James Gang

Vinyl Records and Rare LPs:

	Bang Used - Vinyl - SD 7037 1973 Original With DJ Sticker On Front Cover. Saw Cut. Appears Unplayed. more
	Bang Used - Vinyl - SD 7037 Beautiful 2nd Issue In Original Heavy Jacket. Recorded In 1973. more
	James Gang Rides Again Audiophile - Vinyl - MFSL 1-477 Sealed 2017 Gatefold. Original Master Recording, GAIN 2™ Ultra Analog, 180gm Series. Slight Spine Ding. more
	James Gang Rides Again Audiophile - New - MFSL 1-477 Sealed 2017 180gm Gatefold Remastered Reissue From Mobile Fidelity Sound Labl. The GAIN 2™ Ultra Analog Series. This Is Number #002525. more
	Jesse Come Home Used - Vinyl - SD 36-141 Beautiful 1976 US Yellow Label Original; Monarch Pressing With Atlantic/Atco Custom Company Inner. Jacket In EX Condition. more
	Live In Concert Used - Vinyl - ABCX 733 1972 Original Still In Shrink Wrap. Tiny COH. more
	Live In Concert Used - Vinyl - ABCX 733 1972 Original. Appears Glossy, Unplayed. more
	Live In Concert Audiophile - Vinyl - IPP-80414 Rare 1971 Japan Pressing. Insert, But No Obi. Minor Cover Crease. more
	Live In Concert Used - Vinyl - ABCX 733 1971 US Repress, Santa Maria Plant. "The James Gang Earned A Great Number Of Fans Through Their Live Performances, So It Made Sense That They Would Release A Live Record Within Months Of Their Successful Third Album. Live In Concert Captures Much Of The Energy Of Their Live Performances, With Joe Walsh's Guitar Solos Catching Fire On Nearly Every Song. However, The Record Also Makes It Clear That He Was Beginning To Outgrow The Confines Of The James Gang, As Fox And Peters Struggled To Keep Up With His Imaginative Playing For Most Of The Album." AMG Review By Stephen Thomas Erlewine. more
	Mami New - Vinyl - SD 36-102 Sealed 1974 US Original. Pressing Info Unknown. Ding On Top Seam And Tiny Corner Dings. “Like Bang Before It, Miami Was A Success Solely Because Of The Presence Of Guitarist Tommy Bolin. Bolin's Energetic, Muscular Playing Reinvigorated The James Gang, Sparking The Rest Of The Band Into Giving Lively Performances. Again, There Was A Noticeable Lack Of Memorable Songs, But Miami Is Worthwhile For Guitar Aficionados.” AMG - Stephen Thomas Erlewine. more
	Mami New - Vinyl - SD 36-102 Sealed 1974 US Original. Pressing Info Unknown. Ding On Top Seam And Tiny Corner Dings. “Like Bang Before It, Miami Was A Success Solely Because Of The Presence Of Guitarist Tommy Bolin. Bolin's Energetic, Muscular Playing Reinvigorated The James Gang, Sparking The Rest Of The Band Into Giving Lively Performances. Again, There Was A Noticeable Lack Of Memorable Songs, But Miami Is Worthwhile For Guitar Aficionados.” AMG - Stephen Thomas Erlewine. more
	Miami Quad - Vinyl - QD 36-102 Sealed 1974 Quadradisc (Compatible Stereo). more
	Miami Used - Vinyl - P-8501 1974 Japanese Pressing With Insert And Obi. Jacket Has Very Light Foxing, Primarily Evident Against The White Lettering. Vinyl Appears Unplayed. more
	Newborn Used - Vinyl - SD 36-112 1975 Yellow Label Original, Monarch Pressing. Front Cover Art "Geopoliticus Child Watching The Birth Of The New Man" By Salvador Dali. Glossy Vinyl, EX, Jacket A Nice VG+, With Some Light Corner Wear. more
	Newborn New - Vinyl - SD 36-112 Sealed, Rare 1975 Yellow Label Original. Custom Promo Sticker With Track Listing Highlights On The Front Cover. Small Saw Cut. Front Cover Art By Salvador Dali. more
	Newborn Used - Vinyl - SD 36-211 Rare 1975 Yellow Label Original With Custom Inner Sleeve. Appears Glossy. Front Cover Art By Salvador Dali. Dead Wax On Side Two Is Inscribed By The Mastering Engineer: "Love From The Gang." Cut At Sterling Sound. more
	Passin' Thru New - Vinyl - ABCX 760 Sealed 1972 Original. NM- Jacket Two Small Corner Dings. “Passin' Thru Was The Second Record The James Gang Recorded With Guitarist Dominic Troiano. His Performance Was Very Similar To That On Straight Shooter -- He Wasn't A Stylist, He Was A Workman Capable Of Delivering Sturdy Hard-Rock Hooks. Passin' Thru Didn't Hit As Hard As Its Predecessor, But It Did Provide An Effective Showcase For Troiano's Talents.” All Music Guide - Stephen Thomas Erlewine. more
