Simon, Paul

Vinyl Records and Rare LPs:

	Collected Works New - Vinyl - C5X 37581 Factory Sealed And Pristine 1981 5LP Box Set With Custom Album Hype Sticker On Shrink Wrap. Includes The Previously Unreleased in The USA "Paul Simon Song Book," Plus "Paul Simon," "There Goes Rhymin' Simon," "Paul Simon In Concert/Live Rhymin" And "Still Crazy After All These Years. more
	Graceland Used - Vinyl - 25447 Beautiful 1986 Original. Gold Promo Stamp On Cover. more
	Graceland New - Vinyl - 25447 Sealed, Hard To Find 1986 Embossed Cover Original With Custom Inner Sleeve. 5 Stars! more
	Graceland Used - Vinyl - 25447 1986 Original Embossed Cover Original With Custom Inner Sleeve. Appears Glossy, Unplayed. “With Graceland, Paul Simon Hit On The Idea Of Combining His Always Perceptive Songwriting With The Little-Heard Mbaqanga Music Of South Africa, Creating A Fascinating Hybrid That Re-Enchanted His Old Audience And Earned Him A New One. It Is True That The South African Angle (Including Its Controversial Aspect During The Apartheid Days) Was A Powerful Marketing Tool And That The Catchy Music Succeeded In Presenting Listeners With That Magical Combination: Something They'd Never Heard Before That Nevertheless Sounded Familiar. As Eclectic As Any Record Simon Had Made, It Also Delved Into Zydeco And Conjunto-Flavored Rock & Roll While Marking A Surprising New Lyrical Approach (Presaged On Some Songs On Hearts And Bones); For The Most Part, Simon Abandoned A Linear, Narrative Approach To His Words, Instead Drawing Highly Poetic ("Diamonds On The Soles Of Her Shoes"), Abstract ("The Boy In The Bubble"), And Satiric ("I Know What I Know") Portraits Of Modern Life, Often Charged By Striking Images And Turns Of Phrase Torn From The Headlines Or Overheard In Contemporary Speech. An Enormously Successful Record, Graceland Became The Standard Against Which Subsequent Musical Experiments By Major Artists Were Measured.” William Ruhlmann, AMG. more
	Graceland Used - Vinyl - 25447-1 1986 Embossed Cover Original With Custom Inner Sleeve. Appears Glossy, Unplayed. more
	Graceland New - Vinyl - 88691914721 Sealed 2012 25th Anniversary High Quality 180gm Pressing. Includes Collectible Poster Plus Digital Download Of The Album And 3 Bonus Tracks. more
	Graceland Audiophile - Vinyl - WX 52 / 7599-25447-1 Sealed 1997 Limited, Numbered Edition 180gm HQ Reissue. This Is Number 1395. more
	Graceland Used - Vinyl - WX 52 7599-25447-1 Long Out Of Print Limited Edition 180gm HQ Reissue With Custom Inner Sleeve. Pressed At The Alsdorf Plant In The Early 90's. Appears Unplayed. more
	Graceland New - Vinyl - 88691914721 Sealed 2012 180gm HQ Anniversary Reissue, Pressed At RTi. Custom Hype Sticker On Front. more
	Graceland Used - Vinyl - 9 25447-1 1986 Original (Embossed Cover) Still In Shrink. Custom Lyric Inner Sleeve Included. more
	Graceland New Import - 19439801821 Sealed 2020 Transparent Vinyl. The 1986 Original Album Was Another Simon Hit With His Infusion Of World Beat. Includes "Diamonds On The Sole Of My Shoes" With The Help From Ladysmith Black Mambazo. more
	Graceland Used - Vinyl - 1-25447 1986 US Original, With Custom Inner Sleeve In An Embossed Jacket. His Hit Record With His Infusion Of World Beat. "With Graceland, Paul Simon Hit On The Idea Of Combining His Always Perceptive Songwriting With The Little-Heard Mbaqanga Music Of South Africa, Creating A Fascinating Hybrid That Re-enchanted His Old Audience And Earned Him A New One. It Is True That The South African Angle (Including Its Controversial Aspect During The Apartheid Days) Was A Powerful Marketing Tool And That The Catchy Music Succeeded In Presenting Listeners With That Magical Combination: Something They'd Never Heard Before That Nevertheless Sounded Familiar. As Eclectic As Any Record Simon Had Made, It Also Delved Into Zydeco And Conjunto-Flavored Rock & Roll While Marking A Surprising New Lyrical Approach (Presaged On Some Songs On Hearts And Bones); For The Most Part, Simon Abandoned A Linear, Narrative Approach To His Words, Instead Drawing Highly Poetic ("Diamonds On The Soles Of Her Shoes"), Abstract ("The Boy In The Bubble"), And Satiric ("I Know What I Know") Portraits Of Modern Life, Often Charged By Striking Images And Turns Of Phrase Torn From The Headlines Or Overheard In Contemporary Speech. An Enormously Successful Record, Graceland Became The Standard Against Which Subsequent Musical Experiments By Major Artists Were Measured." AMG - William Ruhlmann. more
	Graceland Used - Vinyl - 88691914721 2012 25th Anniversary High Quality 180gm Pressing In Shrink. Includes Collectible Poster Plus Digital Download Of The Album And 3 Bonus Tracks. "Graceland" is a critically acclaimed album by American singer-songwriter Paul Simon, released in 1986. The album was inspired by Simon's trip to South Africa, where he was introduced to "township music" and collaborated with various local musicians. The album features a fusion of African rhythms and American folk and rock music. "Graceland" went on to win the Grammy Award for Album of the Year in 1987. The album's success helped to popularize African music in the United States and inspired a number of other artists to explore cross-cultural collaborations. more
	Graceland New - Vinyl - 88691914721 Sealed 2012 25th Anniversary 180gm audiophile pressing. No RTI sticker. Includes Collectible Poster Plus Digital Download Of The Album And 3 Bonus Tracks. "Graceland" is a critically acclaimed album by American singer-songwriter Paul Simon, released in 1986. The album was inspired by Simon's trip to South Africa, where he was introduced to "township music" and collaborated with various local musicians. The album features a fusion of African rhythms and American folk and rock music. "Graceland" went on to win the Grammy Award for Album of the Year in 1987. The album's success helped to popularize African music in the United States and inspired a number of other artists to explore cross-cultural collaborations. more
	Graceland Used - Vinyl - 9 25447-1 1986 US Original, With Custom Inner Sleeve In An Embossed Jacket. His Hit Record With His Infusion Of World Beat. "With Graceland, Paul Simon Hit On The Idea Of Combining His Always Perceptive Songwriting With The Little-Heard Mbaqanga Music Of South Africa, Creating A Fascinating Hybrid That Re-enchanted His Old Audience And Earned Him A New One. It Is True That The South African Angle (Including Its Controversial Aspect During The Apartheid Days) Was A Powerful Marketing Tool And That The Catchy Music Succeeded In Presenting Listeners With That Magical Combination: Something They'd Never Heard Before That Nevertheless Sounded Familiar. As Eclectic As Any Record Simon Had Made, It Also Delved Into Zydeco And Conjunto-Flavored Rock & Roll While Marking A Surprising New Lyrical Approach (Presaged On Some Songs On Hearts And Bones); For The Most Part, Simon Abandoned A Linear, Narrative Approach To His Words, Instead Drawing Highly Poetic ("Diamonds On The Soles Of Her Shoes"), Abstract ("The Boy In The Bubble"), And Satiric ("I Know What I Know") Portraits Of Modern Life, Often Charged By Striking Images And Turns Of Phrase Torn From The Headlines Or Overheard In Contemporary Speech. An Enormously Successful Record, Graceland Became The Standard Against Which Subsequent Musical Experiments By Major Artists Were Measured." AMG - William Ruhlmann. more
	Graceland Used - Vinyl - 9 25447-1 1986 US original, still in shrink with custom inner sleeve in an embossed jacket. "With Graceland, Paul Simon Hit On The Idea Of Combining His Always Perceptive Songwriting With The Little-Heard Mbaqanga Music Of South Africa, Creating A Fascinating Hybrid That Re-enchanted His Old Audience And Earned Him A New One. It Is True That The South African Angle (Including Its Controversial Aspect During The Apartheid Days) Was A Powerful Marketing Tool And That The Catchy Music Succeeded In Presenting Listeners With That Magical Combination: Something They'd Never Heard Before That Nevertheless Sounded Familiar. As Eclectic As Any Record Simon Had Made, It Also Delved Into Zydeco And Conjunto-Flavored Rock & Roll While Marking A Surprising New Lyrical Approach (Presaged On Some Songs On Hearts And Bones); For The Most Part, Simon Abandoned A Linear, Narrative Approach To His Words, Instead Drawing Highly Poetic ("Diamonds On The Soles Of Her Shoes"), Abstract ("The Boy In The Bubble"), And Satiric ("I Know What I Know") Portraits Of Modern Life, Often Charged By Striking Images And Turns Of Phrase Torn From The Headlines Or Overheard In Contemporary Speech. An Enormously Successful Record, Graceland Became The Standard Against Which Subsequent Musical Experiments By Major Artists Were Measured." All Music Guide - William Ruhlmann. more
	Graceland Used - Vinyl - 9 25447-1 1986 embossed jacket original complete with the custom printed inner sleeve. Glossy, VG+ vinyl. "With Graceland, Paul Simon hit on the idea of combining his always perceptive songwriting with the little-heard mbaqanga music of South Africa, creating a fascinating hybrid that re-enchanted his old audience and earned him a new one. It is true that the South African angle (including its controversial aspect during the apartheid days) was a powerful marketing tool and that the catchy music succeeded in presenting listeners with that magical combination: something they'd never heard before that nevertheless sounded familiar. As eclectic as any record Simon had made, it also delved into zydeco and conjunto-flavored rock & roll while marking a surprising new lyrical approach (presaged on some songs on Hearts and Bones); for the most part, Simon abandoned a linear, narrative approach to his words, instead drawing highly poetic ("Diamonds on the Soles of Her Shoes"), abstract ("The Boy in the Bubble"), and satiric ("I Know What I Know") portraits of modern life, often charged by striking images and turns of phrase torn from the headlines or overheard in contemporary speech. An enormously successful record, Graceland became the standard against which subsequent musical experiments by major artists were measured." All Music Guide - William Ruhlmann more
