Thompson, Richard

Vinyl Records and Rare LPs:

	(Guitar, Vocal) A Collection Of Unreleased And Rare Material 1967-1976 New - LP - 357 625-9 Sealed 2022 180gm 2LP 45th Anniversary Remastered Reissue, Housed In A Gatefold Jacket. The 1976 Collection Of Rarities With Fairport Convention, Linda Thompson & His Solo Work. "A Superb 68-minute Collection Of Obscure And Unreleased Tracks From Thompson's Career, Covering Late 1967 Until April 1976. The Album's First Six Tracks Are Devoted To Thompson's Career With Fairport Convention -- Highlights Include "Throwaway Street Puzzle" (The B-side Of The Single "Meet On The Ledge"), The Bbc Recording Of "Mr. Lacey," The Liege And Lief Session Outtake "The Ballad Of Easy Rider," The Full House Session Outtake "Poor Will And The Jolly Hangman," And "Sweet Little Rock 'n' Roller" From The L.a. Troubadour (House Full) Concert Tapes. Thompson Plays Some Sizzling Guitar On These Cuts, Though "Ballad Of Easy Rider" -- Played Here The Way Dylan Might've Covered It On John Wesley Harding -- Is More Representative Of Sandy Denny Than Thompson. The Post-fairport Material Includes An Alternate Arrangement Of "A Heart Needs A Home" From Hokey Pokey, A Beautifully Sung Live Rendition Of "The Dark End Of The Street" (Featuring One Of Linda Thompson's Best Performances); Their Hard-rocking Live Rendition Of Jack Clement's "It'll Be Me"; The Exquisite Solo Acoustic Guitar Instrumental "Flee As A Bird"; And Two Epics, "Night Comes In" And "Calvary Cross," Featuring Thompson And His Band Stretching Out On-stage. Despite The Existence Of The Triple Album Career Retrospective, This Title Still Has Enough Prime Rarities To Rate As A Must-own, Even For Casual Fans." AMG Review By Bruce Eder. more
	13 Rivers New - LP - NW5259 Sealed 2018 2LP Gatefold. Richard Thompson’s New Album, 13 Rivers, Is The Artists First Self-Produced Record In Over A Decade. 13 Rivers Is A Very Stripped Down, Bare-Bones Recording And According To Thompson The Album Is A Reflection Of Current Events That Have Happened In His Life. “This Has Been An Intense Year For Myself And My Family, Getting Older Doesn’t Mean That Life Gets Easier! There Are Surprises Around Every Bend. I Think This Reflects In The Immediacy Of The Stories, And The Passion In The Songs. Sometimes I Am Speaking Directly About Events, At Other Times Songs Are An Imaginative Spin On What Life Throws At You. The Music Is Just A Mirror To Life, But We Try To Polish That Mirror As Brightly As Possible.” more
	Across A Crowded Room Used - LP - 825 421 1985 Original With Custom Inner Sleeve. Vinyl & Jacket In Excellent Condition. “Richard Thompson's 1985 Album Across A Crowded Room (His First Album For A Major Label Since Sunnyvista In 1979) Stylistically Picked Up Where His Previous Set, Hand Of Kindness, Had Left Off, And While It Didn't Break Much In The Way Of New Ground, It Also Found Thompson Doing Plenty Of What He Does Best -- Writing Great Songs And Playing A Lot Of Electric Guitar. Across A Crowded Room Takes A Slightly More Subtle Approach Than Hand Of Kindness; The Arrangements Have Been Pared Back A Bit (There Are Fewer Horn Charts, And John Kirkpatrick's Accordion Is Sadly Absent), And Joe Boyd's Production Is Roomier And More Atmospheric, Making The Most Of The Album's Broader Soundscape. But For The Most Part Richard Thompson's Formula Remained The Same Here, And If That Makes It Sound Like He's Just Treading Water, That Might Be The Case For An Artist Less Consistently Remarkable. "When The Spell Is Broken" And "Ghosts In The Wind" Find Thompson Revisiting His Favorite Theme, Love Gone Awry (The Latter Boasting A Beautifully Delicate, Ethereal Arrangement), While "Fire In The Engine Room" And "Little Blue Number" Are Unusually Hard-Rocking Numbers With Thompson Laying Into The Songs Fast And Frantic. And "Love In A Faithless Country" Is A Striking Sketch Of Love Under Difficult Circumstances That Recalls Nothing So Much As George Orwell's 1984. There Aren't Many Musicians Who Could Make An Album As Strong As Across A Crowded Room And Have It Sound Like Business As Usual, But Given The Consistent Strength Of Richard Thompson's Body Of Work, This Set Sounds Fairly Typical ... And Typically Splendid.” All Music Guide – Mark Deming, more
	Across A Crowded Room Used - LP - 825 421 1985 Original Allied Pressing, With Custom Inner Sleeve. Jacket In Strong VG++ Condition. “Richard Thompson's 1985 Album Across A Crowded Room (His First Album For A Major Label Since Sunnyvista In 1979) Stylistically Picked Up Where His Previous Set, Hand Of Kindness, Had Left Off, And While It Didn't Break Much In The Way Of New Ground, It Also Found Thompson Doing Plenty Of What He Does Best -- Writing Great Songs And Playing A Lot Of Electric Guitar. Across A Crowded Room Takes A Slightly More Subtle Approach Than Hand Of Kindness; The Arrangements Have Been Pared Back A Bit (There Are Fewer Horn Charts, And John Kirkpatrick's Accordion Is Sadly Absent), And Joe Boyd's Production Is Roomier And More Atmospheric, Making The Most Of The Album's Broader Soundscape. But For The Most Part Richard Thompson's Formula Remained The Same Here, And If That Makes It Sound Like He's Just Treading Water, That Might Be The Case For An Artist Less Consistently Remarkable. "When The Spell Is Broken" And "Ghosts In The Wind" Find Thompson Revisiting His Favorite Theme, Love Gone Awry (The Latter Boasting A Beautifully Delicate, Ethereal Arrangement), While "Fire In The Engine Room" And "Little Blue Number" Are Unusually Hard-Rocking Numbers With Thompson Laying Into The Songs Fast And Frantic. And "Love In A Faithless Country" Is A Striking Sketch Of Love Under Difficult Circumstances That Recalls Nothing So Much As George Orwell's 1984. There Aren't Many Musicians Who Could Make An Album As Strong As Across A Crowded Room And Have It Sound Like Business As Usual, But Given The Consistent Strength Of Richard Thompson's Body Of Work, This Set Sounds Fairly Typical ... And Typically Splendid.” All Music Guide – Mark Deming more
