, Porgy," And "There's A Boat That's Leaving Soon For New York" Are Immeasurable. They Provide A Delicate Balance In Style And, Under The Direction Of Evans, Incorporate Much Of The Same Energy And Intonation Here As They Did To Their Post-bop Recordings. There Is Infinitely More Happening On Porgy And Bess, However, With Much Of The Evidence Existing In The Subtle Significance Of The Hauntingly Lyrical Passages From Danny Banks' (Alto Flute) Solos, Which Commence On "Fishermen, Strawberry And Devil Crab." Or The Emotive Bass And Tuba Duet That Runs Throughout "Buzzard Song." The Impeccable Digital Remastering And Subsequent Reissue -- Which Likewise Applies To The Miles Davis & Gil Evans: The Complete Columbia Studio Recordings Box Set -- Only Magnifies The Refulgence Of Porgy And Bess. Likewise, Two Previously Unissued Performances Have Been Appended To The Original Baker's Dozen. No Observation Or Collection Of American Jazz Can Be Deemed Complete Without This Recording." AMG - Lindsay Planer. more
	Porgy And Bess Used - Vinyl - CS 8085 Early 70's Stereo reissue. NM- vinyl, light bag imprint. Strong VG++ jacket. Terre Haute pressing housed in the original jacket desigh but pressed on the red & gold Columbia label. "Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin's Porgy and Bess are indeed profound. However, the most efficient method of extricating the rhetoric and opining is to experience the recording. Few other musical teams would have had the ability to remain true to the undiluted spirit and multifaceted nuance of this epic work. However, no other musical teams were Miles Davis and Gil Evans. It was Evans' intimate knowledge of the composition as well as the performer that allowed him to so definitively capture the essence of both. The four dates needed to complete work on Porgy and Bess include contributions from several members of his most recent musical aggregate: Julian "Cannonball" Adderley (alto sax), Paul Chambers (bass), and Jimmy Cobb (drums). Although the focus and emphasis is squarely on Davis throughout, the contributions of the quartet on "Prayer (Oh Doctor Jesus)," "I Loves You, Porgy," and "There's a Boat That's Leaving Soon for New York" are immeasurable. They provide a delicate balance in style and, under the direction of Evans, incorporate much of the same energy and intonation here as they did to their post-bop recordings. There is infinitely more happening on Porgy and Bess, however, with much of the evidence existing in the subtle significance of the hauntingly lyrical passages from Danny Banks' (alto flute) solos, which commence on "Fishermen, Strawberry and Devil Crab." Or the emotive bass and tuba duet that runs throughout "Buzzard Song." The impeccable digital remastering and subsequent reissue -- which likewise applies to the Miles Davis & Gil Evans: The Complete Columbia Studio Recordings box set -- only magnifies the refulgence of Porgy and Bess. Likewise, two previously unissued performances have been appended to the original baker's dozen. No observation or collection of American jazz can be deemed complete without this recording." All Music Guide – Lindsay Planer more
	Prestige 10-Inch LP Collection, Volume Two Box Set - New - PRS-36036-01 Sealed 2015 Limited Edition, Record Store Day Exclusive, Cloth-Bound Box Set Containing Five 10 Inch Albums With All Original Artwork And Liner Notes: PRLP 182 "Miles Davis All Star Sextet," PRLP 185 "Miles Davis Quintet," PRLP 187 "Miles Davis With Sonny Rollins," PRLP 196 "Miles Davis All Stars, Vol.1" And PRLP 200 "Miles Davis All Stars, Vol. 2." more
	Quiet Nights Used - Vinyl - CS 8906 1977 US reissue; Terre Haute pressing on red & gold Columbia label, small "A" on rear cover corner. NM- vinyl. Solid VG+ jacket. "Miles Davis' final official collaboration with arranger Gil Evans resulted in their weakest project. There were only 27 minutes of music on the original Quiet Nights LP, and six minutes were taken up by a quintet performance of "Summer Night." The six remaining tracks are enjoyable enough (highlighted by "Once Upon a Summertime" and "Corcovado"), but rather brief, making one wonder why Evans could not have been persuaded to write more material." All Music Guide – Scott Yanow more
	Quiet Nights Used - Vinyl - CL 2106 1962 Mono Original Arranged And Conducted By Gil Evans. more
	Quiet Nights Used - Vinyl - CS 8906 Beautiful 360 Stereo Original In Shrink Wrap. Appears Unplayed. more
	Quiet Nights Used - Vinyl - PC 8906 1977 All Analogue Stereo Reissue In Shrink Wrap. Appears Glossy, Unplayed. more
	Quintet Audiophile - Vinyl - 7014 Sealed, Limited Edition 180gm 2LP 45rpm Set. This Is Number 0586. more
	Relaxin' Used - Vinyl - PRLP 7129 Beautiful Copy Of This 1957 Deep Groove Mono Original, 446 W. 50th St. N.Y.C. On Labels. Small Dent On Mouth Of Laminated Jacket 1 Inch From Bottom Corner. more
	Relaxin' Audiophile - Vinyl - 7129 Sealed, Long Out Of Print, Limited Edition 2LP 45rpm Set. This Is Number 0652 Of 1,000 Copies. Part Of The First Set Of Fantasy 45 Issues Which Has Sold On The World Famous Auction Site As High As $480! Miles Davis, Trumpet; John Coltrane, Tenor Saxophone; Red Garland, Piano; Paul Chambers, Bass; Philly Joe Jones, Drums. An Iconic Jazz Album Originally Recorded By Rudy Van Gelder. more
	Relaxin' Audiophile - Vinyl - 7129 2003 Limited Edition 2LP 45rpm Set. This Is Number 0168 Of 1,000 Copies. Both LPs Appear New, Unplayed. Part Of The First Set Of Fantasy 45 Issues Which Has Sold On The World Famous Auction Site As High As $480! Miles Davis, Trumpet; John Coltrane, Tenor Saxophone; Red Garland, Piano; Paul Chambers, Bass; Philly Joe Jones, Drums. An Iconic Jazz Album Originally Recorded By Rudy Van Gelder. more
	Relaxin' Audiophile - Vinyl - DIW 9003 New, Unplayed, Very Limited Edition 1999 Japanese 180gm Mono Reissue Of One Of The Greatest Jazz Records, Ever. Cut At The JVC Cutting Center. more
	Relaxin' Used - Vinyl - SMJ-6532(M) 1976 Japanese Mono Reissue Of The 1956 Recording. Appears Glossy, Unplayed. more
	Relaxin' Audiophile - Vinyl - PR 7129 Sealed 2013 (Foil Numbered Version), Limited Edition 200gm Prestige Mono Series Reissue. Cut From The Analog Masters By Kevin Gray And Pressed By QRP. This Is Number 0514. Miles Davis, Trumpet; John Coltrane, Tenor Saxophone; Red Garland, Piano; Paul Chambers, Bass; And Philly Joe Jones, Drums. 5 Stars! more
	Relaxin' Audiophile - Vinyl - 7129 2003 Limited Edition 2LP 45rpm Set. This Is Number 0424 Of 1,000 Copies. Both LPs Appear Glossy, Unplayed. Jacket Has A Bottom Left Corner Crease, Hence Drastically Reduced Price. Part Of The First Set Of Fantasy 45 Issues Which Has Sold On The World Famous Auction Site As High As $480! Miles Davis, Trumpet; John Coltrane, Tenor Saxophone; Red Garland, Piano; Paul Chambers, Bass; Philly Joe Jones, Drums. An Iconic Jazz Album Originally Recorded By Rudy Van Gelder. more
	Relaxin' With The Miles Davis Quintet New - Vinyl - OJC 190 Sealed OJC Reissue. Miles & Coltrane With Red Garland, Paul Chambers & Philly Joe Jones. Mono = Prestige 7129. more
	Relaxin' With The Miles Davis Quintet Used - Vinyl - PRLP 7129 1957 Deep Groove Black And Yellow Label With N.J. Street Address On Labels (2nd). RVG Stamped In Dead Wax. Comes In A Laminated Jacket Which Is Very Near Mint. Rear Cover Has The Original Maison Blanche, New Orleans Price Tag Affixed. The Glossy LP Has No Spindle Marks On The Labels And The Record Surfaces Appear Unmarked. Much More Satisfying Than The Recent Reissues Made From The Almost Sixty Year Old Master Tapes. more
	Relaxin' With The Miles Davis Quintet Used - Vinyl - LPR 88001 Beautiful Near Mint Japanese Pressing With Obi. Large Bottom Center Seam Split, Hence Price. more
	Relaxin' With The Miles Davis Quintet Used Import - LPR 88001 1973 Japanese Vinyl Reissue, Second Japan Pressing; Has Insert But Without Obi. Jacket Has Tiny Corner Ding & Small Pulls On Artwork Across Upper Area On Front Cover. "Relaxin' Features The Miles Davis Quintet In A Pair Of Legendary Recording Dates -- From May And October Of 1956 -- Which Would Generate Enough Music To Produce Four Separate Long-players: Cookin', Relaxin', Workin', And Steamin'. Each Of These Is Considered Not Only To Be Among The Pinnacle Of Davis' Work, But Of The Entire Bop Subgenre As Well. As With The Other Titles, Relaxin' Contains A Variety Of Material Which The Band Had Concurrently Been Performing In Their Concert Appearances. In A Brilliant Stroke Of Time Conservation, The Scheme Was Hatched For The Quintet -- Who Includes: Davis (Trumpet), John Coltrane (Tenor Sax), Philly Joe Jones (Drums), And Red Garland (Piano) -- To Perform The Equivalent Of Their Live Repertoire In The Studio For Eventual Release. The Results Are Consistently Superior Both In Terms Of Song Selection As Well As Performance. The Solid Nature Of The Unit As A Singular Musical Force Is Immediately Apparent. "If I Were A Bell" -- From The Play Guys And Dolls -- Includes Some Remarkable Soloing Via Coltrane And Garland. Davis' Solos Are Additionally Impressive, As They're Derived From The Same Four-note Motive As The Melody. Hearing The Many Variations That He Comes Up With Throughout The Song Conveys How Intrigued Davis Must Have Been By The Tune, As It Stayed In His Performance Repertoire For Decades. Tracks Such As "You're My Everything" And "Oleo" Highlight The Synchronic Nature Of Davis And Coltrane As They Carry Each Other's Melodies While Trading Off Solos. The Steady Syncopation Of Philly Joe Jones Keeps The Rhythms Tight And The Delicate Interplay All The More Conspicuous. Relaxin' Offers Something For Every Degree Of Jazz Enthusiast. Likewise, The Quintet's Recordings Provide A Tremendous Introduction For The Curious Jazz Consumer." AMG - Lindsay Planer. more