	Graceland Used - Vinyl - 9 25447-1 1986 US original, housed in embossed jacket. Still in shrink with faded marker pricing. Thin saw cut and tiny corner ding. Glossy, VG+ vinyl. "With Graceland, Paul Simon hit on the idea of combining his always perceptive songwriting with the little-heard mbaqanga music of South Africa, creating a fascinating hybrid that re-enchanted his old audience and earned him a new one. It is true that the South African angle (including its controversial aspect during the apartheid days) was a powerful marketing tool and that the catchy music succeeded in presenting listeners with that magical combination: something they'd never heard before that nevertheless sounded familiar. As eclectic as any record Simon had made, it also delved into zydeco and conjunto-flavored rock & roll while marking a surprising new lyrical approach (presaged on some songs on Hearts and Bones); for the most part, Simon abandoned a linear, narrative approach to his words, instead drawing highly poetic ("Diamonds on the Soles of Her Shoes"), abstract ("The Boy in the Bubble"), and satiric ("I Know What I Know") portraits of modern life, often charged by striking images and turns of phrase torn from the headlines or overheard in contemporary speech. An enormously successful record, Graceland became the standard against which subsequent musical experiments by major artists were measured." All Music Guide - William Ruhlmann more
	Graceland Used - Vinyl - 9 25447-1 1986 US original, housed in embossed jacket. Still in shrink with faded marker pricing. Thin saw cut and tiny corner ding. Glossy, VG+ vinyl. "With Graceland, Paul Simon hit on the idea of combining his always perceptive songwriting with the little-heard mbaqanga music of South Africa, creating a fascinating hybrid that re-enchanted his old audience and earned him a new one. It is true that the South African angle (including its controversial aspect during the apartheid days) was a powerful marketing tool and that the catchy music succeeded in presenting listeners with that magical combination: something they'd never heard before that nevertheless sounded familiar. As eclectic as any record Simon had made, it also delved into zydeco and conjunto-flavored rock & roll while marking a surprising new lyrical approach (presaged on some songs on Hearts and Bones); for the most part, Simon abandoned a linear, narrative approach to his words, instead drawing highly poetic ("Diamonds on the Soles of Her Shoes"), abstract ("The Boy in the Bubble"), and satiric ("I Know What I Know") portraits of modern life, often charged by striking images and turns of phrase torn from the headlines or overheard in contemporary speech. An enormously successful record, Graceland became the standard against which subsequent musical experiments by major artists were measured." All Music Guide - William Ruhlmann more
	Graceland Used - Vinyl - 9 25447-1 1986 US original, Specialty pressing. Light marks to otherwise, glossy VG+ vinyl. Embossed jacket still in shrink, small corner bump. Paul Simon’s Graceland remains one of the defining albums of the 1980s—a radiant fusion of American songwriting and South African rhythms that reshaped the sound of popular music. With its mix of mbaqanga grooves, accordion-driven melodies, and deeply human storytelling, Graceland captures Simon at his most adventurous and inspired. more
	Graceland Used - Vinyl - 88691914721 2012 180gm Record Store Day, remastered, 25th anniversary pressing with insert. 2 1/2 inch top seam split. Paul Simon’s Graceland remains one of the defining albums of the 1980s—a radiant fusion of American songwriting and South African rhythms that reshaped the sound of popular music. With its mix of mbaqanga grooves, accordion-driven melodies, and deeply human storytelling, Graceland captures Simon at his most adventurous and inspired. Graceland, released in August 1986, stands as a landmark album blending American pop with South African musical traditions. Sparked by Simon’s fascination with a bootleg cassette of mbaqanga street music, Graceland was recorded partly in Johannesburg during the apartheid era, featuring South African musicians like Ladysmith Black Mambazo, guitarist Ray Phiri, and bassist Bakithi Kumalo, whose fretless bass lines illuminate tracks such as “You Can Call Me Al.” The album’s title track references Elvis Presley’s Memphis home while exploring themes of personal journey and reconciliation. *Graceland* introduced international listeners to township jive, isicathamiya harmonies, and zydeco influences, merging them seamlessly with Simon’s poetic lyricism and folk-pop sensibilities. Though the project drew political controversy for bypassing the UN’s cultural boycott of South Africa, it also highlighted and celebrated the artistry of its collaborators, leading to greater global recognition for South African music. For vinyl enthusiasts, this pressing of Graceland is prized for its warm sonic palette, dynamic range, and the intricate layering of voices and instruments, making it a rich and immersive listening experience that showcases the album’s creative production and enduring influence on world music. more
	Greatest Hits, Etc. Used - Vinyl - JC 35032 Early 80's Gatefold Pressing Featuring Two Previously Unreleased Songs Including "Slip Slidin' Away." Still In Shrink With Hype Sticker. Tiny Corner Bump And Light Rubs To Jacket Mouth Edge. more
	Greatest Hits, Etc. Used - Vinyl - JC 35032 1977 Original With JC Prefix. Housed In A Gatefold Featuring Two Previously Unreleased Songs Including "Slip Slidin' Away." One Of Those Great Sunday Morning Albums To Play All The Way Through. more
	Greatest Hits, Etc. Used - Vinyl - JC 35032 1977 Gatefold original with custom sticker over shrink wrap. Paul Simon's "Greatest Hits, Etc." is a comprehensive collection of his most iconic songs from the 1960s and 1970s. The album features all-time classics such as "Slip Slidin' Away" "Duncsn" "Have A Good Time" and "Kodachrome" which showcase Simon's prowess as a gifted songwriter and his ability to weave intricate melodies with touching lyrics. The album also features lesser-known gems such as "Me and Julio Down by the Schoolyard" and "I Do It For Your Love" which offer a glimpse into Simon's versatility as an artist. The songs on "Greatest Hits, Etc." are timeless, evocative, and deeply personal, reflecting Simon's experiences and observations of life. The album is a perfect introduction for those new to his work. more
	Greatest Hits, Etc. Audiophile - Used - HC 45032 1981 Half-speed remaster for Columbia's CBS Mastersound series. Housed in a gatefold jacket, inside the original outer sleeve with CBS Mastersound sticker seal (broken). A wonderful greatest hits package with hit after hit and it sounds beautiful. more
	Greatest Hits, Etc. Used - Vinyl - JC 35032 1977 Original With JC Prefix. Housed In A Gatefold Featuring Two Previously Unreleased Songs Including "Slip Slidin' Away." One Of Those Great Sunday Morning Albums To Play All The Way Through. The compilation showcases Simon's signature blend of folk, rock, and world music influences, which had become a hallmark of his style. "Greatest Hits, Etc." not only captures the essence of Simon's lyrical storytelling and musical craftsmanship but also highlights his ability to connect with a diverse audience through relatable themes and innovative sounds. The album served as a testament to Simon's enduring appeal and artistic versatility, solidifying his status as a prominent figure in the music industry. more
	Greatest Hits, Etc. Used - Vinyl - JC 35032 1977 Original With JC Prefix. Housed In A Gatefold Featuring Two Previously Unreleased Songs Including "Slip Slidin' Away." One Of Those Great Sunday Morning Albums To Play All The Way Through. The compilation showcases Simon's signature blend of folk, rock, and world music influences, which had become a hallmark of his style. "Greatest Hits, Etc." not only captures the essence of Simon's lyrical storytelling and musical craftsmanship but also highlights his ability to connect with a diverse audience through relatable themes and innovative sounds. The album served as a testament to Simon's enduring appeal and artistic versatility, solidifying his status as a prominent figure in the music industry. more
	Greatest Hits, Etc. Used - Vinyl - JC 35032 1977 Original With JC Prefix. Housed In A Gatefold Featuring Two Previously Unreleased Songs Including "Slip Slidin' Away." One Of Those Great Sunday Morning Albums To Play All The Way Through. The compilation showcases Simon's signature blend of folk, rock, and world music influences, which had become a hallmark of his style. "Greatest Hits, Etc." not only captures the essence of Simon's lyrical storytelling and musical craftsmanship but also highlights his ability to connect with a diverse audience through relatable themes and innovative sounds. The album served as a testament to Simon's enduring appeal and artistic versatility, solidifying his status as a prominent figure in the music industry. more
	Greatest Hits, Etc. New - Vinyl - JC 35032 Sealed 1977 Gatefold Original Featuring Two Previously Unreleased Songs Including "Slip Slidin' Away." First Press With JC Prefix. more
	Greatest Hits, Etc. Used - Vinyl - JC 35032 Beautiful 1977 White Label Promo Housed In A Gatefold Jacket With Custom Inner Sleeve. Custom Hype Sticker And Timing Strip On Front Cover; Gold Promo Stamp On Back Cover. Features 2 Previously Unissued Tracks. Appears Glossy, Unplayed. 1C/1C Stampers. Mastered At Sterling. more
	Greatest Hits, Etc. Used - Vinyl - 25AP 850 1978 Japanese Gatefold First Pressing With Obi And Custom Flip-Back Inner Sleeve. LP Appears New, Unplayed. First Copy We Have Had In Stock In Fifteen Years. more
	Greatest Hits, Etc. Audiophile - Vinyl - HC 45032 Sealed 1981 Half-Speed Master Housed In A Gatefold Jacket. more
	Greatest Hits, Etc. New - Vinyl - JC 35032 Sealed 1977 Gatefold Original With Custom Hype Sticker. Includes Previously Unreleased Songs. Light Rubbing On Top And Bottom Seams, Hence Price. more
	Greatest Hits, Etc. Used - Vinyl - 35032 Beautiful 1977 Gatefold Original. 1C/1C Stampers. Cutsom Sticker Over Shrink Wrap. more
	Greatest Hits, Etc. Audiophile - Vinyl - HC 45032 Sealed Half-Speed Master Housed In A Gatefold Jacket With The Original Record Bar Sticker On The Outer Baggy. more
