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A Rare Conundrum
Used - Vinyl - CAS 1127
Stunning 1977 Mad Hatter Label UK Original With Custom Inner Sleeve.
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A Rare Conundrum
Used - Vinyl - KM 302
1977 Original.
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Avocet
Used - Vinyl - Class 6
Beautiful 1979 UK Original.
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Bert Jansch
Used Import - TRANDEM 1
1988 UK Pressing. The Hugely Influential Debut That Gets Raves From Jimmy Page To Neil Young.
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Bert Jansch Sampler
Used - Vinyl - TRASAM 10
1969 White Globe Label Heavy Vinyl Original Housed In A Laminated Jacket. Some Laminate "Lift" Along Spine.
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Birthday Blues
Used - Vinyl - TRA 179
1969 Stereo Original.
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Birthday Blues
Used - Vinyl - RS 6343
Hard To Find 1969 Stereo White Label Promo. Vinyl Appears Glossy, Unplayed. Cover Is VG+.
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Birthday Blues
Used - Vinyl - TRA 179
1969 UK White And Purple Label Original Housed In A Laminated Jacket. A1/B1 Stampers. Appears Unplayed. “It's No Accident That Jansch's 1969 Album Sounds Like A Modified Version Of The Pentangle. He Was A Member Of The Great British Folk-Rock Group At The Time Of This Album's Release, Which Was Produced By Shel Talmy (Who Also Worked With The Pentangle). And He's Backed By The Group's Sterling Rhythm Section Of Danny Thompson (Bass) And Terry Cox (Drums), With Occasional Touches Of Harmonica (Played By British Blues Singer Duffy Power), Alto Sax, And Flute. The Effect Is Akin To Hearing An Unbalanced Pentangle, With No John Renbourn On Dueling Guitar Or Jacqui Mcshee On Vocals. That's Not At All A Bad Thing -- Jansch Was One Of The Group's Main Motors, And Can Still Be A Compelling Writer And Performer On His Own. All Of The Cuts On This LP Are Originals, Showing The Artist Leaning A Little More Toward Bluesy Styles Than Usual, Though The Mood Is Predominantly British Folk.” Richie Unterberger, All Music Guide.
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Birthday Blues
Used - Vinyl - RS 6343
1969 US original on two-tone Reprise label. Nice VG+/++ copy. “It's No Accident That Jansch's 1969 Album Sounds Like A Modified Version Of The Pentangle. He Was A Member Of The Great British Folk-Rock Group At The Time Of This Album's Release, Which Was Produced By Shel Talmy (Who Also Worked With The Pentangle). And He's Backed By The Group's Sterling Rhythm Section Of Danny Thompson (Bass) And Terry Cox (Drums), With Occasional Touches Of Harmonica (Played By British Blues Singer Duffy Power), Alto Sax, And Flute. The Effect Is Akin To Hearing An Unbalanced Pentangle, With No John Renbourn On Dueling Guitar Or Jacqui Mcshee On Vocals. That's Not At All A Bad Thing -- Jansch Was One Of The Group's Main Motors, And Can Still Be A Compelling Writer And Performer On His Own. All Of The Cuts On This LP Are Originals, Showing The Artist Leaning A Little More Toward Bluesy Styles Than Usual, Though The Mood Is Predominantly British Folk.” All Music Guide - Richie Unterberger
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Black Swan
Used - Vinyl - DC 325
2006 Original With Custom Inner Sleeve. "His Strongest Album In Years." Mojo Magazine.
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Box Of Love
Used - Vinyl - TRA SAM 27
1972 UK First Pressing Of This Compilation. Name Written In Ball Point On Back Cover. LP Appears Unplayed.
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Heartbreak
Used - Vinyl - HNBL 1312
Hard To Find 1981 Original Still In Shrink. Slight Water Mark Bottom. A Transcending Guitarist For Over 40 Years Bert Has Mixed jazz, American blues, and British folk To Deliver Some Fine Records. Heartbreak Is A Sort Of Comeback Record That Has Held Up Over Time. Includes Help From Jennifer Warnes And Albert Lee.
