Tubes
Vinyl Records and Rare LPs:
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Completion Backward Principal
New - LP - SOO 12151
Sealed 1981 Original With Gold Promo Stamp On Front Jacket. The 2nd Record Of The Tubes Holy Trinity Of Power Pop!
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Completion Backward Principal
Used - LP - ECS 81423
Beautiful Japanese Pressing With Obi.
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Completion Backward Principle
New - LP - SOO 12151
Sealed Original, Clean Cut Out Hole. The 2nd Record Of The Tubes Holy Trinity Of Power Pop!
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Completion Backward Principle
New - LP - SOO 12151
1980 Original. Unplayed Condition.
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Darted In My Own Armchair
Used - LP - TAKRL 1991
Rare 1976 "Live" Album. Appears Unplayed. An Evening Of Unleashed Linoleum.
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Love Bomb
Used - LP - ST 12381
1985 Original With Gold Promo Stamp On Front Jacket. Vinyl Appears Unplayed.
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Love Bomb
New - LP - ST-12381
Sealed 1985 Original With Gold Promo Stamp On Front Jacket.
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Now
New - LP - SP 4632
1977 Original. Red/Yellow Back. Custom Inner Sleeve. Unplayed Condition. Small Saw Cut.
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Now
Used - LP - SP-4632
1977 Original Red And White Back Cover Variant. Corner Rubs.
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Now
Used - LP - SP-4632
1977 US original white label promo with the Red & Green back cover variant. Hole punch, seam & corner rubs. Promo sticker affixed to front of jacket.
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Outside Inside
Used - LP - ST-12260
1983 Original. VG+ Cover, Old Store Sticker Blemish. Clean Glossy Vinyl. "Another Bit Of Clever Packaging Outside (The Record Label Featured An Iris That Appeared Through A Cutout On The Sleeve) And Inside, Where Producer David Foster And Even More Members Of Toto Help The Tubes Punch Up Their New Radio-ready Sound With Added Energy. If Their Last Record Showed A Newfound Dancefloor Sensibility, Outside Inside Is Absolutely Funky. There Are Plenty Of Over-the-top Arena Pop Numbers On Here, Including The Hit "She's A Beauty," "No Not Again," And "Tip Of My Tongue." Yet With So Many Cooks In The Kitchen, The Record Is Peppered With Some Strange Entries, Like "Wild Women Of Wongo," "Drums," And "Outside Looking Inside." Maybe The Tubes Were Trying To Exorcise Their Own Artistic Demons, The Better To Play A Song Like "Fantastic Delusion" Or "The Monkey Time" With A Clear Conscience. Outside Inside Is Definitely A Party Record, Which Is Fine, Except That The Tubes Were Never A Party Band (After All, Their Most Radio-friendly Album To Date, The Completion Backward Principle, Was Still Pretty Dark). The Change In Direction Will Probably Alienate Old Fans, Just As It Clearly Attracted New Ones (The Record Reached The U.s. Top 20). If You Enjoyed Their Hits From The '80s (E.g., "Talk To You Later," "She's A Beauty"), This Is The Album To Own." Dave Connolly, AMG
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Outside Inside
New - LP - ST 12260
Sealed 1983 Die-Cut, Embossed Cover Original With Custom Triangular Song Sticker On The Shrink Wrap. Clean Cut Out Hole.
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Outside Inside
New - LP - ST 12260
Sealed 1983 Original With Gold Promo Stamp On Front Jacket And Giant Hype Sticker On Shrink.
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Outside Inside
New - LP - ST 12260
Sealed 1983 Original Housed In An Embossed Die Cut Sleeve With Gold Promo Stamp. Custom Hype Sticker On Shrink.