	Greatest Hits, Etc. Used - Vinyl - JC 35022 1977 Gatefold Original Featuring Two Previously Unreleased Songs Including "Slip Slidin' Away." First Press With JC Prefix. Shrink Wrap Intact. LP Appears Glossy, Unplayed. 1A/1J Stampers. more
	Greatest Hits, Etc. Audiophile - Vinyl - HC 45032 1981 Half-Speed Master Housed In A Gatefold Jacket. A Wonderful Greatest Hits Package With Hit After Hit And It Sounds Beautiful. more
	Hearts And Bones Audiophile - Vinyl - 23942 Beautiful Quiex II Virgin Vinyl Pressing. Custom Song Sticker And Gold Promo Stamp On Cover. Unplayed Condition. more
	Hearts And Bones New - Vinyl - 23942-1 Sealed 1983 Original, Tiny Saw Cut, Custom "Allergies" Hype Sticker On Shrink. more
	Hearts And Bones New - Vinyl - 23942-1 Sealed 1983 Original With Custom "Allergies" Hype Sticker On Shrink. No Promo Or Deletion Markings. more
	Hearts And Bones New - Vinyl - 23942 Sealed 1983 Original With Custom "Allergies" Hype Sticker On Shrink. No Promo Or Deletion Markings. Shrink Wrap Has A Large Licorice Pizza Sticker From One Of Their L.A. Stores. more
	Hearts And Bones Used - Vinyl - 9 23942-1 1983 Original In Shrink. Features The Hit Single "Allergies". Custom Song Hype Sticker Over Shrink Wrap. more
	Hearts And Bones Used - Vinyl - 9 23942-1 Beautiful 1983 US original with printed inner sleeve. "Hearts and Bones was a commercial disaster, the lowest-charting new studio album of Paul Simon's career. It is also his most personal collection of songs, one of his most ambitious, and one of his best. It retains a personal vision, one largely devoted to the challenges of middle-aged life, among them a renewed commitment to love; the title song was a notable testament to new romance, while "Train in the Distance" reflected on romantic discord. Elsewhere, "The Late Great Johnny Ace" was his meditation on John Lennon's murder and how it related to the mythology of pop music. Musically, Simon moved forward and backward simultaneously, taking off from the jazz fusion style of his last two albums into his old loves of doo wop and rock & roll while also incorporating current sounds with such new collaborators as dance music producer Nile Rodgers and minimalist composer Philip Glass. The result was Simon's most impressive collection in a decade and the most underrated album in his catalog." Al Music Guide - William Ruhlmann. more
	Hearts And Bones Used - Vinyl - 9 23942-1 1983 US original with printed inner sleeve. VG+ copy, bag rash on vinyl. "Hearts and Bones was a commercial disaster, the lowest-charting new studio album of Paul Simon's career. It is also his most personal collection of songs, one of his most ambitious, and one of his best. It retains a personal vision, one largely devoted to the challenges of middle-aged life, among them a renewed commitment to love; the title song was a notable testament to new romance, while "Train in the Distance" reflected on romantic discord. Elsewhere, "The Late Great Johnny Ace" was his meditation on John Lennon's murder and how it related to the mythology of pop music. Musically, Simon moved forward and backward simultaneously, taking off from the jazz fusion style of his last two albums into his old loves of doo wop and rock & roll while also incorporating current sounds with such new collaborators as dance music producer Nile Rodgers and minimalist composer Philip Glass. The result was Simon's most impressive collection in a decade and the most underrated album in his catalog." All Music Guide - William Ruhlmann. more
	Hearts And Boones Used - Vinyl - P-11436 1983 Japanese Pressing With Obi. more
	Interview Show With Music From Graceland Used - Vinyl - WBMS 140 1986 2LP White Label Promo Only Radio Show Featuring Interviews And Music From Graceland. Both LPs Look Unplayed. VSRW. more
	Interview Show With Music From Graceland New - Vinyl - WBMS 140 New, Unplayed 1986 2LP White Label Promo Only Radio Show Featuring Interviews And Music From Graceland. more
	Live Rhymin' Used - Vinyl - PC 32855 1974 Original. Vinyl Appears Unplayed. more
	Live Rhymin' New - Vinyl - PC 32855 Sealed 1974 Original (Later Released On Warner Bros.) With Custom Hype Sticker On The Shrink Wrap. Features Urubamba And The Jessy Dixon Singers. more
	Live Rhymin' New - Vinyl - 25590 Sealed First Warner Brothers Pressing (Originally Released On Columbia In 1974). Saw Cut. Seems A Lot Tougher To Find Than The Columbia Original. more
	Live Rhymin' - Paul Simon In Concert New - Vinyl - PC 32855 Sealed 1974 Original Featuring Urubamba And The Jessy Dixon Singers. more
	Negotiations And Love Songs 1971-1986 New - Vinyl - 25789 Factory Sealed And Rare 1988 2LP Compilation With Custom Inner Sleeves. Mastered By Greg Calbi At Sterling. more
	Negotiations And Love Songs 1971-1986 Used - Vinyl - 25789 Beautiful 1988 2LP Compilation With Custom Inner Sleeves. Mastered By Greg Calbi At Sterling. Records Appear Glossy, Unplayed. more
	Negotiations And Love Songs 1971-1986 New - Vinyl - 25789 Sealed, Rare 1988 2LP Compilation With Custom Inner Sleeves. Mastered By Greg Calbi At Sterling. The Original Tower Records Price Tag Is Still Intact On The Shrink Wrap. Archival Quality Copy. more
	One-Trick Pony New - Vinyl - HS 3472 Sealed 1980 Original With Custom Printed Inner Sleeve. more
	One-Trick Pony New - Vinyl - HS 3472 Sealed 1980 Original With Custom Printed Inner Sleeve. Tiny Cut Out Hole. Unable To Confirm Pressing Info. more
	One-Trick Pony Used - Vinyl - HS 3472 Beautiful 1980 US Original With Custom Printed Card Inner Sleeve. Vibrant, Glossy Jacket With Few Spots Of Edge Wear. more
	One-Trick Pony Used Import - P-10895W 1980 Japanese white label promo press, complete with Obi & insert. "Sample" sticker affixed to front cover. EX/NM- vinyl. One-Trick Pony is a quieter, more introspective turn, written in the margins between songs and cinema. Stripped-down arrangements and lived-in grooves give Simon space to explore disillusionment, resilience, and small human reckonings. Tracks like “Late in the Evening” carry a subtle rhythmic lift, while the rest leans reflective and unguarded. Modest in scale yet rich in feeling, it’s a thoughtful chapter that rewards attention rather than demands it. more
	One-Trick Pony Used - Vinyl - HS 3472 1980 Original With Custom Printed Inner Sleeve. Saw Cut. Tiny Mouth Wear And Little Top Corner Bump. more
	One-Trick Pony Used - Vinyl - HS 3472 1980 US original with custom printed card inner sleeve. Vibrant, glossy jacket, hint of ring wear. "Though it was released to coincide with the opening of the film One-Trick Pony, which Paul Simon wrote and starred in, the One-Trick Pony album is not a soundtrack, as it is sometimes categorized, at least, not exactly. If it were, it might contain the Paul Simon song "Soft Parachutes" and other non-Simon music featured in the movie. Instead, this is a studio album containing many of the movie songs, some of them in the same performances (two were cut live at the Agora Club in Cleveland). The record is not billed as a soundtrack, but a sleeve note reads, "The music on this Compact Disc was created for the Paul Simon Movie 'One-Trick Pony.'" Anyway, if Simon was in fact writing songs for Jonah, his movie character (as seems true of songs like "Jonah," "God Bless the Absentee," and "Long, Long Day"), he intended that character to take a somewhat less considered lyrical viewpoint than Paul Simon generally does, but to be even more enamored of light jazz fusion than Paul Simon had been on his last album, Still Crazy After All These Years. Tasty licks abound from the fretwork of Eric Gale, Hiram Bullock, and Hugh McCracken, and the rhythm section of Steve Gadd, Tony Levin, and Richard Tee is equally in the groove. This is the closest thing to a band album Simon ever made, and it contains some of his most rhythmic and energetic singing. But it is also his most uneven album, simply because the songwriting, with the exception of the title song and the ballads "How the Heart Approaches What It Yearns" and "Nobody," is not up to his usual standard. Maybe he was too busy writing his screenplay to polish these songs to the usual gloss. (It can't have been than Jonah wasn't supposed to be as talented as Paul Simon. Could it?) In any case, though the album spawned a Top Ten hit in "Late in the Evening" and may have sold more copies than the film did tickets, it remained a disappointment in both artistic and commercial terms." All Music Guide - William Ruhlmann. more
	Paul Simon Used - Vinyl - KC 30750 1972 US Original With "KC" Prefix, Still In Shrink With Custom Hype Sticker And Original Thick Card Inner Sleeve. Features "Mother And Child Reunion" And "Me And Julio" And More. Rear Jacket Has A Promotional "Demo" Sticker And The Labels Are Stamped "For Demonstration Only." more
	Paul Simon Audiophile - New - LPZ-2060 Factory Sealed, Limited Edition 180gm HQ Housed In A Deluxe Gatefold Jacket. Mastered By Steve Hoffman. This Is Number 0067. “If Any Musical Justification Were Needed For The Breakup Of Simon & Garfunkel, It Could Be Found On This Striking Collection, Paul Simon's Post-Split Debut. From The Opening Cut, "Mother And Child Reunion" Simon, Who Had Snuck Several Subtle Musical Explorations Into The Generally Conservative S&G Sound, Broke Free, Heralding The Rise Of Reggae With An Exuberant Track Recorded In Jamaica For A Song About Death. From There, It Was Off To Paris For A Track In South American Style And A Rambling Story Of A Fisherman's Son, "Duncan" (Which Made The Singles Chart). But Most Of The Album Had A Low-Key Feel, With Simon On Acoustic Guitar Backed By Only A Few Trusted Associates (Among Them Joe Osborn, Larry Knechtel, David Spinozza, Mike Mainieri, Ron Carter, And Hal Blaine, Along With Such Guests As Stefan Grossman, Airto Moreira, And Stephane Grappelli), Singing A Group Of Informal, Intimate, Funny, And Closely Observed Songs (Among Them The Lively Top 40 Hit "Me And Julio Down By The Schoolyard"). It Was Miles Removed From The Big, Stately Ballad Style Of Bridge Over Troubled Water And Signaled That Simon Was A Versatile Songwriter As Well As An Expressive Singer With A Much Broader Range Of Musical Interests Than He Had Previously Demonstrated. You Didn't Miss Art Garfunkel On Paul Simon, Not Only Because Simon Didn't Write Garfunkel-Like Showcases For Himself, But Because The Songs He Did Write Showed Off His Own, More Varied Musical Strengths.” All Music Guide - William Ruhlmann more
