Takahashi, Yukihiro
Vinyl Records and Rare LPs:
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Murdered By The Music
Used Import - SKS-1050
Beautiful1980 Japanese first pressing on translucent Blue vinyl with Obi. Includes a 4 page insert and two record label size stickers & large poster. Small glue blemish on bottom of Obi on rear. Recording studio; CBS/Sony Roppongi Studio. Recording date; 7, Feb. 1980 - 2, Apr. 1980.
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Neuromantic
Used Import - ALR 28018
Stunning 1981 Japanese original; "JVC Super vinyl" pressing. Comes with Obi & original 4-page fold-out, full color 10"x10" booklet of illustrated lyrics. Recorded March-May 1981 at Studio “A” (Tokyo), Air Studios (London) and Gallery Studio (Chertsey). “Fans Of Takahashi's Style As A Member Of YMO Won't Be Disappointed In This First Post-YMO Release, Which Features Solid, Clever Songwriting, Takahashi's Usual Silvery, Squooshy Vocals, And Sharp, Programmed Keyboards And Beats. Technically A Solo Album, Both Ryuichi Sakamoto And Harry Hosono Lend A Hand, As Does Stalwart YMO Sessionman Kenji Omura, And The Band's Western Lyricists Peter Barakan And Chris Mosdell. More Surprising Are The Appearances By Roxy Music's Phil Manzanera And Andy Mackay, Lending Guitar And Sax To Half The Tracks. Stylistically, The Album Is A Companion Piece To YMO's Technodelic (From The Same Year), Sharing Much Of The Same Sound And Feel. "Drip Dry Eyes" Could Be A Roxy Music Number, And Not Because Of The Guest Stars, While "Extraordinary" And "Glass" Are Excellent Techno-Pop In Its Earliest Incarnation. And The Ending Number "Something In The Air" Is A Beautiful Up-Tempo Ballad Like "Cue" From BGM. A Satisfying Album.” All Music Guide - Ted Mills.
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Neuromantic
Used - LP - ALR 28018
1981 Japanese Original With Obi, Appears Unplayed. “Fans Of Takahashi's Style As A Member Of YMO Won't Be Disappointed In This First Post-YMO Release, Which Features Solid, Clever Songwriting, Takahashi's Usual Silvery, Squooshy Vocals, And Sharp, Programmed Keyboards And Beats. Technically A Solo Album, Both Ryuichi Sakamoto And Harry Hosono Lend A Hand, As Does Stalwart YMO Sessionman Kenji Omura, And The Band's Western Lyricists Peter Barakan And Chris Mosdell. More Surprising Are The Appearances By Roxy Music's Phil Manzanera And Andy Mackay, Lending Guitar And Sax To Half The Tracks. Stylistically, The Album Is A Companion Piece To YMO's Technodelic (From The Same Year), Sharing Much Of The Same Sound And Feel. "Drip Dry Eyes" Could Be A Roxy Music Number, And Not Because Of The Guest Stars, While "Extraordinary" And "Glass" Are Excellent Techno-Pop In Its Earliest Incarnation. And The Ending Number "Something In The Air" Is A Beautiful Up-Tempo Ballad Like "Cue" From BGM. A Satisfying Album.” – Ted Mills, All Music Guide
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Neuromantic
Used - LP - AAF 16009
1981 Original With Quadra-Fold Color Insert, Appears Unplayed. “Fans Of Takahashi's Style As A Member Of YMO Won't Be Disappointed In This First Post-YMO Release, Which Features Solid, Clever Songwriting, Takahashi's Usual Silvery, Squooshy Vocals, And Sharp, Programmed Keyboards And Beats. Technically A Solo Album, Both Ryuichi Sakamoto And Harry Hosono Lend A Hand, As Does Stalwart YMO Sessionman Kenji Omura, And The Band's Western Lyricists Peter Barakan And Chris Mosdell. More Surprising Are The Appearances By Roxy Music's Phil Manzanera And Andy Mackay, Lending Guitar And Sax To Half The Tracks. Stylistically, The Album Is A Companion Piece To YMO's Technodelic (From The Same Year), Sharing Much Of The Same Sound And Feel. "Drip Dry Eyes" Could Be A Roxy Music Number, And Not Because Of The Guest Stars, While "Extraordinary" And "Glass" Are Excellent Techno-Pop In Its Earliest Incarnation. And The Ending Number "Something In The Air" Is A Beautiful Up-Tempo Ballad Like "Cue" From BGM. A Satisfying Album.” – Ted Mills, All Music Guide
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Tomorrow's Just Another Day
Used Import - YLR 28009
Beautiful 1983 Japanese Original With Custom Foldout Insert And Obi. Vinyl Appears Glossy. “Takashi Switched To Yen Records, A Subsidiary Of Alfa Japan, For This Rather Straight-Ahead Pop Album. That Being Said, The Lack Of Studio Trickery Or Any Need To Hook Up With Western Rock Stars (Apart From Usual Suspect Bill Nelson) Seems To Focus Takahashi's Attention On Writing Some Hummable Melodies, With Several Dips Into The Inkwells Of Lennon, '60s Girl Groups, And The British Invasion To Supply The Inspiration (Though Not The Sound, Which Is Typically Synth-Driven New Wave). Instrumental Influences Come By Way Of Barry White, Sitar Rock, And Northern Soul. "Coincidence" Leads Off Side Two With Its Striking Wall-Of-Sound Production, Its Nods To "Strawberry Fields Forever," And The Kind Of Sequenced Propulsion That Marks His Best Work In YMO; It Stands Out As The Most Successful Track Here.” All Music Guide - Ted Mills.
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Tomorrow's Just Another Day
Used Import - YLR 28009
Beautiful 1983 Japanese Original With Custom Foldout Insert And Obi. “Takashi Switched To Yen Records, A Subsidiary Of Alfa Japan, For This Rather Straight-Ahead Pop Album. That Being Said, The Lack Of Studio Trickery Or Any Need To Hook Up With Western Rock Stars (Apart From Usual Suspect Bill Nelson) Seems To Focus Takahashi's Attention On Writing Some Hummable Melodies, With Several Dips Into The Inkwells Of Lennon, '60s Girl Groups, And The British Invasion To Supply The Inspiration (Though Not The Sound, Which Is Typically Synth-Driven New Wave). Instrumental Influences Come By Way Of Barry White, Sitar Rock, And Northern Soul. "Coincidence" Leads Off Side Two With Its Striking Wall-Of-Sound Production, Its Nods To "Strawberry Fields Forever," And The Kind Of Sequenced Propulsion That Marks His Best Work In YMO; It Stands Out As The Most Successful Track Here.” All Music Guide - Ted Mills.
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What, Me Worry?
Used Import - YLR-28003
1982 Japanese first pressing with blue text on rear cover. Includes Obi & insert. His 4th solo album.
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Wild & Moody
New - LP - LPU 0013
Sealed 1984 German Pressing. COH. Techno-Pop From Former Yellow Magic Orchestra Member With Guests Bill Nelson, Ryuichi Sakamoto And Icehouse Frontman Iva Davies.
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