	Round About Midnight Used - Vinyl - 23AP 2552 Japanese Mono Pressing, With Insert, No Obi. Appears Unplayed, Hint Of Ring Wear, Hence Price. more
	Rubberband New Import - R1 599464 Sealed 2019 2LP, Recorded In 1985 But Never Released. Taken From The Original Tapes Through The Cooperation Of The Miles Davis Estate. "Before Miles Davis Recorded Tutu As His Debut Offering For Warner Bros., He Worked On A Funky, Jazz-Pop-Vocal Project Called Rubberband In North Hollywood Over A Three-Month Period In Late 1985 And Early 1986. While Co-Producers Randy Hall And Attala Zane Giles Felt Satisfied, Warner Jazz Boss Tommy Lipuma Was Less Enthusiastic. It Was Ultimately Shelved And The Tapes Languished For 30 Years. Davis Performed Some Of Its Tunes Live, And Later, Trumpet Parts From The Sessions Were Grafted Onto "Fantasy" And "High Speed Chase" For The Posthumously Released Doo Bop." AMG Review By Thom Jurek. more
	Rubberband EP New - 12 - R1-565639 Sealed 2018 Record Store Day Exclusive 45rpm 12". more
	Rubberband EP New - 12 - R1-565639 Sealed 2018 Limited Edition Record Store Day Exclusive 45rpm 4 Track EP Featuring Ledisi. Promo Mark Through Bar Code. more
	Seven Steps To Heaven New - Vinyl - CL 2051 1963 Mono Original. LP Is Sealed In The Inner Baggy And Has 1F/1L Stampers! Most Of The Shrink Wrap Is Intact And The Rear Jacket Has A Red Promotional "Demonstration Not For Sale" Stamp. Features Herbie Hancock, Victor Feldman, George Coleman, Frank Butler, Anthony Williams And Ron Carter. more
	Seven Steps To Heaven Used - Vinyl - CS 8851 Beautiful 1963 360 Stereo Original In Shrink Wrap. more
	Seven Steps To Heaven Used - Vinyl - 23AP 2560 Japanese Stereo Pressing With Obi In Shrink Wrap, Small CC. LP Looks Unplayed. more
	Seven Steps To Heaven Used - Vinyl - ST 62170 Stunning Italian Orange Label, Heavy Vinyl, Laminated Flip-Back Jacket Stereo Original. 1D/1K Stampers. more
	Seven Steps To Heaven New - Vinyl - PC 8851 Sealed Early 70s All Analogue Stereo Reissue. more
	Seven Steps To Heaven New - Vinyl - 23AP 2560 New, Unplayed Japanese Pressing With Obi. more
	Seven Steps To Heaven Audiophile - Vinyl - APJ 8851-45 Sealed 2010 Limited Edition 2LP 45rpm Stereo Reissue Of An All-Time Classic. more
	Seven Steps To Heaven Audiophile - Used - APJ 8851-45 2010 2Lp 45Rpm Remastered 180Gm Reissue Of The 1963 Epoch Offering From A Newly Formed Trio Of Tenor George Coleman, Bassist Ron Carter And Drummer Frank Butler. This Album Offers A Myriad Of Delicate Styles Which Allow Davis Some Of His Most Introspective And Romantic Ballad Playing. more
	Seven Steps To Heaven Used - Vinyl - CS 8851 1971 Terre Haute Repress On Red/Gold Columbia Label. Light Sticker Blemish Top Right, Glossy Vinyl. "Seven Steps To Heaven Finds Miles Davis Standing Yet Again On The Fault Line Between Stylistic Epochs. In Early 1963, Pianist Wynton Kelly, Bassist Paul Chambers, And Drummer Jimmy Cobb Left To Form Their Own Trio, And Davis Was Forced To Form A New Band, Which Included Memphis Tenor Player George Coleman And Bassist Ron Carter. When Davis Next Entered The Studio In Hollywood, He Added Local Drummer Frank Butler And British Studio Ace Victor Feldman, Who Ultimately Decided Not To Go On The Road With Davis. It's Easy To See Why Davis Liked Feldman, Who Contributed The Dancing Title Tune And "Joshua" To The Session. On Three Mellifluous Standards -- Particularly A Cerebral "Basin Street Blues" And A Broken-hearted "I Fall In Love Too Easily" -- The Pianist Plays With An Elegant, Refined Touch, And The Kind Of Rarefied Voicings That Suggest Ahmad Jamal. Davis Responds With Some Of His Most Introspective, Romantic Ballad Playing. When Davis Returned To New York He Finally Succeeded In Spiriting Away A Brilliantly Gifted 17-year-old Drummer From Jackie Mclean: Tony Williams. On The Title Tune You Can Already Hear The Difference, As His Crisp, Driving Cymbal Beat And Jittery, Aggressive Syncopations Propel Davis Into The Upper Reaches Of His Horn. On "So Near, So Far" The Drummer Combines With Carter And New Pianist Herbie Hancock To Expand On A Light Afro-cuban Beat With A Series Of Telepathic Changes In Tempo, Texture, And Dynamics. Meanwhile, Feldman's "Joshua" (With Its Overtones Of "So What" And "All Blues") Portends The Kind Of Expressive Variations On The Basic 4/4 Pulse That Would Become The Band's Trademark, As Davis And Coleman Ascend Into Bebop Heaven." AMG Review By Rovi Staff. more
	Seven Steps To Heaven Used - Vinyl - PC 8851 1974 (PC) pressing. "Seven Steps To Heaven Finds Miles Davis Standing Yet Again On The Fault Line Between Stylistic Epochs. In Early 1963, Pianist Wynton Kelly, Bassist Paul Chambers, And Drummer Jimmy Cobb Left To Form Their Own Trio, And Davis Was Forced To Form A New Band, Which Included Memphis Tenor Player George Coleman And Bassist Ron Carter. When Davis Next Entered The Studio In Hollywood, He Added Local Drummer Frank Butler And British Studio Ace Victor Feldman, Who Ultimately Decided Not To Go On The Road With Davis. It's Easy To See Why Davis Liked Feldman, Who Contributed The Dancing Title Tune And "Joshua" To The Session. On Three Mellifluous Standards -- Particularly A Cerebral "Basin Street Blues" And A Broken-hearted "I Fall In Love Too Easily" -- The Pianist Plays With An Elegant, Refined Touch, And The Kind Of Rarefied Voicings That Suggest Ahmad Jamal. Davis Responds With Some Of His Most Introspective, Romantic Ballad Playing. When Davis Returned To New York He Finally Succeeded In Spiriting Away A Brilliantly Gifted 17-year-old Drummer From Jackie Mclean: Tony Williams. On The Title Tune You Can Already Hear The Difference, As His Crisp, Driving Cymbal Beat And Jittery, Aggressive Syncopations Propel Davis Into The Upper Reaches Of His Horn. On "So Near, So Far" The Drummer Combines With Carter And New Pianist Herbie Hancock To Expand On A Light Afro-cuban Beat With A Series Of Telepathic Changes In Tempo, Texture, And Dynamics. Meanwhile, Feldman's "Joshua" (With Its Overtones Of "So What" And "All Blues") Portends The Kind Of Expressive Variations On The Basic 4/4 Pulse That Would Become The Band's Trademark, As Davis And Coleman Ascend Into Bebop Heaven." AMG - Rovi Staff. more
	Seven Steps To Heaven Used Import - SOPL 158 1972 Japan pressing with no obi. Top right corner bump. "Seven Steps To Heaven Finds Miles Davis Standing Yet Again On The Fault Line Between Stylistic Epochs. In Early 1963, Pianist Wynton Kelly, Bassist Paul Chambers, And Drummer Jimmy Cobb Left To Form Their Own Trio, And Davis Was Forced To Form A New Band, Which Included Memphis Tenor Player George Coleman And Bassist Ron Carter. When Davis Next Entered The Studio In Hollywood, He Added Local Drummer Frank Butler And British Studio Ace Victor Feldman, Who Ultimately Decided Not To Go On The Road With Davis. It's Easy To See Why Davis Liked Feldman, Who Contributed The Dancing Title Tune And "Joshua" To The Session. On Three Mellifluous Standards -- Particularly A Cerebral "Basin Street Blues" And A Broken-hearted "I Fall In Love Too Easily" -- The Pianist Plays With An Elegant, Refined Touch, And The Kind Of Rarefied Voicings That Suggest Ahmad Jamal. Davis Responds With Some Of His Most Introspective, Romantic Ballad Playing. When Davis Returned To New York He Finally Succeeded In Spiriting Away A Brilliantly Gifted 17-year-old Drummer From Jackie Mclean: Tony Williams. On The Title Tune You Can Already Hear The Difference, As His Crisp, Driving Cymbal Beat And Jittery, Aggressive Syncopations Propel Davis Into The Upper Reaches Of His Horn. On "So Near, So Far" The Drummer Combines With Carter And New Pianist Herbie Hancock To Expand On A Light Afro-cuban Beat With A Series Of Telepathic Changes In Tempo, Texture, And Dynamics. Meanwhile, Feldman's "Joshua" (With Its Overtones Of "So What" And "All Blues") Portends The Kind Of Expressive Variations On The Basic 4/4 Pulse That Would Become The Band's Trademark, As Davis And Coleman Ascend Into Bebop Heaven." All Music Guide - Rovi Staff. more
	Seven Steps To Heaven Audiophile - Used - APJ 8851-45 2021 2LP 180gm 45rpm repressed Audiophile remaster from Analogue Productions. VG++ copy, some light run-in surface noise but a great listen oveall. The 1963 epoch offering from a newly formed trio of Tenor George Coleman, Bassist Ron Carter and Drummer Frank Butler. This album offers a myriad of delicate styles which allow Davis some of his most introspective and romantic ballad playing. more
	Shout / The Man With The Horn / Back Seat Betty Used - 12 - AS 984 1981 3 Song 45rpm 12" White Label Promo. Appears Glossy, Unplayed. Songs from "The Man With The Horn" LP. more
	Siesta Used - Vinyl - 25655 Hard To Find 1987 Vinyl With Original Black Inner Sleeve. Great Sound On This Offbeat And Almost Spooky Soundtrack By Marcus Miller Which Mirrors The Movie Perfectly. more
	Siesta New - Vinyl - P 13609 Sealed 1987 Japanese Vinyl Rarity With Obi. Great Sound On This Offbeat And Almost Spooky Soundtrack By Marcus Miller Which Mirrors The Movie Perfectly. more
	Sketches Of Spain Audiophile - Vinyl - CS 8271 Factory Sealed 200gm Quiex SV-P Stereo. more
