Doors

Vinyl Records and Rare LPs:

	13 New - Vinyl - EKS 74079 Factory Sealed. Probably A 2nd Issue, But No Bar Code On Jacket. Recorded In 1970. Includes "Light My Fire." more
	13 Used - Vinyl - 74079 Red Label 2nd Issue A3/B2 Stampers. COH. No Bare Code On Cover. more
	13 Used - Vinyl - EKS 74079 Butterfly Label Club Edition. Later Pressing. Small Side Crease. more
	13 New - Vinyl - EKS 74079 Factory Sealed 1970 LP (Label Variation Unknown), Small, Clean COH. more
	13 New - Vinyl - EKS 74079 Sealed Original With The Rare Plastic Song Hype Sticker On The Shrink Wrap. Pristine Copy. more
	13 Used - Vinyl - EKS 74079 / R-123248 Rare Record Club Issue Still In Shrink Wrap. Appears Unplayed. more
	13 New - Vinyl - EKS 74079 Factory Sealed. Probably A 2nd Issue, But No Bar Code On Jacket. Recorded In 1970. Includes "Light My Fire." more
	13 Used - Vinyl - K 42062 Beautiful 1976 UK Butterfly Label 2nd Issue Of Their 1971 Album. Appears Unplayed. more
	13 Used - Vinyl - EKS 74079 1970 Original With Custom Inner Sleeve. VG Cover With Ring Wear, Some Creasing, Corner And Edge Rubbing, Hence Price. more
	13 Used - Vinyl - R-123248 RCA Club Issue Pressing With Red Black/Red Electra Labels. more
	13 Used - Vinyl - EKS-74079 1974 US Reissue; SRC Pressing With Warner Logo In Rim Tex. Still Mostly In Shrink. "The Success And Continued Popularity Of 13 Over The Years Was A Perfect Illustration Of The Way In Which The Doors (And Their Record Label) Successfully Manipulated The Group's Image In Two Distinctly Different Directions. 13 Presented The Doors' Most Accessible, Am Radio-friendly Music, Even Bypassing Their Rather Daring Debut Single, "Break On Through," In Favor Of The Much More Popular "Light My Fire" -- Anyone Hearing This Stuff Would Perceive The Band As An Edgy Pop/rock Outfit With The Most Intensely Brooding Vocals This Side Of Elvis Presley And Lots Of Great Tunes And Better Playing. The Reality Was A Lot More Complicated -- The Doors Were A Challenging, Often Disturbing, And Very Serious Musical Entity, And A Big Chunk Of Their Work, Especially In Concert (Which Was Arguably What They Were Really About), Was Much More R-rated Than The Material On 13 Would Lead You To Expect, Trading In Fierce Sexual Imagery, Sophisticated Philosophical Ideas, And Coarse, Even Ribald Sensibilities Worthy Of The Best Bluesmen, All Wrapped Around A Unique Blend Of Poetry And Blues, R&b, And Jazz-inspired Rock. Indeed, One Begins To Fully Appreciate, Listening To What Almost Amounts To The "Doors-lite" Sensibilities Of This Collection, Just How Much Of The Group's Success, Commercial And Artistic, Was Predicated On This Split, With A Certain Percentage Of Those Millions Of Listeners Of The Singles Making The Leap, Crossing Over To The More Serious Side Of Their Work And Taking In Those Albums As Well As The Concerts. Subsequent Compilations Would Mix The Two Sides More Freely, And, Ironically Enough, Later In The Same Year As The Release Of 13, Elektra Offered The First Formal Glimpse Of That More Serious Side Of The Doors' Music With The Concert Album Absolutely Live; The Latter, Even With Its Carefully Airbrushed Cover Shot Of Lead Singer Jim Morrison -- By Then Very Scruffy Looking With His Beard -- Would Totally Miss The Mass Appeal Enjoyed By 13, With Its Focus On Blues Pieces And Decidedly Adult Works Such As "Build Me A Woman." The Latter Quickly Started Turning Up In Cutout Bins, While 13 Remained Popular For Almost Two Decades, And Became -- Along With The Group's Self-titled Debut Album -- The Most Common First Doors Album Purchased By Fans, This Despite The Fact That It Was Released Too Early To Contain Their Last Two Singles, "Love Her Madly" And "Riders On The Storm" (Which Made It Onto The More Fm-oriented Weird Scenes Inside The Gold Mine Two Years Later)." AMG - Bruce Eder. more
	13 Used - Vinyl - EKS-74079 197 original with inner sleeve. "The Success And Continued Popularity Of 13 Over The Years Was A Perfect Illustration Of The Way In Which The Doors (And Their Record Label) Successfully Manipulated The Group's Image In Two Distinctly Different Directions. 13 Presented The Doors' Most Accessible, Am Radio-friendly Music, Even Bypassing Their Rather Daring Debut Single, "Break On Through," In Favor Of The Much More Popular "Light My Fire" -- Anyone Hearing This Stuff Would Perceive The Band As An Edgy Pop/rock Outfit With The Most Intensely Brooding Vocals This Side Of Elvis Presley And Lots Of Great Tunes And Better Playing. The Reality Was A Lot More Complicated -- The Doors Were A Challenging, Often Disturbing, And Very Serious Musical Entity, And A Big Chunk Of Their Work, Especially In Concert (Which Was Arguably What They Were Really About), Was Much More R-rated Than The Material On 13 Would Lead You To Expect, Trading In Fierce Sexual Imagery, Sophisticated Philosophical Ideas, And Coarse, Even Ribald Sensibilities Worthy Of The Best Bluesmen, All Wrapped Around A Unique Blend Of Poetry And Blues, R&b, And Jazz-inspired Rock. Indeed, One Begins To Fully Appreciate, Listening To What Almost Amounts To The "Doors-lite" Sensibilities Of This Collection, Just How Much Of The Group's Success, Commercial And Artistic, Was Predicated On This Split, With A Certain Percentage Of Those Millions Of Listeners Of The Singles Making The Leap, Crossing Over To The More Serious Side Of Their Work And Taking In Those Albums As Well As The Concerts. Subsequent Compilations Would Mix The Two Sides More Freely, And, Ironically Enough, Later In The Same Year As The Release Of 13, Elektra Offered The First Formal Glimpse Of That More Serious Side Of The Doors' Music With The Concert Album Absolutely Live; The Latter, Even With Its Carefully Airbrushed Cover Shot Of Lead Singer Jim Morrison -- By Then Very Scruffy Looking With His Beard -- Would Totally Miss The Mass Appeal Enjoyed By 13, With Its Focus On Blues Pieces And Decidedly Adult Works Such As "Build Me A Woman." The Latter Quickly Started Turning Up In Cutout Bins, While 13 Remained Popular For Almost Two Decades, And Became -- Along With The Group's Self-titled Debut Album -- The Most Common First Doors Album Purchased By Fans, This Despite The Fact That It Was Released Too Early To Contain Their Last Two Singles, "Love Her Madly" And "Riders On The Storm" (Which Made It Onto The More Fm-oriented Weird Scenes Inside The Gold Mine Two Years Later)." AMG - Bruce Eder. more
	13 Used - Vinyl - EKS-74079 1970's original with inner sleeve. The enigmatic allure of 13. Not simply a number, but a mystical artifact in the annals of The Doors’ discography—a greatest hits compilation, yes, but pressed to wax in November 1970, while the band itself still drew breath. Imagine: the velvet dusk of the Morrison era, captured as Elektra scrambled to fill the void between Morrison Hotel and the coming L.A. Woman. The cover—a surrealist tableau, Jim Morrison in stark isolation from his bandmates, a visual foreshadowing of his imminent departure. First pressings, with their butterfly Elektra labels, hum with the echo of Los Angeles’ fading Summer of Love. For the record collector, 13 is a study in scarcity and subtlety. Notably, the tracklist omits some of the band's deeper cuts, focusing instead on radio-friendly fire— you won't find “The End,” or “When the Music’s Over.” This early pressings is a treat to find with its uncompressed analog warmth and tactile magic. In the twilight between eras, 13 stands as a curio: overlooked by many, but revered by those who recognize its place on the winding, psychedelic path of The Doors’ legacy. more
	Absolutely Live Used - Vinyl - EKS-9002 1983 2LP Gatefold Reissue. A Very Well Recorded Live Album For This Era. A Wonderful Representation Of The Doors Live. more
	Absolutely Live New - Vinyl - R1 9002 Factory Sealed 2009 180gm 2LP Housed In A Deluxe Gatefold Jacket. Remastered By Bruce Botnick, The Doors' Original Engineer, Using Analogue Vacuum Tube Equipment. more
	Absolutely Live New - Vinyl - R1 9002 Factory Sealed 2010 180gm 2LP Housed In A Deluxe Gatefold Jacket. Remastered By Bruce Botnick, The Doors' Original Engineer, Using Analogue Vacuum Tube Equipment. No Hype Sticker. more
	Absolutely Live Colored Vinyl - RCV1-9002 Sealed 2017 Black Friday RSD First Release, Silver Foil Numbered, Limited Edition 2LP Exclusive Pressed On Midnight Blue Vinyl And Housed In A Gatefold Jacket. Originally Released In 1970, Absolutely Live Was The First Live Album Released By The Doors And Featured Concerts Recorded In 1969 And 1970. Contains Compositions Not Found On Any Doors Studio Albums Including "Build Me A Woman," Universal Mind" And "The Celebration Of The Lizard." Remastered By Bruce Botnick, The Doors' Original Engineer. Custom Hype Sticker And Silver Foil RSD Sticker On Shrink. more
	Absolutely Live New Import - P-6349~50E New, Unplayed 1979 Japanese 2LP Gatefold With Obi. One Of The Most Critically Acclaimed Live Records. A True Portal Into The Doors Mystical World. more
	Absolutely Live Used - Vinyl - EKS-9002 1970 2LP Gatefold Original With Inner Sleeve. "Absolutely Live" is a double live album by the rock band The Doors, released in July 1970 by Elektra Records. This album captures the raw energy and dynamic performances of The Doors during their 1970 tour. It is notable for its inclusion of live renditions of some of their classic tracks, such as "Who Do You Love?" and "Build Me a Woman." The album also features the first release of the song "Celebration of the Lizard," a lengthy and experimental piece that showcases Jim Morrison's poetic and theatrical style. The performances compiled in "Absolutely Live" were recorded at several different concerts, providing a comprehensive snapshot of the band's live capabilities. The production of the album was overseen by the band's long-time producer, Paul A. Rothchild, who meticulously edited and spliced together various recordings to ensure the highest quality representation of the band's live sound. "Absolutely Live" is celebrated for its authenticity, capturing the spontaneous and often unpredictable nature of The Doors' live shows. Jim Morrison's charismatic presence and the band's tight musicianship are evident throughout the album, making it a significant release for fans and a valuable document of The Doors' legacy as a live act. It reached No. 8 on the Billboard 200 chart, further cementing the band's popularity and influence during that era. more
	Absolutely Live New - Vinyl - R1 9002 Factory Sealed 2010 180gm 2LP Housed In A Deluxe Gatefold Jacket. Remastered By Bruce Botnick, The Doors' Original Engineer, Using Analogue Vacuum Tube Equipment. No Hype Sticker. Absolutely Live is a dynamic double live album by the legendary American rock band The Doors, released in July 1970. Capturing the raw energy and improvisational spirit of their concerts, the album features recordings from performances held between 1969 and 1970 across various U.S. cities. Unlike a standard live album, Absolutely Live showcases The Doors' ability to blend blues, rock, and psychedelia, prominently highlighting Jim Morrison’s charismatic vocals and poetic delivery, Ray Manzarek’s haunting keyboard work, Robby Krieger’s guitar finesse, and John Densmore’s powerful drumming. The album includes fan favorites like “Break On Through (To the Other Side)” and “Soul Kitchen,” as well as the epic, multi-part centerpiece “Celebration of the Lizard,” which had not been released in full studio form. Absolutely Live stands out in The Doors’ discography as a testament to their reputation as innovative and unpredictable live performers. The album’s seamless editing creates the effect of a single continuous concert, immersing the listener in the band’s unique atmosphere. For fans searching for authentic 1970s rock experiences or live classic rock albums, Absolutely Live offers an unfiltered glimpse into The Doors’ legendary stage presence and musicianship. Over the years, this record has become a significant reference point for enthusiasts of live rock albums and continues to attract new listeners seeking the true essence of The Doors in concert. more
	Absolutely Live New - Vinyl - P-6349~50E Sealed Japanese 2LP Gatefold With Obi. Old "You Music Plus" $27.99 Price Tag Over Shrink. more
	Absolutely Live New - Vinyl - EKS 9002 Factory Sealed 2LP Gatefold Original. No Cut-Out Marks. This Pristine Copy Has The Original Tower Records $5.66 Price Tag On The Shrink. more
	Absolutely Live New - Vinyl - EKS 9002 Factory Sealed 1970 2LP Gatefold Original, Small, Clean COH. more
	Absolutely Live New - Vinyl - 2EKS 9002 Sealed 1970 Canadian Gatefold Original. COH. more
	Absolutely Live New - Vinyl - EKS 9002 Sealed, Rare 1970 2LP Original Housed In A Gatefold Jacket With No Cut Outs. This Was Recorded From live performances in cities throughout the U.S. between August, 1969 and June, 1970. Providing A Historical Portal Into The Doors Mystic World. Print Registration Is Off. more
	Alive She Cried Used - Vinyl - 60269 1983 White Label Promo Featuring Previously Unreleased Songs. more
	Alive She Cried New - Vinyl - 60269 Sealed 1983 Original Featuring All Previously Unreleased Material. Custom Song Hype Sticker On Shrink Wrap. COH. more
	Alive She Cried New - Vinyl - 60269-1 Sealed 1983 Original. Difficult To Find Without Saw Cuts. Small RCA Record Club Stamp On Back Cover. more
	Alive She Cried Used - Vinyl - P 11430 Japanese Pressing With Obi. more
	Alive, She Cried New - Vinyl - E1 60269 Sealed 1983. more
	Alive, She Cried Used - Vinyl - 9 60269-1 1983 White Label Original Featuring All Previously Unreleased Material. Custom Song Hype Sticker On Shrink Wrap. LP Appears Glossy. more
	Alive, She Cried Used Import - P-11430 1983 Japan Pressing With Obi And Insert. Recorded Live At The End Of The Doors Short Life Enabling For A Great Sound Reproduction And Performance. more
	Alive, She Cried Used - Vinyl - 9 60269-1 1983 US original Allie pressing. Solid VG+ player; Small corner crease. Featuring all previously unreleased material. "For the first 17 years of their history, the only official live Doors album was Absolutely Live, which had its virtues -- especially as it captured elements of their harder, more ambitious repertoire -- but also left more casual fans rather cold, owing to the absence of any of their biggest hits. Alive, She Cried helped solve that problem, including as it did a concert version of "Light My Fire" and also adding a legendary concert piece -- their rendition of Van Morrison's mid-'60s Them-era classic "Gloria" -- to the Doors' official Elektra Records discography. The release was extremely popular but it also revealed the reason why "Light My Fire" had not made it onto the prior live album, which was principally a matter of Jim Morrison's boredom with a song not his own that he'd performed too many times by 1970, and also owing to the fact that the band had done about 90 percent of everything they were going to do with the song in its original album version; Morrison is at his most inspired and involved on the "Graveyard Poem" that he interjects during the break, and everything else is an elaboration of the extended jam originally heard on the studio recording. [Alive, She Cried was later combined with Live at the Hollywood Bowl and Absolutely Live in the In Concert two-CD set.]" All Music Guide – Bruce Eder more
	An American Prayer Used - Vinyl - 5E-502 1978 or later US Club pressing housed in a gatefold jacket with 8-page booklet insert. Pressed at the PRC West plant in Compton. A rare posthumous album that rises to the occasion. A must have for any doors fan. more
	Apocalypse Now New - Vinyl - 213 Sealed And Rare 1969 "Live" Recording Housed In A Full Color Photo Sleeve. Tracks Are: "The End," "Light My Fire," "Five To One," "Break On Through" And "When The Music's Over." more
	Apocalypse Now Used - Vinyl - 213 Rare 1969 "Live" Recording. Appears Unplayed. more
	Apocalypse Now - The End / Delta Used - 12 - ELK 22 032 1979 German Only 45rpm 12 Inch Picture Sleeve. Sound Quality On This 12 Incher Is Superdisc Quality And The Helicopter Exit At The End Of Side One Is Earth-Shattering. Hi-Fi Systems, Wives, Small Animals And Loose Floor Boards Beware!! This Copy Appears New, Unplayed With Shrink Wrap Intact. more
	Apocalypse Now / The End / The Delta Used - 12 - ELK 22 032 1979 Limited Edition, 45rpm 12 Inch Housed In A Picture Sleeve. Appears Unplayed. Light Corner Crease (Bottom Right). Absolutely Stunning Sound On This Rare Doors Collectible. more
	Archives New - Vinyl - HB 9003 Sealed And Rare 2LP "Live" Recording Housed In A Full Color Jacket. Mostly Recorded In 1967 At The Matrix In San Francisco With Five Additional Songs Recorded In 1969 At The PBS Studios Of WNET, Channel 13, New York City. more
	Best Of The Doors New - Vinyl - EQ-5035 Sealed post-1980 Quadrapohnic reissue. Barcode on the back cover. more
	Best Of The Doors Used - Vinyl - 60345 Beautiful 1985 2LP White Label Promo, Gatefold Cover, Small Saw Notch. Pressed On High Quality Audiophile Vinyl. Both LPs Appear Glossy, Unplayed. more
	Best Of The Doors New - Vinyl - 6E 5035 Factory Sealed. We Believe This Is A 1973 First Pressing Of This Compilation. more
	Best Of The Doors Used - Vinyl - 62558 Rare 2000 Limited Edition 3LP Plus Bonus Twelve Inch Housed In A Tri-Fold Jacket With Custom Inner Sleeves. 37 Original Remastered Recordings Plus Bonus Densmore, Manzarek & Krieger Track Plus Bonus 12 Inch Featuring "Riders On The Storm" Remixes 2000 By Nightmares On Wax, PNAU And Others. All Four Discs Are Near Mint And The Jacket Is VG++. more
	Best Of The Doors New - Vinyl - 62558 Sealed, Rare 2000 Limited Edition 3LP Plus Bonus Twelve Inch Housed In A Tri-Fold Jacket With Custom Inner Sleeves. 37 Original Remastered Recordings Plus Bonus Densmore, Manzarek & Krieger Track Plus Bonus 12 Inch Featuring "Riders On The Storm" Remixes 2000 By Nightmares On Wax, PNAU And Others. Custom Album Hype Sticker On The Jacket. Pristine Copy. more