	Across A Crowded Room Used - LP - 825 421 1985 Original With Custom Inner Sleeve. “Richard Thompson's 1985 Album Across A Crowded Room (His First Album For A Major Label Since Sunnyvista In 1979) Stylistically Picked Up Where His Previous Set, Hand Of Kindness, Had Left Off, And While It Didn't Break Much In The Way Of New Ground, It Also Found Thompson Doing Plenty Of What He Does Best -- Writing Great Songs And Playing A Lot Of Electric Guitar. Across A Crowded Room Takes A Slightly More Subtle Approach Than Hand Of Kindness; The Arrangements Have Been Pared Back A Bit (There Are Fewer Horn Charts, And John Kirkpatrick's Accordion Is Sadly Absent), And Joe Boyd's Production Is Roomier And More Atmospheric, Making The Most Of The Album's Broader Soundscape. But For The Most Part Richard Thompson's Formula Remained The Same Here, And If That Makes It Sound Like He's Just Treading Water, That Might Be The Case For An Artist Less Consistently Remarkable. "When The Spell Is Broken" And "Ghosts In The Wind" Find Thompson Revisiting His Favorite Theme, Love Gone Awry (The Latter Boasting A Beautifully Delicate, Ethereal Arrangement), While "Fire In The Engine Room" And "Little Blue Number" Are Unusually Hard-Rocking Numbers With Thompson Laying Into The Songs Fast And Frantic. And "Love In A Faithless Country" Is A Striking Sketch Of Love Under Difficult Circumstances That Recalls Nothing So Much As George Orwell's 1984. There Aren't Many Musicians Who Could Make An Album As Strong As Across A Crowded Room And Have It Sound Like Business As Usual, But Given The Consistent Strength Of Richard Thompson's Body Of Work, This Set Sounds Fairly Typical ... And Typically Splendid.” All Music Guide – Mark Deming more
	Across A Crowded Room New - LP - 825 421 Factory Sealed 1985 Original. Small Cut Corner. more
	Across A Crowded Room New - LP - 825 421 Factory Sealed 1985 Original. Custom Song Hype Sticker On Shrink Wrap. Tiny Saw Cut. more
	Action Packed New - LP - BL 52 Sealed, Almost Impossible To Find And Long Out Of Print 2001 2LP Gatefold. Also Out Of Print On CD. Minor Bottom Right Corner Bump. more
	Action Packed Colored Vinyl - BL 52 Almost Impossible To Find And Long Out Of Print 2001 2LP Gatefold. LPs Pressed On Pure Virgin Vinyl. Both LPs Appear Glossy, Unplayed. more
	Action Packed: The Best Of The Capitol Years New - LP - BL 52 Sealed, hard to find 2001 compilation. Slated to be pressed on 180gm Clear vinyl. "Richard Thompson has been the archetypal critics' favorite since his days with Fairport Convention in the late '60s and early '70s, a guitarist of obvious skill and originality who brings the fingerpicking prowess of folk to electric rock and, increasingly, a literate songwriter whose songs, by turns droll and dour, are sung with authority, but he is also a man seemingly incapable of making any sort of peace with broad commercial appeal. But then, why should he, when record companies have lined up to release his work, even if they ultimately cut him loose after failing to get his account into the black? Thompson has successively signed to large independents Island and Chrysalis (when they were independents), then to major imprints Polydor and Capitol. Beginning in 1988, his Capitol sojourn has been the longest, spanning more than ten years and five regular studio albums, three of which actually nudged into the lower reaches of the charts. Publicity materials for this compilation of that material do not spell out whether he is still signed to Capitol, but the label does seem to be putting some effort into promotion. Certainly, Action Packed is not your typical best-of kiss-off, but rather a well-considered collection drawing on some of the most impressive recordings of Thompson's later career as well as including rarities (the new-to-CD tracks "Mr. Rebound" and "Fully Qualified to Be Your Man" and a previously unreleased live duet between Thompson and his son Teddy on "Persuasion," a lovely song Thompson co-wrote with Tim Finn). Thompson's Capitol catalog has been uneven occasionally, especially because of the inappropriate production style of Mitchell Froom on some of it, but by gathering together the best of each of his albums, Capitol here demonstrates that, especially as a songwriter, he has frequently matched the uncompromising style of his early work, particularly on "Turning of the Tide," "1952 Vincent Black Lightning," "I Misunderstood," "I Feel So Good," and "Beeswing," songs imbued with his dark, folk-informed sensibility, yet buoyed up by his stirring guitar work. If Action Packed marks the end of Thompson's latest label affiliation, it makes a good tombstone; if it is only an interim report, it demonstrates that his talents are undiminished." All Music Guide - William Ruhlmann more
	Amnesia Used - LP - C1 48845 1988 US original on Purple Capitol label with original custom inner. Clean jacket, clean hole punch. "Amnesia was Richard Thompson's second album with producer and keyboard player Mitchell Froom, and the two sounded a lot more comfortable with each other than they did on their previous project together, Daring Adventures. This being a Richard Thompson album, the high quality of the songs and the guitar playing is a given; while Daring Adventures had a few cuts that sounded like padding, Richard comes up aces this time out, and even sounds a bit more upbeat than usual, letting his political side rise to the surface on "Jerusalem on the Jukebox" and "Yankee, Go Home" and rocking out on "Don't Tempt Me" and "Gypsy Love Songs." (Be advised that the gloriously sad "I Still Dream" and "Waltzing's for Dreamers" are on hand to remind us this is a Richard Thompson album.) Froom's production makes more of a difference this time out; Amnesia sounds brighter and cleaner than Daring Adventures, with a sharp but glossy mix that truly flatters Thompson's fiery Stratocaster solos (not to mention Jim Keltner and Mickey Curry's drumming), and the blend of British folk-rock stalwarts (John Kirkpatrick, Phillip Pickett, Danny Thompson) and American session veterans (Keltner, Curry, Jerry Scheff, Tony Levin) makes for a set of tart and flavorful performances. Amnesia is one of Richard Thompson's best-sounding albums, and not a bad place for beginners; he hadn't sounded like he was having this much fun since Sunnyvista in 1979." All Music Guide – Mark Deming more