	Sketches Of Spain New - Vinyl - CS 8271 Sealed 1960 6 Eye Stereo Original. 1D/1E Stampers. LP Is Sealed In The Inner Poly Bag. First Sealed Original We Have Ever Had In Stock. “Along With Kind Of Blue, In A Silent Way, And Round About Midnight, Sketches Of Spain Is One Of Miles Davis' Most Enduring And Innovative Achievements. Recorded Between November 1959 And March 1960 -- After Coltrane And Cannonball Adderley Had Left The Band -- Davis Teamed With Canadian Arranger Gil Evans For The Third Time. Davis Brought Evans The Album's Signature Piece, "Concierto De Aranjuez," After Hearing A Classical Version Of It At Bassist Joe Mondragon's House. Evans Was As Taken With It As Davis Was, And Set About To Create An Entire Album Of Material Around It. The Result Is A Masterpiece Of Modern Art. On The "Concierto," Evans' Arrangement Provided An Orchestra And Jazz Band -- Paul Chambers, Jimmy Cobb, And Elvin Jones -- The Opportunity To Record A Classical Work As It Was. The Piece, With Its Stunning Colors And Intricate Yet Transcendent Adagio, Played By Davis On A Flügelhorn With A Harmon Mute, Is One Of The Most Memorable Works To Come From Popular Culture In The 20th Century. Davis' Control Over His Instrument Is Singular, And Evans' Conducting Is Flawless. Also Notable Are "Saeta," With One Of The Most Amazing Technical Solos Of Davis' Career, And The Album's Closer, "Solea," Which Is Conceptually A Narrative Piece, Based On An Andalusian Folk Song, About A Woman Who Encounters The Procession Taking Christ To Calvary. She Sings The Narrative Of His Passion And The Procession -- Or Parade -- With Full Brass Accompaniment Moving Along. Cobb And Jones, With Flamenco-Flavored Percussion, Are Particularly Wonderful Here, As They Allow The Orchestra To Indulge In The Lushly Passionate Arrangement Evans Provided To Accompany Davis, Who Was Clearly At His Most Challenged Here, Though He Delivers With Grace And Verve. Sketches Of Spain Is The Most Luxuriant And Stridently Romantic Recording Davis Ever Made. To Listen To It In The 21st Century Is Still A Spine-Tingling Experience, As One Encounters A Multitude Of Timbres, Tonalities, And Harmonic Structures Seldom Found In The Music Called Jazz.” Thom Jurek, AMG. more
	Sketches Of Spain Audiophile - Vinyl - CS 8271 Long Out Of Print 180gm HQ Stereo Reissue. Open Mint Copy. more
	Sketches Of Spain New - Vinyl - 23AP 2557 New, Unplayed Japanese Pressing, No Obi. more
	Sketches Of Spain New - Vinyl - 18AP 2057 Sealed Japanese Pressing With Obi. Stereo. Custom Sticker Over Shrink Wrap. more
	Sketches Of Spain Audiophile - Vinyl - CS 8271 Mint Four One-Sided 180gm HQ 45rpm LP Set. more
	Sketches Of Spain Audiophile - Vinyl - CS 8271 Sealed 1998 Limited Edition 50th Anniversary 180gm HQ Stereo Reissue With Gold Hype Sticker On The Outer Baggy. more
	Sketches Of Spain Used - Vinyl - CS 8271 Beautiful 360 Stereo Label (2nd Issue) Still In Shrink Wrap With Original Columbia Price Code Tag On Shrink Wrap. more
	Sketches Of Spain New - Vinyl - CS 8271 Sealed Stereo (Label Variation Unknown). Original CS Prefix On Cover And Spine, But Does Not Feel Heavy Enough To Be A 6 Eye Stereo. May Be A 360 Or Early 70's Pressing. more
	Sketches Of Spain Used - Vinyl - 18AP 2057 New, Unplayed Japanese Stereo Pressing With Obi. Few Light Storage Discolorations On The Rear Jacket. An All-Time Classic. more
	Sketches Of Spain Used - Vinyl - CL 1480 Beautiful 6 Eye Mono Original. Appears Unplayed. more
	Sketches Of Spain Audiophile - Vinyl - 62327 Long Out Of Print 180gm Stereo Reissue On The Absolute Analogue Imprint. Appears Unplayed. Remastered By Ray Staff In London. LP Appears New, Unplayed. more
	Sketches Of Spain New - Vinyl - CJ 40578 Sealed 80's Era Digital Re-Issue. more
	Sketches Of Spain Audiophile - Vinyl - CL 1480 Sealed, Numbered, Limited Edition 180gm Audiophile Mono Pressing. more
	Sketches Of Spain Audiophile - Vinyl - CS 8271 2002 180gm Stereo Reissue. Appear Virtually Unplayed. more
	Sketches Of Spain Used - Vinyl - CS 8271 This Is A Weird Misprinted Copy Of Miles Davis' 5 Star Album In Which All The Black Printing Is Missing. The Glossy, Near Mint LP Is A Third Press From The Early 1970s. Rear Paste-On Cover Has A Few Light Stains. Quite A Conversation Piece. more
	Sketches Of Spain Audiophile - Vinyl - CL 1480 Sealed 2012 Limited Edition 180gm HQ Audiophile Mono Reissue With Custom Hype Sticker On Outer Baggie. more
	Sketches Of Spain Used - Vinyl - KCS 8271 Sealed 1974 repress. "Along With Kind Of Blue, In A Silent Way, And Round About Midnight, Sketches Of Spain Is One Of Miles Davis' Most Enduring And Innovative Achievements. Recorded Between November 1959 And March 1960 -- After Coltrane And Cannonball Adderley Had Left The Band -- Davis Teamed With Canadian Arranger Gil Evans For The Third Time. Davis Brought Evans The Album's Signature Piece, "Concierto De Aranjuez," After Hearing A Classical Version Of It At Bassist Joe Mondragon's House. Evans Was As Taken With It As Davis Was, And Set About To Create An Entire Album Of Material Around It. The Result Is A Masterpiece Of Modern Art. On The "Concierto," Evans' Arrangement Provided An Orchestra And Jazz Band -- Paul Chambers, Jimmy Cobb, And Elvin Jones -- The Opportunity To Record A Classical Work As It Was. The Piece, With Its Stunning Colors And Intricate Yet Transcendent Adagio, Played By Davis On A Flügelhorn With A Harmon Mute, Is One Of The Most Memorable Works To Come From Popular Culture In The 20th Century. Davis' Control Over His Instrument Is Singular, And Evans' Conducting Is Flawless. Also Notable Are "Saeta," With One Of The Most Amazing Technical Solos Of Davis' Career, And The Album's Closer, "Solea," Which Is Conceptually A Narrative Piece, Based On An Andalusian Folk Song, About A Woman Who Encounters The Procession Taking Christ To Calvary. She Sings The Narrative Of His Passion And The Procession -- Or Parade -- With Full Brass Accompaniment Moving Along. Cobb And Jones, With Flamenco-flavored Percussion, Are Particularly Wonderful Here, As They Allow The Orchestra To Indulge In The Lushly Passionate Arrangement Evans Provided To Accompany Davis, Who Was Clearly At His Most Challenged Here, Though He Delivers With Grace And Verve. Sketches Of Spain Is The Most Luxuriant And Stridently Romantic Recording Davis Ever Made. To Listen To It In The 21st Century Is Still A Spine-tingling Experience, As One Encounters A Multitude Of Timbres, Tonalities, And Harmonic Structures Seldom Found In The Music Called Jazz." AMG - Thom Jurek. more
	Sketches Of Spain Used - Vinyl - CL 1480 70's Stereo Reissue. Jacket is VG++/EX. Sketches of Spain demonstrates Miles Davis at the peak of his creative powers. Released in 1960, the album is a collaboration between Davis and arranger Gil Evans, who took traditional Spanish music and reimagined it through a jazz lens. The result is a stunning collection of songs that are both atmospheric and emotive, from the haunting opening track, "Concierto de Aranjuez," to the vibrant finale, "Solea." The album's success lies in its ability to meld two distinct musical genres into something entirely new. Davis' muted trumpet and Evans' lush orchestrations create a dreamy, otherworldly atmosphere that transports the listener to the heart of Spain. The album's unique sound also owes much to the diverse instrumentation used, including guitar, harp, and even a choir of French horns. Sketches of Spain is a true work of art, a timeless classic that showcases the brilliance of two of jazz music's greatest talents. more
	Sketches Of Spain Used Import - 88875111931 2015 180gm reissue; EU import. Still in shrink with Sony "We Are Vinyl" hype sticker. Sketches of Spain demonstrates Miles Davis at the peak of his creative powers. Released in 1960, the album is a collaboration between Davis and arranger Gil Evans, who took traditional Spanish music and reimagined it through a jazz lens. The result is a stunning collection of songs that are both atmospheric and emotive, from the haunting opening track, "Concierto de Aranjuez," to the vibrant finale, "Solea." The album's success lies in its ability to meld two distinct musical genres into something entirely new. Davis' muted trumpet and Evans' lush orchestrations create a dreamy, otherworldly atmosphere that transports the listener to the heart of Spain. The album's unique sound also owes much to the diverse instrumentation used, including guitar, harp, and even a choir of French horns. Sketches of Spain is a true work of art, a timeless classic that showcases the brilliance of two of jazz music's greatest talents. more
	Sketches Of Spain Audiophile - New - MFSL 1-375 Sealed, Latest Press Of The 2013 Limited Edition Half-Speed Mastered 180gm High Definition Vinyl From Mobile Fidelity. Number #010935. "Along With Kind Of Blue, In A Silent Way, And Round About Midnight, Sketches Of Spain Is One Of Miles Davis' Most Enduring And Innovative Achievements. Recorded Between November 1959 And March 1960 -- After Coltrane And Cannonball Adderley Had Left The Band -- Davis Teamed With Canadian Arranger Gil Evans For The Third Time. Davis Brought Evans The Album's Signature Piece, "Concierto De Aranjuez," After Hearing A Classical Version Of It At Bassist Joe Mondragon's House. Evans Was As Taken With It As Davis Was, And Set About To Create An Entire Album Of Material Around It. The Result Is A Masterpiece Of Modern Art. On The "Concierto," Evans' Arrangement Provided An Orchestra And Jazz Band -- Paul Chambers, Jimmy Cobb, And Elvin Jones -- The Opportunity To Record A Classical Work As It Was. The Piece, With Its Stunning Colors And Intricate Yet Transcendent Adagio, Played By Davis On A Flügelhorn With A Harmon Mute, Is One Of The Most Memorable Works To Come From Popular Culture In The 20th Century. Davis' Control Over His Instrument Is Singular, And Evans' Conducting Is Flawless. Also Notable Are "Saeta," With One Of The Most Amazing Technical Solos Of Davis' Career, And The Album's Closer, "Solea," Which Is Conceptually A Narrative Piece, Based On An Andalusian Folk Song, About A Woman Who Encounters The Procession Taking Christ To Calvary. She Sings The Narrative Of His Passion And The Procession -- Or Parade -- With Full Brass Accompaniment Moving Along. Cobb And Jones, With Flamenco-flavored Percussion, Are Particularly Wonderful Here, As They Allow The Orchestra To Indulge In The Lushly Passionate Arrangement Evans Provided To Accompany Davis, Who Was Clearly At His Most Challenged Here, Though He Delivers With Grace And Verve. Sketches Of Spain Is The Most Luxuriant And Stridently Romantic Recording Davis Ever Made. To Listen To It In The 21st Century Is Still A Spine-tingling Experience, As One Encounters A Multitude Of Timbres, Tonalities, And Harmonic Structures Seldom Found In The Music Called Jazz." All Music Guide – Thom Jurek more
