J. Geils Band

Vinyl Records and Rare LPs:

	Best Of The J. Geils Band New - LP - SD 19234 Sealed 1979 Compilation. COH, Top Left Corner Dent. more
	Best Of The J. Geils Band New - LP - SD 19234 Sealed 1979 First Pressing With No Bar Code. Pristine Copy. more
	Best Of The J. Geils Band Two Used - LP - SD 19284 Hard To Find 1980 Compilation. Gold Promo Stamp And Timing Strip On Jacket. Cover Art By Lou Brooks. Unplayed Condition. more
	Best Of The J. Geils Band Two New - LP - SD 19284 Sealed Hard To Find 1980 Compilation. Clean COH. Cover Art By Lou Brooks. more
	Best Of The J. Geils Band Two New - LP - SD 19284 Sealed Hard To Find 1980 Compilation. No Promo Or Deletion Markings. Cover Art By Lou Brooks. more
	Bloodshot New - LP - SD 7260 Sealed 1973 Original With Custom Hype Sticker on Shrink. Saw Cut. ”Bloodshot Is The J. Geils Band's Third Studio Album And Their First Top Ten (And Last Until 1982's Smash Freeze Frame). The Band Sounds Tighter, Meaner, And Funkier Than On Their First Two Releases, Frontman Peter Wolf Is Looser And Wilder Than Ever, And J. Geils Positively Rips Things Up On Guitar. This Newfound Power Could Be Down To The Band Blanketing The Country And Honing Their Craft In Sweaty Bars And Concert Halls. The Positive Response To Their Raw And Alive Live Album Full House May Have Helped Too. Whatever The Cause, Bloodshot Fairly Jumps Through The Speakers On Flat-Out Rockers Like Their Cover Of Obscure Soul Stomper "(Ain't Nothin But A) Houseparty," The Lean And Nasty "Back To Get Ya" (Which Features A Classic Wolf Aside, "Scramble My Eggs, Honey!"), And Concert Fave "Southside Shuffle." The Band Also Shows Their Range With Hokey But Fun Blues Shuffle "Struttin' With My Baby," Bopping Jump Blues ("Hold Your Loving"), And Very Convincing Heartbroken Balladry ("Start All Over Again"). The Band Also Delivers Their First Self-Penned Classic, The Reggae-Influenced "Give It To Me," Which Starts Off As A Tight And Tough Reggae-Influenced Pop Song And Spreads Out Into A Funky Jam That Equals Anything Similar The Stones Ever Attempted. Along With It Being A Hit, Bloodshot Is The First Geils Album To Stake A Claim On The Major Leagues Of Rock & Roll.” – Tim Sendra, All Music Guide more
	Bloodshot New - LP - SD 7260 Sealed 1973 Original. Light Ring Wear, Hence Price. ”Bloodshot Is The J. Geils Band's Third Studio Album And Their First Top Ten (And Last Until 1982's Smash Freeze Frame). The Band Sounds Tighter, Meaner, And Funkier Than On Their First Two Releases, Frontman Peter Wolf Is Looser And Wilder Than Ever, And J. Geils Positively Rips Things Up On Guitar. This Newfound Power Could Be Down To The Band Blanketing The Country And Honing Their Craft In Sweaty Bars And Concert Halls. The Positive Response To Their Raw And Alive Live Album Full House May Have Helped Too. Whatever The Cause, Bloodshot Fairly Jumps Through The Speakers On Flat-Out Rockers Like Their Cover Of Obscure Soul Stomper "(Ain't Nothin But A) Houseparty," The Lean And Nasty "Back To Get Ya" (Which Features A Classic Wolf Aside, "Scramble My Eggs, Honey!"), And Concert Fave "Southside Shuffle." The Band Also Shows Their Range With Hokey But Fun Blues Shuffle "Struttin' With My Baby," Bopping Jump Blues ("Hold Your Loving"), And Very Convincing Heartbroken Balladry ("Start All Over Again"). The Band Also Delivers Their First Self-Penned Classic, The Reggae-Influenced "Give It To Me," Which Starts Off As A Tight And Tough Reggae-Influenced Pop Song And Spreads Out Into A Funky Jam That Equals Anything Similar The Stones Ever Attempted. Along With It Being A Hit, Bloodshot Is The First Geils Album To Stake A Claim On The Major Leagues Of Rock & Roll.” – Tim Sendra, All Music Guide more
	Bloodshot New - LP - SD 7260 Sealed 1973 Original With Custom Hype Sticker On The Shrink Wrap. ”Bloodshot Is The J. Geils Band's Third Studio Album And Their First Top Ten (And Last Until 1982's Smash Freeze Frame). The Band Sounds Tighter, Meaner, And Funkier Than On Their First Two Releases, Frontman Peter Wolf Is Looser And Wilder Than Ever, And J. Geils Positively Rips Things Up On Guitar. This Newfound Power Could Be Down To The Band Blanketing The Country And Honing Their Craft In Sweaty Bars And Concert Halls. The Positive Response To Their Raw And Alive Live Album Full House May Have Helped Too. Whatever The Cause, Bloodshot Fairly Jumps Through The Speakers On Flat-Out Rockers Like Their Cover Of Obscure Soul Stomper "(Ain't Nothin But A) Houseparty," The Lean And Nasty "Back To Get Ya" (Which Features A Classic Wolf Aside, "Scramble My Eggs, Honey!"), And Concert Fave "Southside Shuffle." The Band Also Shows Their Range With Hokey But Fun Blues Shuffle "Struttin' With My Baby," Bopping Jump Blues ("Hold Your Loving"), And Very Convincing Heartbroken Balladry ("Start All Over Again"). The Band Also Delivers Their First Self-Penned Classic, The Reggae-Influenced "Give It To Me," Which Starts Off As A Tight And Tough Reggae-Influenced Pop Song And Spreads Out Into A Funky Jam That Equals Anything Similar The Stones Ever Attempted. Along With It Being A Hit, Bloodshot Is The First Geils Album To Stake A Claim On The Major Leagues Of Rock & Roll.” – Tim Sendra, All Music Guide more
