Lumineers

Vinyl Records and Rare LPs:

	Brightside New - LP - 803020224919 Sealed 2022 Original 2LP Black Vinyl Edition, Housed In A Gatefold Jacket. "After The Ambitious, Darkly Thematic Song Cycle Iii, Brightside Comes As Something Of A Tonal Reset For The Lumineers. Embracing A More Spontaneous Approach, The Denver Indie Folk Duo Lets Their Ragged Edges Show On A Record That Values The Raw Creative Spark Above All Else. Recorded During Two Sessions In Upstate New York With Returning Producer Simone Felice And Engineer/co-producer David Baron, Brightside Sees Bandmates Wesley Schultz And Jeremiah Fraites Harnessing Their Core Energy Over Nine Tracks That Are Somehow Fresher And More Rough-hewn Than Anything They'd Previously Released. Take For Example "Birthday," An Appealingly Loose Folk-pop Jaunt Which Pauses Mid-song For A Bit Of Off-the-cuff In-studio Applause Or "Never Really Mine," A Raw Midtempo Banger That Relies Almost Entirely On A Rhythm Electric Guitar Before Building Into A Cathartic Roar On Its Final Chorus. Most Of The Songs On Brightside Have That Same Sense Of Scaled-down Immediacy And It's A Nice Change From A Band Who, Despite Their Minimalist Format, Have More Or Less Existed As A Stadium Act Over The Previous Decade. The Easy Melodic Hooks That Drew Fans To The Lumineers In The First Place Remain, But The Combination Of Stronger Material And Looser Performances Make For A Strong Fourth Outing." AMG Review By Timothy Monger. more
	Brightside New - LP - 803020224919 Sealed 2022 Original 2LP Black Vinyl Edition, Housed In A Gatefold Jacket. "After The Ambitious, Darkly Thematic Song Cycle Iii, Brightside Comes As Something Of A Tonal Reset For The Lumineers. Embracing A More Spontaneous Approach, The Denver Indie Folk Duo Lets Their Ragged Edges Show On A Record That Values The Raw Creative Spark Above All Else. Recorded During Two Sessions In Upstate New York With Returning Producer Simone Felice And Engineer/co-producer David Baron, Brightside Sees Bandmates Wesley Schultz And Jeremiah Fraites Harnessing Their Core Energy Over Nine Tracks That Are Somehow Fresher And More Rough-hewn Than Anything They'd Previously Released. Take For Example "Birthday," An Appealingly Loose Folk-pop Jaunt Which Pauses Mid-song For A Bit Of Off-the-cuff In-studio Applause Or "Never Really Mine," A Raw Midtempo Banger That Relies Almost Entirely On A Rhythm Electric Guitar Before Building Into A Cathartic Roar On Its Final Chorus. Most Of The Songs On Brightside Have That Same Sense Of Scaled-down Immediacy And It's A Nice Change From A Band Who, Despite Their Minimalist Format, Have More Or Less Existed As A Stadium Act Over The Previous Decade. The Easy Melodic Hooks That Drew Fans To The Lumineers In The First Place Remain, But The Combination Of Stronger Material And Looser Performances Make For A Strong Fourth Outing." AMG Review By Timothy Monger. more
	Brightside Colored Vinyl - New - 803020224919 Sealed 2022 Original 2LP Limited Edition "Partly Cloudy" Coloured Vinyl, Housed In A Gatefold Jacket. "After The Ambitious, Darkly Thematic Song Cycle Iii, Brightside Comes As Something Of A Tonal Reset For The Lumineers. Embracing A More Spontaneous Approach, The Denver Indie Folk Duo Lets Their Ragged Edges Show On A Record That Values The Raw Creative Spark Above All Else. Recorded During Two Sessions In Upstate New York With Returning Producer Simone Felice And Engineer/co-producer David Baron, Brightside Sees Bandmates Wesley Schultz And Jeremiah Fraites Harnessing Their Core Energy Over Nine Tracks That Are Somehow Fresher And More Rough-hewn Than Anything They'd Previously Released. Take For Example "Birthday," An Appealingly Loose Folk-pop Jaunt Which Pauses Mid-song For A Bit Of Off-the-cuff In-studio Applause Or "Never Really Mine," A Raw Midtempo Banger That Relies Almost Entirely On A Rhythm Electric Guitar Before Building Into A Cathartic Roar On Its Final Chorus. Most Of The Songs On Brightside Have That Same Sense Of Scaled-down Immediacy And It's A Nice Change From A Band Who, Despite Their Minimalist Format, Have More Or Less Existed As A Stadium Act Over The Previous Decade. The Easy Melodic Hooks That Drew Fans To The Lumineers In The First Place Remain, But The Combination Of Stronger Material And Looser Performances Make For A Strong Fourth Outing." AMG Review By Timothy Monger. more