	Amnesia Used - LP - 48845 1988 Purple & Silver Label Original, Allied Records Pressing. Includes Original Custom Inner Sleeve. Beautiful, Clean Condition, Jacket EX/NM-. "Amnesia Was Richard Thompson's Second Album With Producer And Keyboard Player Mitchell Froom, And The Two Sounded A Lot More Comfortable With Each Other Than They Did On Their Previous Project Together, Daring Adventures. This Being A Richard Thompson Album, The High Quality Of The Songs And The Guitar Playing Is A Given; While Daring Adventures Had A Few Cuts That Sounded Like Padding, Richard Comes Up Aces This Time Out, And Even Sounds A Bit More Upbeat Than Usual, Letting His Political Side Rise To The Surface On "Jerusalem On The Jukebox" And "Yankee, Go Home" And Rocking Out On "Don't Tempt Me" And "Gypsy Love Songs." (Be Advised That The Gloriously Sad "I Still Dream" And "Waltzing's For Dreamers" Are On Hand To Remind Us This Is A Richard Thompson Album.) Froom's Production Makes More Of A Difference This Time Out; Amnesia Sounds Brighter And Cleaner Than Daring Adventures, With A Sharp But Glossy Mix That Truly Flatters Thompson's Fiery Stratocaster Solos (Not To Mention Jim Keltner And Mickey Curry's Drumming), And The Blend Of British Folk-Rock Stalwarts (John Kirkpatrick, Phillip Pickett, Danny Thompson) And American Session Veterans (Keltner, Curry, Jerry Scheff, Tony Levin) Makes For A Set Of Tart And Flavorful Performances. Amnesia Is One Of Richard Thompson's Best-Sounding Albums, And Not A Bad Place For Beginners; He Hadn't Sounded Like He Was Having This Much Fun Since Sunnyvista In 1979." AMG Review By Mark Deming. more
	Amnesia Used - LP - C1 48845 1988 Original with inner sleeve. Richard Thompson is Known for his distinctive style that blends folk and rock elements, Thompson showcases his exceptional guitar work and lyrical prowess throughout the album. "Amnesia" features a collection of songs characterized by their storytelling and introspective nature. The album was produced by Mitchell Froom, who helped create a sound that balances Thompson's intricate guitar playing with layered arrangements, providing a rich backdrop for his evocative lyrics. more
	Amnesia Used - LP - EST 2075 1988 UK Rainbow Label Original With Custom Inner Sleeve. Appears Glossy, Unplayed. more
	Amnesia New - LP - 48845 Sealed 1988 Original With Custom Inner Sleeve. Pristine Copy. more
	Daring Adventures New - LP - 829 728 Sealed 1986 Original, Saw Cut. more
	Daring Adventures Used - LP - 829 728 Mint 1986 Original With Press Kit. more
	Daring Adventures Used - LP - 829 728 Beautiful 1986 Original With Custom Inner Sleeve. more
	Daring Adventures Used - LP - 829 728 1986 Vinyl. Tiny Saw Cut. LP Looks Unplayed. more
	Dream Attic New - LP - PRPLP064 Sealed, Out Of Print, Limited Edition 2010 2LP 180gm 2LP Deluxe Pressing. 13 New Tracks Recorded Live On A West Coast Tour. more
	Electric Audiophile - LP - NW5072 Sealed 2013 Limited Edition 180gm 2LP Gatefold. “The Title Is Artless And Blunt But It Gets The Job Done: It Makes It Clear That After A Decade Or So Of Concentrating On His Acoustic Guitar, Richard Thompson Has Returned To His Electric. Not That Electric Is Entirely Recorded On A Stratocaster -- He Plucks Away At An Acoustic For "The Snow Goose" And There Are Other Songs Where The Strat Is Tucked Away In Its Case -- But Electric Crackles With An Amplified Energy, Even When The Instrumentation Is Decidedly Quieter. Much Of This Is Due To Thompson's Decision To Record The Album At Buddy Miller's Intimate Home Studio In Nashville, As Miller Favors A Speedy Solution To Recording, Favoring Vibe Over Perfection. As Such, There's Atmosphere And Air To Spare On Electric -- It's Music That Breathes, Never Feeling Suffocated -- And There's Plenty Of Room For Thompson To Spin Out Spiraling Guitar Leads, But The Focus Isn't On His Peerless Playing Or Even His Sharply Crafted Songwriting, Which Is Once Again Finely Observed And Richly Detailed. No, The Distinguishing Character Of Electric Is Its Feel, How Miller Creates A Wide-Open Space For Thompson, A Vista That Showcases His Crackling Musicianship And Sharp Songs. And Thompson Has Yet Another Strong Set Of Songs Here, Highlighted By The Big-Footed Stomp Of "Stony Ground," The Lacerating Wit Of "Sally B," The Sardonic Resignation Of "Good Things Happen To Bad People," And The Gentle Lilt On "Salford Sunday." As Good As The Songs Are, The Distinguishing Characteristic Of Electric Is Its Atmosphere, How The Music Jumps And Breathes, How Miller Has Given Thompson His Liveliest Album In Years And, On Just Sheer Sonic Terms, His Best In A While, Too.” – S.T. Erlewine, AMG more
