Tedeschi Trucks Band

Vinyl Records and Rare LPs:

	Everybody's Talking (Live) New - LP - 88691 99098 Sealed, Out Of Print 2012 3LP Trifold Original With Custom Hype Sticker On Shrink. The Married Guitar Slingers Combine Their Bands For A Scorching 11 Piece Live Recording. more
	High & Mighty Used - LP - FAN00434 2019 RSD limited edition 12" EP. Some light wear marks at mouth opening edge. Limited to 2000 copies Side B recorded live at The Chicago Theatre, Chicago, IL on 26 January 2018. more
	I Am The Moon: I. Crescent New - LP - FAN01573 Sealed 2022 US original 180gm black vinyl pressing. Gentle corner rubs. "I Am the Moon: I. Crescent is the first chapter in the Tedeschi Trucks Band's ambitious four-album cycle. In total, the project contains 24 songs spread over more than two hours and will be released in parts over several months. Each entry is accompanied by its own glorious film by documentary director and creative arts polymath Alix Lambert. It is a modern musical interpretation of The Story of Layla and Majnun, an epic 12th century Sufi poem written by Nizami Ganjavi about star-crossed lovers. Its themes explore interpersonal relationships, spirituality, frustrated desire, and the search for transcendence. The poem inspired Derek and the Dominos' Layla and Other Assorted Love Songs. So important is the album to TTB, they performed it at the 2019 LOCKN' Festival. During 2020's COVID-19 lockdown, singer Mike Mattison read the poem and asked the band to consider its narrative themes as songwriters. Their writing centered on Layla being as "unattainable as the moon" and placed on a pedestal. "What would Layla have to say about all this?" became the album's m.o. Opener "Hear My Dear" is a midtempo ballad featuring twinned guitars, simmering organ, and lilting percussion over wordless backing vocals and horns. Susan Tedeschi sings "As we watch the world go by/There's so much we search to find/Holdin on to memories gone away...I was lost in the wilderness/That's where I heard a song." Derek Trucks' slide appends the verse, playing sweet and tender. Mattison sings the celebratory "Fall In." Piano and slide guitar exchange accents in the foreground as handclaps and a snare/hi-hat shuffle frame his vocal. Horns punctuate the sung lines as the tune morphs into a New Orleans R&B feel while flirting with gospel. Tedeschi and keyboardist Gabe Dixon offer "I Am the Moon" as a moving, spiritually insightful dialogue between lovers, asking poignant questions with generosity and insight. The band emerges gradually but ratchets up the musical energy to anthemic intensity as horns, slide guitar, and drums wind around them in a swirling frame. Trucks intros "Circles 'Round the Sun" in a raga-esque drone before horns, bass, and drum kit follow. Keyboards buoy Tedeschi's vocal, which maintains tension between soul, blues, and rock. When she sings "Do you know my name? Can you save me from this love?" it's a desperate prayer underscored by thunderous horns, funky clavinet, and killer sax and trumpet solos. The 12-minute closer, "Pasaquan," is an instrumental epic. It flows around a funky organ vamp before unwinding in an orgy of exploratory jazz, swamp rock post-psychedelia, and jam band groove. At the nine-minute mark, Trucks' solo alternately references the Allman Brothers' "Mountain Jam, Jessica" and Jimi Hendrix's "Third Stone from the Sun" before making room for solos by others. He returns, carrying it out with another stirring solo. I Am the Moon: I. Crescent is dazzling in concept and execution. Tedeschi Trucks Band embrace this narrative with ambition, and expose its lessons with creative imagination, emotionally intelligent songwriting, and mind-blowing musicality." All Music Guide - Thom Jurek. more