	Best Of The Doors Quad - Vinyl - EQ-5035 Sealed 1973 Quadraphonic First Pressing. more
	Classics New - Vinyl - 60417-1 Sealed 1985 Rarity With Custom MTV Hype Sticker On The Shrink Wrap. Features "Wild Child" And "Roadhouse Blues" Live. more
	Classics Used - Vinyl - P 13126 Rare 1985 Japanese Pressing With Obi, Appears Unplayed. more
	Classics Used - Vinyl - 60417-1 1985 US original, Allied pressing. Strong VG++ copy all the way around. A focused compilation highlighting some of the most recognizable recordings from The Doors’ catalog. Drawing from the band’s peak late-’60s output, the album captures their distinctive blend of psychedelic rock, blues influences, and Jim Morrison’s commanding vocal presence. Featuring signature tracks that defined the group’s sound, Classics offers a concise overview of the band’s dark, atmospheric style and enduring impact on rock music. A strong introduction to one of the most influential bands of the era. more
	Critique New Import - D-1985 Sealed 1971 "Live" Album With A Great Collage Of Photos On the Rear Cover. Sealed so unable to confirm exact pressing or variant more
	Critique Used - Vinyl - D 1985 Rare 1971 "Live" Recording. more
	Critique Used - Vinyl - D 1985 1971 "Live" White Label Release With Rare Blue Lettering On Front Cover. A Great Collage Of Photos On Rear Cover. more
	Curated By Record Store Day New - Vinyl - R1-537456 Sealed, Limited Edition 2013 Record Store Day Only 180gm Original. 8 Studio And Live Tracks Hand-Picked By Indie Record Store Owners. Includes Rare Original Mono Mixes. This Is Mega Low Number 0019/7500!! more
	Doors New - Vinyl - EKS 74007 Sealed 2009 180gm Reissue With The Original Best Buy Price Tag On The Outer Poly Bag. more
	Doors Audiophile - Vinyl - MFSL 1-051 Near Mint (Jacket Has A Hint Of Ring Wear) Copy Of This Half-Speed Mastered Rarity Pressed In Japan By JVC. more
	Doors Audiophile - Vinyl - LPZ 2046 Factory Sealed Limited Edition 180gm HQ Remastered By Steve Hoffman. This Is Mega Low Number 0010. more
	Doors Audiophile - Vinyl - MFSL 1-051 Factory Sealed 1981 Half-Speed Master Pressed In Japan By JVC. Thinnest Bottom Center Seam Split We Have Ever Seen, Hence Price. more
	Doors Audiophile - Vinyl - LPZ 2046 Factory Sealed 1992 Limited Edition 180gm HQ Remastered By Steve Hoffman. This Is Number 1602. more
	Doors Used - Vinyl - MFSL 1-051 Very Slight Ring Wear. more
	Doors Used - Vinyl - EKS 74007 UK Red Label Pressing. LP Is Mint, Unplayed. COH. more
	Doors Used - Vinyl - P-6411E Japanese Pressing With Obi. Some Spindle Marks. more
	Doors New - Vinyl - EKS 74007 Sealed 1971 All Analogue Pressing. (Label Variation Unknown) No Bar Code On Jacket. Gold Record Award Logo Is Part Of Jacket Art. more
	Doors New - Vinyl - EKS 74007 Sealed Stereo, Label Variation Unknown, No Bar Code On Jacket 1970's Pressing. Small Tear On Spine Where Shrink Has Torn Accounted For In Price. more
	Doors Used - Vinyl - EKS 74007 Red Label Stereo Early 70's Issue In Shrink With Licorice Pizza Stickers, No Bar Code On Jacket. more
	Doors Audiophile - Vinyl - MFSL 1-051 1981 Half-Speed Mastered Rarity Pressed In Japan By JVC. Appears Glossy, Unplayed. more
	Doors Audiophile - Vinyl - SVLP 0011 Sealed, Long Out Of Print 1997 180gm HQ Stereo Reissue. more
	Doors New - Vinyl - R1 519559 Sealed 180gm Gatefold Reissue Mastered At Bernie Grundman And Pressed At RTI. Features The Original Stereo Mix. Original Artwork Has Been Replicated, Including The Inner Sleeve. more
	Doors Audiophile - Vinyl - LPZ 2046 Factory Sealed Limited Edition 180gm HQ Remastered By Steve Hoffman. This Is Low Number 0441. more
	Doors Audiophile - Vinyl - MFSL 1-051 Factory Sealed 1981 Half-Speed Master Pressed In Japan By JVC. Small Scrape On Bottom Front Cover (See Scan), Hence Reduced Price. more
	Doors Used - Vinyl - 42 012 German Reissue (Barcode On Back) In Glossy, Unplayed Condition. Cover Is A Strong VG++. First Track Listed On Back Cover Is Misspelled As "Break On Trough." more
	Doors New - Vinyl - 42 012 (EKS 74 007) Sealed, Out Of Print Limited Edition 180gm Stereo Reissue. more
	Doors Used - Vinyl - R2-558716 2017 180gm Mono Reissue In Hard Bound Book Style Cover, Numbered (05864). Includes (3) CD's And 12 Page Booklet. Minor Edge Wear On Cover. LP Appears Unplayed. more
	Doors Special Used - Vinyl - NBC 81-9 1981 3LP Radio Show Pressed On 100% Pure Virgin Vinyl. more
	Doors Vinyl Box Used - Vinyl - 74881 2008 Limited Edition, Numbered 7LP 180gm HQ Vinyl Box Set Encased In Luxurious Faux Lizard Skin. All 7LPs Appear Glossy, Unplayed. Includes The Original Stereo Mixes Of All Six Morrison-Fronted Doors Albums, As Well As The Original Mono Mix Of The Band's Classic Debut. Lacquers Were Cut At Bernie Grundman Mastering Under The Supervision Of Original Producer Bruce Botnick And Elektra Founder Jac Holzman (4 Page Color Brochure Of The Cutting Room Included). This Set Is Limited To 12,500 Copies Worldwide, With Little More Than Half That Number Allocated For The US. Each Box Is Individually Foil Numbered On The Outside. This Is Set Number 08796. more
	Doors Vinyl Box Box Set - New - 74881 Factory Sealed 2008 Limited Edition, Out Of Print, Numbered 7LP 180gm HQ Vinyl Box Set Encased In Faux Lizard Skin. Includes The Original Stereo Mixes Of All Six Morrison-Fronted Doors Albums, As Well As The Original Mono Mix Of The Band's Classic Debut. Lacquers Were Cut At Bernie Grundman Mastering Under The Supervision Of Original Producer Bruce Botnick And Elektra Founder Jac Holzman (4 Page Color Brochure Of The Cutting Room Included). This Set Is Limited To 12,500 Copies Worldwide, With Little More Than Half That Number Allocated For The US. Each Box Is Individually Foil Numbered On The Outside. more
	Doors-Test Pressing Audiophile - Vinyl - MFSL 1-063 Rare Half-Speed Mastered Test Pressing Of An All-Time Classic. Unplayed Condition. more
	First Flash Of Eden Used - Vinyl - 62002 (TTR 9002) Rare 1995 "Live" Release Recorded At The Isle Of Wright Festival August 29th, 1970. LP Appears Unplayed. more
	Full Circle Used - Vinyl - EKS 75038 Beautiful 1972 Butterfly Label Original Housed In A Quadra-Fold Gimmick Cover With All The Die-Cut Figures Completely Intact. A1/B1 Stampers. Appears Unplayed. more
	Full Circle Used - Vinyl - EKS 75038 1972 Butterfly Label Original Pitman Pressing, Housed In A Quadra-Fold Gimmick Cover With All The Die-Cut Figures Completely Intact. A CP/B CP Stampers. Cut Corner, With Light Edge & Corner Rub Spots. more
	Full Circle Used - Vinyl - EKS 75038 Beautiful 1972 White Label Promo, Gatefold Jacket With Promo Song Hype Sticker. Unplayed Condition. more
	Full Circle New - Vinyl - EKS 75038 Sealed Gatefold Original, CC. more
	Full Circle New - Vinyl - EKS 75038 Factory Sealed 1972 Gatefold Original, Small CC. more
	Gloria Used - 12 - EAOR 4942 Mint 1983 Two-Track WLP-Only 12". Taken From "Alive, She Cried". "Dirty LP Version On One Side And Clean Edit On The Flip. more
	Gloria / Love Me Two Times Used - 12 - E9774T 1983 UK 45rpm 12 Inch Picture Sleeve. more
	Greatest Hits New - Vinyl - 5E 515 Sealed 1980 First Pressing Cut At Precision Lacquers (No Bar Code On Back Cover). Tiny Start Of Seam Crack On Top Seam. more
	Greatest Hits New - Vinyl - 5E 515 Sealed 1980 Columbia House Record Club Only First Pressing (No UPC Code On Jacket). Surprisingly Outstanding Sound. more
	Greatest Hits Used - Vinyl - 5E 515 Rare 1980 White Label Promo With Gold Promo Stamped Cover. LP Has A Few Chips On The Very Edge (Before Lead-In Grooves), Accounted For In Price. If Perfect, $50. more
	Greatest Hits New - Vinyl - 5E 515 Sealed 1980 First Pressing With The Original Record Store Price Tag On The Shrink Wrap (No UPC Code On Jacket). Surprisingly Outstanding Sound. more
	Greatest Hits Used - Vinyl - 5E 515 1980 Columbia House Record Club Only First Pressing (No UPC Code On Jacket) In Shrink. Surprisingly Outstanding Sound. more
	Greatest Hits Used Import - P-10936E 1980 Japanese Pressing With OBI, Original Inner & Insert. Glossy Vinyl, Slight Crease Bottom Right Corner. more
	Greatest Hits Used - Vinyl - 5E 515 1980 Original (No Bar Code On Back Cover). Light Creasing To The Cover & Light Corner Rubs. Color Inner Sleeve And Lyric Sheet. A Perfect LP To Start Your Weekend. more
	Greatest Hits Used Import - P-10936E 1980 Japanese Pressing With OBI, Original Inner & Insert. Glossy Vinyl. Slight Corner Ding. more
	Greatest Hits Colored Vinyl - New - 081227905798 Sealed 2020 Limited Edition White Vinyl Pressing. more
	Greatest Hits Used - Vinyl - 5E-515 1980 2nd pressing with color inner sleeve. "The Doors' Greatest Hits" is a compelling collection that captures the essence of one of rock music's most enigmatic and influential bands. Released in 1980, this album serves as an accessible portal into the psychedelic and poetic world of The Doors, featuring tracks that span their career from 1967 to 1971. The album includes iconic songs such as "Light My Fire," which showcases Ray Manzarek's revolutionary keyboard work and the charismatic allure of Jim Morrison's vocals. "Riders on the Storm" exemplifies the band's penchant for blending jazz influences with rock, while "People Are Strange" and "Break on Through (To the Other Side)" highlight their ability to infuse existential themes into captivating melodies. The collection also features "Roadhouse Blues," a track that captures the raw, bluesy energy that defined much of their live performances. The album is a testament to the band’s ability to push musical boundaries, with Robby Krieger's innovative guitar work and John Densmore's dynamic drumming creating a unique sound that remains influential. For those new to The Doors, this greatest hits compilation is an essential introduction to their groundbreaking work, while longtime fans will appreciate the timeless quality of their most beloved tracks. more
	Greatest Hits Used - Vinyl - 5E-515 Mid-80's US reissue on red & black Elektra label; VG++/EX vinyl. Housed in the first jacket without barcode. Includes original printed inner sleeve. "Originally released in 1980 to coincide with the Jim Morrison biography No One Here Gets Out Alive, the life of Greatest Hits began as a ten-track release on vinyl that acted as a very succinct introduction to the Doors, with several of the band's most enduring songs -- "Light My Fire," "Break on Through," "Touch Me," "Hello, I Love You," "Riders on the Storm" -- included. The only poor choice was "Not to Touch the Earth," which could have been replaced with any number of more significant songs in the band's catalog. When Elektra reissued the title on CD in the mid-'90s, the label removed "Not to Touch the Earth" and added a couple additional tracks to the program. This time, the extended version of "The Ghost Song," which had surfaced on the reissue of An American Prayer (the original version is a couple minutes shorter), was the poor choice -- it too is not the kind of thing a casual fan needs on an overview. As of 2006, a better choice for a single-disc Doors compilation remained Rhino's The Very Best of the Doors. The two-disc Legacy: The Absolute Best, released in 2003, is truly the best place to begin. [The Japanese edition of Greatest Hits adds "Wintertime Love."]" All Music Guide – Andy Kellman more
	Greatest Hits Used Import - P-10936E 1980 Japanese Pressing With OBI, Original Inner & Insert. Glossy Vinyl. Slight Corner Ding. more
	In Concert Used - Vinyl - 7559-61082 Rare 1991 3LP Tri-Fold Cover Original. All Three LPs Appear Unplayed. more
	Infinite Box Audiophile - Vinyl - APP DOORS 45 Sealed, Out Of Print 2013 Gold Foil Numbered Limited Edition Box Set Featuring The 6 Morrison Era Albums Pressed On 45rpm 200gm Double LPs Mastered From The Original Analog Sources. The Box Also Includes A Full-Sized Full Color Heavy Stock Booklet Featuring Album Notes And A Short Interview Conducted Just Before Jim Morrison's Death By Ben Fong-Torres. This Is Number 2029. more
	Inner View Parts 1-4 Used - Vinyl - 14-1 Beautiful 1976 4LP Radio Show. more
	Jim Morrison-An American Prayer New - Vinyl - 5E 502 Sealed 1978 Gatefold Original With 8 Page Booklet. more
	Jim Morrison-An American Prayer Used - Vinyl - 5E-502 1978 Gatefold Original With 8 Page Booklet & Hype Sticker, Red Label Electra. A Rare Posthumous Album That Rises To The Occasion. A Must Have For Any Doors Fan. Unplayed Condition. Clean Cut Out Hole. 8 Page Booklet Is Somewhat Precariously Held Into Center Spread. more
	Jim Morrison-An American Prayer New - Vinyl - 5E 502 1978 Gatefold Original With 8 Page Booklet, Red Label Electra. Unplayed Condition. more
	L. A. Woman-Long Box New - CD - EKS 75011-2 Rare, Long Out Of Print Factory Sealed Card Long Box. more
	L.A. Woman Used - Vinyl - EKS 75011 Rare 1971 White Label Promo In Original Die-Cut Cover With Yellow Inner Sleeve. Custom Gold Song Sticker On Top Right Corner, Clean COH. Beautiful Copy And The First WLP We Have Seen In Many Years. more
	L.A. Woman Used - Vinyl - EKS 75011 Stunning Butterfly Label Original Embossed, Die-Cut Cover With Yellow Inner Sleeve. A1/B2 Stampers!!! One Of The Best Copies We Have seen In A Long Time And Despite What Has Been Written In The Audio Press Of Late, This Has More Natural Sound Than The 180gm German Reissue. more
	L.A. Woman Audiophile - Vinyl - LPZ 2050 Factory Sealed, Limited Edition 180gm HQ With Die-Cut Cover. One Of The Most Sought-After DCC Titles. This Is Mega Low Number 0010. Pristine. more
	L.A. Woman New - Vinyl - EKS 75011 Sealed 2nd Issue, Non Die-Cut Cover, No Bar Code, Tiny Saw Cut. more
	L.A. Woman Used - Vinyl - EKS 75011 Rare Die-Cut Cover (Rounded Corners, But Without Cut-Out Centre Piece) Original Label. Custom Song Sticker Over Shrink Wrap And Yellow Inner Sleeve. Old Music Odyssey $3.99 Sticker Over Shrink. more
	L.A. Woman New - Vinyl - EKS 75011 Factory Sealed. This Is The First Copy We Have Ever Seen That Has The Rounded Corners, But Without The Die-Cut Centre Piece - A Strange, Anomalous Variation. Clean COH. more
	L.A. Woman Used - Vinyl - P 10503E Beautiful Japanese Pressing, No Obi, Non Die-Cut Cover. LP Looks Unplayed. more
	L.A. Woman Audiophile - Vinyl - 60328 Long Out Of Print, 180gm HQ Deluxe Edition Reissue Mastered From The Original Analogue Master Tapes. Features A Superb Die-Cut, Embossed Cover Reproduction Of The Original With Rounded Corners And Yellow Inner Sleeve. This Brilliant Remastering Received Raves In The Audiophile Press And On-Line Digests With Many Audiophiles Reporting That It Is The Best Sounding Version Of This Five Star Album Ever Released. Appears Unplayed. more
	L.A. Woman New - Vinyl - EKS 75011 Sealed 2nd Issue, Non Die-Cut Cover. No Bar Code On Jacket. Tiny Saw Cut. more
	L.A. Woman Used - Vinyl - EKS 75011 Beautiful Butterfly Label Original Pressing In Embossed Die-Cut Jacket Still In Shrink Wrap. more
	L.A. Woman New - Vinyl - R1 74881 2009 180gm HQ Gatefold Reissue. Original Stereo Mixes. Repro Die-Cut Jacket With Rounded Corners. more
	L.A. Woman Audiophile - Vinyl - LPZ 2050 Factory Sealed 1998 Limited Edition 180gm HQ Housed In An Embossed, Die-Cut Jacket With Yellow Inner Sleeve. Remastered By Steve Hoffman. This Is Number 0708. Pristine Copy. more
	L.A. Woman New - Vinyl - EKS 75011 Sealed And Absolutely Pristine Embossed Jacket With Rounded Corners 2nd Issue (Non Die-Cut Center). more
	L.A. Woman Audiophile - Vinyl - LPZ 2050 Factory Sealed 1998 Limited Edition 180gm HQ Reissue Housed In An Embossed, Die-Cut Jacket With Yellow Inner Sleeve. Remastered By Steve Hoffman. This Is Super Low Number 0037. Archival Quality Copy. more
	L.A. Woman Audiophile - Vinyl - APP 75011-45 Sealed 2013 200gm 45rpm 2LP Housed In A Deluxe Gatefold Jacket. more
	L.A. Woman Used - Vinyl - EKS 75011 1971 Butterfly Label Original Housed In A Die-Cut Cover With The Rare, Custom "Riders On The Storm" Plastic Hype Sticker (Earliest Pressings Only) On The Shrink Wrap Along With The Original L.S. Ayres Price Tag. Also Includes The Original Yellow Inner Sleeve. LP Appears Unplayed. more
	L.A. Woman Audiophile - Vinyl - 7559-60328 Factory Sealed, Limited Edition, Long Out Of Print, 180gm HQ Deluxe Edition Reissue Mastered From The Original Analogue Master Tapes. Features A Superb Die-Cut, Embossed Cover Reproduction Of The Original With Rounded Corners And Yellow Inner Sleeve. This Brilliant Remastering Received Raves In The Audiophile Press And On-Line Digests With Many Audiophiles Reporting That It Is The Best Sounding Version Of This Five Star Album Ever Released. more
	L.A. Woman Used - Vinyl - EKS 75011 Rare Canadian Black & Red Label With "Love Her Madly" As Part Of The Front Cover Art And Unusual Recessed Center Of Labels. Appears Unplayed. more
	L.A. Woman Audiophile - Vinyl - APP 75011-45 New, Unplayed 2012 200gm 2LP 45rpm Remastered QRP Test Pressing. more
	L.A. Woman New - Vinyl - EKS 75011 Sealed 2nd Issue (Pre-Bar Code) Housed In A Non Die-Cut Jacket. The Original Record Store Price Tag Is Still Intact On The Shrink Wrap. more
	L.A. Woman Used - Vinyl - P-10503E 1978 Japanese Pressing With Obi & Insert. "The Final Album With Jim Morrison In The Lineup Is By Far Their Most Blues-oriented, And The Singer's Poetic Ardor Is Undiminished, Though His Voice Sounds Increasingly Worn And Craggy On Some Numbers. Actually, Some Of The Straight Blues Items Sound Kind Of Turgid, But That's More Than Made Up For By Several Cuts That Rate Among Their Finest And Most Disturbing Work. The Seven-minute Title Track Was A Car-cruising Classic That Celebrated Both The Glamour And Seediness Of Los Angeles; The Other Long Cut, The Brooding, Jazzy "Riders On The Storm," Was The Group At Its Most Melodic And Ominous. It And The Far Bouncier "Love Her Madly" Were Hit Singles, And "The Changeling" And "L'america" Count As Some Of Their Better Little-heeded Album Tracks. An Uneven But Worthy Finale From The Original Quartet." AMG Review by Richie Unterberger. more
