Hank Williams Jr.

Vinyl Records and Rare LPs:

	Born To Boogie New - Vinyl - 1-25593 Sealed 1987 original with hype sticker. Small hole punch. "Born to Boogie is Hank Williams, Jr. claiming his reign as elder statesman over the burgeoning young-country movement of the late '80s. This is heavy on up-tempo rock tunes, including the title cut, the Rolling Stones' "Honky Tonk Women," and "Keep Your Hands to Yourself," originally by the Georgia Satellites. The album's centerpiece is the anthemic "Young Country," in which Williams and his like-minded musicians/friends (including Highway 101, T. Graham Brown, and Marty Stuart) engage in a singalong declaring their love for not only the classic country of Hank Williams, but equal admiration for the Rolling Stones, ZZ Top, and Van Halen." All Music Guide - Al Campbell more
	Born To Boogie Used - Vinyl - 9 25593-1 1987 US original Allied pressing with original inner sleeve. NM- vinyl, tiny split on spine; custom hype sticker affixed to jacket and gold promo stamp. "Born to Boogie is Hank Williams, Jr. claiming his reign as elder statesman over the burgeoning young-country movement of the late '80s. This is heavy on up-tempo rock tunes, including the title cut, the Rolling Stones' "Honky Tonk Women," and "Keep Your Hands to Yourself," originally by the Georgia Satellites. The album's centerpiece is the anthemic "Young Country," in which Williams and his like-minded musicians/friends (including Highway 101, T. Graham Brown, and Marty Stuart) engage in a singalong declaring their love for not only the classic country of Hank Williams, but equal admiration for the Rolling Stones, ZZ Top, and Van Halen." All Music Guide – Al Campbell more
	Early Years New - Vinyl - 25514 Sealed 1986 2LP Compilation With Custom Hype Sticker On Shrink. Non Gatefold Jacket, Tiny Saw Cut. Features The Previously Unavailable On Vinyl Track "You Love The Thunder." more
	Family Tradition Used - Vinyl - 6E-194 (AR) Clean 1979 US Original; Allied Pressing With Custom Printed Inner Sleeve. Vinyl Appears Glossy, Light Cover Wear EX/NM-. "Family Tradition Followed The New South By A Couple Of Years And Delved Deeper Into Hank Williams Jr.'s Spirit Of Adventure In Reinventing His Music To Fit Him As An Individual. Far From Giving A Damn About What Nash Vegas Thought Of Him At This Point, Williams Worked With Three Different Producers On This Set: Jimmy Bowen, Ray Ruff, And Phil Gernhard. While It's True That This Set Doesn't Have The Grit That Hank Williams, Jr. & Friends Or The New South Had, It Does Showcase Williams As A Singer Of Real Distinction And His Love Of Soul And R&b Music. An Example Of How Willing He Was To Experiment Was On The Opening Track, Where He Covers The Bee Gees' "To Love Somebody" With A Chorus Of Backing Vocalists. And He Pulls It Off In Spades. It's Moving, It Swings, And It Has That Gospel Feel That The Hint Of This Song Always Contained But Which Had Never Been Brought Out Before. He Follows The R&b Tip On "Old Flame, New Fire," An Oskar Soloman Song That Fuses Country And Memphis-style R&b -- Again, With The Female Chorus Raining Down All Around Him. On Steve Young's Dark And Tenuous Love Song "Always Loving You," Charlie Daniels Fiddles His Way Through The Background In His Inimitable Style And Reggie Young's Electric Guitar Can Be Heard Trading Fills With Brad Felton's Steel. A Notable Cover On The Set Is A Funky-butt Read Of Bobby Fuller's "I Fought The Law." There's A Country Feel In The Phrasing, But That Was There In The Original Tune; Williams Brings A Popping Bass And Honky Tonk Piano To The Proceedings. It's Not The Best Version Of The Tune, But It Is An Interesting One. The Latter Half Of The Set Is Chock-full Of Hank Jr. Compositions, With The Notable Exception Of Ivy J. Bryant's "Only Daddy