	Bloodshot Colored Vinyl - SD 7260 1973 Clear Red Vinyl Original. First Copy We Have Had In Stock Of The Colored Vinyl. ”Bloodshot Is The J. Geils Band's Third Studio Album And Their First Top Ten (And Last Until 1982's Smash Freeze Frame). The Band Sounds Tighter, Meaner, And Funkier Than On Their First Two Releases, Frontman Peter Wolf Is Looser And Wilder Than Ever, And J. Geils Positively Rips Things Up On Guitar. This Newfound Power Could Be Down To The Band Blanketing The Country And Honing Their Craft In Sweaty Bars And Concert Halls. The Positive Response To Their Raw And Alive Live Album Full House May Have Helped Too. Whatever The Cause, Bloodshot Fairly Jumps Through The Speakers On Flat-Out Rockers Like Their Cover Of Obscure Soul Stomper "(Ain't Nothin But A) Houseparty," The Lean And Nasty "Back To Get Ya" (Which Features A Classic Wolf Aside, "Scramble My Eggs, Honey!"), And Concert Fave "Southside Shuffle." The Band Also Shows Their Range With Hokey But Fun Blues Shuffle "Struttin' With My Baby," Bopping Jump Blues ("Hold Your Loving"), And Very Convincing Heartbroken Balladry ("Start All Over Again"). The Band Also Delivers Their First Self-Penned Classic, The Reggae-Influenced "Give It To Me," Which Starts Off As A Tight And Tough Reggae-Influenced Pop Song And Spreads Out Into A Funky Jam That Equals Anything Similar The Stones Ever Attempted. Along With It Being A Hit, Bloodshot Is The First Geils Album To Stake A Claim On The Major Leagues Of Rock & Roll.” – Tim Sendra, All Music Guide more
	Bloodshot New - LP - SD 7260 Sealed 1973 LP (Label Variation Unknown) No Bar Code. Thin Saw Cut. ”Bloodshot Is The J. Geils Band's Third Studio Album And Their First Top Ten (And Last Until 1982's Smash Freeze Frame). The Band Sounds Tighter, Meaner, And Funkier Than On Their First Two Releases, Frontman Peter Wolf Is Looser And Wilder Than Ever, And J. Geils Positively Rips Things Up On Guitar. This Newfound Power Could Be Down To The Band Blanketing The Country And Honing Their Craft In Sweaty Bars And Concert Halls. The Positive Response To Their Raw And Alive Live Album Full House May Have Helped Too. Whatever The Cause, Bloodshot Fairly Jumps Through The Speakers On Flat-Out Rockers Like Their Cover Of Obscure Soul Stomper "(Ain't Nothin But A) Houseparty," The Lean And Nasty "Back To Get Ya" (Which Features A Classic Wolf Aside, "Scramble My Eggs, Honey!"), And Concert Fave "Southside Shuffle." The Band Also Shows Their Range With Hokey But Fun Blues Shuffle "Struttin' With My Baby," Bopping Jump Blues ("Hold Your Loving"), And Very Convincing Heartbroken Balladry ("Start All Over Again"). The Band Also Delivers Their First Self-Penned Classic, The Reggae-Influenced "Give It To Me," Which Starts Off As A Tight And Tough Reggae-Influenced Pop Song And Spreads Out Into A Funky Jam That Equals Anything Similar The Stones Ever Attempted. Along With It Being A Hit, Bloodshot Is The First Geils Album To Stake A Claim On The Major Leagues Of Rock & Roll.” – Tim Sendra, All Music Guide. more
	Bloodshot Used - LP - SD 7260 1975 Red Label Atlantic Repress. Small Corner Bump And Two Tiny Edge Creases. more
	Flashback Used - LP - ST 17174 Rare 1985 Best-Of Featuring 10 Smash Hits. Custom Hype Sticker On The Jacket. First Copy We Have Ever Had In Stock Of This Title. Pressed On Heavyweight Vinyl. Gold Promo Stamp On Cover. Probably A Promo Only Title. Appears Glossy, Unplayed. more
	Flashback New - LP - ST 17174 Sealed, Rare 1985 Best-Of Featuring 10 Smash Hits. Custom Hype Sticker On The Shrink Wrap. Saw Cut. First Copy We Have Ever Had In Stock Of This Title. Pressed On Heavyweight Vinyl. more
	Freeze Frame Used - LP - EYS 81447 Japanese Pressing With Obi. more