	Electric Audiophile - New - NW5072 Sealed 2013 Limited Edition 180gm 2LP Gatefold. “The Title Is Artless And Blunt But It Gets The Job Done: It Makes It Clear That After A Decade Or So Of Concentrating On His Acoustic Guitar, Richard Thompson Has Returned To His Electric. Not That Electric Is Entirely Recorded On A Stratocaster -- He Plucks Away At An Acoustic For "The Snow Goose" And There Are Other Songs Where The Strat Is Tucked Away In Its Case -- But Electric Crackles With An Amplified Energy, Even When The Instrumentation Is Decidedly Quieter. Much Of This Is Due To Thompson's Decision To Record The Album At Buddy Miller's Intimate Home Studio In Nashville, As Miller Favors A Speedy Solution To Recording, Favoring Vibe Over Perfection. As Such, There's Atmosphere And Air To Spare On Electric -- It's Music That Breathes, Never Feeling Suffocated -- And There's Plenty Of Room For Thompson To Spin Out Spiraling Guitar Leads, But The Focus Isn't On His Peerless Playing Or Even His Sharply Crafted Songwriting, Which Is Once Again Finely Observed And Richly Detailed. No, The Distinguishing Character Of Electric Is Its Feel, How Miller Creates A Wide-Open Space For Thompson, A Vista That Showcases His Crackling Musicianship And Sharp Songs. And Thompson Has Yet Another Strong Set Of Songs Here, Highlighted By The Big-Footed Stomp Of "Stony Ground," The Lacerating Wit Of "Sally B," The Sardonic Resignation Of "Good Things Happen To Bad People," And The Gentle Lilt On "Salford Sunday." As Good As The Songs Are, The Distinguishing Characteristic Of Electric Is Its Atmosphere, How The Music Jumps And Breathes, How Miller Has Given Thompson His Liveliest Album In Years And, On Just Sheer Sonic Terms, His Best In A While, Too.” – S.T. Erlewine, AMG more
	Front Parlour Ballads Audiophile - LP - DIV 009LP Out Of Print, 2005 180gm HQ Laminated Gatefold Import. LP Appears Glossy, Unplayed. Richard Thompson's First Solo Acoustic Album Since 1981's Strict Tempo And, Remarkably, The First Ever Acoustic Studio Album Of Original Songs In His Extensive Discography. A Gorgeous Collection Of 13 New Songs Featuring Thompson On Vocals, Acoustic Guitar And Other Instruments And Percussionist Debra Dobkin On Selected Tracks. Encompassing Everything From Rollicking Tales Of Quickie Marriages In "Let It Blow," A Lilting Love Song Dedicated To "Miss Patsy," And The Devastatingly Beautiful Lament Of "Precious One," Front Parlour Ballads Is A Treasure Box Of Stories And Characters, All Delivered With Thompson's Masterful Guitar Work, Sonorous Voice And Bittersweet Lyrics. more
	Front Parlour Ballads Audiophile - LP - DV 009LP Sealed, Out Of Print 180gm HQ Gatefold Import. Richard Thompson's First Solo Acoustic Album Since 1981's Strict Tempo And, Remarkably, The First Ever Acoustic Studio Album Of Original Songs In His Extensive Discography. A Gorgeous Collection Of 13 New Songs Featuring Thompson On Vocals, Acoustic Guitar And Other Instruments And Percussionist Debra Dobkin On Selected Tracks. Encompassing Everything From Rollicking Tales Of Quickie Marriages In "Let It Blow," A Lilting Love Song Dedicated To "Miss Patsy," And The Devastatingly Beautiful Lament Of "Precious One," Front Parlour Ballads Is A Treasure Box Of Stories And Characters, All Delivered With Thompson's Masterful Guitar Work, Sonorous Voice And Bittersweet Lyrics. more
	Guitar, Vocal New - LP - ICD 8 Sealed 1976 UK 2LP Palm Tree Label Gatefold Original. A Collection Of Unreleased And Rare Material 1967-1976. more
	Guitar, Vocal Used - LP - CGLP 2-4413 1984 2LP Gatefold First US Issue. Released In 1976 In The UK On Island. Both LPs Appear Glossy, Unplayed. more
	Guitar, Vocal Used - LP - ICD 8 1976 UK 2LP Palm Tree Label Gatefold Original. Hint Of Ring Wear, Light Edge Wear (See Photo). more
	Hand Of Kindness New - LP - HNLP 1313 Sealed 1983 Original, Clean COH. more
	Hand Of Kindness Used - LP - HNBL 1313 1983 Original, Gold Promo Stamp On Cover, Looks Unplayed, WOBC. Features John Hiatt, Pete Zorn And Others. more
	Hand Of Kindness Used - LP - HNLP 1313 1983 Original With Lyric Sleeve. Looks Unplayed. Features John Hiatt, Pete Zorn And Others. more
	Hand Of Kindness Used - LP - HNBL-1313 1983 Original With Lyric Sleeve. Plays VG+ light marks. Features John Hiatt, Pete Zorn And Others. Richard Thompson's "Hand of Kindness" marks a pivotal moment in his post-Fairport Convention career, demonstrating his deft ability to blend traditional British folk with rock sensibilities. Released in 1983, the album is a testament to Thompson's prowess as a guitarist and a songwriter, weaving tales of love, regret, and resilience with his characteristically sharp wit. The opening track, "Tear-Stained Letter," sets an upbeat tone with its infectious rhythm and biting lyrics, showcasing Thompson's knack for storytelling through music. Throughout the album, his guitar work is nothing short of masterful, providing a rich backdrop to his nuanced vocal delivery. Tracks like "Hand of Kindness" and "Devonside" further cement his reputation as a musician who can convey deep emotion while maintaining a certain distance, an observer of life's complexities. more
	Henry The Human Fly Used - LP - ILPS 9197 Beautiful Near Mint 1972 UK Palm Tree Label Stereo Original. 1U/1U Stampers. We Play Graded Both Sides Of This Outstanding LP And Found It To Be The Quietest Copy We Have Heard With Very Little Surface Noise And Then Only In The Quietest Passages. more
	Henry The Human Fly Used - LP - MS 2112 First White Label Promo We Have Seen Of This Great 1972 LP. Features Sandy Denny. Includes Promo Insert. Shrink Wrap Intact. more
	Henry The Human Fly Used - LP - HNBL 4405 1986 Reissue Of His Brilliant 1972 Debut (Not Released In The U.S. At The Time Of It's UK Release). Appears Unplayed. “Fans And Critics Alike Seemed To Have A Difficult Time Getting A Handle On Thompson's New Direction, Which, For The Most Part, Eschews The Electric Guitar That Had Been An Integral Part Of The British Folk-Rock He Had Helped Forge With His Former Band Fairport Convention. With The Exception Of A Couple Of Short Instrumental Breaks And Various Electric Shadings, Thompson's Stratocaster Defers To Accordions, Fiddles, Whistles, Dulcimers, Harps, And His Own Acoustic Guitar. The Songs, Which Are More Idiosyncratic Than His Fairport Output, Are The Primary Focus. Cuts Such As "The Poor Ditching Boy," "The New St. George," And "The Old Changing Way" Have The Timelessness Of The Best Traditional Material Fairport Had Been Mining In The Past, While "Roll Over Vaughn Williams," With Its Swirling Electric Guitar, And The Accordion And Electric Guitar Interplay Of The Folk-Rocker "The Angels Took My Racehorse Away" Are Prime Examples Of Thompson's Vision Of Fusing The Old And The New. At The Time Of Its Release, Henry The Human Fly, With Its Fresh, Yet Eccentric Take On Folk And Rock, Along With Tales Of "Poor Ditching Boys," Racehorses, Tinkers, "Painted Ladies," And Weddings Where "Nobody's Wed" Was Not A Fashionable Record, But Like The Bulk Of Richard Thompson's Work, It Transcends Times And Trends. Linda Peters (Thompson), Sandy Denny, Ashley Hutchings, And John Kirkpatrick Guest.” Brett Hartenbach, AMG. more