That'll Walk The Line," A Song Closely Associated With Waylon Jennings. But Williams' Version Rocks Harder Than Any Other On Record. Williams' Own Personal Outlaw Anthem Is Present As Well, The Infamous And Wonderful "Family Tradition," With Daniels Laying Out A Laid-back But Gorgeous Fiddle Solo In The Bridge. There's Also The Redneck Manifesto "I've Got Right" And The Killer "Paying On Time." In All, This Is A Slick, Over-the-top-production Album, But The Quality Of The Songs And The Arrangements, Along With Williams' Dynamite Singing Voice, Make This Set A Necessity." AMG - Thom Jurek. more
	Fourteen Greatest Hits New - Vinyl - MG-1-5020 Sealed 1976 MGM Pressing. more
	Greatest Hits III Used - Vinyl - 9 25834-1 1989 original, Allied pressing. Glossy, VG+ vinyl. Gold promo stamp to front cover. more
	Greatest Hits Volume 2 New - Vinyl - 1-25328 Sealed 1984 Original. It's The Better Of The Greatest Hits. more
	Habits Old And New Used - Vinyl - 6.00E-278 1980 US original SRC pressing with original die-cut inner. "Habits Old and New is a standard Hank Williams Jr. album from the early '80s, containing several covers of his father's classics ("Kaw-Liga," "Move It On Over"), a tribute to his father (Kris Kristofferson's "If You Don't Like Hank Williams"), plus several rabble-rousing redneck rockers ("All in Alabama," "American Way")." All Music Guide – Thom Owens more
	Hank Williams Jr.'s Greatest Hits Volume 2 New - Vinyl - SE 4822 Sealed 1972 US Pressing, No Moonshine Logo At Top Right Corner. Top Left Corner Cut. more
	Removing The Shadow New - Vinyl - SE 4721 Sealed, Hard To Find 1970 Stereo Original Featuring Lois Johnson. Custom Oval Song Hype Sticker On The Shrink Wrap. Large Promotional DJ Sticker On The Rear Cover. Probably A Yellow Or White Promo Label. more
	Strong Stuff Used - Vinyl - 60223 1983 US Original. Small Dings On Mouth. Produced By Jimmy Bowen & Hank Williams Jr. more
	The New South Used - Vinyl - BS 3127 1977 US original Los Angeles pressing with company inner. "After the unqualified success of Hank Williams, Jr. & Friends, which included members of the Allman Brothers, the Marshall Tucker Band, Charlie Daniels, Waylon, Willie, and plenty of others, Hank Jr. had found his voice. The New South is part two of Williams' outlaw saga, one that would take him from being a great writer and interpreter of other people's songs to being a self-parody. Waylon is on board on this set as a guitarist, a backing vocalist, and, most importantly, as co-producer with Richie Aldright. The song selection is amazing. Opening with the original "Feelin' Better," Williams states his case for leaving his old stage persona behind convincingly with Jennings underlining every line on the refrain. The cover of Steve Young's classic "Montgomery in the Rain" is full of pathos and emotion and features some killer guitar work from Leon Sherrill. Williams also covers Young's "Long Way From Hollywood" to close the set. But the confidence Williams displays here is uncanny as he tackles with great tenderness Gordon Lightfoot's "Looking at the Rain," his pop's "You're Gonna Change (Or I'm Gonna Leave)" as a rock & roll song, and Bill Monroe's "Uncle Pen" pretty much straight up. Williams contributes two more songs to the set in the ballad "Once and for All," which spells out the wages of a life spent rambling, and the title track, a modern cracker anthem complete with fiddles, a pedal steel, and a slow- to mid-tempo strut. The highlight of the latter part of the set is Williams' read of Jessi Colter's "Storms Never Last," the most pure and simple country song on the entire album. And Williams sings the hell out of it. "Tennessee" is a poignant song considering Williams Jr.'s struggles with Nashville up to that point in wanting to get away from recording programs solely of his father's songs. The mold was broken on Hank Williams, Jr. & Friends, and this is a bit of comeuppance that sounds a bit like Toy Caldwell's "Can't You See." Like its predecessor, this is a winner all the way through, full of stomping outlaw music and beer-swilling ballads." All Music Guide – Thom Jurek more