	Freeze Frame New - LP - SOO 17062 Sealed 1981 Original With Custom Inner Sleeve. Clean Cut Out Hole. “Tempering Their Bar Band R&B With A Touch Of New Wave Pop Production, The J. Geils Band Finally Broke Through Into The Big Leagues With Freeze Frame. Fans Of The Hard-Driving Rock Of The Group's '70s Albums Will Find The Sleek Sound Of Freeze Frame Slightly Disorienting, But The Production Gives The Album Cohesion. Good-Time Rock & Roll Remains At The Core Of The Group's Music, But The Sound Of The Record Is Glossier, Shining With Synthesizers And Big Pop Hooks. With Its Singalong Chorus, "Centerfold" Exemplifies This Trend, But It's Merely The Tip Of The Iceberg. "Freeze Frame" Has A Great Stop-Start Chorus, "Flamethrower" And "Piss On The Wall" Rush Along On Hard-Boogie Riffs, And "Angel In Blue" Is Terrific Neo-Doo Wop. There Are Still A Handful Of Throwaways, But Even The Filler Has A Stylized, Synthesized Flair That Makes It Enjoyable, And The Keepers Are Among The Band's Best.” Stephen Thomas Erlewine, All Music Guide. more
	Freeze Frame Used Import - EYS-81447 1981 Japanese Pressing with Obi & insert. Crisp jacket overall but has creasing to bottom right corner. "Tempering their bar band R&B with a touch of new wave pop production, the J. Geils Band finally broke through into the big leagues with Freeze Frame. Fans of the hard-driving rock of the group's '70s albums will find the sleek sound of Freeze Frame slightly disorienting, but the production gives the album cohesion. Good-time rock & roll remains at the core of the group's music, but the sound of the record is glossier, shining with synthesizers and big pop hooks. With its singalong chorus, "Centerfold" exemplifies this trend, but it's merely the tip of the iceberg. "Freeze Frame" has a great stop-start chorus, "Flamethrower" and "Piss on the Wall" rush along on hard-boogie riffs, and "Angel in Blue" is terrific neo-doo wop. There are still a handful of throwaways, but even the filler has a stylized, synthesized flair that makes it enjoyable, and the keepers are among the band's best." All Music Guide - Stephen Thomas Erlewine. more
	Freeze Frame Used - LP - SW 517062 1981 Columbia House club pressing. Glossy, VG+ vinyl. Crisp jacket. "Tempering their bar band R&B with a touch of new wave pop production, the J. Geils Band finally broke through into the big leagues with Freeze Frame. Fans of the hard-driving rock of the group's '70s albums will find the sleek sound of Freeze Frame slightly disorienting, but the production gives the album cohesion. Good-time rock & roll remains at the core of the group's music, but the sound of the record is glossier, shining with synthesizers and big pop hooks. With its singalong chorus, "Centerfold" exemplifies this trend, but it's merely the tip of the iceberg. "Freeze Frame" has a great stop-start chorus, "Flamethrower" and "Piss on the Wall" rush along on hard-boogie riffs, and "Angel in Blue" is terrific neo-doo wop. There are still a handful of throwaways, but even the filler has a stylized, synthesized flair that makes it enjoyable, and the keepers are among the band's best." All Music Guide - Stephen Thomas Erlewine more
	Freeze-Frame Used - LP - R 140223 1981 Record Club Pressing In Shrink With Inner Sleeve. The Boston Rockers 12th Album Sprung Their Big Hits "Freeze-Frame" & "Centerfold". more
	Freeze-Frame Used - LP - SOO-17062 1981 Original With custom inner sleeve. “Tempering their bar band r&b with a touch of new wave pop production, the J. Geils band finally broke through into the big leagues with Freeze Frame. Fans of the hard-driving rock of the group's '70s albums will find the sleek sound of Freeze Frame slightly disorienting, but the production gives the album cohesion. Good-time rock & roll remains at the core of the group's music, but the sound of the record is glossier, shining with synthesizers and big pop hooks. With its singalong chorus, "Centerfold" exemplifies this trend, but it's merely the tip of the iceberg. "Freeze Frame" has a great stop-start chorus, "Flamethrower" and "Piss On The Wall" rush along on hard-boogie riffs, and "Angel In Blue" is terrific neo-doo wop. There are still a handful of throwaways, but even the filler has a stylized, synthesized flair that makes it enjoyable, and the keepers are among the band's best.” AMG - Stephen Thomas Erlewine more
	Freeze-Frame Used - LP - SOO-17062 1981 US original Winchester pressing with custom inner sleeve. EX/NM- vinyl. "Tempering their bar band R&B with a touch of new wave pop production, the J. Geils Band finally broke through into the big leagues with Freeze Frame. Fans of the hard-driving rock of the group's '70s albums will find the sleek sound of Freeze Frame slightly disorienting, but the production gives the album cohesion. Good-time rock & roll remains at the core of the group's music, but the sound of the record is glossier, shining with synthesizers and big pop hooks. With its singalong chorus, "Centerfold" exemplifies this trend, but it's merely the tip of the iceberg. "Freeze Frame" has a great stop-start chorus, "Flamethrower" and "Piss on the Wall" rush along on hard-boogie riffs, and "Angel in Blue" is terrific neo-doo wop. There are still a handful of throwaways, but even the filler has a stylized, synthesized flair that makes it enjoyable, and the keepers are among the band's best." All Music Guide - Stephen Thomas Erlewine. more