	Henry The Human Fly Audiophile - LP - CGLP 4405 1983 Europadisk Audiophile Issue Of His Brilliant 1972 Debut. Shrink Wrap Intact. “Fans And Critics Alike Seemed To Have A Difficult Time Getting A Handle On Thompson's New Direction, Which, For The Most Part, Eschews The Electric Guitar That Had Been An Integral Part Of The British Folk-Rock He Had Helped Forge With His Former Band Fairport Convention. With The Exception Of A Couple Of Short Instrumental Breaks And Various Electric Shadings, Thompson's Stratocaster Defers To Accordions, Fiddles, Whistles, Dulcimers, Harps, And His Own Acoustic Guitar. The Songs, Which Are More Idiosyncratic Than His Fairport Output, Are The Primary Focus. Cuts Such As "The Poor Ditching Boy," "The New St. George," And "The Old Changing Way" Have The Timelessness Of The Best Traditional Material Fairport Had Been Mining In The Past, While "Roll Over Vaughn Williams," With Its Swirling Electric Guitar, And The Accordion And Electric Guitar Interplay Of The Folk-Rocker "The Angels Took My Racehorse Away" Are Prime Examples Of Thompson's Vision Of Fusing The Old And The New. At The Time Of Its Release, Henry The Human Fly, With Its Fresh, Yet Eccentric Take On Folk And Rock, Along With Tales Of "Poor Ditching Boys," Racehorses, Tinkers, "Painted Ladies," And Weddings Where "Nobody's Wed" Was Not A Fashionable Record, But Like The Bulk Of Richard Thompson's Work, It Transcends Times And Trends. Linda Peters (Thompson), Sandy Denny, Ashley Hutchings, And John Kirkpatrick Guest.” Brett Hartenbach, AMG. more
	Henry The Human Fly Used - LP - CGLP 4405 1983 Europadisk Audiophile (Pure Virgin Vinyl Cut At Masterdisk) Issue Of His Brilliant 1972 Debut. Appears Glossy, Unplayed. “Fans And Critics Alike Seemed To Have A Difficult Time Getting A Handle On Thompson's New Direction, Which, For The Most Part, Eschews The Electric Guitar That Had Been An Integral Part Of The British Folk-Rock He Had Helped Forge With His Former Band Fairport Convention. With The Exception Of A Couple Of Short Instrumental Breaks And Various Electric Shadings, Thompson's Stratocaster Defers To Accordions, Fiddles, Whistles, Dulcimers, Harps, And His Own Acoustic Guitar. The Songs, Which Are More Idiosyncratic Than His Fairport Output, Are The Primary Focus. Cuts Such As "The Poor Ditching Boy," "The New St. George," And "The Old Changing Way" Have The Timelessness Of The Best Traditional Material Fairport Had Been Mining In The Past, While "Roll Over Vaughn Williams," With Its Swirling Electric Guitar, And The Accordion And Electric Guitar Interplay Of The Folk-Rocker "The Angels Took My Racehorse Away" Are Prime Examples Of Thompson's Vision Of Fusing The Old And The New. At The Time Of Its Release, Henry The Human Fly, With Its Fresh, Yet Eccentric Take On Folk And Rock, Along With Tales Of "Poor Ditching Boys," Racehorses, Tinkers, "Painted Ladies," And Weddings Where "Nobody's Wed" Was Not A Fashionable Record, But Like The Bulk Of Richard Thompson's Work, It Transcends Times And Trends. Linda Peters (Thompson), Sandy Denny, Ashley Hutchings, And John Kirkpatrick Guest.” Brett Hartenbach, AMG. more
	Henry The Human Fly New - LP - MS 2112 Sealed 1972 White Label Promo With Promo Insert Under Rear Shrink. more
	Henry The Human Fly New - LP - IRSP 20 Sealed UK Import With 2nd Catalog Number. more
	Henry The Human Fly Used - LP - MS 2112 1972 White label promo original with inner sleeve. “Fans And Critics Alike Seemed To Have A Difficult Time Getting A Handle On Thompson's New Direction, Which, For The Most Part, Eschews The Electric Guitar That Had Been An Integral Part Of The British Folk-Rock He Had Helped Forge With His Former Band Fairport Convention. With The Exception Of A Couple Of Short Instrumental Breaks And Various Electric Shadings, Thompson's Stratocaster Defers To Accordions, Fiddles, Whistles, Dulcimers, Harps, And His Own Acoustic Guitar. The Songs, Which Are More Idiosyncratic Than His Fairport Output, Are The Primary Focus. Cuts Such As "The Poor Ditching Boy," "The New St. George," And "The Old Changing Way" Have The Timelessness Of The Best Traditional Material Fairport Had Been Mining In The Past, While "Roll Over Vaughn Williams," With Its Swirling Electric Guitar, And The Accordion And Electric Guitar Interplay Of The Folk-Rocker "The Angels Took My Racehorse Away" Are Prime Examples Of Thompson's Vision Of Fusing The Old And The New. At The Time Of Its Release, Henry The Human Fly, With Its Fresh, Yet Eccentric Take On Folk And Rock, Along With Tales Of "Poor Ditching Boys," Racehorses, Tinkers, "Painted Ladies," And Weddings Where "Nobody's Wed" Was Not A Fashionable Record, But Like The Bulk Of Richard Thompson's Work, It Transcends Times And Trends. Linda Peters (Thompson), Sandy Denny, Ashley Hutchings, And John Kirkpatrick Guest.” All Music Guide – Brett Hartenbach more
	Live (More Or Less) Used - LP - ISLA 9421 Hard To Find 1976 2LP Gatefold Original. Saw Cut. more
	Live (More Or Less) Used - LP - ISLA 9421 Hard To Find 1976 2LP Original Still In Shrink Wrap, Small CC. Both LPs Appear Glossy, Unplayed. more
	Live From Austin TX New - LP - NW 5052 Sealed 2012 Limited Edition 180gm 2LP Gatefold Original. Recorded For The Austin City Limits TV Show. more
	Mirror Blue Used Import - 81492 Hard to find 1994 UK original. Hype sticker affixed to jacket. more
	Mirror Blue New - LP - RGM 1270 Sealed 2021 Limited Edition 2LP Reissue, Housed In A Gatefold And Pressed On "Clear Mirror" Vinyl. Limited To 1200 Copies!! more
	Mirror Blue New - LP - 81492 Sealed, Extremely Hard To Find 1994 UK Only Vinyl. more