	I Am The Moon: IV. Farewell New - LP - FAN01684 Sealed 2022 US original on 180gm black vinyl. Custom hype sticker on shrink. Gentle crease to top right corner & corner rubs. "I Am the Moon: IV. Farewell is the fourth and final installment in Tedeschi Trucks Band's 2022 bimonthly summer releases inspired by the epic 12th century Persian love poem The Story of Layla and Majnun by Nizami Ganjavi. Each volume is accompanied by its own film from director Alix Lambert. (The poem also provided inspiration for Derek and the Dominos' 1970 double album Layla and Other Assorted Love Songs.) Five of TTB's 12 members collaborated in the songwriting. Farewell's six songs are the most intimate in the series. It underscores the existential question at the heart of the poem's tragic narrative: Are we really just in love with the dream of love rather than what love demands? Opener "Last Night in the Rain" weds punchy guitars, sweeping soulful horns, and a soaring backing chorus; Susan Tedeschi delivers a brokenhearted vocal: "Got a letter from nowhere/Got a letter from you/It was already opened/Addressed to somebody new." "Soul Sweet Song" starts with rumbling congas, Gabe Dixon's piano, and Derek Trucks' slide guitar. Tedeschi and Mike Mattison sing in resonant harmony about how the spirits of the dead leave indelible marks on those who remain, as lithe horns frame them. "D'Gary" is titled after the stage name of acoustic guitarist Ernest Randrianasolo (aka D'Gary) from Madagascar. Trucks employs a version of his uncommonly rhythmic playing style in the melody. Tedeschi, framed by the guitar and supported by Dixon's Rhodes piano, digs deep into the ache of separation, loss, and grief, as ambient horns and percussion underscore each line: "Up the creek without a paddle/Down the street without a name/Lying eyes are wicked/I will never be the same/Loneliness is hollow...Tired bones lay dying/As it all goes down the drain." Mattison's lead vocal on "Where Are My Friends?" offers a rootsy Americana ballad as he trades poignant sung lines with biting slide fills from Trucks and a backing chorus led by Tedeschi. His lyrics reflect the depths of the poem's narrative while also admonishing us for complicity in our loneliness. "I Can Feel You Smiling" is a ballad with gorgeous acoustic and slide guitar interplay from Trucks as Dixon's B-3 adds depth and dimension to Tedeschi's throaty, country-soul vocal. The cycle is brought to a close on the passionate, anthemic "Another Day." Led by Trucks' slide and Mattison's acoustic guitar, Dixon's keyboards introduce Tedeschi's voice amid horns and drummers shuffling underneath. Her strident lyric, amplified by a backing chorus, depicts the power of love from beyond the bounds of human existence. The four volumes that make up I Am the Moon offer an uncommon achievement in popular music. While lyric themes don't strictly adhere to the poem, they do offer pointed, wonderfully allegorical and metaphorical illustrations of the most universal of its tenets in 24 intricately linked songs. This ambitious, literary, and musically rich presentation is as illuminating spiritually and emotionally as it is wildly satisfying." All Music Guide - Thom Jurek. more
	Let Me Get By New - LP - FAN-38761 Sealed 2016 2LP 180gm HQ Gatefold Original. 4 1/2 Stars All Music Guide. "This Collaboratively Written Ten-Song Set Showcases The Band's Skill At Playing And Composing Through Southern Soul, Roots Rock, Blues, Greasy Funk, Jazz, Indian Classical, Film Music, And African And Brazilian Polyrhythms. An Obvious Studio Offering, It's Warm And Resonant, Yet Crackling With Energy And Ideas. The Feel Is Loose And Grooving, The Performances Hot. Over TTB’s Last Two Albums, Tedeschi Has Become Comfortable As The Lead Singer Of A Large Band. She's Almost Iconic Here, Taking Chances With Phrasing, Finding Hidden Spaces In Lines And Syllables, And Emoting