Jackson, Chuck

Vinyl Records and Rare LPs:

	Any Day Now New - LP - 654 Sealed 1962 Mono Original, Tiny COH. "After Dionne Warwick, Soul Belter Chuck Jackson Was Arguably The Premier Interpreter Of The Indelible Pop Songs Of Composer Burt Bacharach — Any Day Now's Title Cut Remains The Apex Of Their Collaboration, Its Dramatic Arrangement And Suffocating Fatalism Proving The Perfect Showcase For Jackson's Richly Poignant Vocals. Jackson's Second Wand LP Also Features The Wrenching Ballad "I Keep Forgetting." Jason Ankeny, AMG. more
	Chuck Jackson Arrives New - LP - MS 667 Sealed 1968 Stereo Original. Tiny Cut Corner. more
	Encore Used - LP - 655 Near Mint 1963 Laminated Jacket Mono Original. more
	Goin' Back To Jackson New - LP - MS 687 Sealed 1969 Stereo Original. Tiny Saw Cut. Includes "No More Water In The Well." more
	Mr. Everything Used - LP - WDS 667 Beautiful 1965 Stereo Original. more
	Needing You Wanting You New - LP - AP 3014 Sealed 1975 Original. Pristine Copy. more
	Needing You Wanting You New - LP - AP 3014 Sealed 1975 Original, Saw Cut. more
	Tribute To Rhythm And Blues New - LP - W 673 Sealed 1966 Original. “Chuck Jackson And His Touring Band (Led By Bobby Scott On Tenor Sax) Rolled Into The Wand/Scepter Records Studio In 1966 To Cut An Album That Was Decidedly Different Than Their Usual Fare. While Jackson's Best-Known Sides, Such As "I Don't Want To Cry" And "Any Day Now," Were Slickly Produced Efforts That Found Him Backed By The Cream Of New York's Session Musicians, For Tribute To Rhythm And Blues Jackson And His Crew Knocked Out A Set Of Covers Of Soul Hits Of The Day With The Tunes Cut Essentially Live In The Studio, Without An Official Producer In Attendance. The Result Was One Of The Funkiest And Most Soulful Albums Of Jackson's Career; The Singer Revealed A Degree Of Grit And Guts That He Didn't Usually Allow Himself In The Studio, And While All The Tunes On Board Were Made Famous By Other Performers (Except The Opening Instrumental), Jackson Managed To Bring Something Of His Own To Each Number. The Lighthearted Vibe Of Lee Dorsey's "Ya Ya" And "Get Out Of My Life, Woman" Becomes Heavier And More Rueful In Jackson's Hands, His Take On Sam Cooke's "A Change Is Gonna Come" Is Deeply Emotional, And "Quarter To Three" Is Changed From An Homage To A Party Out Of Bounds To A Very Fine Woman. While Chuck Jackson Is Usually Regarded As One Of The More Pop-Oriented Voices In The Golden Age Of Soul, This Album Demonstrates He Was Capable Of Tougher Stuff When He Was Given The Chance.” Mark Deming, AMG. more