	Cleopatra New - LP - 80302-01749-17 Sealed 2016 180gm 2LP Original, Housed In A Deluxe Die-Cut Gatefold Pressed On Slate Coloured Vinyl. "Maybe The Lumineers Got Tired Of Hearing Other Bands Replicate The Big-footed Stomp Of "Ho Hey," An Aesthetic That Was Impossible To Avoid In The Wake Of Their Eponymous 2012 Debut. So Many Bands Adopted This Thunderous Folk That It No Longer Seemed To Belong To The Lumineers; It Appeared Communal, Perhaps Existing To The Earlier Generations The Lumineers So Clearly Loved Yet Never Quite Replicated. Given This Omnipresence, Maybe It's Not A Surprise That The Trio Avoid Any Semblance Of Infectious Rhythms On Cleopatra, Their Long-awaited Second Album, Yet The Sobriety Of This 2016 Affair Is Striking. Melancholy And Sullen, Cleopatra Feels Like A Conscious Reaction To The Idea That The Band Was Merely A Boisterous Retro-throwback, A Band That Existed Primarily On The Surface. Apart From The Lead Single "Ophelia" And "Cleopatra," This Sophomore Set Avoids Tempos That Could Be Called Sprightly, And Melody Comes Second To Mood As Well. Sometimes, The Lumineers Are Quite Effective At Being Evocative: There's A Certain Dusky Shimmer To The Album, An Atmosphere That Tends To Hang As Heavy As Fog As The Record Rolls Along. This Sequencing, Where The Relatively Hookier Tunes Are Pushed Toward The Front, Is Typical In The 21st Century -- Albums Are Front-loaded To Pull In Casual Listeners, Making The Bet That The Serious Fans Will Stick Around For The Serious Stuff That Arrives At The End Of The Record -- But This Also Robs Cleopatra Of Velocity, With Whatever Energy There Was Dissipating By The Album's Conclusion, When The Record Winds Down With Its Quietest Moments. Nevertheless, There's Something Admirable About The Album's Solemnity: The Lumineers Are On A Quest To Be Taken Seriously, And Even If They Overplay Their Hand, The Earnestness Is Ingratiating." AMG Review By Stephen Thomas Erlewine. more
	Cleopatra Colored Vinyl - New - 80302-01738-11 Sealed 2021 Gatefold Limited Edition Smoke Coloured Vinyl. "Maybe The Lumineers Got Tired Of Hearing Other Bands Replicate The Big-footed Stomp Of "Ho Hey," An Aesthetic That Was Impossible To Avoid In The Wake Of Their Eponymous 2012 Debut. So Many Bands Adopted This Thunderous Folk That It No Longer Seemed To Belong To The Lumineers; It Appeared Communal, Perhaps Existing To The Earlier Generations The Lumineers So Clearly Loved Yet Never Quite Replicated. Given This Omnipresence, Maybe It's Not A Surprise That The Trio Avoid Any Semblance Of Infectious Rhythms On Cleopatra, Their Long-awaited Second Album, Yet The Sobriety Of This 2016 Affair Is Striking. Melancholy And Sullen, Cleopatra Feels Like A Conscious Reaction To The Idea That The Band Was Merely A Boisterous Retro-throwback, A Band That Existed Primarily On The Surface. Apart From The Lead Single "Ophelia" And "Cleopatra," This Sophomore Set Avoids Tempos That Could Be Called Sprightly, And Melody Comes Second To Mood As Well. Sometimes, The Lumineers Are Quite Effective At Being Evocative: There's A Certain Dusky Shimmer To The Album, An Atmosphere That Tends To Hang As Heavy As Fog As The Record Rolls Along. This Sequencing, Where The Relatively Hookier Tunes Are Pushed Toward The Front, Is Typical In The 21st Century -- Albums Are Front-loaded To Pull In Casual Listeners, Making The Bet That The Serious Fans Will Stick Around For The Serious Stuff That Arrives At The End Of The Record -- But This Also Robs Cleopatra Of Velocity, With Whatever Energy There Was Dissipating By The Album's Conclusion, When The Record Winds Down With Its Quietest Moments. Nevertheless, There's Something Admirable About The Album's Solemnity: The Lumineers Are On A Quest To Be Taken Seriously, And Even If They Overplay Their Hand, The Earnestness Is Ingratiating." AMG Review By Stephen Thomas Erlewine. more