	L.A. Woman Audiophile - Used - LPZ-2050 1998 180gm HQ Remastered Reissue. Lacquers Cut By Steve Hoffman. Deluxe Embossed Die-Cut Cover With Yellow Inner Sleeve. This Is Number 0968. Small Seam Split To Top Edge. "The Final Album With Jim Morrison In The Lineup Is By Far Their Most Blues-oriented, And The Singer's Poetic Ardor Is Undiminished, Though His Voice Sounds Increasingly Worn And Craggy On Some Numbers. Actually, Some Of The Straight Blues Items Sound Kind Of Turgid, But That's More Than Made Up For By Several Cuts That Rate Among Their Finest And Most Disturbing Work. The Seven-minute Title Track Was A Car-cruising Classic That Celebrated Both The Glamour And Seediness Of Los Angeles; The Other Long Cut, The Brooding, Jazzy "Riders On The Storm," Was The Group At Its Most Melodic And Ominous. It And The Far Bouncier "Love Her Madly" Were Hit Singles, And "The Changeling" And "L'america" Count As Some Of Their Better Little-heeded Album Tracks. An Uneven But Worthy Finale From The Original Quartet." AMG Review By Richie Unterberger. more
	L.A. Woman New Import - ELK 42 090 Sealed Beautiful German Reissue. Only Version We Have Had With The Band Name Printed In Black Ink. Tiny Top Seam Split. more
	L.A. Woman Used Import - P-6416E 1980 Japan Pressing With Obi And Insert. Light Bottom Corner Crease. The Doors Last Album Delivers A Different Direction Which Intrigues The Fan In Believing Great Things Where Lying Ahead. "Riders On The Storm", "L.A. Woman" & "Love Her Madly" Became FM Radio Standards. more
	L.A. Woman Used Import - P-10503E 1978 Japanese Pressing With Obi & Insert. "The Final Album With Jim Morrison In The Lineup Is By Far Their Most Blues-oriented, And The Singer's Poetic Ardor Is Undiminished, Though His Voice Sounds Increasingly Worn And Craggy On Some Numbers. Actually, Some Of The Straight Blues Items Sound Kind Of Turgid, But That's More Than Made Up For By Several Cuts That Rate Among Their Finest And Most Disturbing Work. The Seven-minute Title Track Was A Car-cruising Classic That Celebrated Both The Glamour And Seediness Of Los Angeles; The Other Long Cut, The Brooding, Jazzy "Riders On The Storm," Was The Group At Its Most Melodic And Ominous. It And The Far Bouncier "Love Her Madly" Were Hit Singles, And "The Changeling" And "L'america" Count As Some Of Their Better Little-heeded Album Tracks. An Uneven But Worthy Finale From The Original Quartet." AMG Review by Richie Unterberger. more
	L.A. Woman New - Vinyl - EKS 75011 Sealed, Latest Run Of The 2009 Reissue On 180gm Vinyl Pressed At RTI. Housed In A Custom Die-Cut Jacket With Rounded Corners To Replicate The Original. "The Final Album With Jim Morrison In The Lineup Is By Far Their Most Blues-Oriented, And The Singer's Poetic Ardor Is Undiminished, Though His Voice Sounds Increasingly Worn And Craggy On Some Numbers. Actually, Some Of The Straight Blues Items Sound Kind Of Turgid, But That's More Than Made Up For By Several Cuts That Rate Among Their Finest And Most Disturbing Work. The Seven-Minute Title Track Was A Car-Cruising Classic That Celebrated Both The Glamour And Seediness Of Los Angeles; The Other Long Cut, The Brooding, Jazzy "Riders On The Storm," Was The Group At Its Most Melodic And Ominous. It And The Far Bouncier "Love Her Madly" Were Hit Singles, And "The Changeling" And "L'America" Count As Some Of Their Better Little-Heeded Album Tracks. An Uneven But Worthy Finale From The Original Quartet." AMG - Richie Unterberger. more
	L.A. Woman Audiophile - Used - LPZ-2050 Rare 1998 LE #1574, 180gm HQ Remastered Reissue. Lacquers Cut By Steve Hoffman. Deluxe Embossed Die-Cut Cover With Yellow Inner Sleeve. "The Final Album With Jim Morrison In The Lineup Is By Far Their Most Blues-Oriented, And The Singer's Poetic Ardor Is Undiminished, Though His Voice Sounds Increasingly Worn And Craggy On Some Numbers. Actually, Some Of The Straight Blues Items Sound Kind Of Turgid, But That's More Than Made Up For By Several Cuts That Rate Among Their Finest And Most Disturbing Work. The Seven-minute Title Track Was A Car-cruising Classic That Celebrated Both The Glamour And Seediness Of Los Angeles; The Other Long Cut, The Brooding, Jazzy "Riders On The Storm," Was The Group At Its Most Melodic And Ominous. It And The Far Bouncier "Love Her Madly" Were Hit Singles, And "The Changeling" And "L'america" Count As Some Of Their Better Little-heeded Album Tracks. An Uneven But Worthy Finale From The Original Quartet." AMG - Richie Unterberger. more
	L.A. Woman Used - Vinyl - EKS-75011 1976 US Reissue; SRC Pressing On The Green Butterfly Label. Light Bag/Sleeve Rash, Crisp Jacket In Shrink Wrap. The Doors' Final Studio Album "L.a. Woman" Is A Poignant Tribute To Their Hometown And A Fitting Farewell To Their Fans. The Album Showcases The Band At Their Most Raw And Stripped-Down, With Jim Morrison's Distinctive Vocals Leading The Charge. The Bluesy, Guitar-driven Tracks Like "The Changeling" And "L'america" Are A Nod To The Band's Early Influences, While The Title Track "L.a. Woman" Is A Hauntingly Beautiful Ode To The City They Called Home. The Album Also Features Some Of The Band's Most Underrated Tracks, Such As The Moody "Hyacinth House" And The Driving "Cars Hiss By My Window." Overall, "L.a. Woman" Is A Testament To The Doors' Enduring Legacy And A Must-listen For Any Fan Of The Band Or Classic Rock In General. more
	L.A. Woman New - Vinyl - EKS 75011 Sealed 2009 Reissue On 180gm Vinyl Pressed At RTI. No Hype Stickers, Possible Promo Copy. Housed In A Custom Die-Cut Jacket With Rounded Corners To Replicate The Original. "The Final Album With Jim Morrison In The Lineup Is By Far Their Most Blues-Oriented, And The Singer's Poetic Ardor Is Undiminished, Though His Voice Sounds Increasingly Worn And Craggy On Some Numbers. Actually, Some Of The Straight Blues Items Sound Kind Of Turgid, But That's More Than Made Up For By Several Cuts That Rate Among Their Finest And Most Disturbing Work. The Seven-Minute Title Track Was A Car-Cruising Classic That Celebrated Both The Glamour And Seediness Of Los Angeles; The Other Long Cut, The Brooding, Jazzy "Riders On The Storm," Was The Group At Its Most Melodic And Ominous. It And The Far Bouncier "Love Her Madly" Were Hit Singles, And "The Changeling" And "L'America" Count As Some Of Their Better Little-Heeded Album Tracks. An Uneven But Worthy Finale From The Original Quartet." AMG - Richie Unterberger. more
	L.A. Woman Used - Vinyl - EKS-75011 1971 original soused in a custom die-cut jacket with rounded corners and yellow insert. "The final album with Jim Morrison in the lineup is by far their most blues-oriented, and the singer's poetic ardor is undiminished, though his voice sounds increasingly worn and craggy on some numbers. Actually, some of the straight blues items sound kind of turgid, but that's more than made up for by several cuts that rate among their finest and most disturbing work. The seven-minute title track was a car-cruising classic that celebrated both the glamour and seediness of Los Angeles; the other long cut, the brooding, jazzy "Riders on the Storm," was the group at its most melodic and ominous. It and the far bouncier "Love Her Madly" were hit singles, and "The Changeling" and "L'America" count as some of their better little-heeded album tracks. An uneven but worthy finale from the original quartet." All Music Guide - Richie Unterberger. more
	L.A. Woman New - Vinyl - APP 75011-45 Sealed 2012 2LP, 200gm, 45rpm, stereo LE in gatefold. "The final album with Jim Morrison in the lineup is by far their most blues-oriented, and the singer's poetic ardor is undiminished, though his voice sounds increasingly worn and craggy on some numbers. Actually, some of the straight blues items sound kind of turgid, but that's more than made up for by several cuts that rate among their finest and most disturbing work. The seven-minute title track was a car-cruising classic that celebrated both the glamour and seediness of Los Angeles; the other long cut, the brooding, jazzy "Riders on the Storm," was the group at its most melodic and ominous. It and the far bouncier "Love Her Madly" were hit singles, and "The Changeling" and "L'America" count as some of their better little-heeded album tracks. An uneven but worthy finale from the original quartet." All Music Guide - Richie Unterberger. more
	L.A. Woman Audiophile - Used - LPZ-2050 Rare 1998 LE #1574, 180gm HQ Remastered Reissue. Lacquers Cut By Steve Hoffman. Deluxe Embossed Die-Cut Cover With Yellow Inner Sleeve. "The Final Album With Jim Morrison In The Lineup Is By Far Their Most Blues-Oriented, And The Singer's Poetic Ardor Is Undiminished, Though His Voice Sounds Increasingly Worn And Craggy On Some Numbers. Actually, Some Of The Straight Blues Items Sound Kind Of Turgid, But That's More Than Made Up For By Several Cuts That Rate Among Their Finest And Most Disturbing Work. The Seven-minute Title Track Was A Car-cruising Classic That Celebrated Both The Glamour And Seediness Of Los Angeles; The Other Long Cut, The Brooding, Jazzy "Riders On The Storm," Was The Group At Its Most Melodic And Ominous. It And The Far Bouncier "Love Her Madly" Were Hit Singles, And "The Changeling" And "L'america" Count As Some Of Their Better Little-heeded Album Tracks. An Uneven But Worthy Finale From The Original Quartet." AMG - Richie Unterberger. more
	L.A. Woman Audiophile - New - RHF1 75011 Sealed 2025 180gm audiophile reissue. Cut from the original analog master tapes by Kevin Gray at Cohearent Audio and pressed at Optimal Media. Housed in a heavyweight gatefold jacket with a custom obi strip. Includes an exclusive insert with recollections from band members and studio personnel compiled by Doors archivist David Dutkowski. Widely regarded as the band’s final triumph, L.A. Woman finds The Doors returning to their blues roots with newfound grit and clarity. Cut largely live in their rehearsal space, the album carries an immediacy that sets it apart from their late-period studio work. Jim Morrison’s voice—weathered, deep, and unmistakably present—anchors a set that includes some of the group’s most enduring recordings. “Riders on the Storm,” “Love Her Madly,” and the raw title track showcase a band in full command of atmosphere, groove, and lyric mystique. A seminal work in The Doors’ catalog and an essential addition to any serious rock collection. more
	L.A. Woman New - Vinyl - R1 75011 Sealed 2021 180gm Vinyl Reissue, Remastered From The Original 1971 Stereo Mix. Housed In A Custom Die-Cut Jacket With Rounded Corners To Replicate The Original With Custom Hype Sticker. "The Final Album With Jim Morrison In The Lineup Is By Far Their Most Blues-Oriented, And The Singer's Poetic Ardor Is Undiminished, Though His Voice Sounds Increasingly Worn And Craggy On Some Numbers. Actually, Some Of The Straight Blues Items Sound Kind Of Turgid, But That's More Than Made Up For By Several Cuts That Rate Among Their Finest And Most Disturbing Work. The Seven-Minute Title Track Was A Car-Cruising Classic That Celebrated Both The Glamour And Seediness Of Los Angeles; The Other Long Cut, The Brooding, Jazzy "Riders On The Storm," Was The Group At Its Most Melodic And Ominous. It And The Far Bouncier "Love Her Madly" Were Hit Singles, And "The Changeling" And "L'America" Count As Some Of Their Better Little-Heeded Album Tracks. An Uneven But Worthy Finale From The Original Quartet." AMG - Richie Unterberger. more
	L.A. Woman New - Vinyl - EKS 75011 Sealed, Latest Run Of The 2009 Reissue On 180gm Vinyl Pressed At RTI. Housed In A Custom Die-Cut Jacket With Rounded Corners To Replicate The Original. "The Final Album With Jim Morrison In The Lineup Is By Far Their Most Blues-Oriented, And The Singer's Poetic Ardor Is Undiminished, Though His Voice Sounds Increasingly Worn And Craggy On Some Numbers. Actually, Some Of The Straight Blues Items Sound Kind Of Turgid, But That's More Than Made Up For By Several Cuts That Rate Among Their Finest And Most Disturbing Work. The Seven-Minute Title Track Was A Car-Cruising Classic That Celebrated Both The Glamour And Seediness Of Los Angeles; The Other Long Cut, The Brooding, Jazzy "Riders On The Storm," Was The Group At Its Most Melodic And Ominous. It And The Far Bouncier "Love Her Madly" Were Hit Singles, And "The Changeling" And "L'America" Count As Some Of Their Better Little-Heeded Album Tracks. An Uneven But Worthy Finale From The Original Quartet." AMG - Richie Unterberger. more
	L.A. Woman Audiophile - Used - APP 75011-45 2012 200gm 45rpm 2LP Housed In A Deluxe Gatefold Jacket. The Doors' final studio album, L.A. Woman, is widely considered to be a masterpiece in rock music. Released in 1971, the album features gritty, blues-inspired tracks that provide a raw and authentic picture of Los Angeles in the late 60s and early 70s. The album's title track, "L.A. Woman," is an instant classic with its catchy guitar riff and Jim Morrison's iconic vocals. Other standout tracks include "Riders on the Storm," a haunting and atmospheric song that showcases the band's experimental sound, and "Love Her Madly," a more upbeat and melodic track that features Ray Manzarek's impressive keyboard skills. L.A. Woman marked a return to form for the Doors after their previous album, Morrison Hotel, received mixed reviews. The band's decision to record the album in their own studio allowed them to experiment and take creative risks, resulting in a unique and innovative sound. The album is a fitting swan song for Jim Morrison, who would pass away just a few months after its release. L.A. Woman is a must-listen for any music lover, showcasing the Doors at their best and cementing their place in rock music history. more
	L.A. Woman Used - Vinyl - EKS-75011 1971 original soused in a custom die-cut jacket with rounded corners and yellow insert. "The final album with Jim Morrison in the lineup is by far their most blues-oriented, and the singer's poetic ardor is undiminished, though his voice sounds increasingly worn and craggy on some numbers. Actually, some of the straight blues items sound kind of turgid, but that's more than made up for by several cuts that rate among their finest and most disturbing work. The seven-minute title track was a car-cruising classic that celebrated both the glamour and seediness of Los Angeles; the other long cut, the brooding, jazzy "Riders on the Storm," was the group at its most melodic and ominous. It and the far bouncier "Love Her Madly" were hit singles, and "The Changeling" and "L'America" count as some of their better little-heeded album tracks. An uneven but worthy finale from the original quartet." All Music Guide - Richie Unterberger. more
	L.A. Woman Audiophile - Used - APP 75011-45 2012 200gm 45rpm 2LP Housed In A Deluxe Gatefold Jacket. The Doors' final studio album, L.A. Woman, is widely considered to be a masterpiece in rock music. Released in 1971, the album features gritty, blues-inspired tracks that provide a raw and authentic picture of Los Angeles in the late 60s and early 70s. The album's title track, "L.A. Woman," is an instant classic with its catchy guitar riff and Jim Morrison's iconic vocals. Other standout tracks include "Riders on the Storm," a haunting and atmospheric song that showcases the band's experimental sound, and "Love Her Madly," a more upbeat and melodic track that features Ray Manzarek's impressive keyboard skills. L.A. Woman marked a return to form for the Doors after their previous album, Morrison Hotel, received mixed reviews. The band's decision to record the album in their own studio allowed them to experiment and take creative risks, resulting in a unique and innovative sound. The album is a fitting swan song for Jim Morrison, who would pass away just a few months after its release. L.A. Woman is a must-listen for any music lover, showcasing the Doors at their best and cementing their place in rock music history. more
	L.A. Woman Used - Vinyl - EKS 75011 2009 180gm remastered reissue; Mastering by Bernie Grundman and pressed At RTI. Came from RTI without shrink, so likely early pressings of this issue! Housed in a custom die-cut jacket with rounded corners to replicate the original. "The final album with Jim Morrison in the lineup is by far their most blues-oriented, and the singer's poetic ardor is undiminished, though his voice sounds increasingly worn and craggy on some numbers. Actually, some of the straight blues items sound kind of turgid, but that's more than made up for by several cuts that rate among their finest and most disturbing work. The seven-minute title track was a car-cruising classic that celebrated both the glamour and seediness of Los Angeles; the other long cut, the brooding, jazzy "Riders on the Storm," was the group at its most melodic and ominous. It and the far bouncier "Love Her Madly" were hit singles, and "The Changeling" and "L'America" count as some of their better little-heeded album tracks. An uneven but worthy finale from the original quartet." All Music Guide – Richie Unterberger. more
	L.A. Woman Singles Box New - 7 - R7 529015 Sealed, Numbered, Limited Edition 2011 Record Store Day Black Friday 4x7" Box Set With Custom Hype Sticker On Shrink. Features Previously Unreleased Alternate Tracks In Replica Picture Sleeves From Around The World Plus A Bonus 7" Single With Band Dialogue From The Recording Sessions For The L.A. Woman Album. Also Includes Full Size Replica Of The Original L.A. Woman Promotional Poster. more