	Paul Simon Used - Vinyl - 1-25588 Rare 1990 Reissue, Barcode On Rear Still In Shrink With Orignal Inner Sleeve & Kept In Protective VRP Inner. Originally Released In 1972 As Columbia 30750, Warner Brothers Reissued This Album With Alternate Cover Photo And DMM Mastering. Superb Condition. "If Any Musical Justification Were Needed For The Breakup Of Simon & Garfunkel, It Could Be Found On This Striking Collection, Paul Simon's Post-split Debut. From The Opening Cut, "Mother And Child Reunion" (A Top Ten Hit), Simon, Who Had Snuck Several Subtle Musical Explorations Into The Generally Conservative S&g Sound, Broke Free, Heralding The Rise Of Reggae With An Exuberant Track Recorded In Jamaica For A Song About Death. From There, It Was Off To Paris For A Track In South American Style And A Rambling Story Of A Fisherman's Son, "Duncan" (Which Made The Singles Chart). But Most Of The Album Had A Low-key Feel, With Simon On Acoustic Guitar Backed By Only A Few Trusted Associates (Among Them Joe Osborn, Larry Knechtel, David Spinozza, Mike Manieri, Ron Carter, And Hal Blaine, Along With Such Guests As Stefan Grossman, Airto Moreira, And Stephane Grappelli), Singing A Group Of Informal, Intimate, Funny, And Closely Observed Songs (Among Them The Lively Top 40 Hit "Me And Julio Down By The Schoolyard"). It Was Miles Removed From The Big, Stately Ballad Style Of Bridge Over Troubled Water And Signaled That Simon Was A Versatile Songwriter As Well As An Expressive Singer With A Much Broader Range Of Musical Interests Than He Had Previously Demonstrated. You Didn't Miss Art Garfunkel On Paul Simon, Not Only Because Simon Didn't Write Garfunkel-like Showcases For Himself, But Because The Songs He Did Write Showed Off His Own, More Varied Musical Strengths." AMG Review By William Ruhlmann. more
	Paul Simon New - Vinyl - KC 30750 Sealed 1972 Original. Engineered By Phil Ramone And Contributions From A Slew Of Big Name Studio Musicians. Features "Mother And Child Reunion" And "Me And Julio" And More. This Album Comes With Custom Silver Inner Sleeve With Lyrics. 5 Stars! Tiny Bottom Corner Dings. more
	Paul Simon Used - Vinyl - KC 30750 1972 Original Santa Maria Press. Cover Shows Some Light Wear, With Touch Of Ring Wear And Ding & Scuff To Top Right Corner. Features "Mother And Child Reunion" And "Me And Julio" And More. Custom Silver Inner Sleeve With Lyrics. 5 Stars! "If Any Musical Justification Were Needed For The Breakup Of Simon & Garfunkel, It Could Be Found On This Striking Collection, Paul Simon's Post-split Debut. From The Opening Cut, "Mother And Child Reunion" (A Top Ten Hit), Simon, Who Had Snuck Several Subtle Musical Explorations Into The Generally Conservative S&g Sound, Broke Free, Heralding The Rise Of Reggae With An Exuberant Track Recorded In Jamaica For A Song About Death. From There, It Was Off To Paris For A Track In South American Style And A Rambling Story Of A Fisherman's Son, "Duncan" (Which Made The Singles Chart). But Most Of The Album Had A Low-key Feel, With Simon On Acoustic Guitar Backed By Only A Few Trusted Associates (Among Them Joe Osborn, Larry Knechtel, David Spinozza, Mike Manieri, Ron Carter, And Hal Blaine, Along With Such Guests As Stefan Grossman, Airto Moreira, And Stephane Grappelli), Singing A Group Of Informal, Intimate, Funny, And Closely Observed Songs (Among Them The Lively Top 40 Hit "Me And Julio Down By The Schoolyard"). It Was Miles Removed From The Big, Stately Ballad Style Of Bridge Over Troubled Water And Signaled That Simon Was A Versatile Songwriter As Well As An Expressive Singer With A Much Broader Range Of Musical Interests Than He Had Previously Demonstrated. You Didn't Miss Art Garfunkel On Paul Simon, Not Only Because Simon Didn't Write Garfunkel-like Showcases For Himself, But Because The Songs He Did Write Showed Off His Own, More Varied Musical Strengths." AMG Review By William Ruhlmann. more
	Paul Simon Used - Vinyl - KC 30750 1972 US Original, Santa Maria Pressing. Jacket VG/VG+, Glossy Vinyl. "If Any Musical Justification Were Needed For The Breakup Of Simon & Garfunkel, It Could Be Found On This Striking Collection, Paul Simon's Post-Split Debut. From The Opening Cut, "Mother And Child Reunion" (A Top Ten Hit), Simon, Who Had Snuck Several Subtle Musical Explorations Into The Generally Conservative S&G Sound, Broke Free, Heralding The Rise Of Reggae With An Exuberant Track Recorded In Jamaica For A Song About Death. From There, It Was Off To Paris For A Track In South American Style And A Rambling Story Of A Fisherman's Son, "Duncan" (Which Made The Singles Chart). But Most Of The Album Had A Low-key Feel, With Simon On Acoustic Guitar Backed By Only A Few Trusted Associates (Among Them Joe Osborn, Larry Knechtel, David Spinozza, Mike Manieri, Ron Carter, And Hal Blaine, Along With Such Guests As Stefan Grossman, Airto Moreira, And Stephane Grappelli), Singing A Group Of Informal, Intimate, Funny, And Closely Observed Songs (Among Them The Lively Top 40 Hit "Me And Julio Down By The Schoolyard"). It Was Miles Removed From The Big, Stately Ballad Style Of Bridge Over Troubled Water And Signaled That Simon Was A Versatile Songwriter As Well As An Expressive Singer With A Much Broader Range Of Musical Interests Than He Had Previously Demonstrated. You Didn't Miss Art Garfunkel On Paul Simon, Not Only Because Simon Didn't Write Garfunkel-like Showcases For Himself, But Because The Songs He Did Write Showed Off His Own, More Varied Musical Strengths." AMG Review By William Ruhlmann. more
	Paul Simon Audiophile - Used - LPZ-2060 Rare 1998 180gm HQ Limited Edition #0010. In Gatefold Cover. Remastered By Steve Hoffman. This Solo Debut Pressing Stands Out As A Premier Listen. more
	Paul Simon Used - Vinyl - KC 30750 1972 US Original in shrink. "If Any Musical Justification Were Needed For The Breakup Of Simon & Garfunkel, It Could Be Found On This Striking Collection, Paul Simon's Post-Split Debut. From The Opening Cut, "Mother And Child Reunion" (A Top Ten Hit), Simon, Who Had Snuck Several Subtle Musical Explorations Into The Generally Conservative S&G Sound, Broke Free, Heralding The Rise Of Reggae With An Exuberant Track Recorded In Jamaica For A Song About Death. From There, It Was Off To Paris For A Track In South American Style And A Rambling Story Of A Fisherman's Son, "Duncan" (Which Made The Singles Chart). But Most Of The Album Had A Low-key Feel, With Simon On Acoustic Guitar Backed By Only A Few Trusted Associates (Among Them Joe Osborn, Larry Knechtel, David Spinozza, Mike Manieri, Ron Carter, And Hal Blaine, Along With Such Guests As Stefan Grossman, Airto Moreira, And Stephane Grappelli), Singing A Group Of Informal, Intimate, Funny, And Closely Observed Songs (Among Them The Lively Top 40 Hit "Me And Julio Down By The Schoolyard"). It Was Miles Removed From The Big, Stately Ballad Style Of Bridge Over Troubled Water And Signaled That Simon Was A Versatile Songwriter As Well As An Expressive Singer With A Much Broader Range Of Musical Interests Than He Had Previously Demonstrated. You Didn't Miss Art Garfunkel On Paul Simon, Not Only Because Simon Didn't Write Garfunkel-like Showcases For Himself, But Because The Songs He Did Write Showed Off His Own, More Varied Musical Strengths." All Music Guide - Review By William Ruhlmann. more
	Paul Simon Used - Vinyl - KC 30750 1972 US original Santa Maria pressing with original custom printed insert. VG++ jacket, seam/edge wear. "If Any Musical Justification Were Needed For The Breakup Of Simon & Garfunkel, It Could Be Found On This Striking Collection, Paul Simon's Post-Split Debut. From The Opening Cut, "Mother And Child Reunion" (A Top Ten Hit), Simon, Who Had Snuck Several Subtle Musical Explorations Into The Generally Conservative S&G Sound, Broke Free, Heralding The Rise Of Reggae With An Exuberant Track Recorded In Jamaica For A Song About Death. From There, It Was Off To Paris For A Track In South American Style And A Rambling Story Of A Fisherman's Son, "Duncan" (Which Made The Singles Chart). But Most Of The Album Had A Low-key Feel, With Simon On Acoustic Guitar Backed By Only A Few Trusted Associates (Among Them Joe Osborn, Larry Knechtel, David Spinozza, Mike Manieri, Ron Carter, And Hal Blaine, Along With Such Guests As Stefan Grossman, Airto Moreira, And Stephane Grappelli), Singing A Group Of Informal, Intimate, Funny, And Closely Observed Songs (Among Them The Lively Top 40 Hit "Me And Julio Down By The Schoolyard"). It Was Miles Removed From The Big, Stately Ballad Style Of Bridge Over Troubled Water And Signaled That Simon Was A Versatile Songwriter As Well As An Expressive Singer With A Much Broader Range Of Musical Interests Than He Had Previously Demonstrated. You Didn't Miss Art Garfunkel On Paul Simon, Not Only Because Simon Didn't Write Garfunkel-like Showcases For Himself, But Because The Songs He Did Write Showed Off His Own, More Varied Musical Strengths." All Music Guide – William Ruhlmann. more
	Paul Simon New - Vinyl - LPZ-2060-6 Sealed, Numbered, Limited Edition #0006 more
	Paul Simon Used - Vinyl - KC 30750 1972 Original With "KC" Prefix, Custom Song Sticker On The Jacket And Custom Card Inner Sleeve. Features "Mother And Child Reunion" And "Me And Julio" And More. Rear Jacket Has A Promotional "Demo" Sticker And The Labels Are Stamped "For Demonstration Only." Appears Glossy, Unplayed. more
	Paul Simon Audiophile - Vinyl - LPZ 2060 Factory Sealed, Limited Edition 180gm HQ, Gatefold Cover. Remastered By Steve Hoffman. This Is Mega Low Number 0023. more