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Remote Control
New - LP - SP 4751
Sealed 1979 Original. Gold Promo Stamp On Back Cover. “After Stunning The Rock World With Their Memorable Debut In 1975, The Tubes Ran Into Trouble. Although Young And Rich And Now Had Fine Moments, They Were Uneven And Left Many Rock Pundits Wondering If The Tubes Had Anything To Offer Besides Shock Value. They Got Their Answer With The Release Of Remote Control, A Cohesive And Surprisingly Thoughtful Concept Album. On This 1979 Outing, The Tubes Enlisted The Services Of Wunderkind Producer Todd Rundgren To Create A Concept Album That Skewers The Television Generation. The Choice Was A Wise One - Rundgren Helped The Group Harness Their Satirical Bite And Love Of Pomp-Rock Excess To Create A Sharp And Engaging Collection Of Songs. As They Chronicle The Life Of An Average Joe Whose Life And Dreams Are Swallowed By His Television Addiction, The Tubes Lead The Listener Through A Dazzling Array Of Musical Styles That Include New-Wave, Lounge Pop, Reggae, And Even Full-Throttle Punk. Highlights Include "Prime Time" And "Love's A Mystery (I Don't Understand)," A Surprisingly Straightforward Ballad About Romantic Loss That Features A Truly Heart-Rending Vocal From Fee Waybill. The Group Also Gets A Chance To Show Off Their Formidable Instrumental Chops On "Get-Overture," A Tight Instrumental That Goes From Atmospheric Prog-Rock To Driving Hard Rock As It Cleverly Weaves Together Snippets Of All The Other Songs' Melodies. In Short, Remote Control Proves The Tubes Were More Than A Bunch Of Musical Jokesters. The End Result Is The Band's Finest Hour And A Treat For Concept-Album Fanatics.” Donald A. Guarisco, AMG.
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Remote Control
Used - LP - SP 4751
1979 Original. Small Saw Cut. “After Stunning The Rock World With Their Memorable Debut In 1975, The Tubes Ran Into Trouble. Although Young And Rich And Now Had Fine Moments, They Were Uneven And Left Many Rock Pundits Wondering If The Tubes Had Anything To Offer Besides Shock Value. They Got Their Answer With The Release Of Remote Control, A Cohesive And Surprisingly Thoughtful Concept Album. On This 1979 Outing, The Tubes Enlisted The Services Of Wunderkind Producer Todd Rundgren To Create A Concept Album That Skewers The Television Generation. The Choice Was A Wise One - Rundgren Helped The Group Harness Their Satirical Bite And Love Of Pomp-Rock Excess To Create A Sharp And Engaging Collection Of Songs. As They Chronicle The Life Of An Average Joe Whose Life And Dreams Are Swallowed By His Television Addiction, The Tubes Lead The Listener Through A Dazzling Array Of Musical Styles That Include New-Wave, Lounge Pop, Reggae, And Even Full-Throttle Punk. Highlights Include "Prime Time" And "Love's A Mystery (I Don't Understand)," A Surprisingly Straightforward Ballad About Romantic Loss That Features A Truly Heart-Rending Vocal From Fee Waybill. The Group Also Gets A Chance To Show Off Their Formidable Instrumental Chops On "Get-Overture," A Tight Instrumental That Goes From Atmospheric Prog-Rock To Driving Hard Rock As It Cleverly Weaves Together Snippets Of All The Other Songs' Melodies. In Short, Remote Control Proves The Tubes Were More Than A Bunch Of Musical Jokesters. The End Result Is The Band's Finest Hour And A Treat For Concept-Album Fanatics.” All Music Guide – Donald A. Guarisco.
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T.R.A.S.H. (Tubes Rarities And Smash Hits)
Used - LP - SP-4870
1981 US original, Terre Haute pressing. Glossy, VG++ vinyl. Light mark on side 1 that does not affect play whatsoever. A raucous, tongue-in-cheek collection that captures the band's theatrical flair and satirical edge. This compilation blends deep cuts with fan favorites, showcasing their blend of glam, punk, and pop with irreverent charm. A must-have for those craving offbeat rock with a wink and a snarl.