	Mock Tudor Colored Vinyl - BL 64 Sealed 2018, Numbered, Limited Edition, 180gm 2LP Clear Vinyl Set Housed In A Deluxe Coffee Table Style Book. Includes: Updated Mastering And Lacquers, High Quality 12" X 12" Wall Art Picture Print, Production Notes From Producer And Mixer Tom Rothrock, Era-Correct Backstage Satin Sticky Pass From The 1999-2000 World Tour And A New Old-Stock Bong Load Records Sticker From 1999. more
	Mock Tudor Used - LP - BL 44 Long Out Of Print 1999 2LP 180gm HQ Original With Insert Featuring 2 Bonus Tracks Not On The CD. Shrink Wrap Intact With Custom Hype Sticker. Both LPs Appear New, Unplayed. more
	Mock Tudor Used - LP - BL 44 1999 2LP 180gm HQ Featuring 2 Bonus Tracks Not On The CD. Both LPs Appear Unplayed. more
	Old Kit Bag Audiophile - Used - DIV 004 2003 Limited Edition Double 180gm Audiophile Original. Glossy, VG++ Vinyl. Housed In A Deluxe, Textured Gatefold Cover (Faux Wear) With Custom Card Inner Sleeves. His Best Album In Many A Long Year And A Must-Have Album With Sumptuous Packaging To Boot. Awarded A 10/10 Rating For Both Sound And Music By Michael Fremer. more
	Pour Down Like Silver Used - LP - CGLP 4404 1983 Europadisc Virgin Vinyl Audiophile Pressing With Insert. Appears Glossy, Unplayed. more
	Reckless Kind E.P. Used - LP - 12CL 550 Difficult To Find 1989 Three Track EP. Cuts Are "Reckless Kind," "Pharoah (Live)" And "Can't Win (Live)." The Live Tracks Were Recorded At The Bayou, Washington, D.C. July 11, 1988. more
	Richard Thompson (Promo) Used - LP - SPRO 79104 Rare 1991 White Label Promo Only LP. Features "I Misunderstood," "I Feel So Good," "1952 Vincent Black Lightning," From His Live Show In Ventura Plus "Choice Wife" Recorded At The Maxwell House Coffee Sessions And The LP Version Of "Misunderstood." First Copy We Have Seen In 10 Years. more
	Rumor And Sigh Used - LP - 95713 Rare 1991 UK Only Vinyl. Mastered By Bob Ludwig At Masterdisk. more
	Rumor and Sigh Audiophile - LP - MFSL 2-476 Sealed 2017 180gm 2LP Limited Numbered Gatefold Reissue. The Most Cohesive And Accessible Album Of Richard Thompson's Career: Brilliantly Diverse, Savagely Witty Rumor And Sigh Includes All Time 100 Song "1952 Vincent Black Lightning." Mastered From The Original Master Tapes, Pressed At RTI, And Strictly Limited To 3000 Numbered Copies. more
	Rumor And Sigh Used Import - 064 7 95713 1 1991 Original UK import. NM- copy. "While Richard Thompson's devotees will tell you the man is a triple-threat genius -- passionate vocalist, compelling songwriter, and sterling guitarist -- even his most loyal supporters will concede that the dour nature of his songs and the no-frills production of many of his albums make the bulk of his catalog tough sledding for the uninitiated. Given this, 1991's Rumor and Sigh is arguably the best album for those wanting to sample Thompson's work for the first time. It captures Thompson at the top of his form on all fronts, but also gives his songs just enough polish to make them approachable for the unconverted, and though it's several shades darker than the average adult-contemporary album, it honors Thompson's obsession with romantic despair and the less pleasant quirks of fate without sounding depressing in the process. Producer Mitchell Froom tricked up Thompson's sound a bit, but his approach added to the material rather than interfering with it; the topsy-turvy keyboards and sharp, snapping drum sound on "Gray Walls" and "You Dream Too Much" actually add to their narrative drama, and Froom coaxed some of Thompson's most soulful vocals on "Why Must I Plead" and "I Misunderstood." Thompson actually gets funny on "Don't Sit On My Jimmy Shands" and the darkly hilarious "Psycho Street," and Thompson fans who like his work straight with no chaser will be knocked flat by "1952 Vincent Black Lightning," perhaps the best traditional-style number in his songbook, and the harrowing "God Loves A Drunk," an unnerving tale of several kinds of addiction. While Rumor and Sigh is quite slick by Thompson's standards, its clean lines and bright mix serve both the songs and the bandleader quite well, and make Thompson's tunes sound like the radio hits they've always deserved to be." All Music Guide - Mark Deming more
	Rumour And Sigh Used - LP - 95713 Rare 1991 Original. Tiny Center Top Seam Split. LP Appears Glossy, Unplayed. more
	Small Town Romance Used - LP - HNBL 1316 1984 Original Recorded At The Bottom Line And Folk City In 1982. LP Appears Glossy, Unplayed. “Small Town Romance Was Compiled From Three Warts-And-All Live Recordings (Originally Produced For Radio Broadcast) Of Richard Thompson Performing Solo Acoustic In New York City In 1982. The Above-Mentioned Warts (A Cough Here And There, A Very Occasional Flubbed Note) Are Tiny And Difficult To Spot, But Thompson Was Quite Aware Of Them -- Enough So That He Persuaded Hannibal Records To Delete The Album From Their Catalog, Though When The Out-Of-Print Album Began Fetching Ridiculously High Prices On The Collectors Market, He Consented To A Reissue In 1997. While The Album Is A Hardly Flawless Recreation Of The Live Richard Thompson Experience (And Thompson's Solo Acoustic Shows Would Be Noticeably Stronger A Few Years Down The Line), It Does Capture Thompson's Estimable Charm As A Stage Performer With Commendable Accuracy, And The Program Is Superb, Featuring Several Fairport Convention Classics, A Number Of Outstanding Numbers From The Richard & Linda Thompson Catalog, And A Few Otherwise Unrecorded Songs, Most Notably The Devastating Title Track, Which Still Stands As One Of Richard's Finest Meditations On His Favorite Theme, Love Gone Wrong. Small Town Romance May Not Be Perfect, But It Preserves A Handful Of Passionate And Impressive Performances From One Of The Most Gifted Guitarists And Songwriters Around -- Which Puts It Far Ahead Of The Vast Majority Of Live Albums That Will Cross Your Path. Mark Deming, AMG. more
	Small Town Romance New - LP - HNBL 1316 Sealed 1984 Original. Small Cut Corner. more