	L.A. Woman: The Workshop Sessions New - Vinyl - 528723 Sealed 2012 2LP Original Housed In A Gatefold Jacket. Three Sides of Music Plus A Laser-Etched Side 4 Featuring The Original "Electric Woman" Art Originally Included With The L.A. Woman Album. An Alternate Take On L.A. Woman, Featuring The Previously Unreleased Alternate Versions Of Songs And Studio Chatter Found On The L.A. Woman 40th Anniversary Edition. Pressed On 180-Gram Heavy Vinyl At RTI, With Lacquers Cut At Bernie Grundman Mastering. Two-LP Set. The Last Album The Doors Recorded Was Also Their Best Seller. Released In 1971, This Instant Classic Gave The World "Riders On The Storm," "Love Her Madly" And The Radio Staple "L.A. Woman." “The Charm Of This Edition Is That The Unreleased Material Is Considerably Looser Than The Finished Album. Given That There Are No Great Differences In Either Arrangements Or Lyrics -- Almost None On The Former, Nothing Notable On The Latter -- It Is The General Vibe Of These Rough Run-Throughs That Counts, As Each Alternate Take Amplifies The Comfortably Assured Virility That Is L.A. Woman's Calling Card.” Stephen Thomas Erlewine, AMG. more
	Let's Feed Ice Cream To The Rats: Live At The Matrix Part 2 - Mar. 7 & 10, 1967 New - Vinyl - R1 563063 Sealed 2018 Limited, Numbered Edition Record Store Day Exclusive 180gm Original. more
	Let's Feed Ice Cream To The Rats: Live At The Matrix Part 2 - Mar. 7 & 10, 1967 New - Vinyl - R1 563063 Sealed 2018 RSD limited edition release; #00953/13000. Three custom hype stickers on shrink. Mastered by Bruce Botnick from first generation masters. more
	Live At The Aquarius Theatre: The First Performance Audiophile - New - R1 971554 Sealed 2016 3LP 180gm clear vinyl housed in a trifold jacket. Limited to 85,000 copies. This three LP Record Store Day version of this Doors' live album features the Doors' first night of a two night stand at the Aquarius Theatre on Sunset Boulevard in Hollywood, California in 1969. more
	Live At The Aquarius Theatre: The First Performance Audiophile - New - R1 971554 Sealed 2016 3LP 180gm clear vinyl housed in a trifold jacket. #6280/8500. This three LP Record Store Day version of this Doors' live album features the Doors' first night of a two night stand at the Aquarius Theatre on Sunset Boulevard in Hollywood, California in 1969. more
	Live At The Aquarius Theatre: The First Performance Colored Vinyl - R1 971554 Sealed 2016 Promo Only 3LP Clear Vinyl Housed In A Tri-Fold Cover. Promotional Sharpie Score Through Bar Code On Back Cover. more
	Live At The Aquarius Theatre: The First Performance Colored Vinyl - R1 971554 2016 Limited Edition, Foil Numbered Record Store Day Clear Vinyl 3LP Set Housed In A Tri-Fold Cover. This Is Number 6384 of 8500. All Three LPs Appear New, Unplayed. Tiny Push On Top Right Corner, Hence Price. more
	Live At The Bowl '68 New - Vinyl - 532513 Sealed 2012 2LP 180gm HQ Gatefold Original. Includes Three Previously Unreleased Tracks ("Hello I Love You," "The Wasp (Texas Radio And The Big Beat)" And "Spanish Caravan"), Allowing The Entire Live Show To Be Released For The First Time. more
	Live At The Hollywood Bowl Used - Vinyl - 60741 1987 Original, Allied Pressing Still In Shrink. Their July 5th 1968 Show At The Hollywood Bowl. Pristine Copy! "Live At The Hollywood Bowl Was One Of A Brace Of Official Live Doors Recordings That Began Circulating Around In The 1980s, And Had The Distinction Of Being Captured On Film As Well. Like Alive, She Cried, It Covered Ground That Was Missed By Absolutely Live, Most Notably Familiar Fare Such As "Moonlight Drive" And "Unknown Soldier" -- Unfortunately, The Rendition Of Willie Dixon's "Close To You" Isn't Among The Group's Better Blues Numbers, But Otherwise This Is A Good Companion To The Other Live Archival Issues Of Its Era." AMG Review By Bruce Eder. more
	Live At The Hollywood Bowl Used - Vinyl - 60741 Hard To Find Original In Shrink With Custom Hype Sticker. Recorded In 1968, Released In 1987. Appears Unplayed. more
	Live At The Hollywood Bowl Audiophile - Vinyl - 60741 Hard To Find 1987 White Label Promo. Pressed On Quiex Virgin Vinyl. Recorded In 1968. Saw Notch. Looks Unplayed. more
	Live At The Hollywood Bowl New - Vinyl - 9 60741-1 Sealed 1987 Original Pressed On Quiex Virgin Vinyl. Recorded In 1968. Saw Notch. more
	Live At The Isle Of Wight Festival 1970 Used - Vinyl - R1 566575 2019 NON-NUMBERED 180gm 2LP remastered reissue. Corner crease. Lacquer cut by Bernie Grundman Mastering. more
	Live At The Matrix - Mar. 7, 1967 New - Vinyl - R1 559094 Sealed 2017 50th Anniversary RSD limited, numbered edition pressing #3013. Mastered by Bruce Botnick from original master tapes; Pressed at QRP. more
	Live At The Matrix - Mar. 7, 1967 New - Vinyl - R1 559094 Sealed 2017 Limited Edition Record Store Day Exclusive 180gm Original. This Is A Non-Numbered Promo Copy, Only A Handful Of Which Exist. Black Promo Mark Through Barcode.  more
	Live In Bakersfield, August 21, 1970 New - Vinyl - R1 725663 Sealed 2023 RSD Limited, numbered release; Small shrink tear. One of the most sought-after unreleased live shows of 1970, released for the first time. #2583. more
	Live In New York January 17, 1970 (First Show) New - Vinyl - 523104 Sealed, Out Of Print 2009 2LP 180gm Gatefold. Mastered Direct-To-Disk By Bruce Botnick. The Latest Addition To The Band's Acclaimed Series Of Archival Concert Releases, Live In New York Features The Doors At The Felt Forum In New York City In 1970. Recorded Just A Few Weeks Before The Release Of Morrison Hotel, This First Show From The Concerts Finds Jim Morrison, John Densmore, Robby Krieger And Ray Manzarek Locked In Tight As They Deliver Smoking Takes On Soon-To-Be-Classics From Their Forthcoming Album Including "Roadhouse Blues," "Peace Frog" And "Ship Of Fools" more
	Live In New York January 17, 1970 (First Show) Used - Vinyl - 523104 2009 2LP 180gm Gatefold. Both Records Appear Glossy, Unplayed. Includes Custom Insert. Mastered Direct-To-Disk By Bruce Botnick. The Latest Addition To The Band's Acclaimed Series Of Archival Concert Releases, Live In New York Features The Doors At The Felt Forum In New York City In 1970. Recorded Just A Few Weeks Before The Release Of Morrison Hotel, This First Show From The Concerts Finds Jim Morrison, John Densmore, Robby Krieger And Ray Manzarek Locked In Tight As They Deliver Smoking Takes On Soon-To-Be-Classics From Their Forthcoming Album Including "Roadhouse Blues," "Peace Frog" And "Ship Of Fools." more
	Live In Vancouver Canada Used - Vinyl - 91-27 Mint 1991 Promo Only Radio Show 3LP Box Set Featuring The Superstar Concert Series. more
	Lizard King Plays London New - Vinyl - Imaginary 010 Sealed 1970s Rare Unofficial Release. Live Recording From 1969. Explicit Lyrics On Front And Back Cover. more
	London Fog 1966 Box Set - New - R1-557774 Sealed 2016 Collector’s Edition Numbered Box Set. Set Is Shipped In A Special Box That Has Doors Logo And Artwork From The Set On It. Features Previously Unheard Concert Recordings On 10” Vinyl And CD Along With 8 X 10 Prints Of Unseen Photos And Replica Memorabilia. Before The Doors Took The Music Scene By Storm In 1967, They Were The House Band At The London Fog, A Sunset Strip Dive Bar Located Just Footsteps Away From The World Famous Whisky A Go Go, The Future Home Of Many Of The Band’s Most Legendary Performances. The Doors Open A Virtual Time Capsule With London Fog 1966, Previously Unreleased And Not Even Known To Exist Until Recently, This Marks The Earliest Recordings Of The Band And Finds The Quartet Mixing Blues Covers With Early Versions Of Doors Originals. more
	London Fog 1966 New - 10 - R1 557796 Sealed 2019 RSD Limited, numbered edition; #09358. Their first known live recording, captured on the Sunset Strip in 1966. "Doors super fan Nettie Pena recorded her favorite band during their stint as the house band at the L.A. nightclub London Fog, capturing seven songs from a performance held sometime in May 1966. These recordings sat undiscovered for years but surfaced at the tail-end of 2016, just as the Doors were scheduled to celebrate their 50th anniversary. London Fog 1966 features those seven songs, supplemented by two tracks of tunings that could've easily been excised, on CD and vinyl, accompanied with a bunch of memorabilia designed to entice collectors. Although the quality of the production is high -- the oversized box is handsome and the photo inserts and posters luxurious -- the attraction is the live music, the earliest known recording of the Doors. Over these seven songs, the Doors pledge allegiance to the blues, covering B.B. King's "Rock Me" and Muddy Waters' "I'm Your Hoochie Coochie Man," ending their set by stumbling through a version of "Lucille" that suggests Jim Morrison was a little reserved in comparison to Little Richard. Often, that politeness is the appeal of London Fog 1966: the Doors aren't a great blues band, emphasizing texture over rhythm, and that awkwardness is endearing on this club set. Also, this tendency reaches an unexpected fruition on "Strange Days," an original that pops up fully formed toward the end of the set. Unlike "You Make Me Real," an obvious attempt at replicating electric blues that would later resurface on Morrison Hotel, "Strange Days" is a clear progression, a statement of purpose that seems to appear out of nowhere toward the end of the set. The connection between "Strange Days" and the rest of the London Fog set is tenuous, but that's also why this collection is charming. Most of the time, the Doors are stumbling through blues and rock & roll covers, exuding a sense of confidence that exceeds their competence, then the focus suddenly sharpens and the Doors sounds like who they were at the outset: majestic and mysterious, a group with no discernible roots. Aside from these moments, London Fog showcases a band who doesn't know its own attributes, and that's why it's worthwhile: it's the sound of a band discovering its own strengths." All Music Guide – Stephen Thomas Erlewine more
	Love Me Two Times / Midnight Drive Used - 12 - EAOR 4955 Beautiful 1983 White Label Promo Two Track Twelve Incher. more
	Moonlight Drive Used - Vinyl - TAKRL 1954 Rare "Live" Album With Pink And Blue Cover Sheet. Recorded Live At The Matrix, 1967. Yellow Spindizzie Label. LP Appears Unplayed. more
	Morrison Hotel Used - Vinyl - P-6415E Beautiful 1980 Japanese Pressing Housed In A Deluxe Gatefold Jacket With Obi And 4 Page Insert. A Solid 4.5 Stars On All Music Guide And What A Great Pressing To Listen To It On Indeed. more
	Morrison Hotel Audiophile - Vinyl - APP 75007-45 2012 200gm 45rpm 2LP Remastered Reissue QRP Test Pressing. Glossy Vinyl, Basically New. more
	Morrison Hotel New Import - 8122-79865-3 Sealed Rhino Reissue, 180gm HQ Gatefold Reissue. Original Stereo Mixes. No RTI Hype Sticker, So Can't Confirm It Is An RTI Pressing. "In Late 1969, The Doors Were Reeling. That March, Singer Jim Morrison Was Charged, Tried, And Convicted Of Obscenity For Allegedly Exposing Himself At A Concert In Miami. It Resulted In Promoters Canceling Future Gigs. The July Release Of The Soft Parade Provided More Angst. Tired Of The Sound That Governed Their Previous Outings, The Band Incorporated Horn And String Arrangements With A New Melodic Accessibility. It Signaled An Unwelcome Change For Critics (Though It Did Reach Number Six And Was Radically Reappraised Posthumously). In November They Entered The Studio With Producer Paul Rothchild Exhausted, Stressed, And Angry. Going Back To Blues And R&b Basics Seemed Like The Only Direction To Pursue. Morrison Hotel Is Often Dubbed The Doors' Blues Album, Due To Raucous Opener "Roadhouse Blues," One Of The Band's Most Enduring Tunes. (Interestingly, It Was Issued As The B-side Of First Single "You Make Me Real.") Ray Manzarek Leaves Behind His Organ To Pound An Upright Piano, While Guitarist Robby Krieger Adds A Filthy Chicago-styled Riff, Prodded By A Rock Shuffle From Drummer John Densmore. The Lovin' Spoonful's John Sebastian (Using The Pseudonym "G. Puglese") Provides Its Iconic Harmonica Wail. "Waiting For The Sun" Is One Of Four Tunes Morrison Composed Himself, And A Psychedelic Holdover From The 1968 Album Bearing The Same Title. Manzarek Plays A Spacy Harpsichord As Krieger Offers Trippy Slide Guitar. "You Make Me Real" Underscores The Blues-rock Motif, With Roiling Electric Piano, Stinging Guitar Vamps, And Densmore's Swaggering Shuffle. Morrison Lords Over All With His Boozy, Baritone Roar. The Organ Returns On The Downright Funky Boogie Of "Peace Frog," As Morrison Sings Of "Blood In The Streets" Addressing The Civic Unrest Then Gripping The Nation. He Counters Near The End With A Spoken Stanza From His Optimistic Poem Newborn Awakening. "Ship Of Fools" Contains Shifting Time Signatures That Cross Jazz, R&b, And Pop, While The Buoyant "Land Ho," Offers An Adventure-laden Lyric In A Sprawling Rock & Roll Sea Chanty, Where Manzarek Wields His Organ Like A Mad Calliope. Krieger's Deep, Bluesy, Minor-key Intro To "The Spy" Is Framed By Jazzy Electric Piano And Morrison's Sultry Delivery, Which Approximates A Lounge Singer. "Queen Of The Highway" Is Fueled By Densmore's Powerful Drumming And Manzarek's Creative Use Of The Rhodes Piano. One Of The Doors' Most Progressive Cuts, It Seamlessly Integrates Blues, Jazz, And Spacy Psychedelia. "Maggie Mcgill" Closes The Circle On The Blues Tip. Krieger's Unruly, Double-tracked Slide Riffs Duel With A Pulsing, Distorted Organ; Densmore Bridges Them Under Morrison's Slithering Growl -- It Foreshadows The Singing Style He Displayed So Abundantly On L.a. Woman In 1971. Blues And R&b Were Foundational To The Doors' Musical Vocabulary. They Employed Them To Some Degree On All Of Their Albums, But Never As Consistently, Adeptly, Or Provocatively As They Did On Morrison Hotel, With Absolutely Stunning Results." AMG Review By Thom Jurek. more
	Morrison Hotel New Import - 8122-79865-3 Sealed Latest Run Of The 2009 180gm Gatefold Reissue From Rhino. Original Stereo Mixes. No RTI Hype Sticker, So Can't Confirm It Is An RTI Pressing. "In Late 1969, The Doors Were Reeling. That March, Singer Jim Morrison Was Charged, Tried, And Convicted Of Obscenity For Allegedly Exposing Himself At A Concert In Miami. It Resulted In Promoters Canceling Future Gigs. The July Release Of The Soft Parade Provided More Angst. Tired Of The Sound That Governed Their Previous Outings, The Band Incorporated Horn And String Arrangements With A New Melodic Accessibility. It Signaled An Unwelcome Change For Critics (Though It Did Reach Number Six And Was Radically Reappraised Posthumously). In November They Entered The Studio With Producer Paul Rothchild Exhausted, Stressed, And Angry. Going Back To Blues And R&b Basics Seemed Like The Only Direction To Pursue. Morrison Hotel Is Often Dubbed The Doors' Blues Album, Due To Raucous Opener "Roadhouse Blues," One Of The Band's Most Enduring Tunes. (Interestingly, It Was Issued As The B-side Of First Single "You Make Me Real.") Ray Manzarek Leaves Behind His Organ To Pound An Upright Piano, While Guitarist Robby Krieger Adds A Filthy Chicago-styled Riff, Prodded By A Rock Shuffle From Drummer John Densmore. The Lovin' Spoonful's John Sebastian (Using The Pseudonym "G. Puglese") Provides Its Iconic Harmonica Wail. "Waiting For The Sun" Is One Of Four Tunes Morrison Composed Himself, And A Psychedelic Holdover From The 1968 Album Bearing The Same Title. Manzarek Plays A Spacy Harpsichord As Krieger Offers Trippy Slide Guitar. "You Make Me Real" Underscores The Blues-rock Motif, With Roiling Electric Piano, Stinging Guitar Vamps, And Densmore's Swaggering Shuffle. Morrison Lords Over All With His Boozy, Baritone Roar. The Organ Returns On The Downright Funky Boogie Of "Peace Frog," As Morrison Sings Of "Blood In The Streets" Addressing The Civic Unrest Then Gripping The Nation. He Counters Near The End With A Spoken Stanza From His Optimistic Poem Newborn Awakening. "Ship Of Fools" Contains Shifting Time Signatures That Cross Jazz, R&b, And Pop, While The Buoyant "Land Ho," Offers An Adventure-laden Lyric In A Sprawling Rock & Roll Sea Chanty, Where Manzarek Wields His Organ Like A Mad Calliope. Krieger's Deep, Bluesy, Minor-key Intro To "The Spy" Is Framed By Jazzy Electric Piano And Morrison's Sultry Delivery, Which Approximates A Lounge Singer. "Queen Of The Highway" Is Fueled By Densmore's Powerful Drumming And Manzarek's Creative Use Of The Rhodes Piano. One Of The Doors' Most Progressive Cuts, It Seamlessly Integrates Blues, Jazz, And Spacy Psychedelia. "Maggie Mcgill" Closes The Circle On The Blues Tip. Krieger's Unruly, Double-tracked Slide Riffs Duel With A Pulsing, Distorted Organ; Densmore Bridges Them Under Morrison's Slithering Growl -- It Foreshadows The Singing Style He Displayed So Abundantly On L.a. Woman In 1971. Blues And R&b Were Foundational To The Doors' Musical Vocabulary. They Employed Them To Some Degree On All Of Their Albums, But Never As Consistently, Adeptly, Or Provocatively As They Did On Morrison Hotel, With Absolutely Stunning Results." AMG Review By Thom Jurek. more