	Paul Simon Audiophile - Vinyl - LPZ 2060 Factory Sealed, Limited Edition 180gm HQ Housed In A Deluxe Gatefold Jacket. Mastered By Steve Hoffman. This Is Low Number 0174. Two Inch Cnter Bottom Seam Split, Hence Price. “If Any Musical Justification Were Needed For The Breakup Of Simon & Garfunkel, It Could Be Found On This Striking Collection, Paul Simon's Post-Split Debut. From The Opening Cut, "Mother And Child Reunion" Simon, Who Had Snuck Several Subtle Musical Explorations Into The Generally Conservative S&G Sound, Broke Free, Heralding The Rise Of Reggae With An Exuberant Track Recorded In Jamaica For A Song About Death. From There, It Was Off To Paris For A Track In South American Style And A Rambling Story Of A Fisherman's Son, "Duncan" (Which Made The Singles Chart). But Most Of The Album Had A Low-Key Feel, With Simon On Acoustic Guitar Backed By Only A Few Trusted Associates (Among Them Joe Osborn, Larry Knechtel, David Spinozza, Mike Mainieri, Ron Carter, And Hal Blaine, Along With Such Guests As Stefan Grossman, Airto Moreira, And Stephane Grappelli), Singing A Group Of Informal, Intimate, Funny, And Closely Observed Songs (Among Them The Lively Top 40 Hit "Me And Julio Down By The Schoolyard"). It Was Miles Removed From The Big, Stately Ballad Style Of Bridge Over Troubled Water And Signaled That Simon Was A Versatile Songwriter As Well As An Expressive Singer With A Much Broader Range Of Musical Interests Than He Had Previously Demonstrated. You Didn't Miss Art Garfunkel On Paul Simon, Not Only Because Simon Didn't Write Garfunkel-Like Showcases For Himself, But Because The Songs He Did Write Showed Off His Own, More Varied Musical Strengths.” William Ruhlmann, AMG. more
	Paul Simon New - Vinyl - KC 30750 Sealed Original, Custom Inner Sleeve. His 5 Star 1972 Masterpiece. Light Top Right Corner Crease. more
	Paul Simon New - Vinyl - KC 30750 Sealed Original, Custom Inner Sleeve. His 5 Star 1972 Masterpiece. Pristine Copy With The Original Wherehouse $3.65 Price Tag On The Rear Shrink Wrap. more
	Paul Simon Audiophile - Vinyl - LPZ 2060 Sealed 1998 Numbered, Limited Edition, 180gm HQ Reissue Housed In A Deluxe Gatefold Jacket. Mastered By Steve Hoffman. “If Any Musical Justification Were Needed For The Breakup Of Simon & Garfunkel, It Could Be Found On This Striking Collection, Paul Simon's Post-Split Debut. From The Opening Cut, "Mother And Child Reunion" Simon, Who Had Snuck Several Subtle Musical Explorations Into The Generally Conservative S&G Sound, Broke Free, Heralding The Rise Of Reggae With An Exuberant Track Recorded In Jamaica For A Song About Death. From There, It Was Off To Paris For A Track In South American Style And A Rambling Story Of A Fisherman's Son, "Duncan" (Which Made The Singles Chart). But Most Of The Album Had A Low-Key Feel, With Simon On Acoustic Guitar Backed By Only A Few Trusted Associates (Among Them Joe Osborn, Larry Knechtel, David Spinozza, Mike Mainieri, Ron Carter, And Hal Blaine, Along With Such Guests As Stefan Grossman, Airto Moreira, And Stephane Grappelli), Singing A Group Of Informal, Intimate, Funny, And Closely Observed Songs (Among Them The Lively Top 40 Hit "Me And Julio Down By The Schoolyard"). It Was Miles Removed From The Big, Stately Ballad Style Of Bridge Over Troubled Water And Signaled That Simon Was A Versatile Songwriter As Well As An Expressive Singer With A Much Broader Range Of Musical Interests Than He Had Previously Demonstrated. You Didn't Miss Art Garfunkel On Paul Simon, Not Only Because Simon Didn't Write Garfunkel-Like Showcases For Himself, But Because The Songs He Did Write Showed Off His Own, More Varied Musical Strengths.” William Ruhlmann, AMG. more
	Paul Simon Audiophile - Vinyl - LPZ 2060 Beautiful Limited Edition 180gm HQ Housed In A Deluxe Gatefold Jacket. Mastered By Steve Hoffman. This Is Number 0723. “If Any Musical Justification Were Needed For The Breakup Of Simon & Garfunkel, It Could Be Found On This Striking Collection, Paul Simon's Post-Split Debut. From The Opening Cut, "Mother And Child Reunion" Simon, Who Had Snuck Several Subtle Musical Explorations Into The Generally Conservative S&G Sound, Broke Free, Heralding The Rise Of Reggae With An Exuberant Track Recorded In Jamaica For A Song About Death. From There, It Was Off To Paris For A Track In South American Style And A Rambling Story Of A Fisherman's Son, "Duncan" (Which Made The Singles Chart). But Most Of The Album Had A Low-Key Feel, With Simon On Acoustic Guitar Backed By Only A Few Trusted Associates (Among Them Joe Osborn, Larry Knechtel, David Spinozza, Mike Mainieri, Ron Carter, And Hal Blaine, Along With Such Guests As Stefan Grossman, Airto Moreira, And Stephane Grappelli), Singing A Group Of Informal, Intimate, Funny, And Closely Observed Songs (Among Them The Lively Top 40 Hit "Me And Julio Down By The Schoolyard"). It Was Miles Removed From The Big, Stately Ballad Style Of Bridge Over Troubled Water And Signaled That Simon Was A Versatile Songwriter As Well As An Expressive Singer With A Much Broader Range Of Musical Interests Than He Had Previously Demonstrated. You Didn't Miss Art Garfunkel On Paul Simon, Not Only Because Simon Didn't Write Garfunkel-Like Showcases For Himself, But Because The Songs He Did Write Showed Off His Own, More Varied Musical Strengths.” William Ruhlmann, AMG. more
	Paul Simon Used - Vinyl - KC 30750 Beautiful 1972 Original In Shrink Wrap With Custom Song Hype Sticker. Features "Mother And Child Reunion" And "Me And Julio" And More. Custom Silver Inner Sleeve With Lyrics. Appears Glossy, Unplayed. 5 Stars! more
	Paul Simon Audiophile - Vinyl - LPZ 2060 Factory Sealed, Limited Edition 180gm HQ Housed In A Deluxe Gatefold Jacket. Mastered By Steve Hoffman. This Is Number 1717. “If Any Musical Justification Were Needed For The Breakup Of Simon & Garfunkel, It Could Be Found On This Striking Collection, Paul Simon's Post-Split Debut. From The Opening Cut, "Mother And Child Reunion" Simon, Who Had Snuck Several Subtle Musical Explorations Into The Generally Conservative S&G Sound, Broke Free, Heralding The Rise Of Reggae With An Exuberant Track Recorded In Jamaica For A Song About Death. From There, It Was Off To Paris For A Track In South American Style And A Rambling Story Of A Fisherman's Son, "Duncan" (Which Made The Singles Chart). But Most Of The Album Had A Low-Key Feel, With Simon On Acoustic Guitar Backed By Only A Few Trusted Associates (Among Them Joe Osborn, Larry Knechtel, David Spinozza, Mike Mainieri, Ron Carter, And Hal Blaine, Along With Such Guests As Stefan Grossman, Airto Moreira, And Stephane Grappelli), Singing A Group Of Informal, Intimate, Funny, And Closely Observed Songs (Among Them The Lively Top 40 Hit "Me And Julio Down By The Schoolyard"). It Was Miles Removed From The Big, Stately Ballad Style Of Bridge Over Troubled Water And Signaled That Simon Was A Versatile Songwriter As Well As An Expressive Singer With A Much Broader Range Of Musical Interests Than He Had Previously Demonstrated. You Didn't Miss Art Garfunkel On Paul Simon, Not Only Because Simon Didn't Write Garfunkel-Like Showcases For Himself, But Because The Songs He Did Write Showed Off His Own, More Varied Musical Strengths.” William Ruhlmann, AMG. more
	Paul Simon In Concert Live Rhymin' Used - Vinyl - PC 32855 1974 Original Still In Shrink. Light Jacket Mouth Rubs. Tiny Spots Of Wear On Spine. more
	Paul Simon's Concert In The Park Used - Vinyl - WX 448 Stunning 1991 German 2LP Gatefold Rarity. Ten Years After Playing A Free Concert In New York's Central Park With Art Garfunkel, Paul Simon Returned, Backed By The New York Session Musicians And The Native Musicians From South Africa And Brazil Who Had Enlivened His Solo Work. This 23-Track Double Album Set Runs Nearly Two Hours. Half The Selections Come From His Graceland And The Rhythm Of The Saints Albums, But Unlike The Graceland Tour Of 1987, The Born At The Right Time Tour Of 1991 Made Room For Simon's Earlier Solo Work As Well As A Few Simon & Garfunkel Songs. Simon Made Such Stylistically Various Material Work Together By Frontloading The Set With The Newer Stuff And Rearranging Some Of The Older Solo Stuff, So That "Kodachrome," For Example, Was Refitted With A Guitar Line Courtesy Of Graceland Player Ray Phiri. (Wisely, Except For A Becalmed Africanization Of "Cecilia," Simon Didn't Monkey With The S&G Songs, Most Of Which Came At The End Of The Set.) But Simon Also Toned Down The Brazilian Percussion That Had Dominated The Saints Material And Sang It More Convincingly, So That "Born At The Right Time," For Example, Was Far More Effective Than It Had Been In Its Studio Version. On The Whole, Then, Concert In The Park Managed To Be An Enjoyable And Surprisingly Cohesive Career Summary. more
	Recorded Live In Los Angeles 1973 New - Vinyl - 001 Sealed "Live" LP, Small Tear In Loose Cover Art, Part Of Original Meat Department Sticker On Shrink. more
	Rhythm Of The Saints Used - Vinyl - 26098 Hard To Find 1990 Vinyl With Hype Sticker On Jacket. Features Ladysmith Black Mambazo, Michael Brecker, Nana Vasconcelos. This Is A Promo Copy With Gold Promo Stamp On Jacket. New, Unplayed, But Not Sealed. more
	Rhythm Of The Saints New - Vinyl - 26098 Sealed, Rare 1990 Record Club Only Vinyl. Features Ladysmith Black Mambazo, Michael Brecker, Nana Vasconcelos. Tiny CRC Stamp On Back Cover. Sounds As Great Now As It Did When Released. First Sealed Copy We Have Had In Stock In Six Years. 1 Inch Top Center Seam Crack, Hence $60 Reduction. more
	Rhythm Of The Saints Used - Vinyl - 26098-1 1990 Original With Custom Inner Sleeve. Features Ladysmith Black Mambazo, Michael Brecker, Nana Vasconcelos. Appears Glossy, Unplayed. Sounds As Great Now As It Did When Released. First Copy We Have Had In Stock In Three Years. more
	So Beautiful Or So What Used - Vinyl - HRM-32837-01 2011 Original With Custom Hype Sticker On The Shrink Wrap. Includes A Digital Download Of The Album Plus A Live Bonus Track. Produced By Phil Ramone And Paul Simon, With Liner Notes Written By Elvis Costello, So Beautiful Or So What Is One Of The Most Highly Anticipated Albums Of The Year. Rolling Stone Magazine Recently Declared It, "His Best Since Graceland," And National Public Radio Affirmed, "...His New Music Balances Great Poetry And Pop. Paul Simon Is A National Treasure." In Their Current Issue, Filter Magazine Calls The New Album, "A New Masterpiece From The Picasso Of Music." more