	Small Town Romance : Live / Solo In New York Used Import - HNBL-1316 1984 EU import, pressed in Holland. Vibrant EX/NM- jacket with nice sheen and a hint of ring wear. “Small Town Romance Was Compiled From Three Warts-And-All Live Recordings (Originally Produced For Radio Broadcast) Of Richard Thompson Performing Solo Acoustic In New York City In 1982. The Above-Mentioned Warts (A Cough Here And There, A Very Occasional Flubbed Note) Are Tiny And Difficult To Spot, But Thompson Was Quite Aware Of Them -- Enough So That He Persuaded Hannibal Records To Delete The Album From Their Catalog, Though When The Out-Of-Print Album Began Fetching Ridiculously High Prices On The Collectors Market, He Consented To A Reissue In 1997. While The Album Is A Hardly Flawless Recreation Of The Live Richard Thompson Experience (And Thompson's Solo Acoustic Shows Would Be Noticeably Stronger A Few Years Down The Line), It Does Capture Thompson's Estimable Charm As A Stage Performer With Commendable Accuracy, And The Program Is Superb, Featuring Several Fairport Convention Classics, A Number Of Outstanding Numbers From The Richard & Linda Thompson Catalog, And A Few Otherwise Unrecorded Songs, Most Notably The Devastating Title Track, Which Still Stands As One Of Richard's Finest Meditations On His Favorite Theme, Love Gone Wrong. Small Town Romance May Not Be Perfect, But It Preserves A Handful Of Passionate And Impressive Performances From One Of The Most Gifted Guitarists And Songwriters Around -- Which Puts It Far Ahead Of The Vast Majority Of Live Albums That Will Cross Your Path. All Music Guide - Mark Deming more
	Small Town Romance-Live Solo In New York Used - LP - HNBL 1316 1984 Original. Recorded At The Bottom Line And Folk City In 1982. Very Hard To Find On Vinyl. Appears Unplayed. more
	Some Enchanted Evenings Audiophile - New - MFSL 1-45006 Sealed 2006 Limited Edition, Foil Numbered Half-Speed Mastered 180gm HQ 45rpm 5 Song Original. more
	Some Enchanted Evenings Audiophile - Used - MFSL 1-45006 2006 45rpm Limited edition, foil numbered half-speed remaster from Mobile Fidelity Sound Lab; #1682. Tracks A1, A2 recorded live in 1994; Tracks B1 & 2 recorded live in 2003; Track B3 recorded live in 1985. Mastered from the original tapes on Mofi's Gain 2 Ultra Analog System. Specially plated and pressed on 180 grams of High Definition Vinyl. A Mofi only LP! more
	Still New - LP - FAN-37476-01 Sealed 2015 2LP Gatefold Original With Hype Sticker. Broken Shrink On Opening. more
	Strict Tempo Used Import - LP 1 1981 UK Original Featuring Dave Mattacks. “While Some Listeners Have Expressed Mixed Degrees Of Enthusiasm With Richard Thompson's Often Down-Beat Work As A Songwriter And His Sometimes Craggy Vocals, No One Has Ever Argued His Gifts As An Instrumentalist, And On Strict Tempo! Thompson Lets Loose On An Instrumental Collection Of Traditional British And Celtic Jigs And Reels, With A Swinging Duke Ellington Cover Thrown In For Variety And One New Original Offered As The Finale. Thompson Multi-Tracks Himself Playing A Variety Of Acoustic And Electric Guitars, Basses, Mandolins, And Dulcimers With His Usual (I.E., Dazzling) Degree Of Dexterity, With Only Percussionist Dave Mattacks For Company On Most Of The Tunes.” All Music Guide – Mark Deming. more
	Strict Tempo Used - LP - LP 1 Mint 1981 UK Yellow Label Original In Loose Shrink. more
	Strict Tempo Used - LP - LP 1 1981 UK Original In Unplayed Condition. “While Some Listeners Have Expressed Mixed Degrees Of Enthusiasm With Richard Thompson's Often Down-Beat Work As A Songwriter And His Sometimes Craggy Vocals, No One Has Ever Argued His Gifts As An Instrumentalist, And On Strict Tempo! Thompson Lets Loose On An Instrumental Collection Of Traditional British And Celtic Jigs And Reels, With A Swinging Duke Ellington Cover Thrown In For Variety And One New Original Offered As The Finale. Thompson Multi-Tracks Himself Playing A Variety Of Acoustic And Electric Guitars, Basses, Mandolins, And Dulcimers With His Usual (I.E., Dazzling) Degree Of Dexterity, With Only Percussionist Dave Mattacks For Company On Most Of The Tunes.” Mark Deming, AMG. more
	Strict Tempo Audiophile - LP - CGLP 4409 Beautiful 1983 Europadisk Pure Virgin Vinyl Audiophile Pressing In Shrink Wrap. LP Appears Glossy, Unplayed. “While Some Listeners Have Expressed Mixed Degrees Of Enthusiasm With Richard Thompson's Often Down-Beat Work As A Songwriter And His Sometimes Craggy Vocals, No One Has Ever Argued His Gifts As An Instrumentalist, And On Strict Tempo! Thompson Lets Loose On An Instrumental Collection Of Traditional British And Celtic Jigs And Reels, With A Swinging Duke Ellington Cover Thrown In For Variety And One New Original Offered As The Finale. Thompson Multi-Tracks Himself Playing A Variety Of Acoustic And Electric Guitars, Basses, Mandolins, And Dulcimers With His Usual (I.E., Dazzling) Degree Of Dexterity, With Only Percussionist Dave Mattacks For Company On Most Of The Tunes.” Mark Deming, AMG. more
	Strict Tempo! Used - LP - CGLP 4409 Hard To Find 1981 Original With Shrink Intact. more
	Strict Tempo! Used - LP - CGLP 4409 1983 Original. Appears Glossy, Unplayed. “While Some Listeners Have Expressed Mixed Degrees Of Enthusiasm With Richard Thompson's Often Down-Beat Work As A Songwriter And His Sometimes Craggy Vocals, No One Has Ever Argued His Gifts As An Instrumentalist, And On Strict Tempo! Thompson Lets Loose On An Instrumental Collection Of Traditional British And Celtic Jigs And Reels, With A Swinging Duke Ellington Cover Thrown In For Variety And One New Original Offered As The Finale. Thompson Multi-Tracks Himself Playing A Variety Of Acoustic And Electric Guitars, Basses, Mandolins, And Dulcimers With His Usual (I.E., Dazzling) Degree Of Dexterity, With Only Percussionist Dave Mattacks For Company On Most Of The Tunes.” Mark Deming, AMG. more