	J. Geils Band New - LP - SD 8275 Sealed 1970 LP, COH (Label Variation Unknown). "The J. Geils Band's Self-Titled Debut Served Notice That Rock & Roll Wasn't Dead In 1970 Despite The Best Efforts Of The Singer/Songwriter Brigade. Though It Sounds A Bit Reserved In The Light Of The Albums That Followed, Compared To The Majority Of Bands On The Scene, It Was A Nonstop Blast Of Energy, Fun, And Sweat. Featuring The Hipster Jive Of Singer Peter Wolf, The Amazing Afro And Harp Chops Of Magic Dick, The Fret-Burning Work Of J. Geils, And The Jack Of Many Trades Seth Justman (Keys, Compositions, Backing Vocals), The Geils Band Rips Through Some Classic Blues By The Likes Of Otis Rush ("Homework"), Walter Price ("Pack Fair And Square"), And John Lee Hooker (A Slow-Burning "Serves You Right To Suffer"), Old Motown Gems ("First I Look At The Purse"), And Originals That Stand Up Well Next To The Covers ("Wait," "What's Your Hurry," And Future Live Favorite "Hard Drivin' Man"). A Nice Mix Of Nostalgia, Intensity, And Bar Band Excitement, The Album Serves As Fair Warning That The Geils Band Was On The Scene And Was Ready To Bring Back The Good-Time Spirit Of The Juke Joint, The Abandon Of The Early Rock & Roll Scene, And The High Energy Of The Late-'60s Concert Halls." Tim Sendra, All Music Guide. more
	J. Geils Band New - LP - SD 8275 Sealed 1970 LP, Saw Cut (Label Variation Unknown) No Bar Code On Jacket. 1841, Broadway Address On Back Cover. "The J. Geils Band's Self-Titled Debut Served Notice That Rock & Roll Wasn't Dead In 1970 Despite The Best Efforts Of The Singer/Songwriter Brigade. Though It Sounds A Bit Reserved In The Light Of The Albums That Followed, Compared To The Majority Of Bands On The Scene, It Was A Nonstop Blast Of Energy, Fun, And Sweat. Featuring The Hipster Jive Of Singer Peter Wolf, The Amazing Afro And Harp Chops Of Magic Dick, The Fret-Burning Work Of J. Geils, And The Jack Of Many Trades Seth Justman (Keys, Compositions, Backing Vocals), The Geils Band Rips Through Some Classic Blues By The Likes Of Otis Rush ("Homework"), Walter Price ("Pack Fair And Square"), And John Lee Hooker (A Slow-Burning "Serves You Right To Suffer"), Old Motown Gems ("First I Look At The Purse"), And Originals That Stand Up Well Next To The Covers ("Wait," "What's Your Hurry," And Future Live Favorite "Hard Drivin' Man"). A Nice Mix Of Nostalgia, Intensity, And Bar Band Excitement, The Album Serves As Fair Warning That The Geils Band Was On The Scene And Was Ready To Bring Back The Good-Time Spirit Of The Juke Joint, The Abandon Of The Early Rock & Roll Scene, And The High Energy Of The Late-'60s Concert Halls." Tim Sendra, All Music Guide. more
	J. Geils Band Used - LP - SD 8275 1970 Original With First Label (1841, Broadway Address). Some Creasing & Small Corner Bump. more
	J. Geils Band New - LP - SD 8275 Sealed 1970 LP (Label Variation Unknown). "The J. Geils Band's Self-Titled Debut Served Notice That Rock & Roll Wasn't Dead In 1970 Despite The Best Efforts Of The Singer/Songwriter Brigade. Though It Sounds A Bit Reserved In The Light Of The Albums That Followed, Compared To The Majority Of Bands On The Scene, It Was A Nonstop Blast Of Energy, Fun, And Sweat. Featuring The Hipster Jive Of Singer Peter Wolf, The Amazing Afro And Harp Chops Of Magic Dick, The Fret-Burning Work Of J. Geils, And The Jack Of Many Trades Seth Justman (Keys, Compositions, Backing Vocals), The Geils Band Rips Through Some Classic Blues By The Likes Of Otis Rush ("Homework"), Walter Price ("Pack Fair And Square"), And John Lee Hooker (A Slow-Burning "Serves You Right To Suffer"), Old Motown Gems ("First I Look At The Purse"), And Originals That Stand Up Well Next To The Covers ("Wait," "What's Your Hurry," And Future Live Favorite "Hard Drivin' Man"). A Nice Mix Of Nostalgia, Intensity, And Bar Band Excitement, The Album Serves As Fair Warning That The Geils Band Was On The Scene And Was Ready To Bring Back The Good-Time Spirit Of The Juke Joint, The Abandon Of The Early Rock & Roll Scene, And The High Energy Of The Late-'60s Concert Halls." Tim Sendra, All Music Guide. more
	Ladies Invited New - LP - SD 7286 Sealed 1973 Silver Foil Cover Original. more
	Live - Blow Your Face Out Used - LP - SD 2-507 1976 2LP Gatefold Original. Both LPs Appear Glossy, Unplayed. more
	Live: Full House New - LP - SD 7241 Sealed 1972 Original. more
	Live: Full House Used - LP - SD 7241 1972 Original. more