	Songs From The Capeman Used - Vinyl - 1-46814 Rare 1997 Original With Custom Sticker On The Shrink Wrap And Lyric Insert. Cut By Robert Ludwig At Gateway. Songs From The Capeman is a unique album by Paul Simon, released in 1997. The album is based on the Broadway musical The Capeman, which tells the story of Salvador Agron, a Puerto Rican gang member who was convicted of murder in the 1950s. Simon was inspired to write the musical after reading an article about Agron in The New York Times. The album features a mix of Latin and doo-wop-inspired songs, as well as spoken word interludes that help to tell the story of Agron's life. The album received mixed reviews from critics, with some praising Simon's ability to incorporate Latin rhythms and others criticizing the album for being too disjointed. Despite the mixed critical reception, Songs From The Capeman is a must-listen for fans of Paul Simon and Broadway musicals. The album is a departure from Simon's earlier work, focusing more on storytelling and incorporating a wider range of musical styles. The songs are catchy and toe-tapping, with memorable hooks and lyrics that will stay with you long after you've finished listening. Whether you're a fan of Latin music or doo-wop, Songs From The Capeman is sure to entertain and leave you wanting more. more
	Songs From The Capeman Used - Vinyl - 46814 1997 Vinyl Rarity Still In Shrink Wrap With Custom Hype Sticker And Lyric Insert. more
	Songs From The Capeman New - Vinyl - 46814 Sealed And Rare 1997 Original With Custom Sticker On The Shrink Wrap And Lyric Insert. Cut By Robert Ludwig At Gateway. more
	Songs From The Capeman Used - Vinyl - 46814 1997 Original With Lyric Insert. Cut By Robert Ludwig At Gateway. SR1/SR1 Stampers. Appears Glossy, Unplayed. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 Mint 1975 Embossed Cover Original With Custom Sticker Over Shrink Wrap. Includes "50 Ways To Leave Your Lover." Crisp Corners, No Cut-Out Holes. Sterling Stampers. more
	Still Crazy After All These Years Used - Vinyl - PC 33450 Beautiful 1975 White Label Promo Original. Radio Station Timing Strip On Front Jacket. CC, Hint Of Ring Wear. more
	Still Crazy After All These Years New - Vinyl - PC 33540 Sealed And Pristine 1975 Embossed Cover Original With Custom Card Inner. Mastered At Sterling. Grammy Winner. more
	Still Crazy After All These Years Audiophile - Vinyl - GZS 2063 Cancelled And Unreleased 180gm HQ Test Pressing With Unreleased Jacket With Full Cover Art. All Tube Mastering By Steve Hoffman. Only A Few Copies Of This Exist. more
	Still Crazy After All These Years Audiophile - Vinyl - HC 43540 Factory Sealed 1981 Half-Speed Master. Gold Promo Stamp On Back Cover. First Sealed Copy We Have Seen In Seven Years. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 1975 Original In Shrink Wrap. Custom Album Hype Sticker And Grammy Winner Sticker On Shrink. Custom Card Inner Sleeve. Appears Unplayed. more
	Still Crazy After All These Years New - Vinyl - PC 33540 Sealed 1975 Embossed Cover Original With Custom Card Inner And (Faded) Custom Song Hype Sticker On The Shrink Wrap. Mastered At Sterling. Grammy Winner. more
	Still Crazy After All These Years New - Vinyl - PC 33540 Factory Sealed 1975 Embossed Cover Original With Custom Song Hype Sticker On The Shrink Wrap. Includes "50 Ways To Leave Your Lover." Crisp Corners, No Cut-Out Holes. Cut At Sterling (We Believe). Grammy Winner. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 Beautiful And Rare 1975 Original With Radio Station Timing Strip On The Cover And Song Hype Sticker. Cut Corner. Inlcudes Custom Card Inner Sleeve. more
	Still Crazy After All These Years New - Vinyl - PC 33540 Factory Sealed 1975 Embossed Cover Original With Custom Inner Sleeve. Includes "50 Ways To Leave Your Lover." Crisp Corners, Couple Of Small Tears In The Shrink Wrap. Cut At Sterling (We Believe). Grammy Winner. more
	Still Crazy After All These Years Audiophile - Vinyl - HC 43540 1981 Half-Speed Master. Appears Unplayed. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 1975 Embossed Cover Original Still In Shrink With Custom Inner Sleeve. Includes "50 Ways To Leave Your Lover." Crisp Corners, No Cut-Out Holes. Sterling Stampers. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 1980s Pressing Still In Shrink (Bar Code On Back). more
	Still Crazy After All These Years New - Vinyl - PC 33540 Sealed 1975 Original In A Non Embossed Cover. Printing Smudge On R In "After" In Title, See Scan. Small Corner Bump. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 1975 US Original, Santa Maria Press. Housed In An Embossed Cover Original With Custom Inner Sleeve. Includes "50 Ways To Leave Your Lover." Cut At Sterling (We Believe). Grammy Winner. "The Third New Studio Album Of Paul Simon's Post-Simon & Garfunkel Career Was A Musical And Lyrical Change Of Pace From His First Two, Paul Simon And There Goes Rhymin' Simon. Where Simon Had Taken An Eclectic Approach Before, Delving Into A Variety Of Musical Styles And Recording All Over The World, Still Crazy Found Him Working For The Most Part With A Group Of Jazz-Pop New York Session Players, Though He Did Do A Couple Of Tracks ("My Little Town" And "Still Crazy After All These Years") With The Muscle Shoals Rhythm Section That Had Appeared On Rhymin' Simon And Another ("Gone At Last") Returned To The Gospel Style Of Earlier Songs Like "Loves Me Like A Rock." Of Course, "My Little Town" Also Marked A Return To Working With Art Garfunkel, And Another Top Ten Entry For S&G. But The Overall Feel Of Still Crazy Was Of A Jazzy Style Subtly Augmented With Strings And Horns. Perhaps More Striking, However, Was Simon's Lyrical Approach. Where Rhymin' Simon Was The Work Of A Confident Family Man, Still Crazy Came Off As A Post-Divorce Album, Its Songs Reeking Of Smug Self-Satisfaction And Romantic Disillusionment. At Their Best, Such Sentiments Were Undercut By Humor And Made Palatable By Musical Hooks, As On "50 Ways To Leave Your Lover," Which Became The Biggest Solo Hit Of Simon's Career. But Elsewhere, As On "Have A Good Time," The Singer's Cynicism Seemed Unearned. Still, As Out Of Sorts As Simon May Have Been, He Was Never More In Tune With His Audience: Still Crazy Topped The Charts, Spawned Four Top 40 Hits, And Won Grammys For Song Of The Year And Best Vocal Performance." AMG Review By William Ruhlmann. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 1975 US Original. Housed In An Embossed Cover Original With Custom Inner Sleeve. Includes "50 Ways To Leave Your Lover." Cut At Sterling (We Believe). Grammy Winner. "The Third New Studio Album Of Paul Simon's Post-Simon & Garfunkel Career Was A Musical And Lyrical Change Of Pace From His First Two, Paul Simon And There Goes Rhymin' Simon. Where Simon Had Taken An Eclectic Approach Before, Delving Into A Variety Of Musical Styles And Recording All Over The World, Still Crazy Found Him Working For The Most Part With A Group Of Jazz-Pop New York Session Players, Though He Did Do A Couple Of Tracks ("My Little Town" And "Still Crazy After All These Years") With The Muscle Shoals Rhythm Section That Had Appeared On Rhymin' Simon And Another ("Gone At Last") Returned To The Gospel Style Of Earlier Songs Like "Loves Me Like A Rock." Of Course, "My Little Town" Also Marked A Return To Working With Art Garfunkel, And Another Top Ten Entry For S&G. But The Overall Feel Of Still Crazy Was Of A Jazzy Style Subtly Augmented With Strings And Horns. Perhaps More Striking, However, Was Simon's Lyrical Approach. Where Rhymin' Simon Was The Work Of A Confident Family Man, Still Crazy Came Off As A Post-Divorce Album, Its Songs Reeking Of Smug Self-Satisfaction And Romantic Disillusionment. At Their Best, Such Sentiments Were Undercut By Humor And Made Palatable By Musical Hooks, As On "50 Ways To Leave Your Lover," Which Became The Biggest Solo Hit Of Simon's Career. But Elsewhere, As On "Have A Good Time," The Singer's Cynicism Seemed Unearned. Still, As Out Of Sorts As Simon May Have Been, He Was Never More In Tune With His Audience: Still Crazy Topped The Charts, Spawned Four Top 40 Hits, And Won Grammys For Song Of The Year And Best Vocal Performance." AMG Review By William Ruhlmann. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 1975 US Original Housed In An Embossed Cover Original With Custom Inner Sleeve. Includes "50 Ways To Leave Your Lover." Cut At Sterling (We Believe). Grammy Winner. "The Third New Studio Album Of Paul Simon's Post-Simon & Garfunkel Career Was A Musical And Lyrical Change Of Pace From His First Two, Paul Simon And There Goes Rhymin' Simon. Where Simon Had Taken An Eclectic Approach Before, Delving Into A Variety Of Musical Styles And Recording All Over The World, Still Crazy Found Him Working For The Most Part With A Group Of Jazz-Pop New York Session Players, Though He Did Do A Couple Of Tracks ("My Little Town" And "Still Crazy After All These Years") With The Muscle Shoals Rhythm Section That Had Appeared On Rhymin' Simon And Another ("Gone At Last") Returned To The Gospel Style Of Earlier Songs Like "Loves Me Like A Rock." Of Course, "My Little Town" Also Marked A Return To Working With Art Garfunkel, And Another Top Ten Entry For S&G. But The Overall Feel Of Still Crazy Was Of A Jazzy Style Subtly Augmented With Strings And Horns. Perhaps More Striking, However, Was Simon's Lyrical Approach. Where Rhymin' Simon Was The Work Of A Confident Family Man, Still Crazy Came Off As A Post-Divorce Album, Its Songs Reeking Of Smug Self-Satisfaction And Romantic Disillusionment. At Their Best, Such Sentiments Were Undercut By Humor And Made Palatable By Musical Hooks, As On "50 Ways To Leave Your Lover," Which Became The Biggest Solo Hit Of Simon's Career. But Elsewhere, As On "Have A Good Time," The Singer's Cynicism Seemed Unearned. Still, As Out Of Sorts As Simon May Have Been, He Was Never More In Tune With His Audience: Still Crazy Topped The Charts, Spawned Four Top 40 Hits, And Won Grammys For Song Of The Year And Best Vocal Performance." AMG - William Ruhlmann. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 Crisp 1980's US vinyl reissue housed in non-embossed jacket with barcode on rear cover. Includes printed inner seleeve. Includes "50 Ways To Leave Your Lover." Grammy Winner. "The Third New Studio Album Of Paul Simon's Post-Simon & Garfunkel Career Was A Musical And Lyrical Change Of Pace From His First Two, Paul Simon And There Goes Rhymin' Simon. Where Simon Had Taken An Eclectic Approach Before, Delving Into A Variety Of Musical Styles And Recording All Over The World, Still Crazy Found Him Working For The Most Part With A Group Of Jazz-Pop New York Session Players, Though He Did Do A Couple Of Tracks ("My Little Town" And "Still Crazy After All These Years") With The Muscle Shoals Rhythm Section That Had Appeared On Rhymin' Simon And Another ("Gone At Last") Returned To The Gospel Style Of Earlier Songs Like "Loves Me Like A Rock." Of Course, "My Little Town" Also Marked A Return To Working With Art Garfunkel, And Another Top Ten Entry For S&G. But The Overall Feel Of Still Crazy Was Of A Jazzy Style Subtly Augmented With Strings And Horns. Perhaps More Striking, However, Was Simon's Lyrical Approach. Where Rhymin' Simon Was The Work Of A Confident Family Man, Still Crazy Came Off As A Post-Divorce Album, Its Songs Reeking Of Smug Self-Satisfaction And Romantic Disillusionment. At Their Best, Such Sentiments Were Undercut By Humor And Made Palatable By Musical Hooks, As On "50 Ways To Leave Your Lover," Which Became The Biggest Solo Hit Of Simon's Career. But Elsewhere, As On "Have A Good Time," The Singer's Cynicism Seemed Unearned. Still, As Out Of Sorts As Simon May Have Been, He Was Never More In Tune With His Audience: Still Crazy Topped The Charts, Spawned Four Top 40 Hits, And Won Grammys For Song Of The Year And Best Vocal Performance." All Music Guide - William Ruhlmann. more
