Twain, Shania

Vinyl Records and Rare LPs:

	Come On Over (25th Anniversary Diamond Edition) New - LP - B0037898-01 Sealed 2023 2LP 180gm red vinyl in gatefold. This 25th anniversary diamond edition of the top selling country album is remastered from the original analog tapes. From the infectious opening track "Man! I Feel Like a Woman!" to the emotional ballad "You're Still the One," every song on this record is an instant classic that will stick with you long after the music stops. With its catchy hooks, powerful vocals, and expertly crafted instrumentation, "Come On Over" is a true testament to Twain's skill as a songwriter and performer. But what truly sets this anniversary edition apart is the wealth of bonus materials that have been included. Fans can now enjoy previously unreleased tracks, live performances, and behind-the-scenes insights into the making of the album. It's a treasure trove of musical delights that any Shania Twain fan will cherish. Overall, "Come On Over (25th Anniversary Diamond Edition)" is a shining example of why Shania Twain is one of the most beloved and influential artists of our time. With its timeless appeal and unparalleled musical excellence, this record is a must-have for any serious music lover. more
	Now New - LP - B0026390-01 Sealed 2017 US 2LP Gatefold Original. Deluxe Version With Bonus Tracks. more
	Queen Of Me Colored Vinyl - New - B0036843-02 Sealed 2023 US Version; Neon Pink Vinyl Pressing. "The Exclamation Points Are Back! They're Right At The Forefront, Added To The End Of "Giddy Up!," The Song That Opens Queen Of Me, Effectively Announcing That Shania Twain Is Done With The Introspection That Characterized Her 2017 Album Now. There's Nary A Trace Of Self-Reflection On Queen Of Me. Those Moments Have Been Replaced By Self-Affirmations And Celebrations, Reverie Punctuated By Just A Slight Hint Of Romance. It's A Shift From Not Only The Manicured, Mature Now But The Boot-Stomping Hooks Of Twain's Imperial Phase, As It Moves Shania Quite Far Away From Country; The Only Thing Western About "Giddy Up!" Is The Titular Phrase. Queen Of Me Is A Relentless Pop Album, Bedecked In Spangly Baubles And Slathered In Shiny Digital Effects, All Designed To Bring Shania Twain Firmly Into The Pop Mainstream. The Change Is Deliberate. Twain Collaborates With Producers And Writers Who Have Worked With Such 21st Century Superstars As Justin Bieber, Pitbull, And Halsey, All In An Effort To Give Queen Of Me A Fresh, Sparkling Sheen. There's No Question That She's Game -- She Throws Herself Into The Songs, Not Hesitating When "Pretty Liar" Calls For Her To Curse -- And Her Spirits Are So High They Nearly Counter The Cacophonic Cheer Of The Production. Nevertheless, The End Results Feel Curiously Constrained, As If Twain Was Dancing In Front Of A Mirror Instead Of Underneath A Mirrorball." AMG more
	The Woman In Me New Import - 00602557165746 Sealed 2020 25th Anniversary LP Reissue. "Sometimes, All It Takes For A Singer To Break It Big Is To Have The Right Collaborator And Nowhere Is That Truth More Evident Than With Shania Twain. After Years Of Independent Local Releases And Demo Records, She Released An Ok Major-label Debut On Mercury In 1993 -- A Record That Was Perfectly Fine But Not All That Memorable. Not Long After That, Her Path Crossed With Robert John "Mutt" Lange's, The Producer Behind Some Of The Greatest Albums In Hard Rock History, Including Ac/dc's Back In Black And Def Leppard's Hysteria. Based On That, Lange Didn't Seem Like An Ideal Match For Twain, But They Turned Out To Be Expertly Matched Collaborators -- And Romantic Partners, Too; They Married As They Were Working On The Material That Became Her Second Album, The Woman In Me. Together, They Totally Reworked Twain, Turning Her Into A Bold, Brassy, Sexy, Sassy Modern Woman, Singing Songs That Play Like Tongue-In-Cheek Empowerment Anthems Even When They're About Heartbreak. She Demands That "Any Man Of Mine/Better Walk The Line," Tells A Poor Sap That "(If You're Not In It For Love) I'm Outta Here!" And When She Confronts Her Lover Asking "Whose Bed Have Your Boots Been Under?" It Sounds Like A Threat, Not A Lament. All These Songs Are Painted In Big, Broad Strokes And Lange Uses All The Arena-filling Tricks He's Learned From Def Leppard, Giving These Steady Rhythms And Melodic Hooks That Are Crushed Only By The Mammoth Choruses Which Drill Their Way Into Permanent Memory Upon The First Listen. That's Not To Say That The Woman In Me Is Nothing But Heavy-Handed Pop/Rockers Dressed As Country Tunes -- They Are Good At Ballads Like The Title Song, But They're Even More Impressive On "No One Needs To Know," As Swinging Slice Of Neo- Bakersfield Country So Good You'd Swear That Dwight Yoakam Is Singing Harmony. And That Speaks To The Skill Of Lange As A Producer -- This Is Surely Pop Influenced, But He Doesn't Push It Too Far, For No Matter How Many Rock Tricks Are In The Production Or How Poppy The Tunes Are, They Still Feel Like Country Songs, Especially On "Any Man Of Mine" And "Whose Bed Have Your Boots Been Under?" Anthems For The Post-"Boot Scootin' Boogie" Era, When Country Slowly, Steadily Became The Sound Of Middle-American Adult Pop. Garth Brooks Started The Ball Rolling, But This Is Where The Movement Gained Momentum, And Although This Isn't Pure Country, It Is Country In How It Sounds And Feels, Particularly In How It Captures The Stance And Attitude Of The Modern Women, Thanks In No Small Part To Twain Who Plays This Part To A Hilt. And, Like All The Best Lange Productions, It's So Exquisitely Crafted From The Songs To The Sound That It's Not Only An Instant Pleasure, It's A Sustaining One." AMG - Stephen Thomas Erlewine. more