	Sketches Of Spain New Import - CL 1480 Sealed, latest run of the 2013 180gm MONO audiophile reissue from Music on Vinyl. Custom MOV hype sticker affixed to resealable outer sleeve. A bold fusion of jazz and Spanish classical music, Sketches of Spain showcases Miles Davis's collaboration with arranger Gil Evans. The album features Davis's haunting flugelhorn melodies over lush orchestral arrangements, blending modal jazz with flamenco influences. Standout tracks include the evocative "Concierto de Aranjuez" and the rhythmic "Saeta." more
	Sketches Of Spain Audiophile - Vinyl - CS 8271 Factory Sealed And Long Out Of Print 45rpm 180gm HQ Stereo Pressings Of An All-Time Classic. Four One-Sided Discs. Small Ding Top Left Corner. more
	Sketches Of Spain Used - Vinyl - CL 1480 1977 Stereo Reissue Of An All-Time Classic. No Bar Code On Jacket. Slight Corner Ding. Santa Maria Pressing. Nice VG+ Copy. "Along With Kind Of Blue, In A Silent Way, And Round About Midnight, Sketches Of Spain Is One Of Miles Davis' Most Enduring And Innovative Achievements. Recorded Between November 1959 And March 1960 -- After Coltrane And Cannonball Adderley Had Left The Band -- Davis Teamed With Canadian Arranger Gil Evans For The Third Time. Davis Brought Evans The Album's Signature Piece, "Concierto De Aranjuez," After Hearing A Classical Version Of It At Bassist Joe Mondragon's House. Evans Was As Taken With It As Davis Was, And Set About To Create An Entire Album Of Material Around It. The Result Is A Masterpiece Of Modern Art. On The "Concierto," Evans' Arrangement Provided An Orchestra And Jazz Band -- Paul Chambers, Jimmy Cobb, And Elvin Jones -- The Opportunity To Record A Classical Work As It Was. The Piece, With Its Stunning Colors And Intricate Yet Transcendent Adagio, Played By Davis On A Flügelhorn With A Harmon Mute, Is One Of The Most Memorable Works To Come From Popular Culture In The 20th Century. Davis' Control Over His Instrument Is Singular, And Evans' Conducting Is Flawless. Also Notable Are "Saeta," With One Of The Most Amazing Technical Solos Of Davis' Career, And The Album's Closer, "Solea," Which Is Conceptually A Narrative Piece, Based On An Andalusian Folk Song, About A Woman Who Encounters The Procession Taking Christ To Calvary. She Sings The Narrative Of His Passion And The Procession -- Or Parade -- With Full Brass Accompaniment Moving Along. Cobb And Jones, With Flamenco-flavored Percussion, Are Particularly Wonderful Here, As They Allow The Orchestra To Indulge In The Lushly Passionate Arrangement Evans Provided To Accompany Davis, Who Was Clearly At His Most Challenged Here, Though He Delivers With Grace And Verve. Sketches Of Spain Is The Most Luxuriant And Stridently Romantic Recording Davis Ever Made. To Listen To It In The 21st Century Is Still A Spine-tingling Experience, As One Encounters A Multitude Of Timbres, Tonalities, And Harmonic Structures Seldom Found In The Music Called Jazz." AMG Review By Thom Jurek. more
	Sketches Of Spain Used - Vinyl - PC 8271 Early 70's Stereo Reissue. Sketches of Spain demonstrates Miles Davis at the peak of his creative powers. Released in 1960, the album is a collaboration between Davis and arranger Gil Evans, who took traditional Spanish music and reimagined it through a jazz lens. The result is a stunning collection of songs that are both atmospheric and emotive, from the haunting opening track, "Concierto de Aranjuez," to the vibrant finale, "Solea." The album's success lies in its ability to meld two distinct musical genres into something entirely new. Davis' muted trumpet and Evans' lush orchestrations create a dreamy, otherworldly atmosphere that transports the listener to the heart of Spain. The album's unique sound also owes much to the diverse instrumentation used, including guitar, harp, and even a choir of French horns. Sketches of Spain is a true work of art, a timeless classic that showcases the brilliance of two of jazz music's greatest talents. more
	Sketches Of Spain Used Import - 18AP 2057 Beautiful 1981 Japanese Stereo Reissue, With Insert; No Obi. Clean, NM- Copy. "Along With Kind Of Blue, In A Silent Way, And Round About Midnight, Sketches Of Spain Is One Of Miles Davis' Most Enduring And Innovative Achievements. Recorded Between November 1959 And March 1960 -- After Coltrane And Cannonball Adderley Had Left The Band -- Davis Teamed With Canadian Arranger Gil Evans For The Third Time. Davis Brought Evans The Album's Signature Piece, "Concierto De Aranjuez," After Hearing A Classical Version Of It At Bassist Joe Mondragon's House. Evans Was As Taken With It As Davis Was, And Set About To Create An Entire Album Of Material Around It. The Result Is A Masterpiece Of Modern Art. On The "Concierto," Evans' Arrangement Provided An Orchestra And Jazz Band -- Paul Chambers, Jimmy Cobb, And Elvin Jones -- The Opportunity To Record A Classical Work As It Was. The Piece, With Its Stunning Colors And Intricate Yet Transcendent Adagio, Played By Davis On A Flügelhorn With A Harmon Mute, Is One Of The Most Memorable Works To Come From Popular Culture In The 20th Century. Davis' Control Over His Instrument Is Singular, And Evans' Conducting Is Flawless. Also Notable Are "Saeta," With One Of The Most Amazing Technical Solos Of Davis' Career, And The Album's Closer, "Solea," Which Is Conceptually A Narrative Piece, Based On An Andalusian Folk Song, About A Woman Who Encounters The Procession Taking Christ To Calvary. She Sings The Narrative Of His Passion And The Procession -- Or Parade -- With Full Brass Accompaniment Moving Along. Cobb And Jones, With Flamenco-flavored Percussion, Are Particularly Wonderful Here, As They Allow The Orchestra To Indulge In The Lushly Passionate Arrangement Evans Provided To Accompany Davis, Who Was Clearly At His Most Challenged Here, Though He Delivers With Grace And Verve. Sketches Of Spain Is The Most Luxuriant And Stridently Romantic Recording Davis Ever Made. To Listen To It In The 21st Century Is Still A Spine-tingling Experience, As One Encounters A Multitude Of Timbres, Tonalities, And Harmonic Structures Seldom Found In The Music Called Jazz." AMG Reiview By Thom Jurek. more
	Sketches Of Spain Audiophile - Used - MFSL 1-375 2013 Limited Edition Half-Speed Mastered 180gm High Definition Vinyl. Number 2850. more
	Sketches Of Spain Used - Vinyl - CL 1480 1961 6 Eye Mono 2nd Pressing. VG+ Cover Including Some Ring Wear And Bottom Edge Wear. more
	Sketches Of Spain Audiophile - Used - CS 8271 1998 Limited Edition 50th Anniversary 180gm HQ Stereo Reissue From Classic Records. Beautiful Glossy Vinyl And Laminated Jacket. "Along With Kind Of Blue, In A Silent Way, And Round About Midnight, Sketches Of Spain Is One Of Miles Davis' Most Enduring And Innovative Achievements. Recorded Between November 1959 And March 1960 -- After Coltrane And Cannonball Adderley Had Left The Band -- Davis Teamed With Canadian Arranger Gil Evans For The Third Time. Davis Brought Evans The Album's Signature Piece, "Concierto De Aranjuez," After Hearing A Classical Version Of It At Bassist Joe Mondragon's House. Evans Was As Taken With It As Davis Was, And Set About To Create An Entire Album Of Material Around It. The Result Is A Masterpiece Of Modern Art. On The "Concierto," Evans' Arrangement Provided An Orchestra And Jazz Band -- Paul Chambers, Jimmy Cobb, And Elvin Jones -- The Opportunity To Record A Classical Work As It Was. The Piece, With Its Stunning Colors And Intricate Yet Transcendent Adagio, Played By Davis On A Flügelhorn With A Harmon Mute, Is One Of The Most Memorable Works To Come From Popular Culture In The 20th Century. Davis' Control Over His Instrument Is Singular, And Evans' Conducting Is Flawless. Also Notable Are "Saeta," With One Of The Most Amazing Technical Solos Of Davis' Career, And The Album's Closer, "Solea," Which Is Conceptually A Narrative Piece, Based On An Andalusian Folk Song, About A Woman Who Encounters The Procession Taking Christ To Calvary. She Sings The Narrative Of His Passion And The Procession -- Or Parade -- With Full Brass Accompaniment Moving Along. Cobb And Jones, With Flamenco-flavored Percussion, Are Particularly Wonderful Here, As They Allow The Orchestra To Indulge In The Lushly Passionate Arrangement Evans Provided To Accompany Davis, Who Was Clearly At His Most Challenged Here, Though He Delivers With Grace And Verve. Sketches Of Spain Is The Most Luxuriant And Stridently Romantic Recording Davis Ever Made. To Listen To It In The 21st Century Is Still A Spine-tingling Experience, As One Encounters A Multitude Of Timbres, Tonalities, And Harmonic Structures Seldom Found In The Music Called Jazz." AMG Review By Thom Jurek. more
	Sketches Of Spain Audiophile - Used - MFSL 1-375 2013 Limited Edition Half-Speed Mastered 180gm High Definition Vinyl. Number 2987. Small Bottom Seam Split. more