	Passin' Thru New - Vinyl - ABCX 760 Sealed 1972 Original. Two Small Corner Dings. Small Cut Out Hole. “Passin' Thru Was The Second Record The James Gang Recorded With Guitarist Dominic Troiano. His Performance Was Very Similar To That On Straight Shooter -- He Wasn't A Stylist, He Was A Workman Capable Of Delivering Sturdy Hard-Rock Hooks. Passin' Thru Didn't Hit As Hard As Its Predecessor, But It Did Provide An Effective Showcase For Troiano's Talents.” Stephen Thomas Erlewine, AMG. more
	Passin' Thru New - Vinyl - ABCX 760 Sealed 1972 Original, Small Cut Out Hole. “Passin' Thru Was The Second Record The James Gang Recorded With Guitarist Dominic Troiano. His Performance Was Very Similar To That On Straight Shooter -- He Wasn't A Stylist, He Was A Workman Capable Of Delivering Sturdy Hard-Rock Hooks. Passin' Thru Didn't Hit As Hard As Its Predecessor, But It Did Provide An Effective Showcase For Troiano's Talents.” Stephen Thomas Erlewine, AMG. more
	Rides Again Used - Vinyl - ABC S-711 Beautiful Original Housed In A Gatefold Cover. Appears Unplayed. “With Their Second Album Rides Again, The James Gang Came Into Their Own. Under The Direction Of Guitarist Joe Walsh, The Group -- Now Featuring Bassist Dale Peters -- Began Incorporating Keyboards Into Their Hard Rock, Which Helped Open Up Their Musical Horizons. For Much Of The First Side Of Rides Again, The Group Tear Through A Bunch Of Boogie Numbers, Most Notably The Heavy Groove Of "Funk #49." On The Second Side, The James Gang Departs From Their Trademark Sound, Adding Keyboard Flourishes And Elements Of Country-Rock To Their Hard Rock. Walsh's Songwriting Had Improved, Giving The Band Solid Support For Their Stylistic Experiments. What Ties The Two Sides Of The Record Together Is The Strength Of The Band's Musicianship, Which Burns Brightly And Powerfully On The Hardest Rockers, As Well As On The Sensitive Ballads.” Stephen Thomas Erlewine, All Music Guide. more
	Rides Again New - Vinyl - ABC S-711 Sealed 1970 Original Housed In A Gatefold Cover. Promo Sticker On The Front Jacket-May Be A White Label Promo. “With Their Second Album Rides Again, The James Gang Came Into Their Own. Under The Direction Of Guitarist Joe Walsh, The Group -- Now Featuring Bassist Dale Peters -- Began Incorporating Keyboards Into Their Hard Rock, Which Helped Open Up Their Musical Horizons. For Much Of The First Side Of Rides Again, The Group Tear Through A Bunch Of Boogie Numbers, Most Notably The Heavy Groove Of "Funk #49." On The Second Side, The James Gang Departs From Their Trademark Sound, Adding Keyboard Flourishes And Elements Of Country-Rock To Their Hard Rock. Walsh's Songwriting Had Improved, Giving The Band Solid Support For Their Stylistic Experiments. What Ties The Two Sides Of The Record Together Is The Strength Of The Band's Musicianship, Which Burns Brightly And Powerfully On The Hardest Rockers, As Well As On The Sensitive Ballads.” Stephen Thomas Erlewine, All Music Guide. more
	Rides Again Used - Vinyl - IPP-80608 Deadly Rare And Killer 1970 Original Japanese Gatefold Issue With Insert And Dual Obis. Jacket Has Slight Foxing, As Do The Pink Probe Record Labels. The Thin Red Obi Strip Is Promotional And It's Very Much A Rarity. Vinyl Is Gorgeous. more
	Rides Again Colored Vinyl - OBR 23000-1 Sealed 1996 Gray Vinyl Release Housed In A Gatefold Jacket. “With Their Second Album Rides Again, The James Gang Came Into Their Own. Under The Direction Of Guitarist Joe Walsh, The Group -- Now Featuring Bassist Dale Peters -- Began Incorporating Keyboards Into Their Hard Rock, Which Helped Open Up Their Musical Horizons. For Much Of The First Side Of Rides Again, The Group Tear Through A Bunch Of Boogie Numbers, Most Notably The Heavy Groove Of "Funk #49." On The Second Side, The James Gang Departs From Their Trademark Sound, Adding Keyboard Flourishes And Elements Of Country-Rock To Their Hard Rock. Walsh's Songwriting Had Improved, Giving The Band Solid Support For Their Stylistic Experiments. What Ties The Two Sides Of The Record Together Is The Strength Of The Band's Musicianship, Which Burns Brightly And Powerfully On The Hardest Rockers, As Well As On The Sensitive Ballads.” Stephen Thomas Erlewine, AMG. more