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T.R.A.S.H. (Tubes Rarities And Smash Hits)
Used - LP - SP 4870
1981 Compilation With Gold Demo Stamp On Rear Cover. Appears Unplayed.
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The Completion Backward Principle
Used - LP - SOO-12151
1981 Original with inner sleeve. The Completion Backward Principle is the sixth studio album by the Tubes, released in 1981. Marking a significant shift in their artistic direction, this record was their first collaboration with producer David Foster, whose influence ushered in a more polished, radio-friendly sound. The Tubes, previously known for their satirical and theatrical approach to rock, embraced a more streamlined production style, integrating elements of new wave and pop-rock into their music. The album’s concept draws from the idea of corporate motivational seminars, with the band adopting a tongue-in-cheek persona that is reflected in both the music and the album's packaging, which resembles a business manual. The Completion Backward Principle represented a reinvention for the Tubes at a time when many late 1970s rock acts were adapting to the changing musical landscape of the early 1980s. Songs like "Talk to Ya Later" and "Don't Want to Wait Anymore" became some of their best-known tracks, earning substantial radio airplay and chart success, particularly in the United States. The album’s slick production and catchy hooks helped the Tubes reach a broader audience, establishing it as a pivotal release in their discography. This era demonstrated the band’s versatility and willingness to evolve, balancing their characteristic wit with a commercially viable sound that resonated with both longtime fans and new listeners.
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The Tubes
Used - LP - SP-4534
1975 White Label Promo With Custom Foldout Lyrics Insert. Small, Clean Cut Out Hole. Custom Song Hype Sticker, Promo Sticker And Custom DJ Copy Hype Sticker On Front Cover. Includes The Special Radio Friendly Edit Of "White Punks On Dope."
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The Tubes
New - LP - SP 4534
First Sealed Copy Of This 1975 Original We Have Had In Stock In Ten Years. Saw Cut. “Produced By Al Kooper, This Debut By The Notorious San Francisco Group Is Best Known For The Blazing Anthem "White Punks On Dope." Although The Tubes' Raison D'être Was Their Shock-Rock Stage Dynamic, Bill Spooner, Fee Waybill, And Company Could, On Occasion, Deliver Some Offbeat Pop Splendor. A Good Example Is The Song "Haloes," Co-Written With Kooper, A Tough Power Pop Jewel That Sounds Like Todd Rundgren Colliding With Roxy Music. Also Of Note Is "Boy Crazy," Which Shows Off Spooner's Guitar Skills. But For Every "Haloes" And "Boy Crazy," There's A Novelty Number Consciously Created For The Stage And That Ultimately Embarrasses, Such As "Mondo Bondage" And "Space Baby." Kooper's Production Is Faultless, However, As Are The Horn And String Arrangements By Dominic Frontiere (Frontiere Did The Original Score For The '60s Cult Sci-Fi Show The Outer Limits).” Peter Kurtz, All Music Guide.
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The Tubes
New - LP - SP 4534
Beautiful Sealed 1975 Original. “Produced By Al Kooper, This Debut By The Notorious San Francisco Group Is Best Known For The Blazing Anthem "White Punks On Dope." Although The Tubes' Raison D'être Was Their Shock-Rock Stage Dynamic, Bill Spooner, Fee Waybill, And Company Could, On Occasion, Deliver Some Offbeat Pop Splendor. A Good Example Is The Song "Haloes," Co-Written With Kooper, A Tough Power Pop Jewel That Sounds Like Todd Rundgren Colliding With Roxy Music. Also Of Note Is "Boy Crazy," Which Shows Off Spooner's Guitar Skills. But For Every "Haloes" And "Boy Crazy," There's A Novelty Number Consciously Created For The Stage And That Ultimately Embarrasses, Such As "Mondo Bondage" And "Space Baby." Kooper's Production Is Faultless, However, As Are The Horn And String Arrangements By Dominic Frontiere (Frontiere Did The Original Score For The '60s Cult Sci-Fi Show The Outer Limits).” Peter Kurtz, All Music Guide.