	Love Stinks Audiophile - LP - NR 25 DBX LP. Beautiful Copy With Insert. Half-Speed Mastered. more
	Love Stinks New - LP - LOO 517016 Sealed 1980 Original. more
	Love Stinks Audiophile - LP - NR 35 1981 Half-Speed Master With Insert. Appears Unplayed. more
	Love Stinks Used - LP - EYS-81259 1980 Japanese First Pressing With Obi. Small Cut Corner. LP Appears Glossy, Unplayed. more
	Love Stinks Audiophile - LP - NR 25 1981 Half-Speed Master. Jacket NM-/LP NM. more
	Love Stinks New - LP - SOO-17016 Sealed 1980 Original, Clean Cut Out Hole. No UPC On Jacket. more
	Love Stinks Used - LP - SOO-17016 1980 Original With Custom Inner Sleeve. more
	Love Stinks Audiophile - LP - NR 25 1981 Half-Speed Master. Shrink Wrap Is Open At Top But Record Is New. more
	Love Stinks Audiophile - LP - NR 35 Beautiful 1981 Half-Speed Master from Nautilus. Includes inserts. "Released some two years after the band's EMI debut, Sanctuary, the Love Stinks project would see the J. Geils Band going in an even more commercial-leaning direction than its predecessor. Taking over the main production duties, keyboard player/main songwriter Seth Justman set out to better the band's gold-plus-selling Sanctuary. And to some degree, he wildly succeeded. Although not as consistent or diverse as Sanctuary, Love Stinks would feature one of the band's most recognizable FM songs ever -- the album's infectious title track "Love Stinks." In a live setting, the track would often turn into a veritable tour de force only to be outdone by Peter Wolf's hilarious rap about "Adam and Eve in the Garden of Eden smoking weed together," which would introduce the song (often on a nightly basis). "Night Time" is another great, although somewhat typical "rave-on" type of J. Geils song; "No Anchovies Please" is a little strange; and closer "Till the Walls Come Tumblin' Down" is, as the song title hints, just that. Bolstered by "Just Can't Wait," another good album opener, Love Stinks turns out to be solid effort, but one that sounds a little outdated at times due to its acerbic, synth textures. Not one of the band's best overall records but one that would allow the band to outdo itself with the classic Freeze Frame a year later." All Music Guide - John Franck. more
	Love Stinks Audiophile - Used - NR 25 1981 Audiophile dbx half-speed remaster from Nautilus. This is a "dbx disc" pressing and therefore you MUST have a dbx encoder in your system to benefit! Beautiful copy with insert. Love Stinks is an iconic album produced by the J. Geils Band. Released in the year 1980, the album features some of the most memorable tracks of the time such as the title track "Love Stinks," "No Anchovies, Please" and "Just Can't Wait". The J. Geils Band's unique sound is evident throughout the album, blending rock, pop, and blues to create a sound that is unlike anything else in the music scene. The album's unique value lies in its ability to capture the essence of the time period. Love Stinks is a representation of the transition from the 70s to the 80s, with its edgy and raw sound that was indicative of a new era of music. The J. Geils Band's creative approach to blending different genres and sounds speaks to the band's innovation and forward-thinking mindset, which helped to shape the music industry as we know it today. It is a must-have for any music lover, as it is a true reflection of a time period and a band that had a significant impact on the music industry. more
	Love Stinks Used - LP - SOO-17016 1980 US Columbia House pressing with custom inner sleeve. more
	Monkey Island Used - LP - SD 19103 1977 Gatefold original in gatefold with inner sleeve. The J. Geils Band's "Monkey Island" is a playful and funky album that showcases the band's impressive musicianship and infectious energy. The opening track "Surrender" immediately grabs the listener's attention with its driving rhythm and catchy chorus. "Somebody" and "I Do" feature the band's signature bluesy sound, while "Wreckage" and "Ultimate Devotion" bring a more soulful and groovy vibe to the album. One standout track is "So Good," which features a guitar solo that is pure bliss and a vocal performance that is both sensual and powerful. "Monkey Island" is a fun and dynamic album that perfectly captures the peek of the J. Geils Band's sound. It's a must-listen for fans of classic rock and anyone looking for some infectious grooves. more