	Morrison Hotel Used - Vinyl - EKS-75007 1976 US Reissue Housed In A Matte Finished Gatefold Reissue On Green Butterfly Label, Still In Shrink. Strong VG++ Copy! "In Late 1969, The Doors Were Reeling. That March, Singer Jim Morrison Was Charged, Tried, And Convicted Of Obscenity For Allegedly Exposing Himself At A Concert In Miami. It Resulted In Promoters Canceling Future Gigs. The July Release Of The Soft Parade Provided More Angst. Tired Of The Sound That Governed Their Previous Outings, The Band Incorporated Horn And String Arrangements With A New Melodic Accessibility. It Signaled An Unwelcome Change For Critics (Though It Did Reach Number Six And Was Radically Reappraised Posthumously). In November They Entered The Studio With Producer Paul Rothchild Exhausted, Stressed, And Angry. Going Back To Blues And R&b Basics Seemed Like The Only Direction To Pursue. Morrison Hotel Is Often Dubbed The Doors' Blues Album, Due To Raucous Opener "Roadhouse Blues," One Of The Band's Most Enduring Tunes. (Interestingly, It Was Issued As The B-side Of First Single "You Make Me Real.") Ray Manzarek Leaves Behind His Organ To Pound An Upright Piano, While Guitarist Robby Krieger Adds A Filthy Chicago-styled Riff, Prodded By A Rock Shuffle From Drummer John Densmore. The Lovin' Spoonful's John Sebastian (Using The Pseudonym "G. Puglese") Provides Its Iconic Harmonica Wail. "Waiting For The Sun" Is One Of Four Tunes Morrison Composed Himself, And A Psychedelic Holdover From The 1968 Album Bearing The Same Title. Manzarek Plays A Spacy Harpsichord As Krieger Offers Trippy Slide Guitar. "You Make Me Real" Underscores The Blues-rock Motif, With Roiling Electric Piano, Stinging Guitar Vamps, And Densmore's Swaggering Shuffle. Morrison Lords Over All With His Boozy, Baritone Roar. The Organ Returns On The Downright Funky Boogie Of "Peace Frog," As Morrison Sings Of "Blood In The Streets" Addressing The Civic Unrest Then Gripping The Nation. He Counters Near The End With A Spoken Stanza From His Optimistic Poem Newborn Awakening. "Ship Of Fools" Contains Shifting Time Signatures That Cross Jazz, R&b, And Pop, While The Buoyant "Land Ho," Offers An Adventure-laden Lyric In A Sprawling Rock & Roll Sea Chanty, Where Manzarek Wields His Organ Like A Mad Calliope. Krieger's Deep, Bluesy, Minor-key Intro To "The Spy" Is Framed By Jazzy Electric Piano And Morrison's Sultry Delivery, Which Approximates A Lounge Singer. "Queen Of The Highway" Is Fueled By Densmore's Powerful Drumming And Manzarek's Creative Use Of The Rhodes Piano. One Of The Doors' Most Progressive Cuts, It Seamlessly Integrates Blues, Jazz, And Spacy Psychedelia. "Maggie Mcgill" Closes The Circle On The Blues Tip. Krieger's Unruly, Double-tracked Slide Riffs Duel With A Pulsing, Distorted Organ; Densmore Bridges Them Under Morrison's Slithering Growl -- It Foreshadows The Singing Style He Displayed So Abundantly On L.a. Woman In 1971. Blues And R&b Were Foundational To The Doors' Musical Vocabulary. They Employed Them To Some Degree On All Of Their Albums, But Never As Consistently, Adeptly, Or Provocatively As They Did On Morrison Hotel, With Absolutely Stunning Results." AMG - Thom Jurek. more
	Morrison Hotel Used - Vinyl - EKS-75007 1970 US Red Label Reissue In Gatefold. "In Late 1969, The Doors Were Reeling. That March, Singer Jim Morrison Was Charged, Tried, And Convicted Of Obscenity For Allegedly Exposing Himself At A Concert In Miami. It Resulted In Promoters Canceling Future Gigs. The July Release Of The Soft Parade Provided More Angst. Tired Of The Sound That Governed Their Previous Outings, The Band Incorporated Horn And String Arrangements With A New Melodic Accessibility. It Signaled An Unwelcome Change For Critics (Though It Did Reach Number Six And Was Radically Reappraised Posthumously). In November They Entered The Studio With Producer Paul Rothchild Exhausted, Stressed, And Angry. Going Back To Blues And R&b Basics Seemed Like The Only Direction To Pursue. Morrison Hotel Is Often Dubbed The Doors' Blues Album, Due To Raucous Opener "Roadhouse Blues," One Of The Band's Most Enduring Tunes. (Interestingly, It Was Issued As The B-side Of First Single "You Make Me Real.") Ray Manzarek Leaves Behind His Organ To Pound An Upright Piano, While Guitarist Robby Krieger Adds A Filthy Chicago-styled Riff, Prodded By A Rock Shuffle From Drummer John Densmore. The Lovin' Spoonful's John Sebastian (Using The Pseudonym "G. Puglese") Provides Its Iconic Harmonica Wail. "Waiting For The Sun" Is One Of Four Tunes Morrison Composed Himself, And A Psychedelic Holdover From The 1968 Album Bearing The Same Title. Manzarek Plays A Spacy Harpsichord As Krieger Offers Trippy Slide Guitar. "You Make Me Real" Underscores The Blues-rock Motif, With Roiling Electric Piano, Stinging Guitar Vamps, And Densmore's Swaggering Shuffle. Morrison Lords Over All With His Boozy, Baritone Roar. The Organ Returns On The Downright Funky Boogie Of "Peace Frog," As Morrison Sings Of "Blood In The Streets" Addressing The Civic Unrest Then Gripping The Nation. He Counters Near The End With A Spoken Stanza From His Optimistic Poem Newborn Awakening. "Ship Of Fools" Contains Shifting Time Signatures That Cross Jazz, R&b, And Pop, While The Buoyant "Land Ho," Offers An Adventure-laden Lyric In A Sprawling Rock & Roll Sea Chanty, Where Manzarek Wields His Organ Like A Mad Calliope. Krieger's Deep, Bluesy, Minor-key Intro To "The Spy" Is Framed By Jazzy Electric Piano And Morrison's Sultry Delivery, Which Approximates A Lounge Singer. "Queen Of The Highway" Is Fueled By Densmore's Powerful Drumming And Manzarek's Creative Use Of The Rhodes Piano. One Of The Doors' Most Progressive Cuts, It Seamlessly Integrates Blues, Jazz, And Spacy Psychedelia. "Maggie Mcgill" Closes The Circle On The Blues Tip. Krieger's Unruly, Double-tracked Slide Riffs Duel With A Pulsing, Distorted Organ; Densmore Bridges Them Under Morrison's Slithering Growl -- It Foreshadows The Singing Style He Displayed So Abundantly On L.a. Woman In 1971. Blues And R&b Were Foundational To The Doors' Musical Vocabulary. They Employed Them To Some Degree On All Of Their Albums, But Never As Consistently, Adeptly, Or Provocatively As They Did On Morrison Hotel, With Absolutely Stunning Results." All Music Guide – Thom Jurek. more
	Morrison Hotel Used - Vinyl - EKS-75007 1970 US gatefold reissue on red Elektra label with big "E". Solid VG+ player; Vibrant textured jacket VG++ with light corner wear. "In Late 1969, The Doors Were Reeling. That March, Singer Jim Morrison Was Charged, Tried, And Convicted Of Obscenity For Allegedly Exposing Himself At A Concert In Miami. It Resulted In Promoters Canceling Future Gigs. The July Release Of The Soft Parade Provided More Angst. Tired Of The Sound That Governed Their Previous Outings, The Band Incorporated Horn And String Arrangements With A New Melodic Accessibility. It Signaled An Unwelcome Change For Critics (Though It Did Reach Number Six And Was Radically Reappraised Posthumously). In November They Entered The Studio With Producer Paul Rothchild Exhausted, Stressed, And Angry. Going Back To Blues And R&b Basics Seemed Like The Only Direction To Pursue. Morrison Hotel Is Often Dubbed The Doors' Blues Album, Due To Raucous Opener "Roadhouse Blues," One Of The Band's Most Enduring Tunes. (Interestingly, It Was Issued As The B-side Of First Single "You Make Me Real.") Ray Manzarek Leaves Behind His Organ To Pound An Upright Piano, While Guitarist Robby Krieger Adds A Filthy Chicago-styled Riff, Prodded By A Rock Shuffle From Drummer John Densmore. The Lovin' Spoonful's John Sebastian (Using The Pseudonym "G. Puglese") Provides Its Iconic Harmonica Wail. "Waiting For The Sun" Is One Of Four Tunes Morrison Composed Himself, And A Psychedelic Holdover From The 1968 Album Bearing The Same Title. Manzarek Plays A Spacy Harpsichord As Krieger Offers Trippy Slide Guitar. "You Make Me Real" Underscores The Blues-rock Motif, With Roiling Electric Piano, Stinging Guitar Vamps, And Densmore's Swaggering Shuffle. Morrison Lords Over All With His Boozy, Baritone Roar. The Organ Returns On The Downright Funky Boogie Of "Peace Frog," As Morrison Sings Of "Blood In The Streets" Addressing The Civic Unrest Then Gripping The Nation. He Counters Near The End With A Spoken Stanza From His Optimistic Poem Newborn Awakening. "Ship Of Fools" Contains Shifting Time Signatures That Cross Jazz, R&b, And Pop, While The Buoyant "Land Ho," Offers An Adventure-laden Lyric In A Sprawling Rock & Roll Sea Chanty, Where Manzarek Wields His Organ Like A Mad Calliope. Krieger's Deep, Bluesy, Minor-key Intro To "The Spy" Is Framed By Jazzy Electric Piano And Morrison's Sultry Delivery, Which Approximates A Lounge Singer. "Queen Of The Highway" Is Fueled By Densmore's Powerful Drumming And Manzarek's Creative Use Of The Rhodes Piano. One Of The Doors' Most Progressive Cuts, It Seamlessly Integrates Blues, Jazz, And Spacy Psychedelia. "Maggie Mcgill" Closes The Circle On The Blues Tip. Krieger's Unruly, Double-tracked Slide Riffs Duel With A Pulsing, Distorted Organ; Densmore Bridges Them Under Morrison's Slithering Growl -- It Foreshadows The Singing Style He Displayed So Abundantly On L.a. Woman In 1971. Blues And R&b Were Foundational To The Doors' Musical Vocabulary. They Employed Them To Some Degree On All Of Their Albums, But Never As Consistently, Adeptly, Or Provocatively As They Did On Morrison Hotel, With Absolutely Stunning Results." AMG Review By Thom Jurek. more
	Morrison Hotel New Import - 8122-79865-3 Sealed Latest Run Of The 2009 180gm Gatefold Reissue From Rhino. Original Stereo Mixes. No RTI Hype Sticker, So Can't Confirm It Is An RTI Pressing. "In Late 1969, The Doors Were Reeling. That March, Singer Jim Morrison Was Charged, Tried, And Convicted Of Obscenity For Allegedly Exposing Himself At A Concert In Miami. It Resulted In Promoters Canceling Future Gigs. The July Release Of The Soft Parade Provided More Angst. Tired Of The Sound That Governed Their Previous Outings, The Band Incorporated Horn And String Arrangements With A New Melodic Accessibility. It Signaled An Unwelcome Change For Critics (Though It Did Reach Number Six And Was Radically Reappraised Posthumously). In November They Entered The Studio With Producer Paul Rothchild Exhausted, Stressed, And Angry. Going Back To Blues And R&b Basics Seemed Like The Only Direction To Pursue. Morrison Hotel Is Often Dubbed The Doors' Blues Album, Due To Raucous Opener "Roadhouse Blues," One Of The Band's Most Enduring Tunes. (Interestingly, It Was Issued As The B-side Of First Single "You Make Me Real.") Ray Manzarek Leaves Behind His Organ To Pound An Upright Piano, While Guitarist Robby Krieger Adds A Filthy Chicago-styled Riff, Prodded By A Rock Shuffle From Drummer John Densmore. The Lovin' Spoonful's John Sebastian (Using The Pseudonym "G. Puglese") Provides Its Iconic Harmonica Wail. "Waiting For The Sun" Is One Of Four Tunes Morrison Composed Himself, And A Psychedelic Holdover From The 1968 Album Bearing The Same Title. Manzarek Plays A Spacy Harpsichord As Krieger Offers Trippy Slide Guitar. "You Make Me Real" Underscores The Blues-rock Motif, With Roiling Electric Piano, Stinging Guitar Vamps, And Densmore's Swaggering Shuffle. Morrison Lords Over All With His Boozy, Baritone Roar. The Organ Returns On The Downright Funky Boogie Of "Peace Frog," As Morrison Sings Of "Blood In The Streets" Addressing The Civic Unrest Then Gripping The Nation. He Counters Near The End With A Spoken Stanza From His Optimistic Poem Newborn Awakening. "Ship Of Fools" Contains Shifting Time Signatures That Cross Jazz, R&b, And Pop, While The Buoyant "Land Ho," Offers An Adventure-laden Lyric In A Sprawling Rock & Roll Sea Chanty, Where Manzarek Wields His Organ Like A Mad Calliope. Krieger's Deep, Bluesy, Minor-key Intro To "The Spy" Is Framed By Jazzy Electric Piano And Morrison's Sultry Delivery, Which Approximates A Lounge Singer. "Queen Of The Highway" Is Fueled By Densmore's Powerful Drumming And Manzarek's Creative Use Of The Rhodes Piano. One Of The Doors' Most Progressive Cuts, It Seamlessly Integrates Blues, Jazz, And Spacy Psychedelia. "Maggie Mcgill" Closes The Circle On The Blues Tip. Krieger's Unruly, Double-tracked Slide Riffs Duel With A Pulsing, Distorted Organ; Densmore Bridges Them Under Morrison's Slithering Growl -- It Foreshadows The Singing Style He Displayed So Abundantly On L.a. Woman In 1971. Blues And R&b Were Foundational To The Doors' Musical Vocabulary. They Employed Them To Some Degree On All Of Their Albums, But Never As Consistently, Adeptly, Or Provocatively As They Did On Morrison Hotel, With Absolutely Stunning Results." AMG Review By Thom Jurek. more
	Morrison Hotel Used - Vinyl - EKS 75007 Beautiful 1970 Deep Groove, Heavy Vinyl Red Label Original. Textured Gatefold With Original Black Inner Sleeve. Promo Sticker On Front Cover. more
	Morrison Hotel New - Vinyl - EKS 75007 Sealed Textured, Heavy Gatefold. May Be A Gold Label Or Red Label. more
	Morrison Hotel Audiophile - Vinyl - 7559 60675 Sealed, Out Of Print 2003 180gm Deluxe Edition Reissue Mastered Directly From The Original Master Tapes. Gatefold Cover. more
	Morrison Hotel New - Vinyl - EKS 75007 Sealed Gatefold, CC. Label Variation Unknown. The White Paper Inner Sleeve Is Visible, Probably Making This A 2nd Label. more
	Morrison Hotel New - Vinyl - 519556 Factory Sealed 2009 180gm HQ Gatefold Reissue. Original Stereo Mixes. more
	Morrison Hotel Used - Vinyl - EKS 75007 Red Label Columbia House Pressing Housed In A Gatefold Jacket. Appears Unplayed. more
	Morrison Hotel Used - Vinyl - EKS 75007 Rare 1970 Deep Groove, Heavy Vinyl Red Label Original Housed In A Heavy-Duty Textured Gatefold Jacket & Original Elektra Inner Sleeve. Seam Wear & Small Mark On Cover. more
	Morrison Hotel Used - Vinyl - EKS 75007 1970 Red Label Original Housed In A Textured Gatefold Cover. Not A First Pressing (Not Deep Groove, Not Heavy Vinyl). more
	Morrison Hotel New - Vinyl - EKS 75007 Sealed 70's Pressing (No Bar Code) Label Variation Unknown. Housed In A Heavy Gatefold Cover. more
	Morrison Hotel Audiophile - Vinyl - APP 75007-45 Sealed 2012 200gm 45rpm 2LP Stereo Reissue Housed In A Heavy-Duty Gatefold Cover. more
	Morrison Hotel Used - Vinyl - EKS 75007 Finest Copy We Have Ever Had In Stock Of This Stunning 1970 UK Red Label Original Housed In A Gatefold Cover. 1A/1B Stampers. From The Collection Of A Record Exec. more
	Morrison Hotel New - Vinyl - EKS 75007 Sealed Textured, Heavy Gatefold With Original "Hal's Music Center" Price Tag. May Be A Gold Label Or Red Label. more
	Morrison Hotel New - Vinyl - EKS 75007 Sealed 1976 Gatefold 2nd Issue With The Original Record Store Price Tag On The Shrink Wrap. more
	Morrison Hotel Audiophile - Vinyl - APP 75007-45 Sealed 2012 Double 200gm 45rpm LP Set Housed In A Gatefold Jacket. Cut From The Original Analog Masters By Doug Sax And Overseen By Bruce Botnick, The Doors Producer/Engineer. Pressed At QRP. more
	Morrison Hotel Audiophile - Vinyl - SJET-8218 1970 Japan Pressing. Insert And Obi. Minor Seam Wear. Foxing On Center Spread. more
	Mr. Mojo Risin' New - Vinyl - K 413 Sealed 1970 2LP "Live" Album With Full Color Front Cover Art. Sides One And Two Are The Complete Soundtrack To Feast Of Friends. Sides Three And Four Contain Clips From Interviews And TV Appearances. more
	Open Up And Bleed Colored Vinyl - DRS 1970 Rare White Vinyl "Live" Album Housed In A Full Color Jacket. Appears Unplayed. more
	Open Up And Bleed New - Vinyl - DRS 1970 Sealed Collection Of Rare Recordings. more
	Other Voices Used - Vinyl - EKS 75017 White Label Promo. COH more
	Other Voices New - Vinyl - EKS 75017 Factory Sealed 1971 Gatefold Original. Two Tiny Pin Holes At Top Left Of Jacket. more
	Other Voices New - Vinyl - EKS 75017 Sealed 1971 Gatefold, CC. Label Variation Unknown. more
	Other Voices New - Vinyl - ELK 42 104 New, Unplayed German Pressing From The Late 1980's, Gatefold Jacket. more
	Other Voices New - Vinyl - EKS 75017 Factory Sealed 1971 Gatefold. Pristine Copy. more
	Other Voices Used - Vinyl - EKS-75017 1971 US original Terre Haute pressing with cut corner; Label variant with band name print in their logo typeface. Includes original Elektra company printed inner. "To many enthusiasts, the loss of Jim Morrison (vocals/lyrics) likewise meant the passing of the Doors. Certainly the band's focal point changed on the two long-players that the trio of John Densmore (drums/vocals), Ray Manzarek (keyboards/bass pedals/vocals), and Robbie Krieger (guitar/vocals) issued in the immediate post-Morrison era. As the "surviving" Doors had been working on ideas to present to Morrison -- if and when he returned from a sabbatical in Paris, France -- there is an organic flow that had spilled over from the L.A. Woman (1970) album. Another undeniable plus to Other Voices (1971) is that after being relegated as sidemen, each of the players is given an outlet for their songs and underutilized talents. Manzarek's bluesy opener "In the Eye of the Sun" has hints of "Down So Long" and "The Changeling." However, its true earmarks are the greasy slide guitar licks proffered by Krieger during the solo, and in response to Manzarek's lead vocal. Speaking of the guitarist, he is credited with the bulk of the material, beginning with the whimsical ode to monogamy "Variety Is the Spice of Life." Particularly suitable here is Krieger's nod to the Lovin' Spoonful's "Did You Ever Have to Make Up Your Mind." The ethereal Densmore/Krieger composition "Ships w/ Sails" adopts the languid vibe of "Riders on the Storm," especially throughout the instrumental jam. Reaching back to the raw and ready sound of "Roadhouse Blues" is the semi-biographical and definitely metaphoric "Tightrope Ride" with direct references to the recently deceased Rolling Stones co-founder Brian Jones and seemingly implied about Morrison. The band charge forward in pure power trio mode with plenty of interaction between the primary participants -- most notably Krieger's fiery fretwork and Manzarek's authoritative vocals. "Down on the Farm" is one of the less stylistically cohesive numbers, vacillating from the serene and slightly Polynesian section that breaks out into a rural hoedown before reverting back again. Yet the gorgeous melody and arrangement defy any of the other (slightly dated) incongruities. The upbeat "I'm Horny, I'm Stoned" is undoubtedly a reflection of both where Krieger -- the song's author -- as well as the survivors of the emotionally frazzled '60s collective heads were at. The mixing of ennui with an underlying paranoia provides a fascinating contrast. There is a soulful everyman quality to Manzarek's embodiment of the "Wandering Musician" that reiterates his considerable range as a performer. While not an overt homage or tribute to Morrison, there are a few obvious parallels within "Hang on to Your Life." The tune progresses through several distinct musical sections as the tempo incrementally accelerates to double time before concluding in an ultimate cacophony. No subtlety needed here. Although they'd never regain their former acclaim, the Doors would take this platter into the Top 40 and pull off a successful tour behind the project. The three-person lineup wasn't done yet as Full Circle (1972) followed the next year, after which Densmore, Krieger, and Manzarek laid the Doors to rest." All Music Guide – Lindsay Planer more