	Strict Tempo! New - LP - CGLP 4409 Sealed 1981 Original Pressed On Europadisk Pure Virgin Vinyl. “While Some Listeners Have Expressed Mixed Degrees Of Enthusiasm With Richard Thompson's Often Down-Beat Work As A Songwriter And His Sometimes Craggy Vocals, No One Has Ever Argued His Gifts As An Instrumentalist, And On Strict Tempo! Thompson Lets Loose On An Instrumental Collection Of Traditional British And Celtic Jigs And Reels, With A Swinging Duke Ellington Cover Thrown In For Variety And One New Original Offered As The Finale. Thompson Multi-Tracks Himself Playing A Variety Of Acoustic And Electric Guitars, Basses, Mandolins, And Dulcimers With His Usual (I.E., Dazzling) Degree Of Dexterity, With Only Percussionist Dave Mattacks For Company On Most Of The Tunes. If The Performances Don't Quite Match The Head-Spinning Ferocity Of The Traditionally Based Folk-Rock He Pioneered With Fairport Convention On Liege And Lief And Full House, Thompson Was Certainly A Better Player In 1981 Than He Was When He Left Fairport, And The Arrangements Reveal A Degree Of Taste, Imagination, And Subtle Wit That's Second To None. Strict Tempo! Was A Pet Project Of Thompson's, Originally Released On His Own Label, And It Sometimes Sounds Like It Was Created More For His Own Amusement Than Anything Else, But Even In Its More Esoteric Moments, It Shows One Of The Finest Guitarists On Earth Showing Just How Well He Can Play, And That's Always A Pleasure To Hear.” Mark Deming, AMG. more
	Sweet Talker (Original Music From The Movie) Used Import - 7944901 1992 UK Original. "In 1990, Richard Thompson wrote the score for Sweet Talker, a pleasant but unremarkable Australian comedy starring Bryan Brown and Karen Allen, and a year later Thompson's record label gave the film's soundtrack album an American release (which is more than can be said of the film itself, which quietly went straight to video on these shores). Thompson wrote four songs for the film, including a pair of upbeat pop/rockers, "To Hang a Dream On" and "Put Your Trust in Me," and an amusing country & western pastiche, "Boomtown," for which Thompson handed the vocal chores over to John Andrew Parks. But the rest of the album is devoted to instrumental pieces, and while they're skillful and well played (and feature Thompson's usual stable of longtime sidemen, including Simon Nichol, Dave Mattacks, and John Kirkpatrick), they're clearly background music; they weren't designed to have an especially strong personality of their own, and for the most part they don't. As a result, the Sweet Talker soundtrack is the sort of thing that will please loyal fans but won't do much for the casual observer, though Capitol Records is to be commended for allowing Thompson's U.S. fans to hear some above average marginalia at domestic rather than import prices." All Music Guide - Mark Deming more
	Sweet Talker (Original Music From The Movie) Used Import - 7944901 1992 UK Original. "In 1990, Richard Thompson wrote the score for Sweet Talker, a pleasant but unremarkable Australian comedy starring Bryan Brown and Karen Allen, and a year later Thompson's record label gave the film's soundtrack album an American release (which is more than can be said of the film itself, which quietly went straight to video on these shores). Thompson wrote four songs for the film, including a pair of upbeat pop/rockers, "To Hang a Dream On" and "Put Your Trust in Me," and an amusing country & western pastiche, "Boomtown," for which Thompson handed the vocal chores over to John Andrew Parks. But the rest of the album is devoted to instrumental pieces, and while they're skillful and well played (and feature Thompson's usual stable of longtime sidemen, including Simon Nichol, Dave Mattacks, and John Kirkpatrick), they're clearly background music; they weren't designed to have an especially strong personality of their own, and for the most part they don't. As a result, the Sweet Talker soundtrack is the sort of thing that will please loyal fans but won't do much for the casual observer, though Capitol Records is to be commended for allowing Thompson's U.S. fans to hear some above average marginalia at domestic rather than import prices." All Music Guide - Mark Deming more
	Sweet Warrior Audiophile - LP - DIV 011 Out Of Print 2007 2LP 180gm Original Housed In A Gatefold Cover. Both LPs Appear Glossy, Unplayed. "Like A Musical Old Faithful, Richard Thompson Dependably Spews An Album’s Worth Of Inspired Material At Regular Intervals. He’s Been Doing This Since 1972’s Henry The Human Fly (Island ILPS 9197), Which Is So Deserving Of A High Quality All-Analog Reissue. Perhaps Thompson Would Disagree, But His Basic Approach To Songwriting, Singing And Playing Hasn’t Changed All That Much, Nor Did It Need To. Like James Taylor, He Arrived On The Scene In Fairport Convention As One Of Those Rare, Fully Formed Talents With A Unique, Easily Identifiable Guitar Sound And Vocal Style. Age Has Diminished Neither His Manual Dexterity Nor His Vocal Chords's Suppleness. He Sounds Remarkably Unchanged By Time. While The Quality Of His Work Rarely Varies And The Vibe Remains Constant, Thompson Does Mess Around With Attitude, Moving From Introspective, Folky Balladry And Arrangement- Complexity, To Plain Old Rocking Hard, Which Is What He Mostly Delivers Here, Most Of Which Is Simply Arranged For Bass, Guitar And Drums. This Album Is One Of Thompson’s Most Focused And Inspired Works In Quite Some Time. Given His Dependable Output That’s Saying Something! The Songwriting Is His Strongest In Memory, Both Lyrically And Especially Melodically. Judged By Today’s Standards This Is A Great Recording. Judged By Today’s Musical Standards It’s A Masterpiece. Judged By Yesterday’s It Still Is! Highest Recommendation!" - Michael Fremer more
	When The Spell Is Broken Used - 12 - PRO 348 Promo Only Live Version 12 Inch Picture Sleeve. more
	You Don't Say Used - 12 - PRO 338 1985 Promo Only 12" From "Across A Crowded Room." Same Track Both Sides. Appears Glossy, Unplayed. Sticker Residue On Cover, Hence Price. more