Mezmerist
Vinyl Records and Rare LPs:
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The Innocent, The Forsaken, The Guilty
New - LP - 001
Sealed 1985 Original. The Mezmerist Is One Of The Most Mysterious US Metal Releases Of All Time. Only 500 Copies Were Made Back In 1985. The Circumstances Surrounding The Events Back Then Are Somewhat Of A Mystery, Even To This Day. This Is The Definition Of The Perfect Lost Gem In 80’s Heavy Metal History And By Far One Of The Best 80’s Heavy Metal Albums You’ll Ever Hear. It’s Too Hard To Exactly Pinpoint What This Sounds Like, But If We Have To Label It, It Would Be Psychedelic Heavy Metal. If You’re Into Led Zeppelin, Cirith Ungol, And Mercyful Fate, You’d Get Pretty Close To Their Sound. Tommy Mezmercardo, Guitars And Vocals; Roger Abercrombie, Bass; Bill Ward, Drums.
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The Innocent, The Forsaken, The Guilty
Used - LP - none
Rare 1985 Original in shrink. Only 500 copies. "The Innocent, The Forsaken, The Guilty" by Mezmerist is a cult classic vinyl that captures the raw essence of early 1980s heavy metal. Released in 1983, this EP was largely under the radar during its initial release, gaining attention over the years for its unique sound and impressive musicianship. The record features a mix of haunting melodies and intense guitar riffs, encapsulating a dark and atmospheric aesthetic that resonates with heavy metal enthusiasts. The vocals, characterized by their emotive and theatrical flair, contribute to the enigmatic allure of the album, making it a distinctive piece within the metal genre. The limited production and distribution of the original vinyl have contributed to its status as a rare and highly sought-after collector's item. With only a handful of copies originally pressed, "The Innocent, The Forsaken, The Guilty" has become a treasured gem for collectors and fans of obscure metal music. The album's mystique is further heightened by the involvement of renowned drummer Bill Ward of Black Sabbath fame, whose participation adds to the record's allure. Mezmerist's music showcases a blend of traditional metal influences with an experimental edge, ensuring its place as a noteworthy and intriguing piece of music history.
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