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Heartbreak
Used Import - LOGO 1035
1982 UK priginal. A Transcending Guitarist For Over 40 Years Bert Has Mixed jazz, American blues, and British folk To Deliver Some Fine Records. Heartbreak Is A Sort Of Comeback Record That Has Held Up Over Time. Includes Help From Jennifer Warnes And Albert Lee. Recorded at Silverlake Recording Studio, Los Angeles, June 1981.
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Heartbreak
Audiophile - Vinyl - OVLP 43
Sealed 2012 Gatefold Reissue Of The 1982 British Folk Masterpiece. This Is A First Pressing On Clear Vinyl. Features Appearances By Albert Lee And Jennifer Warnes.
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It Don't Bother Me
Used - Vinyl - IRP 80789
Stunning Japanese Stereo White Label Promo. No Obi. Recorded In 1965.
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It Don't Bother Me
Used - Vinyl - SV122
2016 US Vinyl Reissue, From The Archival Based Label Super Viaduct Records Out Of San Francisco. Housed In A Beautiful Front Laminated Jacket. "It Don't Bother Me" Is The Second Studio Album By British Folk Musician Bert Jansch, Released In 1965. Jansch Had Gained Popularity In The Uk Folk Scene With His Self-titled Debut Album The Previous Year, Which Had Showcased His Virtuosic Fingerpicking Style And Distinctive Vocals.
For "It Don't Bother Me", Jansch Continued To Draw On Traditional Folk Influences But Also Began To Incorporate Elements Of Blues And Jazz Into His Playing. The Album Features Several Original Compositions, Including The Title Track, As Well As Covers Of Songs By Fellow Folk Artists Such As Jackson C. Frank And Anne Briggs.
Despite Receiving Positive Reviews, "It Don't Bother Me" Was Not A Commercial Success Upon Its Release. However, It Has Since Come To Be Regarded As A Classic Of The British Folk Revival And A Key Influence On Subsequent Generations Of Folk And Acoustic Musicians.
Bert Jansch Went On To Have A Long And Prolific Career, Releasing Over 20 Solo Albums And Collaborating With A Wide Range Of Artists Including John Renbourn, Pentangle, And Neil Young. He Passed Away In 2011, Leaving Behind A Legacy As One Of The Most Influential And Respected Figures In The Folk Music World.
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Jack Orion
Used Import - TRA 143
Rare 1966 Import Original In Laminated Cover. Light Wear To The Laminate & Small Corner Crease.
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Jack Orion
Used - Vinyl - VSD6544
Late 70's repress. Released In England In 1966 with John Renbourn on 2nd guitar. Jack Orion is a record made by Scottish folk musician Bert Jansch in 1966. The album features nine traditional folk songs, including the 9:48 min. track "Jack Orion," which tells the story of a warrior's betrayal and death. Jansch's intricate fingerpicking guitar style is showcased throughout the album, with haunting melodies and intricate arrangements.
The record is considered a classic of the British folk revival of the 1960s, with Jansch's innovative guitar playing inspiring a generation of musicians. The album's stripped-down, raw sound and Jansch's unique vocal style create a haunting, atmospheric atmosphere that draws the listener in. Jack Orion could well be considered one of the finest displays of guitar playing.
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Jack Orion
Used - Vinyl - VSD 6544
1970 Gold Label Stereo Original In Shrink. Appears Unplayed. Released In England In 1966.
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Jack Orion
Used - Vinyl - VSD 6544
1971 USA Pressing. Released In England In 1966. Cover Is VG+
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Lucky Thirteen
Used - Vinyl - VSD 79212
1969 Heavy Vinyl Orange Label Stereo Original In Shrink Wrap.
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Moonshine
New - Vinyl - MS 2129
Factory Sealed 1973 White Label Promo Gatefold With Promo Insert. Features Danny Thompson, The Fabulous Thea King On Clarinet, Danny Richmond, Dave Mattacks, Gary Boyle, Tony Visconti And Others.