	Resurrection New - Vinyl - 7371 Sealed And Hard To Find 2LP French Fan Club Release. Sides One And Two Taken From Irish T.V. Show "The Doors Are Open." Side Three Recorded In Stockholm, Sweden, 1968. Side Four Recorded In Stockholm, Sweden (Track One), Jonathan Winters TV Show (Tracks Two & Three) And Miami. more
	Resurrection Used - Vinyl - 7371 2LP "Live Recording" In Glossy Jacket, Both LPs Appear Unplayed. Sides One And Two Taken From Irish T.V. Show "The Doors Are Open." Side Three Recorded In Stockholm, Sweden, 1968. Side Four Recorded In Stockholm, Sweden (Track One), Jonathan Winters Show (Tracks Two & Three) And Miami. more
	Resurrection New - Vinyl - 25543 Sealed 1979 "Live" 2LP Original Housed In A Full Color Jacket. more
	Resurrection New - Vinyl - 7371 Sealed And Hard To Find 2LP French Fan Club Release. Sides One And Two Taken From Irish T.V. Show "The Doors Are Open." Side Three Recorded In Stockholm, Sweden, 1968. Side Four Recorded In Stockholm, Sweden (Track One), Jonathan Winters TV Show (Tracks Two & Three) And Miami. First Time We Have Seen This Slight Cover Variation With "The Doors" Printed On Either Side Of The Top Picture On Back Cover. more
	Roadhouse Blues (Live) New - 7 - R7 554301 Sealed 2016 RSD exclusive 7" single. Limited to 4000 copies. more
	Shot To Pieces New Import - PARA288LP Sealed 2019 2LP gatefold release of their rehearsal broadcast recorded at Sunset Sound Recorders Studio, February 25th 1996. more
	Soft Parade Used - Vinyl - EKS 75005 1969 Heavy Vinyl, Still In Shrink, Red (2nd) Label Gatefold. Corner Rubs & Wear To The Mouth Of The Sleeve. more
	Soft Parade Used Import - P-6414E Beautiful 1980 Japanese Gatefold With Insert And Obi. more
	Soft Parade Audiophile - Used - APP 75005-45 2013 Limited Edition 200gm 45rpm Stereo Housed In A Heavy Duty Gatefold Cover. Soft Parade, released in 1969, was the fourth studio album by the highly influential American rock band, The Doors. This album marked a departure from the band's previous blues-based sound, incorporating elements of jazz, orchestral arrangements, and even bossa nova. While some fans were put off by the change in direction, Soft Parade was a critical and commercial success, reaching number six on the US album charts. The album features some of The Doors' most iconic tracks, including the hit single "Touch Me," which reached number three on the US charts. Other standout tracks include the haunting "Wild Child," the groovy "Runnin' Blue," and the epic, eleven-minute-long "The Soft Parade." With its lush instrumentation, poetic lyrics, and Jim Morrison's powerful vocals, Soft Parade remains a must-listen for any fan of rock music, or anyone who appreciates creativity and innovation in art. more
	Soft Parade New - Vinyl - R2 596001 New, 2019 Deluxe Limited Edition Hard Cover With Hype Sticker On Shrink, #07322. 50th Anniversary Remastered, Stereo. 1LP, 3CD In A Hard Cover Gatefold Still In Shrink. Shrink Open On Top And Seam Split On Bottom. more
	Soft Parade Used Import - R2 596001 2019 Deluxe Limited Edition #07322. Cover In Excellent Condition, Very Minor Sleeve Wear. 50th Anniversary Remastered, Stereo Pressing. 1LP, 3CD In A Hard Cover Gatefold. more
	Soft Parade New - Vinyl - EKS 75005 Sealed And Pristine 1969 Gatefold. Label Variation Unknown, But May Be Original Or 2nd Issue. No Deletion Cuts. more
	Soft Parade Audiophile - Used - APP 75005-45 2013 Limited Edition 200gm 45rpm Stereo Housed In A Heavy Duty Gatefold Cover. Soft Parade, released in 1969, was the fourth studio album by the highly influential American rock band, The Doors. This album marked a departure from the band's previous blues-based sound, incorporating elements of jazz, orchestral arrangements, and even bossa nova. While some fans were put off by the change in direction, Soft Parade was a critical and commercial success, reaching number six on the US album charts. The album features some of The Doors' most iconic tracks, including the hit single "Touch Me," which reached number three on the US charts. Other standout tracks include the haunting "Wild Child," the groovy "Runnin' Blue," and the epic, eleven-minute-long "The Soft Parade." With its lush instrumentation, poetic lyrics, and Jim Morrison's powerful vocals, Soft Parade remains a must-listen for any fan of rock music, or anyone who appreciates creativity and innovation in art. more
	Soft Parade-Long Box New - CD - 75005 Rare, Long Out Of Print, Factory Sealed Long Box CD. more
	Strange Days Used - Vinyl - EKS 74014 Beautiful 1967 Gold Label Heavy Vinyl Stereo Original With Original Inner Sleeve. Appears Glossy, Unplayed. more
	Strange Days Audiophile - Vinyl - LPZ 2045 Sealed 1992 Limited Edition 180gm HQ Stereo Reissue Remastered By Steve Hoffman. This Is Number 1314. more
	Strange Days New - Vinyl - 8122-79865-1 Sealed 2009 180gm Reissue. more
	Strange Days Used - Vinyl - P 8370 Beautiful Japanese Stereo Butterfly Label With Wide Obi. more
	Strange Days Used - Vinyl - EKS 74014 Beautiful 1969 Red Label, Heavy Vinyl 2nd Issue Stereo. Shrink Wrap Still Intact With Custom "Strange Days" Sticker Still In Place. Includes The Custom Inner Sleeve With Lyrics. more
	Strange Days New - Vinyl - EKS 74014 Sealed 1970s Heavy Pressing Pressing, No Bar Code On Jacket. Thin Saw Cut. more
	Strange Days New - Vinyl - EKS 74014 Sealed, Out Of Print 180gm HQ Stereo Reissue Pressed At RTI. more
	Strange Days Used - Vinyl - P-8370E Near Mint Japanese Pressing With Obi. more
	Strange Days Audiophile - Vinyl - LPZ 2045 Sealed, Limited Edition 180gm HQ Remastered By Steve Hoffman. This Is Low Number 0548. We Are Almost Twenty Years Down The Road Since Steve Hoffman Did His Great Remasterings Of The Doors Catalog. That Means The Source Tapes Have Had Another 20 Years In Which To Deteriorate And Yet They Are Being Reissued Once Again And Each Successive Reissue Is Supposed To Be The Best Ever Version. I'm Not So Sure..... more
	Strange Days Audiophile - Vinyl - LPZ 2045 Sealed, Numbered, Limited Edition 180gm HQ Stereo Remastered By Steve Hoffman. We Are Almost Twenty Years Down The Road Since Steve Hoffman Did His Definitive, Great Remasterings Of The Doors Catalog. Wow! This Is Number 2260. more
	Strange Days Used - Vinyl - K 42016 UK Stereo Reissue. more
	Strange Days New - Vinyl - EKS 74014 Factory Sealed And Pristine Heavy Vinyl Stereo. We Believe This Is A Gold Label Original, But Can't Swear To It. more
	Strange Days Audiophile - Vinyl - LPZ 2045 Factory Sealed 1997 180gm HQ Test Pressing Remastered By Steve Hoffman. more
	Strange Days Audiophile - Vinyl - APP 74014-45 Sealed 2012 Double 200gm 45rpm LP Set Housed In A Gatefold Jacket. Mastered By Doug Sax Using An All-Tube System. Overseen By Bruce Botnick, The Doors Producer/Engineer And Pressed At QRP. more
	Strange Days Used - Vinyl - EKS 74014 1970 Red Label Pressing With Inner Sleeve. Slight Corner Ding & Spine Wear. more
	Strange Days Audiophile - Used - LPZ-2045 1992 180gm HQ Reissue With Insert. Mastered By Steve Hoffman. This Is Low Number #0585. Recorded At Sunset Sound Recorders, Hollywood. Recording First Published In September 1967. more
	Strange Days Used Import - P-6412E 1980 Japanese Pressing With Obi. Appears Glossy. more
	Strange Days Used - Vinyl - EKS 74014 Beautiful 1967 Gold Label Heavy Vinyl Stereo Original "(MON-1)" Stamped On Both Sides. Original Inner Sleeve. Vinyl Appears Glossy. Bottom Edge Wear & Wear To The Mouth of The Sleeve. more
	Strange Days Used - Vinyl - EKS-74014 1967 original (Mon 1) pressing. "Many of the songs on Strange Days had been written around the same time as the ones that appeared on The Doors, and with hindsight one has the sense that the best of the batch had already been cherry-picked for the debut album. For that reason, the band's second effort isn't as consistently stunning as their debut, though overall it's a very successful continuation of the themes of their classic album. Besides the hit "Strange Days," highlights included the funky "Moonlight Drive," the eerie "You're Lost Little Girl," and the jerkily rhythmic "Love Me Two Times," which gave the band a small chart single. "My Eyes Have Seen You" and "I Can't See Your Face in My Mind" are minor but pleasing entries in the group's repertoire that share a subdued Eastern psychedelic air. The 11-minute "When the Music's Over" would often be featured as a live showstopper, yet it also illustrated their tendency to occasionally slip into drawn-out bombast." All Music Guide - Richie Unterberger. more
	Strange Days Used - Vinyl - EKS 74014 2009 180gm remastered reissue from Rhino Records. M- copy. Lacquer cut by Bernie Grundman, pressed at RTI. These were direct from the plant un-shrink wrapped, so likely early pressings of this issue. Interestingly, Bernie also cut the lacquer for the 1974 reissue on the green Butterfly Elektra label. "Many of the songs on Strange Days had been written around the same time as the ones that appeared on The Doors, and with hindsight one has the sense that the best of the batch had already been cherry-picked for the debut album. For that reason, the band's second effort isn't as consistently stunning as their debut, though overall it's a very successful continuation of the themes of their classic album. Besides the hit "Strange Days," highlights included the funky "Moonlight Drive," the eerie "You're Lost Little Girl," and the jerkily rhythmic "Love Me Two Times," which gave the band a small chart single. "My Eyes Have Seen You" and "I Can't See Your Face in My Mind" are minor but pleasing entries in the group's repertoire that share a subdued Eastern psychedelic air. The 11-minute "When the Music's Over" would often be featured as a live showstopper, yet it also illustrated their tendency to occasionally slip into drawn-out bombast." All Music Guide – Richie Unterberger. more
	Strange Days-Long Box New - CD - 974014 Rare, Long Out Of Print Factory Sealed Long Box CD. Scan Shows Front And Back Of Box. more
	The Best Of The Doors New - Vinyl - 960 345-1 Sealed, Rare 1985 RCA Record Club 2LP Gatefold. "The Best of The Doors" is a seminal compilation that distills the groundbreaking sound and enigmatic aura of one of rock's most influential bands. Released in 1985, this album encapsulates The Doors' psychedelic and poetic journey, showcasing Jim Morrison's haunting vocals and Ray Manzarek's hypnotic keyboard work. From the iconic organ-driven "Light My Fire" to the brooding intensity of "Riders on the Storm," the collection captures the essence of The Doors' cultural impact during the turbulent 1960s. As a gateway into the band's kaleidoscopic sonic universe, "The Best of The Doors" stands as a timeless testament to their musical legacy and remains an essential addition to any rock aficionado's library. more
	The Best Of The Doors Used - Vinyl - 9 60345-1 Rare 1985 2LP WLP Original Remastered On HQ Vinyl In Gatefold And Inner Sleeves. Gold Promo Stamp On Back Cover. Saw Cut. more
	The Best Of The Doors Used - Vinyl - 6E-5035 1973 US Club Pressing. Jacket VG+, With Two Patches Of Scuffing; One Front And One Back (See Scans). Red Elektra Label With Smaller E; Custom "Manufactured By Columbia House" Sticker On Rear Cover. Pressed At The Columbia Santa Maria Plant. more
	The Best Of The Doors Used - Vinyl - 9 60345-1 Rare 1985 US 2LP White label promo remaster. Pressed on Audiophile vinyl, housed in a gatefold with Elektra company inner sleeves. more
	The Best Of The Doors Used - Vinyl - 6E-5035 1973 CRC pressing in shrink. The Doors were a groundbreaking American rock band formed in Los Angeles in 1965, renowned for their fusion of psychedelic rock, blues, and poetic lyricism. Fronted by charismatic vocalist Jim Morrison and supported by Ray Manzarek on keyboards, Robby Krieger on guitar, and John Densmore on drums, The Doors quickly gained notoriety for their provocative sound and electrifying live performances. Their innovative approach to rock music, coupled with Morrison's enigmatic persona, positioned them among the most influential bands of the late 1960s and early 1970s, with hits like "Light My Fire," "Riders on the Storm," and "Break on Through (To the Other Side)" becoming iconic tracks in classic rock history. Released in 1985, "The Best of The Doors" is a comprehensive greatest hits album that captures the essence of the band's storied career. The compilation features remastered versions of their most celebrated songs, offering both longtime fans and new listeners a definitive overview of The Doors' musical legacy. Spanning their entire discography, the album includes standout tracks from each studio release, highlighting the band's evolution and enduring influence on rock music. "The Best of The Doors" remains a top choice for those seeking an introduction to the band's catalog or a nostalgic journey through their timeless sound. more
	The Doors Used Import - P-10334E 1977 Japanese Pressing With Obi. LP Appears Glossy, Unplayed. Jacket Is NM. more
	The Doors New - Vinyl - EKS-74007 Sealed 2009 180gm HQ Virgin Vinyl Reissue Featuring The Original Stereo Mixes. Custom Hype Sticker And Silver Foil HQ-180 Sticker On Shrink. more
	The Doors New Import - P-10334E 1977 Japanese Pressing With Obi. more
	The Doors Used - Vinyl - EKS-74007 1983 Stereo Reissue In Shrink Wrap. This Is The Tough To Find Black & Red Label. Appears Glossy, Unplayed. more
	The Doors Audiophile - Used - APP 74007-45 2012 2LP 200GM 45RPM Reissue Housed In A Deluxe Gatefold Jacket And Mastered By Doug Sax Using An All-Tube System. Overseen By Bruce Botnick, The Doors Producer/Engineer. Both LPs Appear Unplayed. The Doors debut masterpiece still fetches the ear of all generations. This pressing helps you understand what it means to be an audiophile. more
	The Doors Used - Vinyl - EKS-74007 Late 70's Red Label Stereo Reissue. No Bar Code On Jacket. more
	The Doors New - Vinyl - EKS-74007 Sealed Latest Repress Of The 2009 180gm Reissue Featuring The Original Stereo Mixes. Housed In A Single Pocket Style Jacket. Rhino Records Hype Sticker, No RTI Sticker. "A Tremendous Debut Album, And Indeed One Of The Best First-time Outings In Rock History, Introducing The Band's Fusion Of Rock, Blues, Classical, Jazz, And Poetry With A Knockout Punch. The Lean, Spidery Guitar And Organ Riffs Interweave With A Hypnotic Menace, Providing A Seductive Backdrop For Jim Morrison's Captivating Vocals And Probing Prose. "Light My Fire" Was The Cut That Topped The Charts And Established The Group As Stars, But Most Of The Rest Of The Album Is Just As Impressive, Including Some Of Their Best Songs: The Propulsive "Break On Through" (Their First Single), The Beguiling Mystery Of "The Crystal Ship," The Mysterious "End Of The Night," "Take It As It Comes" (One Of Several Tunes Besides "Light My Fire" That Also Had Hit Potential), And The Stomping Rock Of "Soul Kitchen" And "Twentieth Century Fox." The 11-minute Oedipal Drama "The End" Was The Group At Its Most Daring And, Some Would Contend, Overambitious. It Was Nonetheless A Haunting Cap To An Album Whose Nonstop Melodicism And Dynamic Tension Would Never Be Equaled By The Group Again, Let Alone Bettered." AMG Review By Richie Unterberger. more
	The Doors Audiophile - Used - LPZ-2046 1992 Limited Edition 180gm HQ Remastered By Steve Hoffman. This Is Number 1156. "A Tremendous Debut Album, And Indeed One Of The Best First-time Outings In Rock History, Introducing The Band's Fusion Of Rock, Blues, Classical, Jazz, And Poetry With A Knockout Punch. The Lean, Spidery Guitar And Organ Riffs Interweave With A Hypnotic Menace, Providing A Seductive Backdrop For Jim Morrison's Captivating Vocals And Probing Prose. "Light My Fire" Was The Cut That Topped The Charts And Established The Group As Stars, But Most Of The Rest Of The Album Is Just As Impressive, Including Some Of Their Best Songs: The Propulsive "Break On Through" (Their First Single), The Beguiling Mystery Of "The Crystal Ship," The Mysterious "End Of The Night," "Take It As It Comes" (One Of Several Tunes Besides "Light My Fire" That Also Had Hit Potential), And The Stomping Rock Of "Soul Kitchen" And "Twentieth Century Fox." The 11-minute Oedipal Drama "The End" Was The Group At Its Most Daring And, Some Would Contend, Overambitious. It Was Nonetheless A Haunting Cap To An Album Whose Nonstop Melodicism And Dynamic Tension Would Never Be Equaled By The Group Again, Let Alone Bettered." AMG Review By Richie Unterberger. more
	The Doors Audiophile - Used - LPZ-2046 1992 Limited Edition 180gm HQ Remastered By Steve Hoffman. This Is Number 3246. "A Tremendous Debut Album, And Indeed One Of The Best First-time Outings In Rock History, Introducing The Band's Fusion Of Rock, Blues, Classical, Jazz, And Poetry With A Knockout Punch. The Lean, Spidery Guitar And Organ Riffs Interweave With A Hypnotic Menace, Providing A Seductive Backdrop For Jim Morrison's Captivating Vocals And Probing Prose. "Light My Fire" Was The Cut That Topped The Charts And Established The Group As Stars, But Most Of The Rest Of The Album Is Just As Impressive, Including Some Of Their Best Songs: The Propulsive "Break On Through" (Their First Single), The Beguiling Mystery Of "The Crystal Ship," The Mysterious "End Of The Night," "Take It As It Comes" (One Of Several Tunes Besides "Light My Fire" That Also Had Hit Potential), And The Stomping Rock Of "Soul Kitchen" And "Twentieth Century Fox." The 11-minute Oedipal Drama "The End" Was The Group At Its Most Daring And, Some Would Contend, Overambitious. It Was Nonetheless A Haunting Cap To An Album Whose Nonstop Melodicism And Dynamic Tension Would Never Be Equaled By The Group Again, Let Alone Bettered." AMG Review By Richie Unterberger. more
