Fripp, Robert / Brian Eno

Vinyl Records and Rare LPs:

(No Pussyfooting)
Used Import - HELP 16
1973 Black Label With Pink "i" Logo Original Housed In A Gatefold Jacket. 1U/1U Stampers. First 15 Seconds Of First Song Has A Non-Visible Tick, Hence Price,. more
Air Structures
New - LP - IMP 2-06
Sealed 1975 2LP Live Set Recorded May 28th, 1975 At The Olympia, Paris, France. more
Even Spaces
New - LP - 12 Cent 14
Sealed 2LP "Live" Album Recorded At The Paris Olympia, May 28th, 1975. more
Evening Star
Used - LP - HELP 22
Beautiful 1976 Black Label With Large Pink "i" Logo UK Original. Unplayed Condition. “Robert Fripp's Second Team Up With Brian Eno Was A Less Harsh, More Varied Affair, Closer To Eno's Then-Developing Idea Of Ambient Music Than What Had Come Before In No Pussyfooting. The Method Used, Once Again, Was The Endless Decaying Tape Loop System Of Frippertronics But Refined With Pieces Such As "Wind On Water" Fading Up Into An Already Complex Bed Of Layered Synths And Treated Guitar Over Which Fripp Plays Long, Languid Solos. "Evening Star" Is Meditative And Calm With Gentle Scales Rocking To And Fro While Fripp Solos On Top. "Wind On Wind" Is Eno Solo, An Excerpt From The Soon To Be Released Discreet Music Album. The Nearly 30-Minute Ending Piece, "An Index Of Metals," Keeps Evening Star From Being A Purely Background Listen As The Loops This Time Contain A Series Of Guitar Distortions Layered To The Nth Degree, Frippertronics As Pure Dissonance. As A Culmination Of Fripp And Eno's Experiments, Evening Star Shows How Far They Could Go.” Ted Mills, All Music. more
Evening Star
Used - LP - Help 22
Beautiful 1975 UK Pink "i" Black Label Original. A1/B1 Stampers. LP Looks Unplayed. Small Writing On Back Cover. more
Evening Star
Used - LP - 2343 094
1980 UK 2nd Issue. LP Appears To Be Unplayed. more
Evening Star
New - LP - EGS 103
Sealed 1975 Original. Shrink Tear. more
Evening Star
Used - LP - MPF 1217
Beautiful Japanese Pressing With Obi. “Robert Fripp's Second Team Up With Brian Eno Was A Less Harsh, More Varied Affair, Closer To Eno's Then-Developing Idea Of Ambient Music Than What Had Come Before In No Pussyfooting. The Method Used, Once Again, Was The Endless Decaying Tape Loop System Of Frippertronics But Refined With Pieces Such As "Wind On Water" Fading Up Into An Already Complex Bed Of Layered Synths And Treated Guitar Over Which Fripp Plays Long, Languid Solos. "Evening Star" Is Meditative And Calm With Gentle Scales Rocking To And Fro While Fripp Solos On Top. "Wind On Wind" Is Eno Solo, An Excerpt From The Soon To Be Released Discreet Music Album. The Nearly 30-Minute Ending Piece, "An Index Of Metals," Keeps Evening Star From Being A Purely Background Listen As The Loops This Time Contain A Series Of Guitar Distortions Layered To The Nth Degree, Frippertronics As Pure Dissonance. As A Culmination Of Fripp And Eno's Experiments, Evening Star Shows How Far They Could Go.” Ted Mills, All Music. more
No Pussyfooting
Used - LP - 87 511 ET
Pristine 1973 Laminated German Gatefold Original. A1/B1 Matrixes. “At The Same Time Brian Eno Was Working On Here Come The Warm Jets, He Was Flexing His Experimental Muscle With This Album Of Tape Delay Manipulation Recorded With Robert Fripp. In A System Later To Be Dubbed Frippertronics, Eno And Fripp Set Up Two Reel-To-Reel Tape Decks That Would Allow Audio Elements To Be Added To A Continuing Tape Loop, Building Up A Dense Layer Of Sound That Slowly Decayed As It Turned Around And Around The Deck's Playback Head. Fripp Later Soloed On Top Of This. No Pussyfooting Represents The Duo's Initial Experiments With This System, A Side Each. "Heavenly Music Corporation" Demonstrates The Beauty Of The Setup, With Several Guitar And Synth Elements Building On Top Of Each Other, The Music Slowly Evolving, And Fripp Ending The Piece With Low Dive-Bombing Feedback That Swoops Over The Soundscape, Bringing The Piece To Its Conclusion. "Swastika Girls," On The Other Hand, Shows How The System Can Be Abused. With Too Many Disconnected Sounds Sharing The Space, Some Discordant, Some Melodic, The Resulting Work Lacks Form And Structure. Eno And Fripp Later Refined The System On Evening Star And Eno's Solo Album Discreet Music. Fripp Would Take The System And Base Whole Albums And Live Appearances Around It (Particularly Let The Power Fall). But It Was Here On No Pussyfooting Where It All Started.” Ted Mills, AMG. more

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