	Still Crazy After All These Years Used - Vinyl - 88883761071 2013 US 180gm Numbered, limited edition remaster still in shrink with RSD hype sticker. #2268. Includes "50 Ways To Leave Your Lover." Grammy Winner. "The Third New Studio Album Of Paul Simon's Post-Simon & Garfunkel Career Was A Musical And Lyrical Change Of Pace From His First Two, Paul Simon And There Goes Rhymin' Simon. Where Simon Had Taken An Eclectic Approach Before, Delving Into A Variety Of Musical Styles And Recording All Over The World, Still Crazy Found Him Working For The Most Part With A Group Of Jazz-Pop New York Session Players, Though He Did Do A Couple Of Tracks ("My Little Town" And "Still Crazy After All These Years") With The Muscle Shoals Rhythm Section That Had Appeared On Rhymin' Simon And Another ("Gone At Last") Returned To The Gospel Style Of Earlier Songs Like "Loves Me Like A Rock." Of Course, "My Little Town" Also Marked A Return To Working With Art Garfunkel, And Another Top Ten Entry For S&G. But The Overall Feel Of Still Crazy Was Of A Jazzy Style Subtly Augmented With Strings And Horns. Perhaps More Striking, However, Was Simon's Lyrical Approach. Where Rhymin' Simon Was The Work Of A Confident Family Man, Still Crazy Came Off As A Post-Divorce Album, Its Songs Reeking Of Smug Self-Satisfaction And Romantic Disillusionment. At Their Best, Such Sentiments Were Undercut By Humor And Made Palatable By Musical Hooks, As On "50 Ways To Leave Your Lover," Which Became The Biggest Solo Hit Of Simon's Career. But Elsewhere, As On "Have A Good Time," The Singer's Cynicism Seemed Unearned. Still, As Out Of Sorts As Simon May Have Been, He Was Never More In Tune With His Audience: Still Crazy Topped The Charts, Spawned Four Top 40 Hits, And Won Grammys For Song Of The Year And Best Vocal Performance." All Music Guide - William Ruhlmann. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 1975 US original with custom card inner sleeve. Deadwax shows this is a mixed-plant pressing (Santa Maria & Terre Haute). Strong VG+."The third new studio album of Paul Simon's post-Simon & Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. Where Simon had taken an eclectic approach before, delving into a variety of musical styles and recording all over the world, Still Crazy found him working for the most part with a group of jazz-pop New York session players, though he did do a couple of tracks ("My Little Town" and "Still Crazy After All These Years") with the Muscle Shoals rhythm section that had appeared on Rhymin' Simon and another ("Gone at Last") returned to the gospel style of earlier songs like "Loves Me Like a Rock." Of course, "My Little Town" also marked a return to working with Art Garfunkel, and another Top Ten entry for S&G. But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns. Perhaps more striking, however, was Simon's lyrical approach. Where Rhymin' Simon was the work of a confident family man, Still Crazy came off as a post-divorce album, its songs reeking of smug self-satisfaction and romantic disillusionment. At their best, such sentiments were undercut by humor and made palatable by musical hooks, as on "50 Ways to Leave Your Lover," which became the biggest solo hit of Simon's career. But elsewhere, as on "Have a Good Time," the singer's cynicism seemed unearned. Still, as out of sorts as Simon may have been, he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance." All Music Guide – William Ruhlmann more
	Still Crazy After All These Years Used - Vinyl - PC 33540 1975 US vinyl original housed in embossed jacket with barcode on rear cover. Includes printed inner seleeve. Includes "50 Ways To Leave Your Lover." Grammy Winner. "The third new studio album of Paul Simon's post-Simon & Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. Where Simon had taken an eclectic approach before, delving into a variety of musical styles and recording all over the world, Still Crazy found him working for the most part with a group of jazz-pop New York session players, though he did do a couple of tracks ("My Little Town" and "Still Crazy After All These Years") with the Muscle Shoals rhythm section that had appeared on Rhymin' Simon and another ("Gone at Last") returned to the gospel style of earlier songs like "Loves Me Like a Rock." Of course, "My Little Town" also marked a return to working with Art Garfunkel, and another Top Ten entry for S&G. But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns. Perhaps more striking, however, was Simon's lyrical approach. Where Rhymin' Simon was the work of a confident family man, Still Crazy came off as a post-divorce album, its songs reeking of smug self-satisfaction and romantic disillusionment. At their best, such sentiments were undercut by humor and made palatable by musical hooks, as on "50 Ways to Leave Your Lover," which became the biggest solo hit of Simon's career. But elsewhere, as on "Have a Good Time," the singer's cynicism seemed unearned. Still, as out of sorts as Simon may have been, he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance." All Music Guide - William Ruhlmann. more
	Still Crazy After All These Years Used - Vinyl - PC 33540 1980s US original housed in embossed jacket with barcode on rear cover. Includes printed inner seleeve. Includes "50 Ways To Leave Your Lover." Grammy Winner. "The third new studio album of Paul Simon's post-Simon & Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. Where Simon had taken an eclectic approach before, delving into a variety of musical styles and recording all over the world, Still Crazy found him working for the most part with a group of jazz-pop New York session players, though he did do a couple of tracks ("My Little Town" and "Still Crazy After All These Years") with the Muscle Shoals rhythm section that had appeared on Rhymin' Simon and another ("Gone at Last") returned to the gospel style of earlier songs like "Loves Me Like a Rock." Of course, "My Little Town" also marked a return to working with Art Garfunkel, and another Top Ten entry for S&G. But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns. Perhaps more striking, however, was Simon's lyrical approach. Where Rhymin' Simon was the work of a confident family man, Still Crazy came off as a post-divorce album, its songs reeking of smug self-satisfaction and romantic disillusionment. At their best, such sentiments were undercut by humor and made palatable by musical hooks, as on "50 Ways to Leave Your Lover," which became the biggest solo hit of Simon's career. But elsewhere, as on "Have a Good Time," the singer's cynicism seemed unearned. Still, as out of sorts as Simon may have been, he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance." All Music Guide - William Ruhlmann. more
	Stranger To Stranger New - Vinyl - CRE-39781 Sealed 2016 180gm Original. Paul Simon's 13th Solo Album. ""The Werewolf" Opens Stranger To Stranger, Paul Simon's Thirteenth Solo Studio Album, With A Heavy Rhythmic Thud -- Bass, Drums, And Maracas Lumbering Along In A Modified Bo Diddley Beat Not A Far Cry From The Who's "Slip Kid." Simon Isn't Looking To The Past, Though: He's Writing Toward An Inevitable Sunset, Mindful Of Mortality -- Just Like He Was On 2011's So Beautiful Or So What -- But He's Firmly Grounded In A Tumultuous Present, Embracing All The Cut-And-Paste Contradictions Endemic To The Digital Age. With The Exception Of A Pair Of Hushed Acoustic Numbers And The Expansive Title Track, All Positioned To Provide Necessary Pressure Relief From The Density Of The Rest Of The Record, Stranger To Stranger Feels Built From The Rhythm Up, A Tactic Familiar To Simon Since 1986's Graceland. Unlike The Easy Gait Of Graceland, The Words Here Are Clipped And Rushed, Sliding In With The Bustle Of The Rhythm. It's Not That The Songs Aren't Melodic -- Hooks Arrive In Snatches, Sometimes Forming Through The Rhythms Themselves -- But The Tracks Are Cloistered And Colorful, Accentuated By Traces Of Gospel And Doo Wop; There's Even An Apparent "Love Is Strange" Sample. Echoes Of Tradition Existing Within This Modern Framework Are Telling, Underscoring How Simon Is Making Music Where The Past Is Ever-Present But Not Consuming: He's Shifted His Aesthetic To Mirror His Times, A Tactic Common In His Solo Career. In Many Ways, Stranger To Stranger Is As Bracing And Ambitious As Surprise, His 2006 Collaboration With Producer Brian Eno -- This Is Especially True Of Its Opening Triptych, All Created With Italian Dance Musician Clap! Clap! -- But The Tenor Of This Album Is Different. Where The Specter Of 9/11 Hung Heavily Over Surprise, Simon Seems At Peace On Stranger To Stranger, Acknowledging The Twilight Yet Not Running Toward It Because There's So Much To Experience In The Moment. He's Choosing To Push Forward, Not Look Back, And The Results Are Invigorating." AMG Review By Stephen Thomas Erlewine. more