	Sketches Of Spain Audiophile - New - MFSL 1-375 Sealed, Latest Press Of The 2013 Limited Edition Half-Speed Mastered 180gm High Definition Vinyl From Mobile Fidelity. Number #009432. "Along With Kind Of Blue, In A Silent Way, And Round About Midnight, Sketches Of Spain Is One Of Miles Davis' Most Enduring And Innovative Achievements. Recorded Between November 1959 And March 1960 -- After Coltrane And Cannonball Adderley Had Left The Band -- Davis Teamed With Canadian Arranger Gil Evans For The Third Time. Davis Brought Evans The Album's Signature Piece, "Concierto De Aranjuez," After Hearing A Classical Version Of It At Bassist Joe Mondragon's House. Evans Was As Taken With It As Davis Was, And Set About To Create An Entire Album Of Material Around It. The Result Is A Masterpiece Of Modern Art. On The "Concierto," Evans' Arrangement Provided An Orchestra And Jazz Band -- Paul Chambers, Jimmy Cobb, And Elvin Jones -- The Opportunity To Record A Classical Work As It Was. The Piece, With Its Stunning Colors And Intricate Yet Transcendent Adagio, Played By Davis On A Flügelhorn With A Harmon Mute, Is One Of The Most Memorable Works To Come From Popular Culture In The 20th Century. Davis' Control Over His Instrument Is Singular, And Evans' Conducting Is Flawless. Also Notable Are "Saeta," With One Of The Most Amazing Technical Solos Of Davis' Career, And The Album's Closer, "Solea," Which Is Conceptually A Narrative Piece, Based On An Andalusian Folk Song, About A Woman Who Encounters The Procession Taking Christ To Calvary. She Sings The Narrative Of His Passion And The Procession -- Or Parade -- With Full Brass Accompaniment Moving Along. Cobb And Jones, With Flamenco-flavored Percussion, Are Particularly Wonderful Here, As They Allow The Orchestra To Indulge In The Lushly Passionate Arrangement Evans Provided To Accompany Davis, Who Was Clearly At His Most Challenged Here, Though He Delivers With Grace And Verve. Sketches Of Spain Is The Most Luxuriant And Stridently Romantic Recording Davis Ever Made. To Listen To It In The 21st Century Is Still A Spine-tingling Experience, As One Encounters A Multitude Of Timbres, Tonalities, And Harmonic Structures Seldom Found In The Music Called Jazz." AMG - Thom Jurek. more
	Sketches Of Spain New - Vinyl - KCS 8271 Sealed 1974 repress. "Along With Kind Of Blue, In A Silent Way, And Round About Midnight, Sketches Of Spain Is One Of Miles Davis' Most Enduring And Innovative Achievements. Recorded Between November 1959 And March 1960 -- After Coltrane And Cannonball Adderley Had Left The Band -- Davis Teamed With Canadian Arranger Gil Evans For The Third Time. Davis Brought Evans The Album's Signature Piece, "Concierto De Aranjuez," After Hearing A Classical Version Of It At Bassist Joe Mondragon's House. Evans Was As Taken With It As Davis Was, And Set About To Create An Entire Album Of Material Around It. The Result Is A Masterpiece Of Modern Art. On The "Concierto," Evans' Arrangement Provided An Orchestra And Jazz Band -- Paul Chambers, Jimmy Cobb, And Elvin Jones -- The Opportunity To Record A Classical Work As It Was. The Piece, With Its Stunning Colors And Intricate Yet Transcendent Adagio, Played By Davis On A Flügelhorn With A Harmon Mute, Is One Of The Most Memorable Works To Come From Popular Culture In The 20th Century. Davis' Control Over His Instrument Is Singular, And Evans' Conducting Is Flawless. Also Notable Are "Saeta," With One Of The Most Amazing Technical Solos Of Davis' Career, And The Album's Closer, "Solea," Which Is Conceptually A Narrative Piece, Based On An Andalusian Folk Song, About A Woman Who Encounters The Procession Taking Christ To Calvary. She Sings The Narrative Of His Passion And The Procession -- Or Parade -- With Full Brass Accompaniment Moving Along. Cobb And Jones, With Flamenco-flavored Percussion, Are Particularly Wonderful Here, As They Allow The Orchestra To Indulge In The Lushly Passionate Arrangement Evans Provided To Accompany Davis, Who Was Clearly At His Most Challenged Here, Though He Delivers With Grace And Verve. Sketches Of Spain Is The Most Luxuriant And Stridently Romantic Recording Davis Ever Made. To Listen To It In The 21st Century Is Still A Spine-tingling Experience, As One Encounters A Multitude Of Timbres, Tonalities, And Harmonic Structures Seldom Found In The Music Called Jazz." AMG - Thom Jurek. more
	Sketches Of Spain Used Import - CS 8271 1964 2-Eye In Shrink. Back Cover Is Flipped Up. "Along With Kind Of Blue, In A Silent Way, And Round About Midnight, Sketches Of Spain Is One Of Miles Davis' Most Enduring And Innovative Achievements. Recorded Between November 1959 And March 1960 -- After Coltrane And Cannonball Adderley Had Left The Band -- Davis Teamed With Canadian Arranger Gil Evans For The Third Time. Davis Brought Evans The Album's Signature Piece, "Concierto De Aranjuez," After Hearing A Classical Version Of It At Bassist Joe Mondragon's House. Evans Was As Taken With It As Davis Was, And Set About To Create An Entire Album Of Material Around It. The Result Is A Masterpiece Of Modern Art. On The "Concierto," Evans' Arrangement Provided An Orchestra And Jazz Band -- Paul Chambers, Jimmy Cobb, And Elvin Jones -- The Opportunity To Record A Classical Work As It Was. The Piece, With Its Stunning Colors And Intricate Yet Transcendent Adagio, Played By Davis On A Flügelhorn With A Harmon Mute, Is One Of The Most Memorable Works To Come From Popular Culture In The 20th Century. Davis' Control Over His Instrument Is Singular, And Evans' Conducting Is Flawless. Also Notable Are "Saeta," With One Of The Most Amazing Technical Solos Of Davis' Career, And The Album's Closer, "Solea," Which Is Conceptually A Narrative Piece, Based On An Andalusian Folk Song, About A Woman Who Encounters The Procession Taking Christ To Calvary. She Sings The Narrative Of His Passion And The Procession -- Or Parade -- With Full Brass Accompaniment Moving Along. Cobb And Jones, With Flamenco-flavored Percussion, Are Particularly Wonderful Here, As They Allow The Orchestra To Indulge In The Lushly Passionate Arrangement Evans Provided To Accompany Davis, Who Was Clearly At His Most Challenged Here, Though He Delivers With Grace And Verve. Sketches Of Spain Is The Most Luxuriant And Stridently Romantic Recording Davis Ever Made. To Listen To It In The 21st Century Is Still A Spine-tingling Experience, As One Encounters A Multitude Of Timbres, Tonalities, And Harmonic Structures Seldom Found In The Music Called Jazz." AMG - Thom Jurek. more
	Sketches Of Spain New Import - CL 1480 Sealed 2013 180gm audiophile reissue in MONO from Music On Vinyl. Custom gold MOV hype sticker affixed to resealable sleeve. "Along with Kind of Blue, In a Silent Way, and Round About Midnight, Sketches of Spain is one of Miles Davis' most enduring and innovative achievements. Recorded between November 1959 and March 1960 -- after Coltrane and Cannonball Adderley had left the band -- Davis teamed with Canadian arranger Gil Evans for the third time. Davis brought Evans the album's signature piece, "Concierto de Aranjuez," after hearing a classical version of it at bassist Joe Mondragon's house. Evans was as taken with it as Davis was, and set about to create an entire album of material around it. The result is a masterpiece of modern art. On the "Concierto," Evans' arrangement provided an orchestra and jazz band -- Paul Chambers, Jimmy Cobb, and Elvin Jones -- the opportunity to record a classical work as it was. The piece, with its stunning colors and intricate yet transcendent adagio, played by Davis on a flügelhorn with a Harmon mute, is one of the most memorable works to come from popular culture in the 20th century. Davis' control over his instrument is singular, and Evans' conducting is flawless. Also notable are "Saeta," with one of the most amazing technical solos of Davis' career, and the album's closer, "Solea," which is conceptually a narrative piece, based on an Andalusian folk song, about a woman who encounters the procession taking Christ to Calvary. She sings the narrative of his passion and the procession -- or parade -- with full brass accompaniment moving along. Cobb and Jones, with flamenco-flavored percussion, are particularly wonderful here, as they allow the orchestra to indulge in the lushly passionate arrangement Evans provided to accompany Davis, who was clearly at his most challenged here, though he delivers with grace and verve. Sketches of Spain is the most luxuriant and stridently romantic recording Davis ever made. To listen to it in the 21st century is still a spine-tingling experience, as one encounters a multitude of timbres, tonalities, and harmonic structures seldom found in the music called jazz." AMG - Thom Jurek more
	Sketches Of Spain Used - Vinyl - CL 1480 1967 6 Eye Mono pressing. Sketches of Spain, released in 1960, stands as a singular achievement in the realm of jazz fusion, often cited in music criticism for its ambitious blend of modal jazz and Spanish folk traditions. Arranged and conducted by Gil Evans, the album is anchored by Davis’s haunting interpretation of Joaquín Rodrigo’s “Concierto de Aranjuez,” which seamlessly bridges European classical motifs and the improvisational core of jazz trumpet. Unlike any of his previous works, Sketches of Spain uses extended orchestration, lush harmonies, and a palette of Spanish melodies to push jazz beyond its American roots. For those searching for the intersection between jazz innovation and cross-cultural exploration, Sketches of Spain remains a definitive reference point. more
	Someday My Prince Will Come Audiophile - Vinyl - MFSL 1-177 Factory Sealed 1983 Half-Speed Mastered Version Of An All-Time Classic Recorded In 1961. Pressed By JVC In Japan. more
	Someday My Prince Will Come New - Vinyl - PC 8456 Sealed Early '70s All Analogue Stereo Reissue. Features John Coltrane, Hank Mobley, Wynton Kelly, Paul Chambers & Jimmy Cobb. more
	Someday My Prince Will Come Audiophile - Vinyl - MFSL 1-177 Rare Half-Speed Master. LP Appears To Be Virtually Unplayed With One Light Spindle Mark On The Side Two Label. more
	Someday My Prince Will Come Used - Vinyl - CS 8456 Near Mint 1961 6 Eye Stereo Original. 1A/1C Stampers. Features John Coltrane, Hank Mobley, Wynton Kelly, Paul Chambers And Jimmy Cobb. more
	Someday My Prince Will Come New - Vinyl - 23AP 2558 New, Unplayed Japanese Stereo Pressing, No Obi. more