	Monkey Island Used - LP - SD 19103 1977 Gatefold original in gatefold with inner sleeve. The J. Geils Band's "Monkey Island" is a playful and funky album that showcases the band's impressive musicianship and infectious energy. The opening track "Surrender" immediately grabs the listener's attention with its driving rhythm and catchy chorus. "Somebody" and "I Do" feature the band's signature bluesy sound, while "Wreckage" and "Ultimate Devotion" bring a more soulful and groovy vibe to the album. One standout track is "So Good," which features a guitar solo that is pure bliss and a vocal performance that is both sensual and powerful. "Monkey Island" is a fun and dynamic album that perfectly captures the peek of the J. Geils Band's sound. It's a must-listen for fans of classic rock and anyone looking for some infectious grooves. more
	Morning After Used - LP - SD 8297 1971 Heavy Vinyl Original (1841 Broadway Address On Labels). Shrink Wrap Intact. LP Appears Unplayed. "Looking For A Love" Hype Sticker On The Shrink Wrap. “The Morning After Is A Near Perfect Follow-Up To The J. Geils Band's Self-Titled Debut Album. It's More Of The Same Winning Blend Of Rocked-Out Blues, Jumped-Up Soul, And Pure Rock & Roll Wildness With Enough Attitude And Energy To Get A Club Full Of People From Zero To Sweaty In Less Than 60 Seconds. Featuring The Original Versions Of Songs That Became Radio Staples In Their Live Incarnations ("Looking For A Love," The Magic Dick Showcase "Whammer Jammer"), A Batch Of Covers Of Rare Soul Gems ("So Sharp," Don Covay's "The Usual Place," The Aforementioned "Looking For A Love"), And Some Fine Originals (The Rip-Roaring Opener "I Don't Need You No More," The Very Funky "Gotta Have Your Love," And The Heart-Rending Ballad "Cry One More Time," Which Was Covered Memorably By Gram Parsons On G.P.), The Morning After Is Definite Proof That The J. Geils Band Were Well On Their Way To Becoming One Of The Best Rock & Roll Bands Of Any Era.” Tim Sendra, All Music Guide. more
	Morning After New - LP - SD 8297 Sealed 1971 Vinyl. COH. Label Variation Unknown. Jacket Has 1841 Broadway Address, But This Is Probably A Second Pressing. Doesn't Have The Heft Of The Original. more
	Morning After Used - LP - SD 8297 1971 White Label Promo With Two Promo Stickers On Front Cover. Slight Ring Wear. Vinyl Appears Glossy, Unplayed. more
	Morning After New - LP - SD 8297 Sealed And Pristine 1971 Original With Custom "Looking For A Love" Hype Sticker On The Shrink Wrap. “The Morning After Is A Near Perfect Follow-Up To The J. Geils Band's Self-Titled Debut Album. It's More Of The Same Winning Blend Of Rocked-Out Blues, Jumped-Up Soul, And Pure Rock & Roll Wildness With Enough Attitude And Energy To Get A Club Full Of People From Zero To Sweaty In Less Than 60 Seconds. Featuring The Original Versions Of Songs That Became Radio Staples In Their Live Incarnations ("Looking For A Love," The Magic Dick Showcase "Whammer Jammer"), A Batch Of Covers Of Rare Soul Gems ("So Sharp," Don Covay's "The Usual Place," The Aforementioned "Looking For A Love"), And Some Fine Originals (The Rip-Roaring Opener "I Don't Need You No More," The Very Funky "Gotta Have Your Love," And The Heart-Rending Ballad "Cry One More Time," Which Was Covered Memorably By Gram Parsons On G.P.), The Morning After Is Definite Proof That The J. Geils Band Were Well On Their Way To Becoming One Of The Best Rock & Roll Bands Of Any Era.” Tim Sendra, All Music Guide. more
	Nightmares New - LP - SD 18107 Sealed 1974 Rarity. 4 Stars In All Music Guide. Pristine Copy. more
	Sanctuary New - LP - SO 17006 Sealed 1978 Original With Custom "One Last Kiss" Hype Sticker On The Shrink Wrap. Light Crease On Top Right Corner, Hence Killer Price. “After The Release Of 1977's Monkey Island, The J. Geils Band Severed Ties With Atlantic And Signed A Fresh Deal With EMI Records. The Band's Tenure With Atlantic Only Yielded A Few Successes, And On Paper, Teaming Up With Producer Joe Wissert, The Man Responsible For Many Of Earth, Wind & Fire's And Boz Scaggs' Biggest Hits, Seemed Like An Odd Choice. However, Sanctuary Was A Rebirth: Wissert Crystallized The Band's Attack, Working Off Their Leaner Songwriting And Simplifying Their Arrangements. Keeping Their Boogie-Woogie Bar Band Attack Intact, Peter Wolf And Seth Justman Delivered First-Rate Material, Including The Down And Dirty Opener "I Could Hurt You," The Sublime Title Track And The Lovely "One Last Kiss," Which Cracked The Top 40 In Early 1978. The Stevie Wonder-Ish "Take It Back," Also A Mild Hit, Predicted The Commercial Direction The Band Took On Freeze Frame Three Years Later. The Beautiful "Teresa," A Heartbreaking Ballad Executed With Help Of A Simple Vocal/Piano Arrangement Courtesy Of The Wolf/Justman Team, And "Wild Man,," Which Sounds Like A Leftover From The Atlantic Years, Are Also Highlights. Sanctuary's Final Song, The Rollicking, Magic Dick-Driven "Just Can't Stop Me," Encapsulates Everything Magical (Pun Intended) And Soulful About This Band. With Its Effortless Playing And A Breakdown That'll Have You On The Edge Of Your Seat, It Served As The Band's Call Into Battle For The Freeze Frame Tour. The Razor & Tie Reissue Features Covers Of "I Do" And "Land Of A Thousand Dances" From The Band's Live Record Showtime, Recorded At The Height Of Their Freeze Frame Period. "Land Of A Thousand Dances" In Particular Reminds You Just How Incredible These Guys Were Live.” John Franck, AMG. more