	Straight Shooter Used - Vinyl - ABCX 741 Beautiful 1972 Black Label With Multi-Colored ABC Logo Original Housed In An Embossed Jacket With Shrink Wrap Intact. Label Variant, With Year Copyright Text Directly Under The ABC Records Logo. more
	Straight Shooter New - Vinyl - ABCX 741 Sealed 1972 Embossed Cover Original. more
	Straight Shooter New - Vinyl - ABCX 741 Sealed 1972 Embossed Jacket Original. Cut Corner. more
	The Best Of The James Gang Featuring Joe Walsh Used - Vinyl - MCA 1637 1980 US reissue on Sky Blue Rainbow label. The front cover has updated Gold stamped cat. number; Spine shows original "MCA 37112" cove displays "MCA-1637". more
	The True Story Of The James Gang New Import - SEE 88 Sealed 1987 Original Vinyl Compilation; UK Import. "Rolling Out Of Cleveland's Club Circuit In The Late 1960s, The James Gang Was A Tight And Hard Rocking Trio Blessed With The Guitar Skills, Songwriting Chops, And The Strong Lead Voice Of Joe Walsh Long Before He Ended Up In The Rock Retirement Community Known As The Eagles. This 17-track Set Contains Some Gems Like The Powerful "Take A Look Around," The Moody "Ashes, The Rain And I," An Interesting Cover Of Stephen Stills' Buffalo Springfield-era "Bluebird" (Complete With A Thousand Guitar Overdubs), And The Brilliant "Funk #49," A Hard Rock Staple If Ever There Was One. Curiously, 1971's "Walk Away," One Of The Group's Biggest Hits, Is Missing Here." AMG - Steve Leggett. more
	Thirds Used - Vinyl - ABCX 721 Beautiful 1971 Heavy Vinyl Black Label With Rainbow Logo Original Still In Shrink Wrap With Custom Inner Sleeve. Small Cut Out Hole. LP Appears Unplayed. more
	Thirds Used - Vinyl - VIM-4055 / ABCX-721 Rare Japanese Pressing With Obi And Lyric Sheet. Vinyl Appears Unplayed. more
	Thirds Used - Vinyl - ABCX 721 1972 Vinyl Black Label With Rainbow Logo Pressing. Signature On Back & Initials On Label. more
	Yer' Album New - Vinyl - BLS 6034 Sealed 1969 Gatefold Original. Tiny COH. “The James Gang's Debut LP, Yer' Album, Was Very Much A First Record And Very Much A Record Of Its Time. The Heavy Rock Scene Of The Period Was Given To Extensive Jamming, And Four Tracks Ran More Than Six Minutes Each. The Group Had Written Some Material, But They Were Still Something Of A Cover Band, And The Disc Included Their Extended Workouts On Buffalo Springfield's "Bluebird" And The Yardbirds' "Lost Woman," The Latter A Nine-Minute Version Complete With Lengthy Guitar, Bass, And Drum Solos. But In Addition To The Blues Rock There Were Also Touches Of Pop And Progressive Rock, Mostly From Walsh Who Displayed A Nascent Sense Of Melody, Not To Mention Some Of The Taste For Being A Cutup That He Would Display In His Solo Career. Walsh's "Take A Look Around" Must Have Made An Impression On Pete Townshend During The Period Before The Album's Release When The James Gang Was Opening For The Who Since Townshend Borrowed It For The Music He Was Writing For The Abortive Lifehouse Follow-Up To Tommy. If "Wrapcity (I.E., Rhapsody) In English," A Minute-Long Piano And Strings Interlude, Seems Incongruous In Retrospect, Recall That This Was An Eclectic Era. But The Otherwise Promising "Fred," Which Followed, Broke Down Into A Pedestrian Jazz Routine, Suggesting That The Band Was Trying To Cram Too Many Influences Onto One Record And Sometimes Into One Song. Nevertheless, They Were Talented Improvisers, As The Open-Ended Album Closer, Jerry Ragavoy And Mort Shuman's "Stop," Made Clear. After Ten Minutes, Szymczyk Faded The Track Out, But Walsh Was Still Going Strong. Yer' Album Contained Much To Suggest That The James Gang, In Particular Its Guitarist, Had A Great Future, Even If It Was More An Album Of Performances Than Compositions.” – William Ruhlman, All Music Guide more