	The Doors Audiophile - Used - MFSL 1-051 1981 Half-Speed Mastered Rarity Pressed In Japan By JVC. Appears Glossy, Unplayed. more
	The Doors New Import - 8122-79865-0 Sealed, Latest Run Of The 2009 180gm Stereo Reissue. Top Edge Area Of Front Cover Shows Creasing. "A Tremendous Debut Album, And Indeed One Of The Best First-time Outings In Rock History, Introducing The Band's Fusion Of Rock, Blues, Classical, Jazz, And Poetry With A Knockout Punch. The Lean, Spidery Guitar And Organ Riffs Interweave With A Hypnotic Menace, Providing A Seductive Backdrop For Jim Morrison's Captivating Vocals And Probing Prose. "Light My Fire" Was The Cut That Topped The Charts And Established The Group As Stars, But Most Of The Rest Of The Album Is Just As Impressive, Including Some Of Their Best Songs: The Propulsive "Break On Through" (Their First Single), The Beguiling Mystery Of "The Crystal Ship," The Mysterious "End Of The Night," "Take It As It Comes" (One Of Several Tunes Besides "Light My Fire" That Also Had Hit Potential), And The Stomping Rock Of "Soul Kitchen" And "Twentieth Century Fox." The 11-minute Oedipal Drama "The End" Was The Group At Its Most Daring And, Some Would Contend, Overambitious. It Was Nonetheless A Haunting Cap To An Album Whose Nonstop Melodicism And Dynamic Tension Would Never Be Equaled By The Group Again, Let Alone Bettered." AMG - Richie Unterberger. more
	The Doors New Import - 8122-79865-0 Sealed, Latest Run Of The 2009 180gm Stereo Reissue. Top Edge Area Of Front Cover Shows Creasing. "A Tremendous Debut Album, And Indeed One Of The Best First-time Outings In Rock History, Introducing The Band's Fusion Of Rock, Blues, Classical, Jazz, And Poetry With A Knockout Punch. The Lean, Spidery Guitar And Organ Riffs Interweave With A Hypnotic Menace, Providing A Seductive Backdrop For Jim Morrison's Captivating Vocals And Probing Prose. "Light My Fire" Was The Cut That Topped The Charts And Established The Group As Stars, But Most Of The Rest Of The Album Is Just As Impressive, Including Some Of Their Best Songs: The Propulsive "Break On Through" (Their First Single), The Beguiling Mystery Of "The Crystal Ship," The Mysterious "End Of The Night," "Take It As It Comes" (One Of Several Tunes Besides "Light My Fire" That Also Had Hit Potential), And The Stomping Rock Of "Soul Kitchen" And "Twentieth Century Fox." The 11-minute Oedipal Drama "The End" Was The Group At Its Most Daring And, Some Would Contend, Overambitious. It Was Nonetheless A Haunting Cap To An Album Whose Nonstop Melodicism And Dynamic Tension Would Never Be Equaled By The Group Again, Let Alone Bettered." AMG - Richie Unterberger. more
	The Doors Used - Vinyl - EKS-74007 Late 70's Red Label Stereo Reissue. No Bar Code On Jacket. Solid VG+ Jacket. more
	The Doors Audiophile - Used - MFSL 1-051 1981 Half-Speed Mastered Rarity Pressed In Japan By JVC. Strong VG++ vinyl. Seam wear. "A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knockout punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts and established the group as stars, but most of the rest of the album is just as impressive, including some of their best songs: the propulsive "Break on Through" (their first single), the beguiling mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes" (one of several tunes besides "Light My Fire" that also had hit potential), and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox." The 11-minute Oedipal drama "The End" was the group at its most daring and, some would contend, overambitious. It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered." All Music Guide – Richie Unterberger more
	The Doors Used Import - 8122-79865-0 2009 180gm Stereo Reissue; EU Import. Includes Elektra Insert With Vintage Logo Design. Light/Minimal Shelf Wear. Lacquer Cut by Bernie Grundman; Plated at RTI; Pressed by Optimal. "A Tremendous Debut Album, And Indeed One Of The Best First-time Outings In Rock History, Introducing The Band's Fusion Of Rock, Blues, Classical, Jazz, And Poetry With A Knockout Punch. The Lean, Spidery Guitar And Organ Riffs Interweave With A Hypnotic Menace, Providing A Seductive Backdrop For Jim Morrison's Captivating Vocals And Probing Prose. "Light My Fire" Was The Cut That Topped The Charts And Established The Group As Stars, But Most Of The Rest Of The Album Is Just As Impressive, Including Some Of Their Best Songs: The Propulsive "Break On Through" (Their First Single), The Beguiling Mystery Of "The Crystal Ship," The Mysterious "End Of The Night," "Take It As It Comes" (One Of Several Tunes Besides "Light My Fire" That Also Had Hit Potential), And The Stomping Rock Of "Soul Kitchen" And "Twentieth Century Fox." The 11-minute Oedipal Drama "The End" Was The Group At Its Most Daring And, Some Would Contend, Overambitious. It Was Nonetheless A Haunting Cap To An Album Whose Nonstop Melodicism And Dynamic Tension Would Never Be Equaled By The Group Again, Let Alone Bettered." AMG - Richie Unterberger. more
	The Doors Audiophile - Used - APP 74007-45 Pristine 2012 2LP 200gm 45RPM Audiophile reissue housed in a deluxe gatefold jacket and mastered by Doug Sax using an all-tube system. Overseen By Bruce Botnick, The Doors Producer/Engineer. The Doors debut masterpiece still fetches the ear of all generations. This pressing helps you understand what it means to be an Audiophile. more
	The Doors Audiophile - Used - MFSL 1-051 1981 Half-Speed Mastered Rarity Pressed In Japan By JVC. NM vinyl; Vibrant EX jacket with light top seam wear and a crisp spine. "A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knockout punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts and established the group as stars, but most of the rest of the album is just as impressive, including some of their best songs: the propulsive "Break on Through" (their first single), the beguiling mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes" (one of several tunes besides "Light My Fire" that also had hit potential), and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox." The 11-minute Oedipal drama "The End" was the group at its most daring and, some would contend, overambitious. It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered." All Music Guide – Richie Unterberger more
	The Doors Used Import - P-6411E 1980 Japan pressing with Obi. The Doors’ self-titled debut album - released in January 1967 - remains one of the most celebrated rock records ever. Featuring classic tracks like "Light My Fire," "Break On Through (To the Other Side)," and "The End," the album showcased the band's experimental approach, fusing haunting vocals with jazz, blues, and psychedelic elements. The Doors’ debut climbed to number two on the Billboard 200 chart and left a lasting impact on the evolution of rock music, with "Light My Fire" reaching the top of the singles chart. Recognized for its raw energy and timeless appeal, "The Doors" album is regularly featured on lists of the greatest albums of all time and serves as a foundational text for fans of classic rock and 1960s music history. The Doors were an influential American rock band formed in 1965 in Los Angeles, California, comprising Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), and John Densmore (drums). Known for their poetic lyrics, dramatic stage presence, and a unique blend of rock, blues, and psychedelic music, The Doors quickly gained notoriety in the late 1960s. Jim Morrison's enigmatic persona and deep, often provocative songwriting helped set the band apart from their contemporaries, making them cultural icons of the countercultural movement. Their music, rooted in innovative organ-driven melodies and introspective themes, continues to influence rock and alternative music to this day. **The Doors’ self-titled debut album**—released in January 1967—remains one of the most celebrated rock records ever. Featuring classic tracks like "Light My Fire," "Break On Through (To the Other Side)," and "The End," the album showcased the band's experimental approach, fusing haunting vocals with jazz, blues, and psychedelic elements. The Doors’ debut climbed to number two on the Billboard 200 chart and left a lasting impact on the evolution of rock music, with "Light My Fire" reaching the top of the singles chart. Recognized for its raw energy and timeless appeal, "The Doors" album is regularly featured on lists of the greatest albums of all time and serves as a foundational text for fans of classic rock and 1960s music history. more
	The Doors Used - Vinyl - EKS-74007 1967 Original gold label stereo monarch press. Very strong copy. The self-titled debut album by The Doors is a classic rock staple that still resonates with music lovers today. Released in 1967, the record features iconic tracks such as "Break On Through (To the Other Side)," "Light My Fire," and "The End." The album is noted for its hauntingly poetic lyrics, hypnotic rhythms, and Jim Morrison's powerful vocals. The Doors broke new ground with this album, blending psychedelic rock, jazz, and blues to create a sound that was entirely their own. The record's success helped to establish the band as one of the most influential acts of the 1960s counterculture movement. Fifty years later, The Doors remains a timeless classic that continues to inspire musicians around the world. more
	The Doors Used - Vinyl - EKS-74007 Late 70's Red Label Stereo Reissue. The Doors were an iconic American rock band formed in Los Angeles in 1965, renowned for their distinctive blend of psychedelic rock, blues, and poetic lyrics. The classic lineup featured Jim Morrison (vocals), Ray Manzarek (keyboard), Robby Krieger (guitar), and John Densmore (drums). Known for their hypnotic sound and Morrison's enigmatic stage presence, The Doors quickly rose to fame with songs such as "Light My Fire," "Break On Through (To the Other Side)," and "People Are Strange." The band's music and image became emblematic of 1960s counterculture, exploring themes of rebellion, existential angst, and surrealism. Their artistry earned them a lasting legacy as one of the most influential and innovative rock bands in music history. The Doors was released in January 1967 and is widely regarded as a landmark in classic rock. The album features an eclectic mix of genres, highlighted by Manzarek's haunting organ riffs and Morrison's deep, expressive vocals. "The Doors" includes several signature tracks, most notably the chart-topping "Light My Fire," along with "The End" and "Soul Kitchen." Praised for its raw energy and lyrical depth, the record captured the spirit of the late 1960s and remains a staple for vinyl collectors and classic rock enthusiasts. Over the decades, "The Doors" has consistently been cited on lists of the greatest albums of all time and continues to influence new generations of musicians and fans. more
	The Doors Used Import - EKS 74 007 Rare 1969 German repressing on gold Elektra label with slightly reduced rim text. Housed in a laminated jacket, VG+ small corner rub. The Doors were an iconic American rock band formed in Los Angeles in 1965, renowned for their distinctive blend of psychedelic rock, blues, and poetic lyrics. The classic lineup featured Jim Morrison (vocals), Ray Manzarek (keyboard), Robby Krieger (guitar), and John Densmore (drums). Known for their hypnotic sound and Morrison's enigmatic stage presence, The Doors quickly rose to fame with songs such as "Light My Fire," "Break On Through (To the Other Side)," and "People Are Strange." The band's music and image became emblematic of 1960s counterculture, exploring themes of rebellion, existential angst, and surrealism. Their artistry earned them a lasting legacy as one of the most influential and innovative rock bands in music history. The Doors was released in January 1967 and is widely regarded as a landmark in classic rock. The album features an eclectic mix of genres, highlighted by Manzarek's haunting organ riffs and Morrison's deep, expressive vocals. "The Doors" includes several signature tracks, most notably the chart-topping "Light My Fire," along with "The End" and "Soul Kitchen." Praised for its raw energy and lyrical depth, the record captured the spirit of the late 1960s and remains a staple for vinyl collectors and classic rock enthusiasts. Over the decades, "The Doors" has consistently been cited on lists of the greatest albums of all time and continues to influence new generations of musicians and fans. more
	The Doors Used Import - P-10334E 1977 Japanese Pressing with Obi & insert. NM- vinyl in round bottom inner; Jacket is EX. "A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knockout punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts and established the group as stars, but most of the rest of the album is just as impressive, including some of their best songs: the propulsive "Break on Through" (their first single), the beguiling mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes" (one of several tunes besides "Light My Fire" that also had hit potential), and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox." The 11-minute Oedipal drama "The End" was the group at its most daring and, some would contend, overambitious. It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered." All Music Guide – Richie Unterberger more
	The Doors New - Vinyl - LPZ-2046-6 Sealed, Numbered, Limited Edition #0006 more
	The Doors Audiophile - Vinyl - P-8339E Beautiful 1973 Japan Pressing. Insert, But No Obi. Appears Unplayed. more
	The Doors-An Oliver Stone Film New - Vinyl - 61047 Factory Sealed. First Copy We Have Ever Seen Of This 1991 Columbia Record Club Only Vinyl Rarity. more
	The Night On Fire Used - Vinyl - 62001 (TTR 9001) 1981 "Live" Release Recorded At The Jahrhunderthalle, Frankfurt September 14th, 1968. LP Appears Virtually Unplayed. more
	The Soft Parade New Import - 8122-79864-9 Sealed, Latest Press Of The 2009 Gatefold Reissue. "The Weakest Studio Album Recorded With Jim Morrison In The Group, Partially Because Their Experiments With Brass And Strings On About Half The Tracks Weren't Entirely Successful. More To The Point, Though, This Was Their Weakest Set Of Material, Low Lights Including Filler Like "Do It" And "Runnin' Blue," A Strange Bluegrass-Soul Blend That Was A Small Hit. On The Other Hand, About Half The Record Is Quite Good, Especially The Huge Hit "Touch Me" (Their Most Successful Integration Of Orchestration), The Vicious Hard Rock Riffs Of "Wild Child," The Overlooked "Shaman's Blues," And The Lengthy Title Track, A Multi-Part Suite That Was One Of The Band's Best Attempts To Mix Rock With Poetry. "Tell All The People" And "Wishful Sinful," Both Penned By Robbie Krieger, Were Uncharacteristically Wistful Tunes That Became Small Hits But Were Not All That Good, And Not Sung Very Convincingly By Morrison." All Music Guide – Richie Untergerber more
	The Soft Parade Used - Vinyl - EKS-75005 1970 Red (2nd) Label Gatefold. "The Fith Studio Album Recorded Was Known For Their Experiments With Brass And Strings. More To The Point, Though, This Was Their Weakest Set Of Material, Low Lights Including Fillers Like "Do It" And "Runnin' Blue," A Strange Bluegrass-Soul Blend That Was A Small Hit. On The Other Hand, About Half The Record Is Quite Good, Especially The Huge Hit "Touch Me" (Their Most Successful Integration Of Orchestration), The Vicious Hard Rock Riffs Of "Wild Child," The Overlooked "Shaman's Blues," And The Lengthy Title Track, A Multi-Part Suite That Was One Of The Band's Best Attempts To Mix Rock With Poetry. "Tell All The People" And "Wishful Sinful," Both Penned By Robbie Krieger, Were Uncharacteristically Wistful Tunes That Became Small Hits But Were Not All That Good, And Not Sung Very Convincingly By Morrison." All Music Guide – Richie Untergerber more
	The Soft Parade New Import - R1 75005 Sealed 50th Anniversary Stereo Remastered Reissue. 180gm Vinyl Housed In A Gatefold Jacket With Custom Hype Sticker. "The Weakest Studio Album Recorded With Jim Morrison In The Group, Partially Because Their Experiments With Brass And Strings On About Half The Tracks Weren't Entirely Successful. More To The Point, Though, This Was Their Weakest Set Of Material, Low Lights Including Filler Like "Do It" And "Runnin' Blue," A Strange Bluegrass-Soul Blend That Was A Small Hit. On The Other Hand, About Half The Record Is Quite Good, Especially The Huge Hit "Touch Me" (Their Most Successful Integration Of Orchestration), The Vicious Hard Rock Riffs Of "Wild Child," The Overlooked "Shaman's Blues," And The Lengthy Title Track, A Multi-Part Suite That Was One Of The Band's Best Attempts To Mix Rock With Poetry. "Tell All The People" And "Wishful Sinful," Both Penned By Robbie Krieger, Were Uncharacteristically Wistful Tunes That Became Small Hits But Were Not All That Good, And Not Sung Very Convincingly By Morrison." AMG - Richie Untergerber. more
	The Soft Parade New Import - R1 75005 Sealed, Latest Press Of The 2009 180gm Vinyl Reissue Housed In A Gatefold Jacket With Custom Hype Sticker On Rear Cover. "The Weakest Studio Album Recorded With Jim Morrison In The Group, Partially Because Their Experiments With Brass And Strings On About Half The Tracks Weren't Entirely Successful. More To The Point, Though, This Was Their Weakest Set Of Material, Low Lights Including Filler Like "Do It" And "Runnin' Blue," A Strange Bluegrass-Soul Blend That Was A Small Hit. On The Other Hand, About Half The Record Is Quite Good, Especially The Huge Hit "Touch Me" (Their Most Successful Integration Of Orchestration), The Vicious Hard Rock Riffs Of "Wild Child," The Overlooked "Shaman's Blues," And The Lengthy Title Track, A Multi-Part Suite That Was One Of The Band's Best Attempts To Mix Rock With Poetry. "Tell All The People" And "Wishful Sinful," Both Penned By Robbie Krieger, Were Uncharacteristically Wistful Tunes That Became Small Hits But Were Not All That Good, And Not Sung Very Convincingly By Morrison." AMG - Richie Untergerber. more