	Cleopatra Colored Vinyl - Used - 80302-01738-11 2021 Gatefold Limited Edition Clear Vinyl. "Maybe The Lumineers Got Tired Of Hearing Other Bands Replicate The Big-footed Stomp Of "Ho Hey," An Aesthetic That Was Impossible To Avoid In The Wake Of Their Eponymous 2012 Debut. So Many Bands Adopted This Thunderous Folk That It No Longer Seemed To Belong To The Lumineers; It Appeared Communal, Perhaps Existing To The Earlier Generations The Lumineers So Clearly Loved Yet Never Quite Replicated. Given This Omnipresence, Maybe It's Not A Surprise That The Trio Avoid Any Semblance Of Infectious Rhythms On Cleopatra, Their Long-awaited Second Album, Yet The Sobriety Of This 2016 Affair Is Striking. Melancholy And Sullen, Cleopatra Feels Like A Conscious Reaction To The Idea That The Band Was Merely A Boisterous Retro-throwback, A Band That Existed Primarily On The Surface. Apart From The Lead Single "Ophelia" And "Cleopatra," This Sophomore Set Avoids Tempos That Could Be Called Sprightly, And Melody Comes Second To Mood As Well. Sometimes, The Lumineers Are Quite Effective At Being Evocative: There's A Certain Dusky Shimmer To The Album, An Atmosphere That Tends To Hang As Heavy As Fog As The Record Rolls Along. This Sequencing, Where The Relatively Hookier Tunes Are Pushed Toward The Front, Is Typical In The 21st Century -- Albums Are Front-loaded To Pull In Casual Listeners, Making The Bet That The Serious Fans Will Stick Around For The Serious Stuff That Arrives At The End Of The Record -- But This Also Robs Cleopatra Of Velocity, With Whatever Energy There Was Dissipating By The Album's Conclusion, When The Record Winds Down With Its Quietest Moments. Nevertheless, There's Something Admirable About The Album's Solemnity: The Lumineers Are On A Quest To Be Taken Seriously, And Even If They Overplay Their Hand, The Earnestness Is Ingratiating." AMG Review By Stephen Thomas Erlewine. more
	Cleopatra Colored Vinyl - Used - 80302-01738-11 2021 US gatefold reissue on Smoke coloured translucent vinyl. "Maybe The Lumineers Got Tired Of Hearing Other Bands Replicate The Big-footed Stomp Of "Ho Hey," An Aesthetic That Was Impossible To Avoid In The Wake Of Their Eponymous 2012 Debut. So Many Bands Adopted This Thunderous Folk That It No Longer Seemed To Belong To The Lumineers; It Appeared Communal, Perhaps Existing To The Earlier Generations The Lumineers So Clearly Loved Yet Never Quite Replicated. Given This Omnipresence, Maybe It's Not A Surprise That The Trio Avoid Any Semblance Of Infectious Rhythms On Cleopatra, Their Long-awaited Second Album, Yet The Sobriety Of This 2016 Affair Is Striking. Melancholy And Sullen, Cleopatra Feels Like A Conscious Reaction To The Idea That The Band Was Merely A Boisterous Retro-throwback, A Band That Existed Primarily On The Surface. Apart From The Lead Single "Ophelia" And "Cleopatra," This Sophomore Set Avoids Tempos That Could Be Called Sprightly, And Melody Comes Second To Mood As Well. Sometimes, The Lumineers Are Quite Effective At Being Evocative: There's A Certain Dusky Shimmer To The Album, An Atmosphere That Tends To Hang As Heavy As Fog As The Record Rolls Along. This Sequencing, Where The Relatively Hookier Tunes Are Pushed Toward The Front, Is Typical In The 21st Century -- Albums Are Front-loaded To Pull In Casual Listeners, Making The Bet That The Serious Fans Will Stick Around For The Serious Stuff That Arrives At The End Of The Record -- But This Also Robs Cleopatra Of Velocity, With Whatever Energy There Was Dissipating By The Album's Conclusion, When The Record Winds Down With Its Quietest Moments. Nevertheless, There's Something Admirable About The Album's Solemnity: The Lumineers Are On A Quest To Be Taken Seriously, And Even If They Overplay Their Hand, The Earnestness Is Ingratiating." All Music Guide - Stephen Thomas Erlewine. more