	Yer' Album New - Vinyl - BLS 6034 Sealed 1969 Gatefold Original. Pristine Copy. “The James Gang's Debut LP, Yer' Album, Was Very Much A First Record And Very Much A Record Of Its Time. The Heavy Rock Scene Of The Period Was Given To Extensive Jamming, And Four Tracks Ran More Than Six Minutes Each. The Group Had Written Some Material, But They Were Still Something Of A Cover Band, And The Disc Included Their Extended Workouts On Buffalo Springfield's "Bluebird" And The Yardbirds' "Lost Woman," The Latter A Nine-Minute Version Complete With Lengthy Guitar, Bass, And Drum Solos. But In Addition To The Blues Rock There Were Also Touches Of Pop And Progressive Rock, Mostly From Walsh Who Displayed A Nascent Sense Of Melody, Not To Mention Some Of The Taste For Being A Cutup That He Would Display In His Solo Career. Walsh's "Take A Look Around" Must Have Made An Impression On Pete Townshend During The Period Before The Album's Release When The James Gang Was Opening For The Who Since Townshend Borrowed It For The Music He Was Writing For The Abortive Lifehouse Follow-Up To Tommy. If "Wrapcity (I.E., Rhapsody) In English," A Minute-Long Piano And Strings Interlude, Seems Incongruous In Retrospect, Recall That This Was An Eclectic Era. But The Otherwise Promising "Fred," Which Followed, Broke Down Into A Pedestrian Jazz Routine, Suggesting That The Band Was Trying To Cram Too Many Influences Onto One Record And Sometimes Into One Song. Nevertheless, They Were Talented Improvisers, As The Open-Ended Album Closer, Jerry Ragavoy And Mort Shuman's "Stop," Made Clear. After Ten Minutes, Szymczyk Faded The Track Out, But Walsh Was Still Going Strong. Yer' Album Contained Much To Suggest That The James Gang, In Particular Its Guitarist, Had A Great Future, Even If It Was More An Album Of Performances Than Compositions.” – William Ruhlman, All Music Guide more
	Yer' Album New - Vinyl - ABCS 688 Sealed 1969 2nd Issue Gatefold Mastered At Sterling Sound (Released For A Short While On Bluesway BLS 6034 The Same Year). Small Cut Out Hole. “The James Gang's Debut LP, Yer' Album, Was Very Much A First Record And Very Much A Record Of Its Time. The Heavy Rock Scene Of The Period Was Given To Extensive Jamming, And Four Tracks Ran More Than Six Minutes Each. The Group Had Written Some Material, But They Were Still Something Of A Cover Band, And The Disc Included Their Extended Workouts On Buffalo Springfield's "Bluebird" And The Yardbirds' "Lost Woman," The Latter A Nine-Minute Version Complete With Lengthy Guitar, Bass, And Drum Solos. But In Addition To The Blues Rock There Were Also Touches Of Pop And Progressive Rock, Mostly From Walsh Who Displayed A Nascent Sense Of Melody, Not To Mention Some Of The Taste For Being A Cutup That He Would Display In His Solo Career. Walsh's "Take A Look Around" Must Have Made An Impression On Pete Townshend During The Period Before The Album's Release When The James Gang Was Opening For The Who Since Townshend Borrowed It For The Music He Was Writing For The Abortive Lifehouse Follow-Up To Tommy. If "Wrapcity (I.E., Rhapsody) In English," A Minute-Long Piano And Strings Interlude, Seems Incongruous In Retrospect, Recall That This Was An Eclectic Era. But The Otherwise Promising "Fred," Which Followed, Broke Down Into A Pedestrian Jazz Routine, Suggesting That The Band Was Trying To Cram Too Many Influences Onto One Record And Sometimes Into One Song. Nevertheless, They Were Talented Improvisers, As The Open-Ended Album Closer, Jerry Ragavoy And Mort Shuman's "Stop," Made Clear. After Ten Minutes, Szymczyk Faded The Track Out, But Walsh Was Still Going Strong. Yer' Album Contained Much To Suggest That The James Gang, In Particular Its Guitarist, Had A Great Future, Even If It Was More An Album Of Performances Than Compositions.” – William Ruhlman, All Music Guide. more