	The Soft Parade Used - Vinyl - EKS-75005 1979 Butterfly Label Repress In Gatefold Jacket. more
	The Soft Parade New - Vinyl - EKS-75005 Sealed 2009 180gm HQ Stereo Reissue Housed In A Deluxe Gatefold Jacket. more
	The Soft Parade Used Import - P-10501E 1978 Japanese Promo Pressing Housed In A Gatefold Jacket. No Obi. LP Appears Glossy. "The Weakest Studio Album Recorded With Jim Morrison In The Group, Partially Because Their Experiments With Brass And Strings On About Half The Tracks Weren't Entirely Successful. More To The Point, Though, This Was Their Weakest Set Of Material, Low Lights Including Filler Like "Do It" And "Runnin' Blue," A Strange Bluegrass-Soul Blend That Was A Small Hit. On The Other Hand, About Half The Record Is Quite Good, Especially The Huge Hit "Touch Me" (Their Most Successful Integration Of Orchestration), The Vicious Hard Rock Riffs Of "Wild Child," The Overlooked "Shaman's Blues," And The Lengthy Title Track, A Multi-Part Suite That Was One Of The Band's Best Attempts To Mix Rock With Poetry. "Tell All The People" And "Wishful Sinful," Both Penned By Robbie Krieger, Were Uncharacteristically Wistful Tunes That Became Small Hits But Were Not All That Good, And Not Sung Very Convincingly By Morrison." AMG Review By Richie Untergerber. more
	The Soft Parade Audiophile - New - EKS-75005 Sealed 2009 180g stereo audiophile remastered reissue housed in a deluxe gatefold jacket. more
	Under Wraps Volume 3 Used - Vinyl - SL 87031 Hard To Find Unofficial Release. Side One Tracks Are "Roadhouse Blues," "Blood On The Streets," "Alabama Song," "Back Door Man" And "Get Together." Side Two Has "Celebration Of The Lizard (Live - Westbury, CT 1969 Part 1)." more
	Under Wraps Volume 4 Used - Vinyl - SL 87032 Rare & Hard To Find "Live" Unofficial Original From Westbury, CT 1969. Includes The Tracks "Soul Kitchen," "Light My Fire," "Build Me A Woman" And "When The Music Is Over." more
	Waiting For The Sun Audiophile - Vinyl - LPZ-2049 1998 Limited Edition Numbered Original 200gm Reissue, From DCC Compact Classics, Housed In A Gatefold Sleeve Replicating Original. Includes Lyric Insert. Lacquers Cut By Steve Hoffman #2311. 2" Seam Split Across Top Edge. "The Doors' 1967 Albums Had Raised Expectations So High That Their Third Effort Was Greeted As A Major Disappointment. With A Few Exceptions, The Material Was Much Mellower, And While This Yielded Some Fine Melodic Ballad Rock In "Love Street," "Wintertime Love," "Summer's Almost Gone," And "Yes, The River Knows," There Was No Denying That The Songwriting Was Not As Impressive As It Had Been On The First Two Records. On The Other Hand, There Were First-rate Tunes Such As The Spooky "The Unknown Soldier," With Antiwar Lyrics As Uncompromisingly Forceful As Anything The Band Did, And The Compulsively Riff-driven "Hello, I Love You," Which Nonetheless Bore An Uncomfortably Close Resemblance To The Kinks' "All Day And All Of The Night." The Flamenco Guitar Of "Spanish Caravan," The All-out Weirdness Of "Not To Touch The Earth" (Which Was A Snippet Of A Legendary Abandoned Opus, "The Celebration Of The Lizard"), And The Menacing Closer "Five To One" Were Also Interesting. In Fact, Time's Been Fairly Kind To The Record, Which Is Quite Enjoyable And Diverse, Just Not As Powerful A Full-length Statement As The Group's Best Albums." AMG Review By Richie Unterberger. more
	Waiting For The Sun Used Import - EKS-74024 Rare Canadian Red & Black Label Housed In A Unipak Cover. more
	Waiting For The Sun Audiophile - New - APP 74024-45 Sealed 2012 Analogue Productions Pressing Of The Doors 1967 3rd Release. "Hello, I Love You", "Summer's Almost Gone" And "Five To One" Are The Bigger Hits. more
	Waiting For The Sun Used - Vinyl - EKS-74024 1968 Monarch `Original Pressing. Released In A Unipak Gatefold Sleeve With "Hello, I Love You" Hype Sticker. Light Cover Wear With Hint Of Ring Wear And Two Tiny Corner Dings. more
	Waiting For The Sun Used Import - P-6413E 1980 Japan Import. "The Doors' 1967 Albums Had Raised Expectations So High That Their Third Effort Was Greeted As A Major Disappointment. With A Few Exceptions, The Material Was Much Mellower, And While This Yielded Some Fine Melodic Ballad Rock In "Love Street", "Wintertime Love", "Summer's Almost Gone," And "Yes, The River Knows," There Was No Denying That The Songwriting Was Not As Impressive As It Had Been On The First Two Records. On The Other Hand, There Were First-rate Tunes Such As The Spooky "The Unknown Soldier", With Antiwar Lyrics As Uncompromisingly Forceful As Anything The Band Did, And The Compulsively Riff-driven "Hello, I Love You", Which Nonetheless Bore An Uncomfortably Close Resemblance To The Kinks' "All Day And All Of The Night". The Flamenco Guitar Of "Spanish Caravan", The All-out Weirdness Of "Not To Touch The Earth" (Which Was A Snippet Of A Legendary Abandoned Opus, "The Celebration Of The Lizard"), And The Menacing Closer "Five To One" Were Also Interesting. In Fact, Time's Been Fairly Kind To The Record, Which Is Quite Enjoyable And Diverse, Just Not As Powerful A Full-length Statement As The Group's Best Albums." AMG Review By Richie Unterberger. more
	Waiting For The Sun Used - Vinyl - EKS-74024 Late 70s/Early 80s Red Label Gatefold Reissue. Small Corner Rubs. more
	Waiting For The Sun Audiophile - Used - LPZ-2049 1998 Limited Edition Numbered Original 200gm Reissue, From DCC Compact Classics, Housed In A Gatefold Sleeve Replicating Original. Includes Lyric Insert. Lacquers Cut By Steve Hoffman #1050. "The Doors' 1967 Albums Had Raised Expectations So High That Their Third Effort Was Greeted As A Major Disappointment. With A Few Exceptions, The Material Was Much Mellower, And While This Yielded Some Fine Melodic Ballad Rock In "Love Street," "Wintertime Love," "Summer's Almost Gone," And "Yes, The River Knows," There Was No Denying That The Songwriting Was Not As Impressive As It Had Been On The First Two Records. On The Other Hand, There Were First-rate Tunes Such As The Spooky "The Unknown Soldier," With Antiwar Lyrics As Uncompromisingly Forceful As Anything The Band Did, And The Compulsively Riff-driven "Hello, I Love You," Which Nonetheless Bore An Uncomfortably Close Resemblance To The Kinks' "All Day And All Of The Night." The Flamenco Guitar Of "Spanish Caravan," The All-out Weirdness Of "Not To Touch The Earth" (Which Was A Snippet Of A Legendary Abandoned Opus, "The Celebration Of The Lizard"), And The Menacing Closer "Five To One" Were Also Interesting. In Fact, Time's Been Fairly Kind To The Record, Which Is Quite Enjoyable And Diverse, Just Not As Powerful A Full-length Statement As The Group's Best Albums." AMG Review By Richie Unterberger. more
	Waiting For The Sun New Import - 081227986483 Sealed 2021 Vinyl Reissue Housed In The Uni-Pak Gatefold Like the Original. "The Doors' 1967 Albums Had Raised Expectations So High That Their Third Effort Was Greeted As A Major Disappointment. With A Few Exceptions, The Material Was Much Mellower, And While This Yielded Some Fine Melodic Ballad Rock In "Love Street," "Wintertime Love," "Summer's Almost Gone," And "Yes, The River Knows," There Was No Denying That The Songwriting Was Not As Impressive As It Had Been On The First Two Records. On The Other Hand, There Were First-rate Tunes Such As The Spooky "The Unknown Soldier," With Antiwar Lyrics As Uncompromisingly Forceful As Anything The Band Did, And The Compulsively Riff-driven "Hello, I Love You," Which Nonetheless Bore An Uncomfortably Close Resemblance To The Kinks' "All Day And All Of The Night." The Flamenco Guitar Of "Spanish Caravan," The All-out Weirdness Of "Not To Touch The Earth" (Which Was A Snippet Of A Legendary Abandoned Opus, "The Celebration Of The Lizard"), And The Menacing Closer "Five To One" Were Also Interesting. In Fact, Time's Been Fairly Kind To The Record, Which Is Quite Enjoyable And Diverse, Just Not As Powerful A Full-length Statement As The Group's Best Albums." AMG - Richie Unterberger. more
	Waiting For The Sun Used - Vinyl - EKS 74024 2009 180gm remastered reissue housed in a standard gatefold jacket. VG+ player, with a few light lines of "fogging" on both sides not affecting play. Pressed at RTI from where it came directly, un-shrink wrapped; The laquers were cut at Bernie Grundman Mastering in Hollywood, CA under the direct supervision of original Doors producer/engineer Bruce Botnick and Electra Records founder Jac Holzman." Rhino catalog # from inner groove. "The Doors' 1967 Albums Had Raised Expectations So High That Their Third Effort Was Greeted As A Major Disappointment. With A Few Exceptions, The Material Was Much Mellower, And While This Yielded Some Fine Melodic Ballad Rock In "Love Street," "Wintertime Love," "Summer's Almost Gone," And "Yes, The River Knows," There Was No Denying That The Songwriting Was Not As Impressive As It Had Been On The First Two Records. On The Other Hand, There Were First-rate Tunes Such As The Spooky "The Unknown Soldier," With Antiwar Lyrics As Uncompromisingly Forceful As Anything The Band Did, And The Compulsively Riff-driven "Hello, I Love You," Which Nonetheless Bore An Uncomfortably Close Resemblance To The Kinks' "All Day And All Of The Night." The Flamenco Guitar Of "Spanish Caravan," The All-out Weirdness Of "Not To Touch The Earth" (Which Was A Snippet Of A Legendary Abandoned Opus, "The Celebration Of The Lizard"), And The Menacing Closer "Five To One" Were Also Interesting. In Fact, Time's Been Fairly Kind To The Record, Which Is Quite Enjoyable And Diverse, Just Not As Powerful A Full-length Statement As The Group's Best Albums." All Music Guide – Richie Unterberger. more
	Waiting For The Sun Used - Vinyl - EKS 74024 Black/Red 80's label in Unipak cover. First and only number 1 album, spawning their second US number 1 single, "Hello, I Love You". "The Doors' 1967 Albums Had Raised Expectations So High That Their Third Effort Was Greeted As A Major Disappointment. With A Few Exceptions, The Material Was Much Mellower, And While This Yielded Some Fine Melodic Ballad Rock In "Love Street," "Wintertime Love," "Summer's Almost Gone," And "Yes, The River Knows," There Was No Denying That The Songwriting Was Not As Impressive As It Had Been On The First Two Records. On The Other Hand, There Were First-rate Tunes Such As The Spooky "The Unknown Soldier," With Antiwar Lyrics As Uncompromisingly Forceful As Anything The Band Did, And The Compulsively Riff-driven "Hello, I Love You," Which Nonetheless Bore An Uncomfortably Close Resemblance To The Kinks' "All Day And All Of The Night." The Flamenco Guitar Of "Spanish Caravan," The All-out Weirdness Of "Not To Touch The Earth" (Which Was A Snippet Of A Legendary Abandoned Opus, "The Celebration Of The Lizard"), And The Menacing Closer "Five To One" Were Also Interesting. In Fact, Time's Been Fairly Kind To The Record, Which Is Quite Enjoyable And Diverse, Just Not As Powerful A Full-length Statement As The Group's Best Albums." All Music Guide - Richie Unterberger. more
	Waiting For The Sun New Import - 081227986483 Sealed 2021 Vinyl Reissue Housed In The Uni-Pak Gatefold Like the Original. "The Doors' 1967 Albums Had Raised Expectations So High That Their Third Effort Was Greeted As A Major Disappointment. With A Few Exceptions, The Material Was Much Mellower, And While This Yielded Some Fine Melodic Ballad Rock In "Love Street," "Wintertime Love," "Summer's Almost Gone," And "Yes, The River Knows," There Was No Denying That The Songwriting Was Not As Impressive As It Had Been On The First Two Records. On The Other Hand, There Were First-rate Tunes Such As The Spooky "The Unknown Soldier," With Antiwar Lyrics As Uncompromisingly Forceful As Anything The Band Did, And The Compulsively Riff-driven "Hello, I Love You," Which Nonetheless Bore An Uncomfortably Close Resemblance To The Kinks' "All Day And All Of The Night." The Flamenco Guitar Of "Spanish Caravan," The All-out Weirdness Of "Not To Touch The Earth" (Which Was A Snippet Of A Legendary Abandoned Opus, "The Celebration Of The Lizard"), And The Menacing Closer "Five To One" Were Also Interesting. In Fact, Time's Been Fairly Kind To The Record, Which Is Quite Enjoyable And Diverse, Just Not As Powerful A Full-length Statement As The Group's Best Albums." AMG - Richie Unterberger. more
	Waiting For The Sun Used - Vinyl - LPZ 2049 Limited Edition 180gm hq #1966 more
	Waiting For The Sun Audiophile - Vinyl - LPZ 2049  Near Mint, Numbered, Limited Edition, 180gm HQ, Gatefold Cover, Small Saw Cut. This Is Number 1234. more
	Waiting For The Sun Audiophile - Vinyl - LPZ 2049 Factory Sealed 1998 Limited Edition 180gm HQ Reissue Housed In A Deluxe Gatefold Jacket. This Is Low Number 0492. Pristine Copy. Lacquers Cut By Steve Hoffman On An All Tube Cutting System. more
	Waiting For The Sun Used - Vinyl - RR1-74024 2019 180gm Pressing. Gatefold Still In Shrink. Remixed From Original Tapes By Bruce Botnick. Rhino Did A Beautiful Job Of Recreating The Original 1968 Stereo Album. more
	Waiting For The Sun New - Vinyl - EKS-74024 Sealed Gatefold, Clean Cut-Out Hole, Label Variation Unknown. more
	Waiting For The Sun New - Vinyl - EKS 74024 Sealed Gatefold (Label Variation Unknown). Pristine Copy. more
	Waiting For The Sun Used - Vinyl - P-10500E Beautiful Japanese Gatefold With Obi. more
	Waiting For The Sun New - Vinyl - EKS 74024 Sealed Gatefold, Label Variation Unknown, Thin Saw Cut, No Bar Code On Jacket. more
	Waiting For The Sun New - Vinyl - R1 519561 Factory Sealed 2009 180gm HQ Gatefold Reissue Mastered At Bernie Grundman And Pressed At RTI. Original Stereo Mixes. more
	Waiting For The Sun New - Vinyl - EKS 74024 Factory Sealed 1968 Gatefold Stereo Original With The Original Wall's Music Center Price Tag On The Shrink Wrap. more
	Waiting For The Sun New - Vinyl - EKS 74024 Sealed Early 70's Gatefold Second Label (Catalog Number In White Box On Front Cover) With The Original Korvettes Price Sticker On The Shrink Wrap. more
	Waiting For The Sun New - Vinyl - EKS 74204 Sealed Early 70's Gatefold Second Label (Catalog Number In White Box On Front Cover). Pristine Copy. more
	Waiting For The Sun Used - Vinyl - EKS 74024 Stunning 1968 Gold Label Original Housed In A Gatefold Cover With The Rare "Hello, I Love You" Hype Sticker On The Cover. No Spindle Marks On The Labels, With Glossy, Near Mint Surfaces. We Play Graded This Great Album At High Volume Through Both Sides Without Surface Noise (Except In The Dead Wax, Of Course). Best Original Pressing We Have Had In Stock. more
	Waiting For The Sun New - Vinyl - 42041 / EKS 74024 Sealed, Out Of Print 180gm HQ Reissue. Gold Hype Sticker On The Shrink Wrap. more
	Waiting For The Sun New - Vinyl - 42041 / EKS 74024 Sealed 1972 Out Of Print HQ Reissue. more
	Waiting For The Sun Used - Vinyl - EKS 74024 Late 70's- Early 80's Red Label Pressing. Tiny Corner Rub. more
	Weird Scenes Inside The Gold Mine New - Vinyl - 8E 6001 Sealed 1972 2LP Gatefold Original, Tiny Saw Cut. more
	Weird Scenes Inside The Gold Mine Used - Vinyl - 8E 6001 1972 2LP White Label Promo Housed In A Gatefold Jacket Clean Cut Out Hole. Both LPs Appear Unplayed. more
	Weird Scenes Inside The Gold Mine Used - Vinyl - 8E 6001 Gatefold Reissue. more
	Weird Scenes Inside The Gold Mine New - Vinyl - 8E 6001 Factory Sealed 2LP Gatefold. First Pressing Of This Title With The Rare Hype Sticker On The Shrink Wrap. more
	Weird Scenes Inside The Gold Mine New - Vinyl - R1 6001 Factory Sealed 2014 Record Store Day 2LP 180gm Limited Edition Gatefold. One Of 5,500 Individually Numbered Copies Pressed On Translucent Amber Vinyl. Mastered By Bruce Botnick From The Original Master Tapes. This Is Number 2058. Pristine Copy. This Particular Copy Comes With A Signed Promotional Letter From John Densmore And Robby Kreiger. more
	Weird Scenes Inside The Gold Mine New - Vinyl - R1 6001 Factory Sealed 2014 Record Store Day 2LP 180gm Limited Edition Gatefold. One Of 5,500 Individually Numbered Copies Pressed On Translucent Amber Vinyl. Mastered By Bruce Botnick From The Original Master Tapes. This Is Number 1744. Pristine Copy. more
	Weird Scenes Inside The Gold Mine New - Vinyl - R1 6001 Sealed 2014 2LP Gatefold Reissue. Remastered By Bruce Botnick From The Original Master Tapes. Custom Hype Sticker On Shrink. more
	Weird Scenes Inside The Gold Mine Used - Vinyl - 8E-6001 1980 US gatefold reissue on Red Elektra label with small "E". "Originally released in 1972, Weird Scenes Inside the Gold Mine was one of the earliest "best-of" Doors collections, compiling 22 tracks from the band not just limited to their many ubiquitous hits but including some more experimental tunes and a few obscure B-sides. This strange and sprawling playlist is heavy on material from L.A. Woman, and seems particularly invested in the darker, more sinister side of the band. Lesser-known songs here include "Who Scared You" and the goofy, awkward blues run "(You Need Meat) Don't Go No Further" sung by keyboardist Ray Manzarek. With the exception of a few pop moments, this lengthy collection sets a heavy and sometimes menacing mood, highlighting the Doors' most depraved, shamanistic moments in tracks like the brooding "The End," "Maggie McGill," and the absolutely evil groove of "When the Music's Over"." All Music Guide - Fred Thomas. more

192264 Items in DB

SEARCH DATABASE
BY PERFORMER

SEARCH DATABASE
BY GENRE