	Someday My Prince Will Come Used - Vinyl - CS 8456 Beautiful Orange Label Stereo Anomaly (Original CS Catalogue Number) In Original CS Jacket, Still In Shrink Wrap With Original Phil Harris $3.49 Price Tag. Appears Unplayed. 1G/1J Stampers. more
	Someday My Prince Will Come Audiophile - Vinyl - MFSL 1-177 Rare Half-Speed Mastered Version Of An All-Time Classic Recorded In 1961. Pressed By JVC In Japan. Glossy, Unplayed Condition. Tiny Corner Ding. more
	Someday My Prince Will Come Audiophile - Vinyl - APP 8456-45 Sealed 45rpm 2LP Gatefold Audiophile Reissue. Features John Coltrane, Hank Mobley, Wynton Kelly, Paul Chambers & Jimmy Cobb. more
	Someday My Prince Will Come New - Vinyl - C 40947 Sealed 1990 180gm Virgin Vinyl Reissue Of CS 8456. Features John Coltrane, Hank Mobley, Wynton Kelly, Paul Chambers And Jimmy Cobb. more
	Someday My Prince Will Come New - Vinyl - CS 8456 Sealed, Limited Edition 2LP 200gm 45rpm Stereo Reissue. more
	Someday My Prince Will Come Used - Vinyl - CS 8456 Near Mint 1961 6 Eye Stereo Original. Slight Seam Wear. 1A/1B Stampers. Features John Coltrane, Hank Mobley, Wynton Kelly, Paul Chambers And Jimmy Cobb. more
	Sorcerer Used - Vinyl - 23AP 2570 Mint Japanese Stereo Pressing With Obi In Shrink Wrap, Small CC. more
	Sorcerer Used - Vinyl - CS 9532 1967 360 Stereo Original. 1D/1C Stampers. 5 Star Jazz. Shrink Wrap Intact. more
	Sorcerer New - Vinyl - CS 9532 Sealed Stereo (Label Variation Unknown, No Bar Code On Jacket). more
	Sorcerer New - Vinyl - PC 9532 Sealed 1977 All Analogue Stereo Reissue. more
	Sorcerer New - Vinyl - 23AP 2570 New, Unplayed Japanese Pressing With Obi. more
	Sorcerer New - Vinyl - PC 9532 Sealed Limited Edition 180gm HQ Virgin Vinyl Reissue. more
	Sorcerer Audiophile - Vinyl - MFSL 2-435 Factory Sealed 2014 Numbered, Limited Edition 180gm 45rpm 2LP Gatefold. Mastered From The Original Tapes On Mobile Fidelity’s World-Renowned Mastering System And Pressed At RTI. more
	Sorcerer Colored Vinyl - 88985485511 Sealed 2017 Limited Edition, Orchid Colored 180gm Vinyl Me, Please Exclusive Reissue Housed In A Resealable Baggie With Custom Hype Sticker. Remastered From The Original Tapes. Includes A Collectible Art Print, 8-Page Liner Notes Booklet With Forward By Ben Ratliff, The New York Times And Custom Cocktail Recipe Inspired By The Album. more
	Sorcerer Used Import - 18AP 2070 1981 Japan pressing with Obi in shrink. Miles Davis' "Sorcerer" album is a mesmerizing piece of work that beautifully showcases his unique style and sound. The album features some of Davis' most iconic tracks, including the ethereal "Masqualero" and the hauntingly beautiful "Prince of Darkness." The album's title track, "Sorcerer," is a masterpiece in its own right, with its intricate and evocative melody that transports the listener to another world. The album is a testament to Davis' genius and his ability to create music that is both intricate and accessible. The band is also exceptional, featuring Ron Carter on bass, Tony Williams on Drums, Herbie Hancock on Piano and Wayne Shorter on Tenor Saxophone with each member bringing their own unique sound and style to the music. The album is a must-listen for anyone who appreciates jazz music and wants to experience the genius of one of its greatest artists. "Sorcerer" is a timeless classic that will continue to captivate listeners for generations to come. more
	Sorcerer Used Import - SOPL 166 1981 Japan pressing with Obi in shrink. Miles Davis' "Sorcerer" album is a mesmerizing piece of work that beautifully showcases his unique style and sound. The album features some of Davis' most iconic tracks, including the ethereal "Masqualero" and the hauntingly beautiful "Prince of Darkness." The album's title track, "Sorcerer," is a masterpiece in its own right, with its intricate and evocative melody that transports the listener to another world. The album is a testament to Davis' genius and his ability to create music that is both intricate and accessible. The band is also exceptional, featuring Ron Carter on bass, Tony Williams on Drums, Herbie Hancock on Piano and Wayne Shorter on Tenor Saxophone with each member bringing their own unique sound and style to the music. The album is a must-listen for anyone who appreciates jazz music and wants to experience the genius of one of its greatest artists. "Sorcerer" is a timeless classic that will continue to captivate listeners for generations to come. more
	Sorcerer Audiophile - Used - MFSV 1-519 2024 180gm Audiophile remastered reissue from Mobile Fidelity Sound Lab, still in shrink with SuperVinyl hype sticker. Miles Davis' "Sorcerer" album is a mesmerizing piece of work that beautifully showcases his unique style and sound. The album features some of Davis' most iconic tracks, including the ethereal "Masqualero" and the hauntingly beautiful "Prince of Darkness." The album's title track, "Sorcerer," is a masterpiece in its own right, with its intricate and evocative melody that transports the listener to another world. The album is a testament to Davis' genius and his ability to create music that is both intricate and accessible. The band is also exceptional, featuring Ron Carter on bass, Tony Williams on Drums, Herbie Hancock on Piano and Wayne Shorter on Tenor Saxophone with each member bringing their own unique sound and style to the music. The album is a must-listen for anyone who appreciates jazz music and wants to experience the genius of one of its greatest artists. "Sorcerer" is a timeless classic that will continue to captivate listeners for generations to come. more
	Sorcerer Used - Vinyl - CS 9532 1967 US original 2-eye Santa Maria pressing with original baggy inner. Vibrant jacket with tiny corner rubs but has 4" bottom seam split. "Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there's little of the dense, manic energy on Miles Smiles -- this is about subtle shadings, even when the compositions are as memorable as Tony Williams' "Pee Wee" or Herbie Hancock's "Sorcerer." As such, it's a little elusive, since it represents the deepening of the band's music as they choose to explore different territory. The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren't placed at the forefront the way they were on the two predecessors -- it all merges together, pointing toward the dense soundscapes of Miles' later '60s work. It's such a layered, intriguing work that the final cut, recorded in 1962 with Bob Dorough on vocals, is an utterly jarring, inappropriate way to end the record, even if it's intended as a tribute to Miles' then-girlfriend (later, his wife), Cicely Tyson (whose image graces the cover)." All Music Guide – Stephen Thomas Erlewine more
	Sorcerer Used Import - 23AP 2570 1983 Japanese reissue without top-cap Obi but has insert. EX/NM- jacket. "Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there's little of the dense, manic energy on Miles Smiles -- this is about subtle shadings, even when the compositions are as memorable as Tony Williams' "Pee Wee" or Herbie Hancock's "Sorcerer." As such, it's a little elusive, since it represents the deepening of the band's music as they choose to explore different territory. The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren't placed at the forefront the way they were on the two predecessors -- it all merges together, pointing toward the dense soundscapes of Miles' later '60s work. It's such a layered, intriguing work that the final cut, recorded in 1962 with Bob Dorough on vocals, is an utterly jarring, inappropriate way to end the record, even if it's intended as a tribute to Miles' then-girlfriend (later, his wife), Cicely Tyson (whose image graces the cover)." All Music Guide – Stephen Thomas Erlewine more
	Star People Used - Vinyl - FC 38657 1983 Original. Light Corner Ding. After A Long Hiatus Miles Came Back With Gil Evans Exploring New Sounds And Ideas To Make Another Great Album. Features John Scofield On Guitar And Bill Evans On Sax And Marcus Miller On Bass. more
	Star People Used - Vinyl - FC 38657 1983 Original Featuring "U N I". Two Small Corner Dents. LP Appears Glossy, Unplayed. more
	Star People Used - Vinyl - 30AP 2535 1st Copy We Have Seen Of This Rare Mastersound Pressing W/Obi. Digitally Mastered. more
	Star People Used - Vinyl - 25AP 2530 Japanese Stereo Pressing, No Obi. LP Looks Unplayed, Jacket Is Very Near Mint. more
	Steamin' New - Vinyl - SMJ 6533M New, Unplayed Japanese Pressing With Obi. Miles And Coltrane With Red Garland, Paul Chambers & Philly Joe Jones. more
	Steamin' Audiophile - Vinyl - PRLP 7200 Sealed 180gm HQ Test Pressing From The Out Of Print Box Set. more
	Steamin' Used - Vinyl - VIJ 212 Japanese Mono Pressing, No Obi. LP Is Unplayed; Jacket M- more
	Steamin' With The Miles Davis Quintet New - Vinyl - OJC 391 Sealed, Out Of Print 1989 OJC Mono Reissue Of The All-Time Classic Prestige 7200. more
	Steamin' With The Miles Davis Quintet Audiophile - Vinyl - 7200 Sealed, Long Out Of Print, Limited Edition 180gm 2LP 45rpm Set. This Is Low Number 0107. more
	Steamin' With The Miles Davis Quintet Used - Vinyl - OJC 391 1989 OJC Mono Reissue Of The All-Time Classic Prestige 7200. Appears Glossy, Unplayed. more
	Steamin' With The Miles Davis Quintet Audiophile - Vinyl - 7200 Sealed 2014 Foil Numbered, Limited Edition 200gm Deep Groove Mono Reissue Cut From The Analogue Masters By Renowned Mastering Engineer Kevin Gray And Pressed At QRP. Deluxe High-Gloss Tip-On Album Jacket. Features Miles Davis, John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. more
	Steamin' With The Miles Davis Quintet Audiophile - New - APRJ 7200 Sealed 2014 foil numbered (#590), limited edition 200gm mono reissue cut from the analogue masters by renowned mastering engineer Kevin Gray and pressed At QRP. Deluxe high-gloss tip-on album jacket. Features Miles Davis, John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones. more