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Moonshine
Used - Vinyl - MS 2129
1973 Steamboat Label Gatefold Original. Appears Glossy, Unplayed. 1A/1B Stampers. Released In The UK And US In 1972. Some Time Around 1978 The Master Tapes Were Destroyed In A Warehouse Accident. Subsequent Releases On CD Have Been Taken From Vinyl Pressings. Things Get Started With The Traditional "Yarrow," Highlighted By A Lovely Flute, And Brought To Fullness By Jansch's Deep Vocals And Acoustic Guitar. Tony Visconti's Bass Work And Dave Mattacks' Percussion Build A Sturdy Bottom End That Perfectly Underlines The Other Players. The Original "Night Time Blues" Receives A Nice Boost From Aly Bain's Fiddle, While "Oh My Father" Is Tinted With Gary Boyle's Stinging Guitar. Ralph McTell Adds Bluesy Harmonica To "Brought With The Rain," And Jansch Strips Things Down To Voice And Guitar For "Twa Corbies." In Fact, There Are No Bad Cuts Here. Jansch Is In Great Voice Throughout This Project, And Sings All Except One Cut Alone. His Duet With Mary Visconti On "The First Time Ever I Saw Your Face" Is Fascinating. Her Alto Voice, Like Jacqui McShee’s, Offers A Perfect Contrast To Jansch's Deeper Pipes. The Arrangement Is Also Intriguing, Allowing Visconti To Enter Each Stanza Half A Step Behind Jansch, Overlapping With The Same Lyrics. Danny Thompson Produced The Album, Lending A Hand To Its Beautiful, Dense Sound. For Jansch, Pentangle, And Folk-Rock Fans, Moonshine Will Be A Real Find.
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Moonshine
Used - Vinyl - MS 2129
1973 White Label Promo Original In Gatefold. Some Time Around 1978 The Master Tapes Were Destroyed In A Warehouse Accident. Subsequent Releases On CD Have Been Taken From Vinyl Pressings. Things Get Started With The Traditional "Yarrow," Highlighted By A Lovely Flute, And Brought To Fullness By Jansch's Deep Vocals And Acoustic Guitar. Tony Visconti's Bass Work And Dave Mattacks' Percussion Build A Sturdy Bottom End That Perfectly Underlines The Other Players. The Original "Night Time Blues" Receives A Nice Boost From Aly Bain's Fiddle, While "Oh My Father" Is Tinted With Gary Boyle's Stinging Guitar. Ralph McTell Adds Bluesy Harmonica To "Brought With The Rain," And Jansch Strips Things Down To Voice And Guitar For "Twa Corbies." In Fact, There Are No Bad Cuts Here. Jansch Is In Great Voice Throughout This Project, And Sings All Except One Cut Alone. His Duet With Mary Visconti On "The First Time Ever I Saw Your Face" Is Fascinating. Her Alto Voice, Like Jacqui McShee’s, Offers A Perfect Contrast To Jansch's Deeper Pipes. The Arrangement Is Also Intriguing, Allowing Visconti To Enter Each Stanza Half A Step Behind Jansch, Overlapping With The Same Lyrics. Danny Thompson Produced The Album, Lending A Hand To Its Beautiful, Dense Sound. For Jansch, Pentangle, And Folk-Rock Fans, Moonshine Will Be A Real Find.