	Sanctuary New - LP - SO 17006 Sealed 1978 Original With Custom "One Last Kiss" Hype Sticker On The Shrink Wrap. Clean Cut Out Hole. “After The Release Of 1977's Monkey Island, The J. Geils Band Severed Ties With Atlantic And Signed A Fresh Deal With EMI Records. The Band's Tenure With Atlantic Only Yielded A Few Successes, And On Paper, Teaming Up With Producer Joe Wissert, The Man Responsible For Many Of Earth, Wind & Fire's And Boz Scaggs' Biggest Hits, Seemed Like An Odd Choice. However, Sanctuary Was A Rebirth: Wissert Crystallized The Band's Attack, Working Off Their Leaner Songwriting And Simplifying Their Arrangements. Keeping Their Boogie-Woogie Bar Band Attack Intact, Peter Wolf And Seth Justman Delivered First-Rate Material, Including The Down And Dirty Opener "I Could Hurt You," The Sublime Title Track And The Lovely "One Last Kiss," Which Cracked The Top 40 In Early 1978. The Stevie Wonder-Ish "Take It Back," Also A Mild Hit, Predicted The Commercial Direction The Band Took On Freeze Frame Three Years Later. The Beautiful "Teresa," A Heartbreaking Ballad Executed With Help Of A Simple Vocal/Piano Arrangement Courtesy Of The Wolf/Justman Team, And "Wild Man,," Which Sounds Like A Leftover From The Atlantic Years, Are Also Highlights. Sanctuary's Final Song, The Rollicking, Magic Dick-Driven "Just Can't Stop Me," Encapsulates Everything Magical (Pun Intended) And Soulful About This Band. With Its Effortless Playing And A Breakdown That'll Have You On The Edge Of Your Seat, It Served As The Band's Call Into Battle For The Freeze Frame Tour. The Razor & Tie Reissue Features Covers Of "I Do" And "Land Of A Thousand Dances" From The Band's Live Record Showtime, Recorded At The Height Of Their Freeze Frame Period. "Land Of A Thousand Dances" In Particular Reminds You Just How Incredible These Guys Were Live.” John Franck, AMG. more
	Sanctuary. New - LP - SO-17006 Sealed 1978 Original But Unable To Confirm Exact Press Info. Clean Cut Out Hole. “After The Release Of 1977's Monkey Island, The J. Geils Band Severed Ties With Atlantic And Signed A Fresh Deal With EMI Records. The Band's Tenure With Atlantic Only Yielded A Few Successes, And On Paper, Teaming Up With Producer Joe Wissert, The Man Responsible For Many Of Earth, Wind & Fire's And Boz Scaggs' Biggest Hits, Seemed Like An Odd Choice. However, Sanctuary Was A Rebirth: Wissert Crystallized The Band's Attack, Working Off Their Leaner Songwriting And Simplifying Their Arrangements. Keeping Their Boogie-Woogie Bar Band Attack Intact, Peter Wolf And Seth Justman Delivered First-Rate Material, Including The Down And Dirty Opener "I Could Hurt You," The Sublime Title Track And The Lovely "One Last Kiss," Which Cracked The Top 40 In Early 1978. The Stevie Wonder-Ish "Take It Back," Also A Mild Hit, Predicted The Commercial Direction The Band Took On Freeze Frame Three Years Later. The Beautiful "Teresa," A Heartbreaking Ballad Executed With Help Of A Simple Vocal/Piano Arrangement Courtesy Of The Wolf/Justman Team, And "Wild Man,," Which Sounds Like A Leftover From The Atlantic Years, Are Also Highlights. Sanctuary's Final Song, The Rollicking, Magic Dick-Driven "Just Can't Stop Me," Encapsulates Everything Magical (Pun Intended) And Soulful About This Band. With Its Effortless Playing And A Breakdown That'll Have You On The Edge Of Your Seat, It Served As The Band's Call Into Battle For The Freeze Frame Tour. The Razor & Tie Reissue Features Covers Of "I Do" And "Land Of A Thousand Dances" From The Band's Live Record Showtime, Recorded At The Height Of Their Freeze Frame Period. "Land Of A Thousand Dances" In Particular Reminds You Just How Incredible These Guys Were Live.” John Franck, AMG. more
	Showtime New - LP - SO 517087 Sealed 1982 Record Club Edition. Small Tear In Shrink Wrap. more
	Showtime! New - LP - SO-17087 Sealed 1982 Original With Gold Capitol Records Promo Stamp On Cover. more
	Showtime! Used - LP - SO 17087 1982 Record Club Edition In Shrink Wrap. more
	Showtime! New - LP - SO 17087 Sealed 1982 Original. more
	Showtime! New - LP - SO 17087 Sealed 1982 Original With Caldor Dept Tag Still In Place. more
	Showtime! New - LP - SO 17087 Sealed 1982 Original. Crisp copy, with small hole punch. more