From The Belly. She Never Oversells A Song But Always Sings The Hell Out Of It. (Check "Anyhow" If You Want Shivers.) She Plays A Mean Guitar, Too: Her Solo In The Gritty, Punchy, Party Funk Number "Don't Know What It Means" Is A Highlight. But Everybody Gets To Shine Here -- Mattison With Lead Vocals On The Brechtian-Esque Carny Rock Of "Right On Time," And The Modal Soul Of "Crying Over You/Swamp Raga For Hozapfel, Lefebvre, Flute And Harmonium" -- Adding Character And Depth To TTB’s Signature. Lefebvre's Syncopation And Invention Create New Possibilities For Harmonic And Rhythmic Dialogue. His Bass Pushes The Funky Dual Drum Breaks And Biting Electric Piano And Organ On The Title Cut, Allowing Roaring Horns, Soaring Chorus Vocals, And Trucks' Spiraling Slide To Collide With And Flow Through One Another. The Unusual Meld Of Memphis Soul, Bollywood-Style Strings, Eastern Electric Slide, And Strummed Acoustic Guitars Creatively Come Together To Support Tedeschi's Wrenching, Affirmative Vocal In The Passionate "Hear Me. The Rave-Up Dancefloor R&B In "I Want More" Is Guaranteed To Put Any Party Into Overdrive. The Meld Of Gospel, Soul, Doo Wop, And Blues Rock On Closer "In Every Heart" Offers A Trucks' Solo That Digs Deep In The Emotional Grain To Contrast With The Sweet Vibe. Never Has TTB Sounded So Organic, Relaxed, And Free. Let Me Get By Is The Album This Group Has Been Striving For Since Their Formation. You Need This." - Thom Jurek, AMG. more
	Let Me Get By New - LP - FAN-38761 Sealed 2016 2LP 180gm HQ Gatefold Original. 4 1/2 Stars All Music Guide. Custom RTI Pressing Sticker On The Perforated Baggy Shrink. Highly Recommend! "This Collaboratively Written Ten-Song Set Showcases The Band's Skill At Playing And Composing Through Southern Soul, Roots Rock, Blues, Greasy Funk, Jazz, Indian Classical, Film Music, And African And Brazilian Polyrhythms. An Obvious Studio Offering, It's Warm And Resonant, Yet Crackling With Energy And Ideas. The Feel Is Loose And Grooving, The Performances Hot. Over TTB’s Last Two Albums, Tedeschi Has Become Comfortable As The Lead Singer Of A Large Band. She's Almost Iconic Here, Taking Chances With Phrasing, Finding Hidden Spaces In Lines And Syllables, And Emoting From The Belly. She Never Oversells A Song But Always Sings The Hell Out Of It. (Check "Anyhow" If You Want Shivers.) She Plays A Mean Guitar, Too: Her Solo In The Gritty, Punchy, Party Funk Number "Don't Know What It Means" Is A Highlight. But Everybody Gets To Shine Here -- Mattison With Lead Vocals On The Brechtian-Esque Carny Rock Of "Right On Time," And The Modal Soul Of "Crying Over You/Swamp Raga For Hozapfel, Lefebvre, Flute And Harmonium" -- Adding Character And Depth To TTB’s Signature. Lefebvre's Syncopation And Invention Create New Possibilities For Harmonic And Rhythmic Dialogue. His Bass Pushes The Funky Dual Drum Breaks And Biting Electric Piano And Organ On The Title Cut, Allowing Roaring Horns, Soaring Chorus Vocals, And Trucks' Spiraling Slide To Collide With And Flow Through One Another. The Unusual Meld Of Memphis Soul, Bollywood-Style Strings, Eastern Electric Slide, And Strummed Acoustic Guitars Creatively Come Together To Support Tedeschi's Wrenching, Affirmative Vocal In The Passionate "Hear Me. The Rave-Up Dancefloor R&B In "I Want More" Is Guaranteed To Put Any Party Into Overdrive. The Meld Of Gospel, Soul, Doo Wop, And Blues Rock On Closer "In Every Heart" Offers A Trucks' Solo That Digs Deep In The Emotional Grain To Contrast With The Sweet Vibe. Never Has TTB Sounded So Organic, Relaxed, And Free. Let Me Get By Is The Album This Group Has Been Striving For Since Their Formation. You Need This." AMG - Thom Jurek. more