	Surprise Audiophile - Vinyl - 49982 Sealed 2006 Half-Speed Master By Stan Ricker. Pressed On Pure Virgin Vinyl. Features Brian Eno! 4 1/2 Stars In All Music Guide. Blue Hype Sticker On The Shrink Wrap. more
	Surprise Audiophile - Vinyl - 49982 Sealed Test Pressing (Dated July 27, 2006) Of The Half-Speed Master By Stan Ricker. 4 1/2 Stars In All Music Guide. more
	The Boy In The Bubble / Crazy Love Vol. 2 New - Vinyl - 20622 Sealed 1986 2 Track Picture Sleeve 12 Inch. more
	There Goes Rhymin Simon Used - Vinyl - PC 32280 1973 Gatefold, PC Prefix Catalog Number. 2E/2E Sterling Stampers. more
	There Goes Rhymin Simon New - Vinyl - 88883761061 Sealed 2013 Limited Edition RSD, Numbered, Gatefold. more
	There Goes Rhymin' Simon Audiophile - Vinyl - LPZ-2062 Sealed, Limited Edition 180gm HQ Remastered By Steve Hoffman. This is Mega Low Number 0014. more
	There Goes Rhymin' Simon Used - Vinyl - KC 32280 1973 Original Housed In A Gatefold Cover With The Original KC Prefix Catalog Number. Demo Sticker On Back Cover And Demo Stamp On Labels. 2C/2D Sterling Stampers. Appears Unplayed. Custom Kodachrome Hype Sticker On The Jacket. As Close As You Can get To A White Label Promo. more
	There Goes Rhymin' Simon New - Vinyl - KC 32280 Sealed 1973 Gatefold Original (KC Prefix) With Custom Song Hype Sticker On Shrink Wrap. more
	There Goes Rhymin' Simon Audiophile - Vinyl - LPZ 2062 Factory Sealed, Limited Edition 180gm HQ Housed In A Gatefold Jacket. All Tube Mastering By Steve Hoffman. This Is Low Number 0165. Gold Foil Hype Sticker On The Outer Baggy. Pristine Copy. more
	There Goes Rhymin' Simon Audiophile - Vinyl - LPZ 2062 Factory Sealed, Limited Edition 180gm HQ In Deluxe, Heavy Duty, Laminated Gatefold Jacket. All Tube Mastering By Steve Hoffman. This Is Number 1768. Pristine Copy. more
	There Goes Rhymin' Simon New - Vinyl - KC 32280 Sealed 1973 Gatefold Original With Promo Sticker On Back Jacket Under Shrink. Beautiful Copy. more
	There Goes Rhymin' Simon Used - Vinyl - KC 32280 1973 Original Housed In A Gatefold Cover With The Original KC Prefix Catalog Number. Appears Unplayed. more
	There Goes Rhymin' Simon Audiophile - Vinyl - LPZ 2062 Factory Sealed, Limited Edition 180gm HQ In Deluxe, Heavy Duty, Laminated Gatefold Jacket. All Tube Mastering By Steve Hoffman. This Is Number 0810. Center Bottom Seam Split, Hence $75 Reduction. more
	There Goes Rhymin' Simon Box Set - Used - UD1S 2-019 NM- 2023 180gm 2LP 45rpm Limited edition Audiophile box set release from Mobile Fidelity Sound Lab; An Ultra-Dsic One-Step pressing on "SuperVinyl". This is #003460. "Retaining The Buoyant Musical Feel Of Paul Simon, But Employing A More Produced Sound, There Goes Rhymin' Simon Found Paul Simon Writing And Performing With Assurance And Venturing Into Soulful And R&b-oriented Music. Simon Returned To The Kind Of Vocal Pyrotechnics Heard On The Simon & Garfunkel Records By Using Gospel Singers. On "Love Me Like A Rock" And "Tenderness" (Which Sounded As Though It Could Have Been Written To Art Garfunkel), The Dixie Hummingbirds Sang Prominent Backup Vocals, And On "Take Me To The Mardi Gras," Reverend Claude Jeter Contributed A Falsetto Part That Garfunkel Could Have Handled, Though Not As Warmly. For Several Tracks, Simon Traveled To The Muscle Shoals Sound Studios To Play With Its House Band, Getting A Variety Of Styles, From The Gospel Of "Love Me Like A Rock" To The Dixieland Of "Mardi Gras." Simon Was So Confident That He Even Included A Major Ballad Statement Of The Kind He Used To Give Garfunkel To Sing: "American Tune" Was His Musical State Of The Union, Circa 1973, But This Time Simon Was Up To Making His Big Statements In His Own Voice. Though That Song Spoke Of "The Age's Most Uncertain Hour," Otherwise Rhymin' Simon Was A Collection Of Largely Positive, Optimistic Songs Of Faith, Romance, And Commitment, Concluding, Appropriately, With A Lullaby ("St. Judy's Comet") And A Declaration Of Maternal Love ("Loves Me Like A Rock") -- In Other Words, Another Mother-and-child Reunion That Made Paul Simon And There Goes Rhymin' Simon Bookend Masterpieces Simon Would Not Improve Upon (Despite Some Valiant Attempts) Until Graceland In 1986." All Music Guide – William Ruhlmann more
	There Goes Rhymin' Simon Used - Vinyl - KC 32280 1973 Original Santa Maria Press, Housed In A Gatefold Cover With The Original KC Prefix Catalog Number. Nice VG+ Copy. "Retaining The Buoyant Musical Feel Of Paul Simon, But Employing A More Produced Sound, There Goes Rhymin' Simon Found Paul Simon Writing And Performing With Assurance And Venturing Into Soulful And R&b-oriented Music. Simon Returned To The Kind Of Vocal Pyrotechnics Heard On The Simon & Garfunkel Records By Using Gospel Singers. On "Love Me Like A Rock" And "Tenderness" (Which Sounded As Though It Could Have Been Written To Art Garfunkel), The Dixie Hummingbirds Sang Prominent Backup Vocals, And On "Take Me To The Mardi Gras," Reverend Claude Jeter Contributed A Falsetto Part That Garfunkel Could Have Handled, Though Not As Warmly. For Several Tracks, Simon Traveled To The Muscle Shoals Sound Studios To Play With Its House Band, Getting A Variety Of Styles, From The Gospel Of "Love Me Like A Rock" To The Dixieland Of "Mardi Gras." Simon Was So Confident That He Even Included A Major Ballad Statement Of The Kind He Used To Give Garfunkel To Sing: "American Tune" Was His Musical State Of The Union, Circa 1973, But This Time Simon Was Up To Making His Big Statements In His Own Voice. Though That Song Spoke Of "The Age's Most Uncertain Hour," Otherwise Rhymin' Simon Was A Collection Of Largely Positive, Optimistic Songs Of Faith, Romance, And Commitment, Concluding, Appropriately, With A Lullaby ("St. Judy's Comet") And A Declaration Of Maternal Love ("Loves Me Like A Rock") -- In Other Words, Another Mother-and-child Reunion That Made Paul Simon And There Goes Rhymin' Simon Bookend Masterpieces Simon Would Not Improve Upon (Despite Some Valiant Attempts) Until Graceland In 1986." AMG Review By William Ruhlmann. more
	There Goes Rhymin' Simon Used - Vinyl - 25589 1987 DMM Still In Shrink With Inner Sleeve. Contains The Hits "Kodachrome" & "Loves Me Like A Rock". more
	There Goes Rhymin' Simon Used - Vinyl - KC 32280 1973 Gatefold Original. Cut Out Hole. more
	There Goes Rhymin' Simon Audiophile - Vinyl - LPZ-2062 Sealed 1998, Limited Edition 180gm HQ In Deluxe, Heavy Duty, Laminated Gatefold Jacket. All Tube Mastering By Steve Hoffman. This Is Number 0436. Pristine Copy. more
	There Goes Rhymin' Simon Used - Vinyl - KC 32280 1973 Original Santa Maria Press, Housed In A Gatefold Cover With The Original KC Prefix Catalog Number. Nice VG+ Copy. "Retaining The Buoyant Musical Feel Of Paul Simon, But Employing A More Produced Sound, There Goes Rhymin' Simon Found Paul Simon Writing And Performing With Assurance And Venturing Into Soulful And R&b-oriented Music. Simon Returned To The Kind Of Vocal Pyrotechnics Heard On The Simon & Garfunkel Records By Using Gospel Singers. On "Love Me Like A Rock" And "Tenderness" (Which Sounded As Though It Could Have Been Written To Art Garfunkel), The Dixie Hummingbirds Sang Prominent Backup Vocals, And On "Take Me To The Mardi Gras," Reverend Claude Jeter Contributed A Falsetto Part That Garfunkel Could Have Handled, Though Not As Warmly. For Several Tracks, Simon Traveled To The Muscle Shoals Sound Studios To Play With Its House Band, Getting A Variety Of Styles, From The Gospel Of "Love Me Like A Rock" To The Dixieland Of "Mardi Gras." Simon Was So Confident That He Even Included A Major Ballad Statement Of The Kind He Used To Give Garfunkel To Sing: "American Tune" Was His Musical State Of The Union, Circa 1973, But This Time Simon Was Up To Making His Big Statements In His Own Voice. Though That Song Spoke Of "The Age's Most Uncertain Hour," Otherwise Rhymin' Simon Was A Collection Of Largely Positive, Optimistic Songs Of Faith, Romance, And Commitment, Concluding, Appropriately, With A Lullaby ("St. Judy's Comet") And A Declaration Of Maternal Love ("Loves Me Like A Rock") -- In Other Words, Another Mother-and-child Reunion That Made Paul Simon And There Goes Rhymin' Simon Bookend Masterpieces Simon Would Not Improve Upon (Despite Some Valiant Attempts) Until Graceland In 1986." All Music Guide – William Ruhlmann more
	You're The One New Import - 9362 47844-1 Sealed 2000 German Import Vinyl Rarity With Custom Inner Sleeve. Includes inner sleeve. The disaster of Songs from the Capeman hit Paul Simon particularly hard, so he decided to quickly record a new album, his first proper collection of songs since 1990's The Rhythm of the Saints -- his first album in ten years, really. Nevertheless, if this album has a relative, it's 1982's Hearts and Bones, since it's a deliberately low-key, insular record, especially when compared to the sweeping world beat explorations of Graceland and Rhythm. But where Hearts and Bones was a singer/songwriter album, no two ways about it, You're the One illustrates the influence of its predecessors, but it's not showy about it. The African and South American rhythms are as much a foundation of Simon's music as folk is, and his compositions reflect it, boasting surprisingly tricky rhythms that carry through to his melodies themselves. That, combined with Simon's determination to meet aging head-on, makes You're the One a bit of an acquired taste, especially since its compositions are never overtly accessible and melodic -- they're all tone poems, driven as much by tone and lyric as song itself. This all results in a record that may be a little too deliberately low-key and elliptical for most tastes, especially since it demands full concentration even from serious fans. But this does reward close listening, and even if it doesn't shine as brilliantly as Hearts and Bones (his most under appreciated record), it does share some similarities in that it's an unassumingly intellectual record that feels like it was made without an audience in mind. Which means it's more interesting than successful, but interesting can have its own rewards. allmusic.com - Stephen Thomas Erlewine more
	You're The One New - Vinyl - 47844 2000 German Import Vinyl Rarity With Custom Inner Sleeve. New, Unplayed Copy. more
	You're The One New - CD - 47844 Rare, Album Advance Promo Only Copy, HDCD. more

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