	Sugar Ray / Little High People (Take 7) Colored Vinyl - Used - CAS 55858 2003 Promo Only Clear Virgin Vinyl Two Track 12 Inch Maxi Single. Pressed In Advance Of The Jack Johnson Sessions CD Box Set. more
	Tallest Trees New - Vinyl - PR 24012 Sealed And Pristine 1972 2LP Gatefold. “Miles Davis's Valuable Recordings For Prestige Were At One Time Made Available On A Series Of Attractive Two-LP Sets. This Two-Fer Has Plenty Of Brilliant Music Including The Four Master Takes From The Classic Session With Vibraphonist Milt Jackson And Pianist Thelonious Monk (Monk's Solo On "Bags' Groove" Is Quite Memorable), Three Selections With A Variety Of Different Rhythm Sections ("Smooch," "Miles Ahead" And "Blue Haze"), An Alternate (And Inferior) Version Of "'Round Midnight" With John Coltrane And Four Great Performances ("Airegin," "Oleo," "But Not For Me" And "Doxy") With A Quintet Featuring Tenor-Saxophonist Sonny Rollins (Composer Of Three Of The Four Songs) And Pianist Horace Silver.” Scott Yanow, All Music Guide. more
	The Beginning - BIN LP Used - Vinyl - PR 7221 1962 US mono reissue. more
	The Complete Birth Of The Cool Used - Vinyl - M-11026 1972 Reissue. Vinyl Is VG++. Includes Some Left Over Material From Sessions That Marked The Beginning Of The Cool Era. more
	The Complete Birth Of The Cool New Import - B0029468-01 Sealed 2019 2LP All Analogue Mono Reissue, Remastered From The Original Session Tapes. more
	The Complete Birth Of The Cool Used - Vinyl - M-11026 1972 Reissue. Vinyl Is VG++. Includes Some Left Over Material From Sessions That Marked The Beginning Of The Cool Era. more
	The Man With The Horn Used - Vinyl - FC 36790 1981 US repress with the original printed inner sleeve. "Miles Davis' first comeback record finds the trumpeter a bit shaky (he would improve album by album during the next few years) and has a few poppish throwaway tracks; it is doubtful if anyone really remembers the title cut or "Shout." But with Bill Evans on soprano and electric bassist Marcus Miller, the other four selections are more rewarding with Davis forming the nucleus of his new band." AMG - Scott Yanow. more
	The Man With The Horn Used - Vinyl - FC 36790 1981 US repress with the original printed inner sleeve. VG++/NM-. "Miles Davis' first comeback record finds the trumpeter a bit shaky (he would improve album by album during the next few years) and has a few poppish throwaway tracks; it is doubtful if anyone really remembers the title cut or "Shout." But with Bill Evans on soprano and electric bassist Marcus Miller, the other four selections are more rewarding with Davis forming the nucleus of his new band." AMG - Scott Yanow. more
	The Man With The Horn Used - Vinyl - 25AP 2095 1981 Japanese Pressing With Obi. Appears Unplayed. more
	The New Miles Davis Quintet New - Vinyl - SMJ 6531 New, Unplayed Japanese Pressing With Obi. more
	The Prestige 10-Inch LP Collection, Vol. 1 New - Vinyl - PRS-36009-01 Sealed 2014 Limited Edition, Record Store Day Exclusive, Cloth-Bound Box Set Containing Five 10 Inch Albums. more
	The Sorcerer Used - Vinyl - 23AP 2570 Japanese Pressing, No Obi, CC, Hint Of Ring Wear At Top Of Jacket, LP Appears Unplayed. more
	The Sorcerer Colored Vinyl - CS 9532 Sealed 2017 Limited Edition 180gm Orchid Purple Vinyl Stereo Reissue. Exclusive To Vinyl Me Please Club Members Only. more
	Time After Time Used - 12 - 05125 1984 Picture Sleeve 12 Inch, B/W "Katia." Front And Back Cover Art By Miles. more
	Tribute To Jack Johnson Used - Vinyl - KC 30455 Beautiful First Pressing Original Featuring The Original Cover Art. Features Herbie Hancock, John McLaughlin, Steve Grossman, Billy Cobham And Michael Henderson. Bearley Visible Hint Of Ring Wear Near The Top Of The Jacket. LP Appears Unplayed. more
	Tribute To Jack Johnson Audiophile - Vinyl - MFSL 1-440 Sealed, 2015 Numbered, Limited Edition 180gm LP Housed In Gatefold Cover. Mastered On Mobile Fidelity’s World-Renowned Mastering System And Pressed At RTI. Considered To Be The Greatest Jazz-Rock Record Ever Made. Features Herbie Hancock, John McLaughlin, Steve Grossman, Billy Cobham And Michael Henderson. more
	Tribute To Jack Johnson New - Vinyl - KC 30455 Sealed, Rare 1971 First Press Original Featuring The Original Profile Photo Of Miles. Features Herbie Hancock, John McLaughlin, Steve Grossman, Billy Cobham And Michael Henderson. The Original Music Odyssey Price Tag Is Still Intact On The Shrink Wrap. Later Pressings Had The Front And Back Cover Art Switched. more
	Tune Up New - Vinyl - P 24077 Sealed 1977 All Analogue Mono 2LP Gatefold Featuring The Late Jim Marshall's Iconic Black & White Cover Photo Of Miles In The Ring At Newman's Gym In San Francisco In 1971 (No Longer There) Where He Used To Work Out. While Sparring He Was Quoted As Saying "Don't Hit Me In The Mouth, I Gotta Play Tonight." more
	Tutu New - Vinyl - 25490 Sealed 1986 Vinyl Rarity. Two Custom Album Hype Stickers On Shrink Wrap. Small Saw Cut. more
	Tutu Audiophile - Vinyl - 25490 Sealed, Long Out Of Print 180gm HQ Vinyl Revival Series. Numbered, Limited Edition. This Is Number 1224. more
	Tutu Used - Vinyl - 25490 Beautiful 1986 Original Still In Shrink. Two Custom Album Stickers On Shrink Wrap And Custom Inner Sleeve. more
	Tutu New - Vinyl - 25490 Sealed 1986 Vinyl Rarity. Two Custom Album Hype Stickers On Shrink Wrap. Clean COH. more
	Tutu Audiophile - Vinyl - 7599-25490 Sealed, Long Out Of Print 1997 Numbered Limited Edition 180gm Import. This Is Low Number 0335. Custom Hype Stickers On The Front And Rear Covers. more
	Tutu New - Vinyl - 25490 Sealed 1986 Vinyl Rarity. Two Custom Album Hype Stickers On Shrink Wrap. Difficult To Find Without A Saw Cut. Pristine Copy. more
	Tutu Used - Vinyl - 25490 1986 Vinyl Rarity. Two Custom Album Hype Stickers On Cover (Front And Back) Plus Gold Promo Stamp. Difficult To Find Without A Saw Cut. Appears Unplayed. Perhaps His Best Album Of The 1980's. more
	Tutu New Import - 0081227955434 Sealed 2015 180gm 2LP Deluxe Edition Originally Released As A Single LP. Variant With. WB Logo On Rear Cover. Includes The Original Tutu Album Remastered And An Extra LP Of A Previously Unavailable Live Performance From The Miles Davis Octet At Nice's Jazz Festival In 1986. The Packaging Is A Replica Of The Original Vinyl Album, Including Stickers, LP Labels And Irving Penn's Beautiful And Iconic Photographs. Features Liner Notes By Leading Jazz Writer Ashley Kahn, Who Interviewed Marcus Miller And Tommy Lipuma Especially For This Reissue. more
	Tutu Used - Vinyl - 25490 1986 Original, Allied Pressing. Comes With Original Custom Inner Sleeve. Produced By Marcus Miller And Tommy LiPuma. Glossy LP. Jacket Shows Some Wear, With Gentle Shelf Scuffing To Cover, Crease To Bottom Left Corner And A Few Small Crease Lines Along Spine Edge. Saw Cut. more
	Tutu Used Import - P-13379 1986 Japan Pressing Without Obi. "Tutu" is a studio album by American jazz trumpeter Miles Davis, released in 1986. It is named after Archbishop Desmond Tutu, a South African anti-apartheid activist and Nobel Peace Prize laureate. The album was produced by Marcus Miller, who also played bass and keyboards on the record. Miller's influence is evident in the album's sound, which features synthesizers, drum machines, and other electronic instruments. The album also features collaborations with musicians such as George Duke, Omar Hakim, and Paulinho da Costa. "Tutu" received mixed reviews upon its initial release, with some critics criticizing its use of electronic instruments and others praising its innovative sound. However, it has since been recognized as a landmark album in Davis' career and a pioneering work in the fusion of jazz and electronic music. The album's success also helped to revitalize Davis' career, which had been in decline in the early 1980s. He went on to record several more albums before his death in 1991. more
	Tutu Audiophile - Used - RHF1 25490 2024 180gm Audiophile limited, numbered edition from Rhino Records; Part of their new Rhino High Fidelity series. Still in shrink with Obi style strip. more
	Vol. 3 New - 10 - BLP 5040 Sealed, Long Out Of Print 10 Inch Reissue. Recorded at Rudy Van Gelder's Studio On March 6, 1954, This Was The Emerging Trumpeter's Third Session Recorded For Blue Note. more
	Vol. 3 Audiophile - Vinyl - BN 5040 Sealed Comparison Package 33 1/3 10 Inch LP Plus Deep Groove 45rpm LP. more
	Volume 1 New - Vinyl - BST 81501 Sealed 70s Electronic Stereo Pressing Of An All-Time Classic Mono Recording. Small Cut Out Hole. more
	Volume 1 Used - Vinyl - BST 81501 1975 White b Label In Shrink. more
	Walkin' Used - Vinyl - OJC 213 Mint OJC Reissue. Features J.J. Johnson, Lucky Thompson, Horace Silver, Percy Heath & Kenny Clarke. Mono. = Prestige 7076. more
	Walkin' New - Vinyl - OJC 213 Sealed OJC Reissue. Features J.J. Johnson, Lucky Thompson, Horace Silver, Percy Heath & Kenny Clarke. Mono. = Prestige 7076. more
	Walkin' Used - Vinyl - VIJ 205 Japanese Mono Pressing, No Obi. more
	Walkin' Used - Vinyl - PRLP 7076 Beautiful 1957 Deep Groove Black & Yellow Label Mono Original, 446 W. 50th St. N.Y.C. On Labels. Features Lucky Thompson, Horace Silver And Others. more
	Walkin' Audiophile - Vinyl - 7076 Sealed, Out Of Print, Limited Edition 180gm 2LP 45rpm Set. This Is Number 0121 Of Only 1,000 Pressings. more
	Water Babies Used - Vinyl - 18AP 2072 Beautiful Japanese Pressing With Obi. Features Herbie Hancock, Tony Williams, Wayne Shorter, Ron Carter And Chick Corea. more