	Let Me Get By Used - LP - FAN-38761 2016 2LP gatefold original, pressed at RTI. Came from plant un-shrink wrapped. Highly recommend! "After 2013's Made Up Mind, Tedeschi Trucks Band hit the road hard, racking up 200 dates in 2014. After Derek Trucks played the Allman Brothers Band's final shows, and TTB's parting with Sony, the 12-piece band and friends (including Doyle Bramhall II) entered their Swamp Raga Studios behind Trucks' and Susan Tedeschi's home, and began recording jam-style rehearsals; everyone was encouraged to contribute ideas, songs, etc. They'd break to work the road then return to record some more. The end result is Let Me Get By, produced by Trucks, recorded by Bobby Tis, and released by Fantasy. Jazz bassist Tim Lefebvre joined permanently (he was also part of David Bowie's band on Blackstar), and Alecia Chakour was enlisted to balance Mike Mattison and Mark Rivers on backing vocals. The lineup is rounded out by keyboardist Kofi Burbridge, drummers Tyler Greenwell and J.J. Johnson, and a three-piece horn section. Trucks proves a fearless producer here. This collaboratively written ten-song set showcases the band's skill at playing and composing through Southern soul, roots rock, blues, greasy funk, jazz, Indian classical, film music, and African and Brazilian polyrhythms. An obvious studio offering, it's warm and resonant, yet crackling with energy and ideas. The feel is loose and grooving, the performances hot. Over TTB's last two albums, Tedeschi has become comfortable as the lead singer of a large band. She's almost iconic here, taking chances with phrasing, finding hidden spaces in lines and syllables, and emoting from the belly. She never oversells a song but always sings the hell out of it. (Check "Anyhow" if you want shivers.) She plays a mean guitar, too: her solo in the gritty, punchy, party funk number "Don't Know What It Means" is a highlight. But everybody gets to shine here -- Mattison with lead vocals on the Brechtian-esque carny rock of "Right on Time," and the modal soul of "Crying Over You/Swamp Raga for Hozapfel, Lefebvre, Flute and Harmonium" -- adding character and depth to TTB's signature. Lefebvre's syncopation and invention create new possibilities for harmonic and rhythmic dialogue. His bass pushes the funky dual drum breaks and biting electric piano and organ on the title cut, allowing roaring horns, soaring chorus vocals, and Trucks' spiraling slide to collide with and flow through one another. The unusual meld of Memphis soul, Bollywood-style strings, Eastern electric slide, and strummed acoustic guitars creatively come together to support Tedeschi's wrenching, affirmative vocal in the passionate "Hear Me. The rave-up dancefloor R&B in "I Want More" is guaranteed to put any party into overdrive. The meld of gospel, soul, doo wop, and blues rock on closer "In Every Heart" offers a Trucks' solo that digs deep in the emotional grain to contrast with the sweet vibe. Never has TTB sounded so organic, relaxed, and free. Let Me Get By is the album this group has been striving for since their formation. You need this." All Music Guide - Thom Jurek. more
	Let Me Get By New - LP - FAN-38761 Sealed 2016 2LP 180gm HQ Gatefold Original. 4 1/2 Stars All Music Guide. "This Collaboratively Written Ten-Song Set Showcases The Band's Skill At Playing And Composing Through Southern Soul, Roots Rock, Blues, Greasy Funk, Jazz, Indian Classical, Film Music, And African And Brazilian Polyrhythms. An Obvious Studio Offering, It's Warm And Resonant, Yet Crackling With Energy And Ideas. The Feel Is Loose And Grooving, The Performances Hot. Over TTB’s Last Two Albums, Tedeschi Has Become Comfortable As The Lead Singer Of A Large Band. She's Almost Iconic Here, Taking Chances With Phrasing, Finding Hidden Spaces In Lines And Syllables, And Emoting From The Belly. She Never Oversells A Song But Always Sings The Hell Out Of It. (Check "Anyhow" If You Want Shivers.) She