	Showtime! Used - LP - SO 517087 1982 Original with inner sleeve. "Showtime!" is a live album by the J. Geils Band, released in 1982. Capturing the energetic vibe of the band's live performances, the album was recorded during their tour supporting the "Freeze Frame" album. It features prominent tracks such as "Centerfold" and "Love Stinks," showcasing the band's blend of rock, blues, and rhythm and blues. The energetic delivery and lively crowd interactions are notable, enhancing the experience of the band's robust stage presence. The vinyl edition of "Showtime!" offers a tangible connection to the era of its release, providing listeners with a classic analog sound. Its packaging includes vibrant cover art and liner notes that contribute to its nostalgic appeal. As a live recording, "Showtime!" exemplifies the J. Geils Band's ability to translate their studio success into compelling live performances, giving fans an authentic taste of their dynamic concert experiences. more
	The J. Geils Band Used - LP - SD 8275 Rare1970 WLP original with inner sleeve. Plausibly a Hot Stamper. "The J. Geils Band's Self-Titled Debut Served Notice That Rock & Roll Wasn't Dead In 1970 Despite The Best Efforts Of The Singer/Songwriter Brigade. Though It Sounds A Bit Reserved In The Light Of The Albums That Followed, Compared To The Majority Of Bands On The Scene, It Was A Nonstop Blast Of Energy, Fun, And Sweat. Featuring The Hipster Jive Of Singer Peter Wolf, The Amazing Afro And Harp Chops Of Magic Dick, The Fret-Burning Work Of J. Geils, And The Jack Of Many Trades Seth Justman (Keys, Compositions, Backing Vocals), The Geils Band Rips Through Some Classic Blues By The Likes Of Otis Rush ("Homework"), Walter Price ("Pack Fair And Square"), And John Lee Hooker (A Slow-Burning "Serves You Right To Suffer"), Old Motown Gems ("First I Look At The Purse"), And Originals That Stand Up Well Next To The Covers ("Wait," "What's Your Hurry," And Future Live Favorite "Hard Drivin' Man"). A Nice Mix Of Nostalgia, Intensity, And Bar Band Excitement, The Album Serves As Fair Warning That The Geils Band Was On The Scene And Was Ready To Bring Back The Good-Time Spirit Of The Juke Joint, The Abandon Of The Early Rock & Roll Scene, And The High Energy Of The Late-'60s Concert Halls". AMG - Tim Sendra more
	The Morning After Audiophile - Used - MFSL 1-415 2019 Audiophile remastered reissue from Mobile Fidelity Sound Lab. Jacket has some light shelf wear/scuffing, EX overall. This copy has a blank box where gold stamped numbering would be; deemed some sort of promotional copy. more
	The Morning After Audiophile - Used - MFSL 1-415 2019 Audiophile remastered reissue from Mobile Fidelity Sound Lab. Jacket shows ring wear & scuff marks across upper portion of front cover. This is an un-numbered promo copy. more
	The Morning After Used - LP - SD 8297 1971 Stereo original with inner sleeve. The J. Geils Band's 1971 release, "The Morning After," captures the band's raw energy and blues-inspired sound. With hits like "Looking for a Love" and "Whammer Jammer" the album showcases the band's exceptional musicianship and Peter Wolf's electrifying vocals. The album also features a more introspective side, with tracks like "Gotta Have Your Love" and "So Sharp" exploring themes of heartbreak and longing. What makes "The Morning After" so special is how the J. Geils Band manages to blend all these different styles together seamlessly, creating a cohesive and unforgettable listening experience. One of the unique aspects of "The Morning After" is its production, which is intentionally rough and unpolished, giving the album a live and in-your-face feel. The songs are full of energy, with driving beats and infectious hooks that make it impossible to sit still. "The Morning After" is a classic album that showcases the J. Geils Band early years. With its blend of rock, soul, and R&B, this album is a must-listen for fans of blues-inspired rock music. more
	You're Gettin' Even While I'm Gettin Odd New - LP - SJ 17137 Sealed 1984 LP With Custom Song Sticker Over Shrink Wrap. Small Saw-Cut. more
	You're Gettin' Even While I'm Gettin' Odd New - LP - SJ 17137 Sealed 1984 Original. Small Saw Cut. Corner Dings. more
	You're Gettin' Even While I'm Gettin' Odd New - LP - SJ 17137 Sealed 1984 Original With Custom "Concealed Weapons" Song Hype Sticker Intact. more
	You're Gettin' Even While I'm Gettin' Odd New - LP - SJ 17137 Sealed 1984 Original With Custom "Concealed Weapons" Song Hype Sticker Intact. Cut Out Hole. more
	You're Gettin' Even While I'm Gettin' Odd New - LP - SJ-17137 Sealed 1984 US original, with custom hype sticker & hole punch. Contains the track "Concealed Weapons". Produced by Seth Justman. more