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The Tubes
New - LP - SP 4534
Sealed 1975 Original Withe The Rare "Mondo Bondage" Hype Sticker On The Shrink Wrap And Some Mondo Bondage Going On On The Back Cover! Pristine Copy. “Produced By Al Kooper, This Debut By The Notorious San Francisco Group Is Best Known For The Blazing Anthem "White Punks On Dope." Although The Tubes' Raison D'être Was Their Shock-Rock Stage Dynamic, Bill Spooner, Fee Waybill, And Company Could, On Occasion, Deliver Some Offbeat Pop Splendor. A Good Example Is The Song "Haloes," Co-Written With Kooper, A Tough Power Pop Jewel That Sounds Like Todd Rundgren Colliding With Roxy Music. Also Of Note Is "Boy Crazy," Which Shows Off Spooner's Guitar Skills. But For Every "Haloes" And "Boy Crazy," There's A Novelty Number Consciously Created For The Stage And That Ultimately Embarrasses, Such As "Mondo Bondage" And "Space Baby." Kooper's Production Is Faultless, However, As Are The Horn And String Arrangements By Dominic Frontiere (Frontiere Did The Original Score For The '60s Cult Sci-Fi Show The Outer Limits).” Peter Kurtz, All Music Guide.
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What Do You Want From Live
New - LP - SP 6003
Sealed 1978 2LP Gatefold Original With Rare Custom Picture Hype Sticker On Shrink.
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What Do You Want From Live
New - LP - SP 6003
Sealed 1978 2LP Gatefold Original.
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What Do You Want From Live
New - LP - SP 6003
Factory Sealed 1978 2LP Gatefold Original, Clean COH And Promo Sticker On Cover. Probably A White Label promo. The Beginnings of Ring Wear, Corner Bumping & Rubs.
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What Do You Want From Live
New - LP - SP 6003
Factory Sealed 1978 2LP Gatefold Original, Clean COH And Promo Sticker On Cover. Probably A White Label promo. The Beginnings of Ring Wear, Corner Bumping & Rubs.
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White Punks On Dope
New - 12 - AMS 7323
Sealed 1976 3 Song UK 12 Inch Housed In A Picture Sleeve. B/W "Don't Touch Me There" And "What Do You Want From Life."
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Young And Rich
New - LP - SP 4580
Sealed 1976 Embossed Jacket Original.
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Young And Rich
Used - LP - SP 4580
Later US repressing without embossed jacket. Strong VG++ copy.
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Young And Rich
Used - LP - SP-4580
1976 Original with inner sleeve and hype sticker in embossed jacket. Young and Rich is the sophomore album by San Francisco-based band The Tubes, following their acclaimed self-titled debut. Produced by Ken Scott—renowned for his work with David Bowie and Supertramp—the record showcases the group’s signature blend of theatrical glam rock, satire, and musicianship. This album expands on their art-rock roots, with sharp arrangements and lyrical wit, notably in tracks like “Don’t Touch Me There,” which became an enduring fan favorite and a staple of their provocative live shows. The album’s sound is distinguished by Bill Spooner and Roger Steen’s guitar interplay, Fee Waybill’s dynamic vocals, and Vince Welnick’s inventive keyboard work. Pressed on vinyl, *Young and Rich* offers listeners a dynamic, analog warmth that emphasizes the band’s tight musicianship and rich harmonies, making it a rewarding pick for audiophiles and collectors who appreciate the depth and punch of mid-70s rock records. The album’s original packaging features playful, era-specific artwork that complements the band’s tongue-in-cheek aesthetic, further enhancing its appeal as a vintage vinyl artifact. For music lovers, *Young and Rich* stands as a spirited snapshot of The Tubes’ early creativity and the eclectic flair of 1970s rock.
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