Plays A Mean Guitar, Too: Her Solo In The Gritty, Punchy, Party Funk Number "Don't Know What It Means" Is A Highlight. But Everybody Gets To Shine Here -- Mattison With Lead Vocals On The Brechtian-Esque Carny Rock Of "Right On Time," And The Modal Soul Of "Crying Over You/Swamp Raga For Hozapfel, Lefebvre, Flute And Harmonium" -- Adding Character And Depth To TTB’s Signature. Lefebvre's Syncopation And Invention Create New Possibilities For Harmonic And Rhythmic Dialogue. His Bass Pushes The Funky Dual Drum Breaks And Biting Electric Piano And Organ On The Title Cut, Allowing Roaring Horns, Soaring Chorus Vocals, And Trucks' Spiraling Slide To Collide With And Flow Through One Another. The Unusual Meld Of Memphis Soul, Bollywood-Style Strings, Eastern Electric Slide, And Strummed Acoustic Guitars Creatively Come Together To Support Tedeschi's Wrenching, Affirmative Vocal In The Passionate "Hear Me. The Rave-Up Dancefloor R&B In "I Want More" Is Guaranteed To Put Any Party Into Overdrive. The Meld Of Gospel, Soul, Doo Wop, And Blues Rock On Closer "In Every Heart" Offers A Trucks' Solo That Digs Deep In The Emotional Grain To Contrast With The Sweet Vibe. Never Has TTB Sounded So Organic, Relaxed, And Free. Let Me Get By Is The Album This Group Has Been Striving For Since Their Formation. You Need This." - Thom Jurek, AMG. more
	Live From The Fox Oakland New - LP - FAN00106 Sealed 2017 180gm 3LP Set Housed In A Tri-fold Jacket With Custom Hype Sticker On Shrink. Live From The Fox Oakland Captures The Tedeschi Trucks Band Firing On All Cylinders At Their Sept 9, 2016 Show That Fans And Band Members Regard As One Of Their Finest Performances To Date. The Band's Commitment To Making The Best Sounding Live Recording Possible Is Evident Throughout. The 3 Disc Vinyl Version Was Mastered Separately And Specifically For Vinyl To Ensure True Vinyl Sound And Pressed On 180 Gram Discs For Highest Sound Quality. Live From The Fox Oakland Is A Live Album That David Fricke Calls "A New Peak In The Continuing Story Of A Great American Rock 'N' Roll Family Band." more
	Made Up Mind New - LP - 88883 72124 Sealed 2013 180gm 2LP Original Housed In A Gatefold Jacket With Gold Custom Hype Sticker On Shrink. "Sounds Like History Renewed"- Rolling Stone. more
	Made Up Mind New - LP - MOVLP902 Sealed, Latest Press Of The 2013 180gm 2LP Original Housed In A Gatefold Jacket With Gold Custom Hype Sticker On Shrink. A Highly Recommended Album. "Sounds Like History Renewed"- Rolling Stone. more
	Made Up Mind New - LP - MOVLP902 Sealed, latest press of the 2013 180gm audiophile pressing from Music On Vinyl. Gatefold jacket, custom black MOV sticker affixed to resealable sleeve. "Made Up Mind, the second studio album from the Tedeschi Trucks Band, contrasts considerably with Revelator in that it showcases the strength of an 11-piece band willing to experiment as they assimilate inspirations -- from Stax, Muscle Shoals, Motown, Delaney & Bonnie, blues, and jazz -- and incorporate their various experiences into a new whole. Co-produced by Derek Trucks and Jim Scott, there is an increased emphasis on songwriting and more sophisticated arrangements. At the behest of Sony, Susan Tedeschi and Trucks invited other songwriters (some old friends) to contribute to these songs, adding perspective. They include Doyle Bramhall II, John Leventhal, Gary Louris, Eric Krasno, and Sonya Kitchell. Tedeschi's voice has developed into one of the most expressive in modern music; she receives outstanding choral support from Mike Mattison and Mark Rivers. Trucks' lead and slide guitar playing have evolved, creating new possibilities for the instrument; it remains the anchor of musical direction for this massive ensemble, that also boasts a horn section, keyboards, two drummers, and four alternating bassists. It always