	Cleopatra Colored Vinyl - New - 80302-01749-17 Sealed 2016 180gm 2LP Original, Housed In A Deluxe Die-Cut Gatefold Pressed On Slate Coloured Vinyl. "Maybe The Lumineers Got Tired Of Hearing Other Bands Replicate The Big-footed Stomp Of "Ho Hey," An Aesthetic That Was Impossible To Avoid In The Wake Of Their Eponymous 2012 Debut. So Many Bands Adopted This Thunderous Folk That It No Longer Seemed To Belong To The Lumineers; It Appeared Communal, Perhaps Existing To The Earlier Generations The Lumineers So Clearly Loved Yet Never Quite Replicated. Given This Omnipresence, Maybe It's Not A Surprise That The Trio Avoid Any Semblance Of Infectious Rhythms On Cleopatra, Their Long-awaited Second Album, Yet The Sobriety Of This 2016 Affair Is Striking. Melancholy And Sullen, Cleopatra Feels Like A Conscious Reaction To The Idea That The Band Was Merely A Boisterous Retro-throwback, A Band That Existed Primarily On The Surface. Apart From The Lead Single "Ophelia" And "Cleopatra," This Sophomore Set Avoids Tempos That Could Be Called Sprightly, And Melody Comes Second To Mood As Well. Sometimes, The Lumineers Are Quite Effective At Being Evocative: There's A Certain Dusky Shimmer To The Album, An Atmosphere That Tends To Hang As Heavy As Fog As The Record Rolls Along. This Sequencing, Where The Relatively Hookier Tunes Are Pushed Toward The Front, Is Typical In The 21st Century -- Albums Are Front-loaded To Pull In Casual Listeners, Making The Bet That The Serious Fans Will Stick Around For The Serious Stuff That Arrives At The End Of The Record -- But This Also Robs Cleopatra Of Velocity, With Whatever Energy There Was Dissipating By The Album's Conclusion, When The Record Winds Down With Its Quietest Moments. Nevertheless, There's Something Admirable About The Album's Solemnity: The Lumineers Are On A Quest To Be Taken Seriously, And Even If They Overplay Their Hand, The Earnestness Is Ingratiating." AMG Review By Stephen Thomas Erlewine. more
	The Lumineers New - LP - 80302-01608 Sealed 2012 Original. The Debut Album By This Folk/Rock Band Out Of Denver, Colorado. Grammy Nominated And Certified Triple Platinum In The US And UK. more
	The Lumineers New - LP - 80302-01608-11 Sealed 2021 with hype sticker. "The Lumineers" is the eponymous debut studio album by American folk rock band The Lumineers, released in 2012. The album is a perfect representation of their style, with a blend of folk, Americana, and indie rock elements. The album features emotional, storytelling lyrics paired with simple yet effective instrumentals, showcasing the band's songwriting and musicianship skills. The album's biggest hit, "Ho Hey," is a catchy, upbeat song that has become a staple in modern folk music. Other standout tracks include "Stubborn Love" and "Dead Sea," both featuring powerful vocals and heartfelt lyrics. Overall, "The Lumineers" is a solid debut album that showcases the band's unique sound and style. It's a great listen for fans of folk and indie rock, and a must-have for anyone looking to explore the genre. more
	The Lumineers Colored Vinyl - Used - 80302-01608-11 2021 Limited Edition Ruby Red Vinyl Pressing. "The Lumineers, A Folk-rock Trio Out Of Denver, Colorado, Have A Pretty Interesting Sound, An Americana Mesh Of Folk, Rock, And Gospel That Is Similar In Tone To The Waterboys, Say, Or An Alt-folk Version Of Bob Dylan Circa Desire, Thanks In No Small Part To Neyla Pekarek's Inventive Cello. And There Are Some Very Good Tracks On This Debut Album, Including The Chamber Honky Tonk Of "Dead Sea," The Delightfully Goofy But Then Ultimately Sad And Elegant "Submarines," And "Stubborn Love," Which Manages To Be Bright And Chiming While Also Being Haunting And Mournful. Not Everything Here Clicks Together At That Level, But Each Track Is Inventive, And When The Songwriting And Arrangements Cross Paths Perfectly, As They Do In The Above Songs, This Is A Delightful Band." All Music Guide - Steve Leggett. more
	The Lumineers New - LP - 80302-01608-11 Sealed 2021 Limited Edition Ruby Red Vinyl Pressing. "The Lumineers, A Folk-rock Trio Out Of Denver, Colorado, Have A Pretty Interesting Sound, An Americana Mesh Of Folk, Rock, And Gospel That Is Similar In Tone To The Waterboys, Say, Or An Alt-folk Version Of Bob Dylan Circa Desire, Thanks In No Small Part To Neyla Pekarek's Inventive Cello. And There Are Some Very Good Tracks On This Debut Album, Including The Chamber Honky Tonk Of "Dead Sea," The Delightfully Goofy But Then Ultimately Sad And Elegant "Submarines," And "Stubborn Love," Which Manages To Be Bright And Chiming While Also Being Haunting And Mournful. Not Everything Here Clicks Together At That Level, But Each Track Is Inventive, And When The Songwriting And Arrangements Cross Paths Perfectly, As They Do In The Above Songs, This Is A Delightful Band." AMG Review By Steve Leggett. more