	Water Babies Used - Vinyl - PC 34396 Rare 1976 White Label Promo With Radio Station Timing Strip On Cover. 2A/2A Stampers. Appears Unplayed. “This Studio LP Was First Released Almost A Decade After It Was Recorded. The First Half Features The 1967 Quintet (With Wayne Shorter On Tenor And Soprano, Pianist Herbie Hancock, Bassist Ron Carter, And Drummer Tony Williams) Performing Three Otherwise Unknown Shorter Compositions. The Flip Side Finds Davis In 1968 Leading The Same Group (With Possibly Chick Corea And Dave Holland Replacing Hancock And Carter) On Two Early Fusion Jams That Look A Bit Toward Bitches Brew. Although Not An Essential Set, This Album Fills In Some Gaps During Davis's Transitional Period From Adventurous Acoustic Playing To Early Electric Performances.” Scott Yanow, AMG. more
	Water Babies New - Vinyl - 23AP 2572 New, Unplayed Japanese Pressing With Obi. more
	Water Babies Used - Vinyl - PC 34396 1976 Original Still In Shrink Wrap With Custom Sticker. LP Appears Unplayed. more
	Water Babies Used - Vinyl - PC 34396 Beautiful 80's (Barcode On Back) Reissue. Record Appears Glossy, Unplayed. more
	Water Babies Used - Vinyl - PC 34396 1976 Original Featuring Herbie Hancock, Tony Williams, Ron Carter And Wayne Shorter. Vinyl Appears Glossy. "This Studio LP Was First Released Almost A Decade After It Was Recorded. The First Half Features The 1967 Quintet (With Wayne Shorter On Tenor And Soprano, Pianist Herbie Hancock, Bassist Ron Carter, And Drummer Tony Williams) Performing Three Otherwise Unknown Shorter Compositions. The Flip Side Finds Davis In 1968 Leading The Same Group (With Possibly Chick Corea And Dave Holland Replacing Hancock And Carter) On Two Early Fusion Jams That Look A Bit Toward Bitches Brew." Scott Yanow, AMG. more
	Water Babies Used - Vinyl - PC 34396 1976 Original, Santa Maria Pressing. Featuring Herbie Hancock, Tony Williams, Ron Carter And Wayne Shorter. VG/VG+ Cover, Nice Glossy VG+ Vinyl. "This Studio LP Was First Released Almost A Decade After It Was Recorded. The First Half Features The 1967 Quintet (With Wayne Shorter On Tenor And Soprano, Pianist Herbie Hancock, Bassist Ron Carter, And Drummer Tony Williams) Performing Three Otherwise Unknown Shorter Compositions. The Flip Side Finds Davis In 1968 Leading The Same Group (With Possibly Chick Corea And Dave Holland Replacing Hancock And Carter) On Two Early Fusion Jams That Look A Bit Toward Bitches Brew." Scott Yanow, AMG. more
	Water Babies Used - Vinyl - PC 34396 1976 Original, Santa Maria Pressing, Still In Shrink With Custom Hype Sticker. Featuring Herbie Hancock, Tony Williams, Ron Carter And Wayne Shorter. Glossy Vinyl. "This Studio LP Was First Released Almost A Decade After It Was Recorded. The First Half Features The 1967 Quintet (With Wayne Shorter On Tenor And Soprano, Pianist Herbie Hancock, Bassist Ron Carter, And Drummer Tony Williams) Performing Three Otherwise Unknown Shorter Compositions. The Flip Side Finds Davis In 1968 Leading The Same Group (With Possibly Chick Corea And Dave Holland Replacing Hancock And Carter) On Two Early Fusion Jams That Look A Bit Toward Bitches Brew." Scott Yanow, AMG. more
	Water Babies Used - Vinyl - PC 34396 1977 US repressing with PC prefix, no barcode on cover. Solid VG+, some light run in noise. Featuring Herbie Hancock, Tony Williams, Ron Carter And Wayne Shorter. "This Studio LP Was First Released Almost A Decade After It Was Recorded. The First Half Features The 1967 Quintet (With Wayne Shorter On Tenor And Soprano, Pianist Herbie Hancock, Bassist Ron Carter, And Drummer Tony Williams) Performing Three Otherwise Unknown Shorter Compositions. The Flip Side Finds Davis In 1968 Leading The Same Group (With Possibly Chick Corea And Dave Holland Replacing Hancock And Carter) On Two Early Fusion Jams That Look A Bit Toward Bitches Brew." All Music Guide – Scott Yanow more
	We Want Miles Used - Vinyl - C2 38005 1982 2LP Pressing In Gatefold. more
	We Want Miles Used - Vinyl - C2 38005 1982 2LP Gatefold Original. One Of His Best Albums Of The 1980s. 1L/1F/1F/1L Stampers. Both LPs Appear Glossy, Unplayed. more
	We Want Miles Used - Vinyl - 36AP 2350-1 First Japanese Pressing We Have Seen Of This Title. 2LP Gatefold, No Obi. Both LPs Look Unplayed. Miles' Second Recording Since Ending His 6-Year Retirement Was Perhaps His Best Of The 1980's. more
	We Want Miles New Import - MOVLP207 Sealed 2011 2LP Gatefold, Exclusively Remastered Onto 180gm Audiophile Vinyl By Music On Vinyl. One Of His Best Albums Of The 1980s. more
	Workin' Used - Vinyl - OJC 296 OJC Mono Reissue In Shrink Wrap. Miles & Coltrane With Red Garland, Paul Chambers & Philly Joe Jones. Originally Released As Prestige 7166 In 1956. 5 Stars In Downbeat. more
	Workin' Used - Vinyl - PR 7166 Beautiful Blue Label With Trident Logo Mid '60s Mono Pressing. RVG Stamped In Dead Wax. Shrink Wrap Intact. Appears Unplayed. Clean COH. more
	Workin' Used - Vinyl - 7166 Unplayed 180gm HQ Reissue In White Jacket. Part Of The Analogue Productions 5LP Box Set. more
	Workin' Audiophile - Vinyl - 7166 Sealed, Out Of Print, Limited Numbered Edition 180gm HQ 45rpm 2LP Set. This Is Low Number 0121. more
	Workin' New - Vinyl - OJC 296 Sealed, Out Of Print Mono Reissue Of Prestige 7166. more
	Workin' And Steamin' Used - Vinyl - P 23034 1974 White Label Promo 2LP Gatefold Of The 1956 Prestige LPs 7166 And 7200. Features John Coltrane, Red Garland, Paul Chambers And Philly Joe Jones. Both LPs In Unplayed Condition. more
	Workin' With The Miles Davis Quintet Used - Vinyl - PRLP 7166 Stunning Deep Groove Black And Yellow Label Mono (203, South Washington Address) Housed In A Heavy-Duty Laminated Jacket. "RVG" Machine Stamped In Dead Wax. Cover Is In Stunning Condition With Crisp Corners. The Glossy LP Appears Unplayed. more
	Workin' With The Miles Davis Quintet Audiophile - Vinyl - PRLP 7166 1996 180gm Mono Test Pressing Of This Long Out Of Print Title. 5 Star Miles! more
	Workin' With The Miles Davis Quintet Audiophile - Vinyl - 7166 Out Of Print 2003 Limited Edition, Numbered 2LP 45rpm Mono Reissue. Both LPs Appear Glossy, Unplayed. This Is Number 0653. more
	You're Under Arrest Used - Vinyl - FC 40023 Gatefold Original In Shrinkwrap. more
	You're Under Arrest New - Vinyl - FC 40023 Sealed 1985 Gatefold Original. more
	You're Under Arrest Used - Vinyl - FC 40023 1985 US gatefold original with printed inner sleeve featuring custom artwork. "Miles Davis's final Columbia recording (other than Aura which was released several years later) includes his straightforward ballad interpretations of Cyndy Lauper's "Time After Time" and the Michael Jackson-associated "Human Nature," two songs he would play in most of his concerts for the remainder of his life. Other tunes (including "You're Under Arrest," "One Phone Call" and "Ms. Morrisine") were quickly discarded. In addition to Davis (who had regained his earlier chops) tenor-saxophonist Bob Berg, guitarist John Scofield and guest John McLaughlin get in a few decent solos on this competent but not overly memorable effort." AMG - Scott Yanow. more
	You're Under Arrest Used - Vinyl - FC 40023 1985 Promo Gatefold Original. LP Appears Glossy, Unplayed. more
	You're Under Arrest Used - Vinyl - FC 40023 1985 US gatefold original. Still in shrink with printed inner sleeve featuring custom artwork. "Miles Davis's final Columbia recording (other than Aura which was released several years later) includes his straightforward ballad interpretations of Cyndy Lauper's "Time After Time" and the Michael Jackson-associated "Human Nature," two songs he would play in most of his concerts for the remainder of his life. Other tunes (including "You're Under Arrest," "One Phone Call" and "Ms. Morrisine") were quickly discarded. In addition to Davis (who had regained his earlier chops) tenor-saxophonist Bob Berg, guitarist John Scofield and guest John McLaughlin get in a few decent solos on this competent but not overly memorable effort." AMG - Scott Yanow. more
	Young Man With A Horn Used - 10 - BLP 5013 Long Out of Print 10" Reissue In Shrink Wrap. Classic Records Started With The Original Session Master That Includes Alternate Takes Of A Few Of The Tunes Recorded In March 1952. The Tape Is A 15 Ips 1/4" Full Track Mono On Scotch 111 Tape Stock. The Tape Is In Great Condition For Being 50 Years Old And Represents An Important Piece Of Jazz History. The Sound Is Vintage And Lush And Was Not Limited As It Is Obvious That The Original Pressing Used For Comparison In Mastering Was. The Pressings Were Done At Erika Records In Los Angeles On Vintage Manual Presses That Feature No Groove Guard And The Classic "Deep Groove" That Blue Note Collectors Seek Out As Most Desirable. Classic Records Worked Very Closely With Erika Personnel To Help Improve Consistent Quality Across Pressings, Which Is More Difficult With Manual Presses Than With The Fully Automatic Presses Utilized At RTI. Unplayed Condition. more
	Young Man With A Horn New - Vinyl - BN 5013 Sealed 2009 Comparison Package 33 1/3 10 Inch LP Plus 45rpm 200GM Deep Groove 12 Inch LP. Classic Records Started With The Original Session Master That Includes Alternate Takes Of A Few Of The Tunes Recorded In March 1952. The Tape Is A 15 Ips 1/4" Full Track Mono On Scotch 111 Tape Stock. The Tape Is In Great Condition For Being 50 Years Old And Represents An Important Piece Of Jazz History. The Sound Is Vintage And Lush And Was Not Limited As It Is Obvious That The Original Pressing Used For Comparison In Mastering Was. The Pressings Were Done At Erika Records In Los Angeles On Vintage Manual Presses That Feature No Groove Guard And The Classic "Deep Groove" That Blue Note Collectors Seek Out As Most Desirable. Classic Records Worked Very Closely With Erika Personnel To Help Improve Consistent Quality Across Pressings, Which Is More Difficult With Manual Presses Than With The Fully Automatic Presses Utilized At RTI. more
	Young Man With A Horn Used - Vinyl - LP 5013 Heavy Vinyl Deep Groove 10 Inch Reissue. Open Copy. more

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