stands out, but rarely dominates. The title opener is a roaring blues-rock boogie. Tedeschi wails atop punchy gospel piano from Kofi Burbridge and a ripping slide guitar solo with horns blazing. A funky clavinet introduces the Sly Stone-inspired "Misunderstood." Trucks' silvery wah-wah guitar drives chunky horn fills, a grooving B-3, and tough vocal exchanges between the vocalists. Tedeschi and Saunders Sermons duet on the fingerpopping soul tune "Part of Me," which recalls Motown's early years; his sweet falsetto is the perfect foil for her grainy contralto. Trucks' guitar fills accent the call and response vocals in the second half, and the Northern soul melody is contrasted by a grittier Stax-style horn chart. The ballads -- the spiritually poignant "It's So Heavy" and the devastating, broken love song "Sweet and Low" -- with their subtleties and canny arrangements display a real TTB strength. It is no mean feat to deliver music this intimate and personal with such a large ensemble. On the rockers, everybody is engaged at a heightened level, as in the funky, grimy, blues-rock strut of "Whiskey Legs" and the off-the-rails roil of "The Storm." On the latter, hard rock, blues, and jazz intertwine, and Trucks gets the opportunity to spiral off into the exploratory void. Closer "Calling Out to You" is simply his National steel guitar caressing Tedeschi's voice in a tender love song. Made Up Mind is tight, though it maintains the gritty, steamy, Southern heart displayed on Revelator, though on some level it feels just a bit restrained. Everything these players have assimilated throughout their individual careers is filtered through the group consciousness. When it expresses itself fully, historical and cultural lineages are questioned and answered in their dialogue. It's a sound that is instantly recognizable, sure, but it also offers a nearly limitless set of sonic possibilities. three years in, this is the sound of a band that's just getting started. Watch out." All Music Guide - Thom Jurek more
	Revelator New Import - MOVLP1361 Sealed, Latest Repress Of 2015 2LP Gatefold Reissue From Music On Vinyl. "Revelator Is The Debut Studio Album From The 11-Piece Tedeschi-Trucks Band, Who Already Have A Reputation As A Wildly Exciting Live Jam Group. That Said, The Record That Susan Tedeschi And Husband Derek Trucks Have Recorded Proves Something Beyond Their Well-Founded Reputation As A Live Unit: That They Can Write, Perform, And Produce Great Songs That Capture The Authentic, Emotional Fire And Original Arrangements That So Many Modern Blues And Roots Recordings Lack. The Duo Forged Their Two Individual Solo Bands (Trucks Remains With The Allman Brothers Band) And Added Some Other Players. Oteil And Kofi Burbridge And Mike Mattison, As Well As Drummers Tyler Greenwell And J.J. Johnson Are On Board, As Well As Backing Vocalists And A Horn Section. Produced By Trucks And Jim Scott, These 12 Songs Seamlessly Meld Blues, Rock, Southern Soul, Gospel, And Funk Traditions Into A Heady, Seductive, Spine-slipping Stew. The Record Also Showcases Tedeschi As One Of The Finest Vocal Stylists In Roots Music, And Trucks, Has Become The Only True Heir Of Duane Allman's Bell-Like Slide Guitar Tone, His Taste And Restraint. More Than This, Revelator Offers Proof That This Pair And Their Bandmates Are Serious Songwriters As Well As Players--Anyone Remember The Original Little Feat? It's Like That, But With A Woman Up Front. While The Single, "Midnight In Harlem," Highlights The Softer Side Of The Band With Tedeschi's Soulful Croon And Trucks' Swooning Slide, It's The Harder Numbers That Fill Out The Story. The Sexy Opener "Come See About Me," The Bluesy, Gospelized "Don't Let Me Slide" (One Of Two Cuts Written By Trucks And Tedeschi With Jayhawk Gary Louris), The Second-line Funk-blues Of "Bound For Glory" With Its Punchy Horns; All Of These Offer Evidence Of The Real Depth That This Band Abundantly Possesses. There's The Skittering, Slow-Tempo Guitar And B-3 Soul-Blues Of "Simple Things," And The New Orleans-Style Horns Introducing "Until You Remember," Which Can Distract The Listener For A Moment From Experiencing These Songs For What They Are-- Until Tedeschi Opens Her Mouth And Lets The Lyrics Come Up From Her Belly And Drip From Her Lips And Trucks Matches Her Emotion In His Solo-- Love Songs; The Likes Of Which We Haven't Heard Since Delaney & Bonnie. The Eastern Modal Tinge In Trucks' Playing And Tablas Dustinguishes "These Walls," Tempered By The Quiet Conviction In The Grain Of Tedeschi's Vocal Would Have Made For A Better Single. The Nasty, Funky, Hendrixian Droning Blues Of "Learn How To Love" Is Textured By Kofi's Funky Clavinet And Wurlitzer. Speaking Of Funk, Tedeschi Takes Her Own Smoking Guitar Break In "Love Has Something Else To Say," A Slamming, Break-ridden Funk Tune That Quakes. It Combines Hard Southern Stax-Styled Rhythm, Soul, Blues, And Nasty-Ass Rock. Revelator Is A Roots Record That Sets A Modern Standard Even As It Draws Its Inspiration From The Past. It's Got Everything A Listener Could Want: Grit, Groove, Raw, Spiritual Emotion, And Expert-Level Musical Truth." AMG - Thom Jurek. more
	Revelator New - LP - 89463 Sealed 2011 2LP Gatefold Original With Custom Hype Sticker On Shrink. “Revelator Is The Debut Studio Album From The 11-Piece Tedeschi-Trucks Band, Who Already Have A Reputation As A Wildly Exciting Live Jam Group. That Said, The Record That Susan Tedeschi And Husband Derek Trucks Have Recorded Proves Something Beyond Their Well-Founded Reputation As A Live Unit: That They Can Write, Perform, And Produce Great Songs That Capture The Authentic, Emotional Fire And Original Arrangements That So Many Modern Blues And Roots Recordings Lack. The Duo Forged Their Two Individual Solo Bands (Trucks Remains With The Allman Brothers Band) And Added Some Other Players. Oteil And Kofi Burbridge And Mike Mattison, As Well As Drummers Tyler Greenwell And J.J. Johnson Are On Board, As Well As Backing Vocalists And A Horn Section. Produced By Trucks And Jim Scott, These 12 Songs Seamlessly Meld Blues, Rock, Southern Soul, Gospel, And Funk Traditions Into A Heady, Seductive, Spine-Slipping Stew. The Record Also Showcases Tedeschi As One Of The Finest Vocal Stylists In Roots Music, And Trucks, Has Become The Only True Heir Of Duane Allman's Bell-Like Slide Guitar Tone, His Taste And Restraint.” – Thom Jurek, AMG more
	Revelator Used - LP - 89463 2011 2LP Gatefold Original. Both Records Appear Glossy, Unplayed. “Revelator Is The Debut Studio Album From The 11-Piece Tedeschi-Trucks Band, Who Already Have A Reputation As A Wildly Exciting Live Jam Group. That Said, The Record That Susan Tedeschi And Husband Derek Trucks Have Recorded Proves Something Beyond Their Well-Founded Reputation As A Live Unit: That They Can Write, Perform, And Produce Great Songs That Capture The Authentic, Emotional Fire And Original Arrangements That So Many Modern Blues And Roots Recordings Lack. The Duo Forged Their Two Individual Solo Bands (Trucks Remains With The Allman Brothers Band) And Added Some Other Players. Oteil And Kofi Burbridge And Mike Mattison, As Well As Drummers Tyler Greenwell And J.J. Johnson Are On Board, As Well As Backing Vocalists And A Horn Section. Produced By Trucks And Jim Scott, These 12 Songs Seamlessly Meld Blues, Rock, Southern Soul, Gospel, And Funk Traditions Into A Heady, Seductive, Spine-Slipping Stew. The Record Also Showcases Tedeschi As One Of The Finest Vocal Stylists In Roots Music, And Trucks, Has Become The Only True Heir Of Duane Allman's Bell-Like Slide Guitar Tone, His Taste And Restraint.” – Thom Jurek, AMG more