	Whiskey Bent And Hell Bound Used - Vinyl - 6E-237 1979 Original. Recorded In Muscle Shoals With An "A List" Of Musicians. Released in November 1979, "Whiskey Bent and Hell Bound" is the thirtieth studio album by American country legend Hank Williams Jr., marking a pivotal moment in his evolution as an artist. Issued by Elektra/Curb Records, the album features a blend of traditional country, Southern rock, and outlaw influences, signaling Williams Jr.'s full embrace of his own musical identity distinct from his father's legacy. The title track "Whiskey Bent and Hell Bound" became an enduring hit, reaching No. 2 on the Billboard Hot Country Singles chart, while "Women I've Never Had" also found chart success. The album showcases Williams Jr.'s gritty vocals and honest songwriting, with themes of heartbreak, rebellion, and self-reflection woven throughout the tracks. Notable is his cover of Waylon Jennings' "Odin Stompin'" and the inclusion of top-notch session musicians, including steel guitarist Don Helms—a nod to his father's classic sound. The vinyl pressing is prized for its warm analog production, capturing the raw emotion and energy of Williams Jr.'s performances. For vinyl collectors and music lovers, "Whiskey Bent and Hell Bound" stands as a snapshot of late-1970s country’s transition, offering authentic storytelling and a sound that bridges honky-tonk roots with Southern rock’s edge. more
	Whiskey Bent And Hell Bound Used - Vinyl - 6E-237 1979 Original. Recorded In Muscle Shoals With An "A List" Of Musicians. Released in November 1979, "Whiskey Bent and Hell Bound" is the thirtieth studio album by American country legend Hank Williams Jr., marking a pivotal moment in his evolution as an artist. Issued by Elektra/Curb Records, the album features a blend of traditional country, Southern rock, and outlaw influences, signaling Williams Jr.'s full embrace of his own musical identity distinct from his father's legacy. The title track "Whiskey Bent and Hell Bound" became an enduring hit, reaching No. 2 on the Billboard Hot Country Singles chart, while "Women I've Never Had" also found chart success. The album showcases Williams Jr.'s gritty vocals and honest songwriting, with themes of heartbreak, rebellion, and self-reflection woven throughout the tracks. Notable is his cover of Waylon Jennings' "Odin Stompin'" and the inclusion of top-notch session musicians, including steel guitarist Don Helms—a nod to his father's classic sound. The vinyl pressing is prized for its warm analog production, capturing the raw emotion and energy of Williams Jr.'s performances. For vinyl collectors and music lovers, "Whiskey Bent and Hell Bound" stands as a snapshot of late-1970s country’s transition, offering authentic storytelling and a sound that bridges honky-tonk roots with Southern rock’s edge. more
	Wild Streak Used - Vinyl - 1-25725 1988 US original, SRC pressing. Glossy, NM- vinyl. Custom hype sticker, gold promo stamp. Wild Streak captures Hank Williams Jr. in full outlaw-country stride—blending Southern rock muscle with honky-tonk roots. Released in 1987, it leans on swagger and hooks, with cuts like “Wild Streak” and “If the South Woulda Won” delivering attitude and arena-ready energy. Bold, rowdy, and built to ride loud. more
	Your Cheatin' Heart (Original Motion Picture Sound Track) New - Vinyl - SE-4260 Sealed 1964 Stereo Soundtrack For Hank Williams' Life Story Sung By Hank Jr. Cut Corner. Unable To Confirm Exact Label. more