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Moonshine
Used - Vinyl - MS 2129
1973 White Label Promo Original In Gatefold. 1A/1A Hot Stampers. EX Jacket. Some Time Around 1978 The Master Tapes Were Destroyed In A Warehouse Accident. Subsequent Releases On CD Have Been Taken From Vinyl Pressings. Things Get Started With The Traditional "Yarrow," Highlighted By A Lovely Flute, And Brought To Fullness By Jansch's Deep Vocals And Acoustic Guitar. Tony Visconti's Bass Work And Dave Mattacks' Percussion Build A Sturdy Bottom End That Perfectly Underlines The Other Players. The Original "Night Time Blues" Receives A Nice Boost From Aly Bain's Fiddle, While "Oh My Father" Is Tinted With Gary Boyle's Stinging Guitar. Ralph McTell Adds Bluesy Harmonica To "Brought With The Rain," And Jansch Strips Things Down To Voice And Guitar For "Twa Corbies." In Fact, There Are No Bad Cuts Here. Jansch Is In Great Voice Throughout This Project, And Sings All Except One Cut Alone. His Duet With Mary Visconti On "The First Time Ever I Saw Your Face" Is Fascinating. Her Alto Voice, Like Jacqui McShee’s, Offers A Perfect Contrast To Jansch's Deeper Pipes. The Arrangement Is Also Intriguing, Allowing Visconti To Enter Each Stanza Half A Step Behind Jansch, Overlapping With The Same Lyrics. Danny Thompson Produced The Album, Lending A Hand To Its Beautiful, Dense Sound. For Jansch, Pentangle, And Folk-Rock Fans, Moonshine Will Be A Real Find.
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Nicola
Used - Vinyl - TRA 157
Rare 1967 UK White & Purple Label Original Housed In A Laminated Jacket. A1/A1 Stampers. Appears Unplayed. Slight "Lift" To The Laminate Near The Spine.
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Rosemary Lane
Used - Vinyl - RS 6455
1971 White Label Promo In Glossy, Unplayed Condition.
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Rosemary Lane
New - Vinyl - RS 6455
Sealed 1971 Textured Cover Original, CC.
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Rosemary Lane
Used - Vinyl - TRA 235
Finest Copy We Have Ever Had In Stock. 1971 UK Purple & White Label Stereo Original Housed In A Textured Jacket. Glossy, Unplayed Condition. From The Collection Of A Record Exec.
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Rosemary Lane
New - Vinyl - RS 6455
Sealed 1971 Textured Cover Original. Crisp Corners.
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Sampler
Used - Vinyl - 10
White Label Original.
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Santa Barbara Honeymoon
Used - Vinyl - CAS 1107
1975 UK Original. "Import Album" Sticker On Front Cover. Recorded In Van Nuys. A Hard To Find Title.
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Sketches
New - Vinyl - HYLP 200 108
Sealed 1990 German Only Vinyl. Features Peter Kirtley, Danny Thompson, Steve Baker, Stefan Wulff And Frank Wulff. Cover Art By Heather Jansch.
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The Best Of
Used - Vinyl - KM/TRA 334
1979 Original pressing. "The Best Of Bert Jansch" is a compelling compilation that serves as a testament to the profound influence and enduring legacy of Bert Jansch in the realm of folk and acoustic music. Known for his intricate fingerpicking style and soulful songwriting, Jansch's work shines through in this collection, which draws from his vast catalog spanning over several decades. The album captures the essence of his career, showcasing tracks that highlight both his technical prowess on the guitar and his ability to weave poignant narratives through his lyrics. Each selection is a reminder of Jansch's distinct artistry that has inspired countless musicians, including legends like Jimmy Page and Neil Young.
In curating "The Best Of," the emphasis is not only on Jansch's undeniable skill but also on the emotional depth that his music conveys. From the melancholic strains of "Needle of Death" to the upbeat tempo of "Angie," the album offers listeners a comprehensive journey through his artistic evolution. It's a delicate balance of introspective ballads and spirited tunes, each track underscoring Jansch's role as a pivotal figure in the British folk revival of the 1960s and beyond. For both longtime fans and newcomers alike, this compilation stands as a quintessential entry point into the rich tapestry of Bert Jansch's musical genius.
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